A collection of essays highlighting the pervasive, yet often unacknowledged, role of Romantic poetry and poetics on modern and contemporary innovative poetry

Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated “late-Romantic” poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism’s poetic and political radicalism and the experimental movements in poetry from the late nineteenth century to the present day.
 
According to editors July Carr and Jeffrey C. Robinson, “active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “Poetry fetter’d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.
 
Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the wellspring from which it flowed.
 
Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis.

How “beauty” in nature is understood and appreciated
 
Aesthetic experience is one of the fundamental ways that we develop a relationship to our natural surroundings. Emily Brady provides a comprehensive study of this type of experience and the central philosophical issues related to it, developing her own original theory of aesthetic appreciation of nature. She provides useful background to the current debate and an up-to-date critical appraisal of contemporary theories.
 
The context of the contemporary debate is laid out through a discussion of aesthetic experience and aesthetic qualities; early theories of aesthetic appreciation of nature, including the beautiful, the sublime, and the picturesque; and differences between artistic and environmental appreciation and interpretation. Brady situates her own approach in relation to a set of noncognitive accounts of appreciation. Her "integrated aesthetic" brings together various features of appreciation, including the senses, emotion, and imagination, with a reappraisal of the concept of disinterestedness. These ideas are further developed within the more practical domains of aesthetic judgment and education of the environment and through an examination of the role of aesthetic value in environmental conservation.
 
Arnold Berleant of Long Island University, a pioneer in this area of research, has declared Brady’s work, “admirably comprehensive coverage of the subject.” Julie C. Van Camp of California State University, Long Beach, has said, “The bibliography is priceless. . . . The discussions of such philosophers as Kant and Dewey seem plausible and understandable to an audience of students and the educated public.” This book will be valuable to readers interested in such wide-ranging subjects as philosophy, aesthetics, ethics, ecology, conservation, environmental policy-making, geography, and landscape architecture.
 

A transformative study by Daniel S. Cozart, Afro-Peruvian Mestizos redefines the narrative of mestizaje in post-abolition Peru, uncovering the hidden histories and enduring strength of Afro-Peruvian communities.

Afro-Peruvian Mestizos: The Invisibility of Blackness in Post-Abolition Peru by Daniel S. Cozart investigates the ideologies of mestizaje, or racial mixing, that Latin American elites used to construct modern national identities during the nineteenth and twentieth centuries. Through close reading of archival records, legal documents, and literary works, Cozart uncovers the systematic exclusion of Afro-Peruvians from the nation's narrative of progress, revealing how their presence was deliberately omitted from official histories and censuses. The abolition of slavery in 1855 marked the beginning of a process where Afro-Peruvians were marginalized, their identities overshadowed by a national narrative that prioritized Indigenous heritage and whiteness.

Drawing on Michel-Rolph Trouillot's framework of historical production, the book traces the contradictions inherent in liberal and positivist ideologies that sought to forge a "raceless" society, all while silencing Afro-Peruvian voices and erasing their history. The conclusion reflects on the significance of erasure for Afro-Peruvians in the twentieth and twenty-first centuries, as they now demand to be seen. This book is a powerful examination of historical silences and the ongoing struggle for recognition in the face of systemic racism.

Does the choice of a particular theory alter the practice of reading

In this collection of essays by seven outstanding American scholars, interests as diverse as feminism, Marxism, deconstruction, and cultural poetics are brought together around a central question: how does the choice of a particular theory alter the practice of reading and do altered practices of reading in turn call forth more theory?
 

Examines Herman Melville’s short fiction and poetry in the context of popular 1850s fiction
 
The study focuses on Melville’s vision of the purpose and function of language from Moby-Dick through Billy Budd with a special emphasis on how language—in function and form—follows and depends on the function and form of the body, how Melville’s attitude toward words echoes his attitude toward fish. Davis begins by locating and describing the fundamental dialectic formulated in Moby-Dick in the characters of Ahab and Ishmael. This dialectic produces two visions of bodily reality and two corresponding visions of language: Ahab’s, in which language is both weapon and substitute body, and Ishmael’s, in which language is an extension of the body—a medium of explanation, conversation, and play. These two forms of language provide a key to understanding the difficult relationships and formal changes in Melville’s writings after Moby-Dick.
 
By following each work’s attitude toward the dialectic, we can see the contours of the later career more clearly and so begin a movement away from weakly contextualized readings of individual novels and short stories to a more complete consideration of Melville’s career. Since the rediscovery of Herman Melville in the early decades of this century, criticism has been limited to the prose in general and to a few major works in particular.
 
Those who have given significant attention to the short fiction and poetry have done so frequently out of context, that is, in multi-author works devoted exclusively to these genres. The result has been a criticism with large gaps, most especially for works from Melville’s later career. The relative lack of interest in the poetry has left us with little understanding of how Melville’s later voices developed, of how the novels evolved into tales, the tales into poetry, and the poetry back into prose. In short, the development of Melville’s art during the final three decades of his life remains a subject of which we have been afforded only glimpses, rarely a continuous attention. After the Whale provides a new, more comprehensive understanding of Melville’s growth as a writer.
*

A kaleidoscopic meditation on grief, memory, and the uncanny, where dreams, histories, and forgotten encyclopedias blur the line between life and afterlife.

In this luminous novel, Angela Woodward chronicles the meaning of death, the illusions of truth, and the strange, shimmering persistence of the self beyond the ordinary boundaries of life. Through fictional encyclopedia entries, surreal vignettes, and personal narratives, Afterlife blurs fact and imagination, the material and the ghostly, with poetic precision and biting wit.

Woodward’s speaker journeys through museums of bird art, cults and conformity, environmental chemicals, and lost loves. What emerges is an elegiac, deeply intelligent inquiry into how we continue to haunt the world—and how the world haunts us back.

A work of literary art that will appeal to readers of experimental fiction, creative nonfiction, and lyric essay, Afterlife invites comparison to writers like Jenny Boully, W. G. Sebald, and Anne Carson. This book is ideal for readers drawn to feminist, hybrid, and formally inventive literature; for those fascinated by the interplay between language and grief; and for anyone who has ever felt the uncanny persistence of the past in corners of the present.

WINNER OF THE FRANCIS B. SIMKINS AWARD, SOUTHERN HISTORICAL ASSOCIATION

WINNER OF THE 2024 BEST FIRST BOOK AWARD FROM PHI ALPHA THETA, THE NATIONAL HISTORY HONOR SOCIETY

A bold reconceptualization of how settler expansion and narratives of victimhood, honor, and revenge drove the conquest and erasure of the Native South and fed the emergence of a distinct white southern identity.

In 1823, Tennessee historian John Haywood encapsulated a foundational sentiment among the white citizenry of Tennessee when he wrote of a “long continued course of aggression and sufferings” between whites and Native Americans. According to F. Evan Nooe, “aggression” and “sufferings” are broad categories that can be used to represent the framework of factors contributing to the coalescence of the white South.

Traditionally, the concept of coalescence is an anthropological model used to examine the transformation of Indigenous communities in the Eastern Woodlands from chieftaincies to Native tribes, confederacies, and nations in response to colonialism. Applying this concept to white southerners, Nooe argues that through the experiences and selective memory of settlers in the antebellum South, white southerners incorporated their aggression against and suffering at the hands of the Indigenous peoples of the Southeast in the coalescence of a regional identity built upon the violent dispossession of the Native South. This, in turn, formed a precursor to Confederate identity and its later iterations in the long nineteenth century.

Geographically, Aggression and Sufferings prioritizes events in South Carolina, Florida, Tennessee, Georgia, and Alabama. Nooe considers how divergent systems of violence and justice between Native Americans and white settlers (such as blood revenge and concepts of honor) functioned in the region and examines the involved societies’ conflicting standards on how to equitably resolve interpersonal violence. Finally, Nooe explores how white southerners constructed, propagated, and perpetuated harrowing tales of colonizers as both victims and heroes in the violent expulsion of the region’s Native peoples from their homelands. This constructed sense of regional history and identity continued to flower into the antebellum period, during western expansion, and well through the twentieth century.
 

A rollicking memoir from the linebacker at the heart of the most famous Alabama football play of all time
 
No university has won more football championships than Alabama, and Barry Krauss played a key role in one of them. The linebacker’s fourth down stop of Penn State’s Mike Guman in the Sugar Bowl on January 1, 1979, was recently named by ESPN as one of the ten most important plays of the 20th century.
 
The Goal Line Stand, as the play became known, immortalized Krauss among legions of fans. More than twenty-five years later, people still tell him exactly what they were doing and how they felt when he collided in mid-air with Guman that New Year’s Day—and almost never mention his twelve-year career in the NFL.
 
In this entertaining and well-illustrated memoir, Krauss tells of scrimmaging on front lawns with friends as a kid in Pompano Beach, Florida, and of his childhood dream to play for Don Shula. He acknowledges how Coach Bear Bryant tamed his free spirit and shaped him into the football player—and the man—he became. In addition, he emphasizes the importance of team, weaving together the personal stories of his Alabama teammates on the field during the Goal Line Stand, and acknowledges their significant roles in winning the game and the championship.
 
Ain’t Nothin’ But a Winner offers an insider’s look at how a team is built, tested, and becomes a national champion—and how that process sometimes calls upon an individual to rise to the challenge presented by his own personal gut check.
 

The architect of the successful air strategy which led to Allied victory

Arthur Tedder, who was knighted and raised to the peerage for his contributions to the Allied victory in World War II, served in the British air force in World War I and played an important role in professionalizing and organizing British air forces between the two world wars. During World War II, he held a succession of increasingly vital air force posts.
 
In addition to his achievements as Air Commander-in-Chief in the North African theater early in the war, Tedder’s most lasting contribution was as Deputy Supreme Commander under Dwight D. Eisenhower. He deserves much credit for keeping the Allied command functioning and harmonious. He was also the architect of the successful air strategy Eisenhower adopted for the Normandy invasion of 1944, which departed from both the British and American existing doctrine and models by concentrating on German rail systems rather than on either civilian or industrial targets.
 

A hypnotic tale of a Jewish refugee from Europe and his three years stranded aboard the Vasari

The Airship is the entrancing fictional biography of Nathan Cohen, who was deported from the US in 1912 under the Alien Act and spent the first years of World War I on a passenger ship, shuttled between the US and Argentina. Newspapers called him “The Wandering Jew” and “The Man Without a Country,” speculating he would spend the rest of his life at sea.

Adam Tipps Weinstein provides a wise, rich, nuanced, and mischievous exploration of Cohen’s emigration from Bauska, in the Russian Pale of Settlement, to Las Pampas, in Argentina. The Airship is finally Cohen’s wish for a new line of flight, which he realizes when he launches his beloved Laika, aboard a scavenged hot-air balloon.

Told through a series of incantations—spells, songs, folk tales, ghosts, charms—the book traces Cohen’s biography across time and a great expanse of geography. The concepts of home and homeland are stretched until they break. Was there ever a home? The Airship incants these paradoxes of location, nationality, faith, and belonging in a bordered and borderless world.
 

A collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman
 
Alabama Afternoons is a collection of portraits of many notable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
 
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
 
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Theresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
 
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”
Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html
 
 

Forging Alabama’s legacy: The definitive history of every blast furnace from pioneer charcoal fires to industrial giants.

Alabama Blast Furnaces by Joseph H. Woodward II offers the only comprehensive history of every blast furnace constructed in Alabama between 1815 and 1940, tracing a vital chapter in the state's iron and steel legacy. Beginning with the pioneering Cedar Creek charcoal furnace in 1815, Woodward meticulously chronicles four distinct eras: 

          Pioneer Era (1815–1861): Early, locally focused furnaces that laid the foundation of Alabama’s iron industry;

          Civil War Era (1861–1865): Furnaces mobilized for the Confederate war effort, including Northern raids, labor shortages, and innovation under duress;

          Reconstruction Era (1866–1879): Transition from stone-stack furnaces toward iron- and steel-shelled technology; and 

          Modern Era (1880–1940): The rise of large-scale coke-fired plants that propelled Alabama onto the national and international stage. 

The heart of the book is a rich series of illustrated, furnace-by-furnace histories—capturing specifics on every site, including four that were built but never operated. With 50 detailed illustrations and rigorous documentation, this reissue—part of the Library of Alabama Classics series—features a new introduction by historian James R. Bennett, who situates Woodward’s work in its historical context and underscores its lasting relevance.

Originally compiled in 1940 by a member of the Woodward Iron Company family, the volume remains a seminal reference for scholars, students, and industrial history enthusiasts. Its thorough scope ensures every furnace—whether a modest pioneer operation or a towering industrial complex—has its story preserved. As one reviewer notes, this work covers furnaces that “made Alabama internationally significant in the iron and steel industry,” offering a level of detail unmatched in regional history. 

 

A detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state.

John H. Foshee’s popular and informative Alabama Canoe Rides and Float Trips has been a favorite of canoeing enthusiasts since 1975, providing a detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state. The trips highlighted in the book range from 3½ to 14 miles in length, with difficulty factors varying from leisurely float trips to Class 4 rapids.

This handy guide will assist beginning and expert canoeists in the selection of and preparation for a variety of float experiences. The author gives suggestions for river safety and makes recommendations for equipment. In addition, he points out major danger areas and obstacles that may be encountered and includes information on river access and use of topographical maps. An appendix contains brief descriptions of the rides, including their put-ins and take-outs, and follows the general format of the individual trip descriptions.
 

A visually rich survey of two hundred years of Alabama fine arts and artists
 
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
 
Published to coincide with the state’s bicentennial, Alabama Creates:  200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
 
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works.  Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
 
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.

A biographical history of the forefathers who shaped the identity of Alabama politically, legally, economically, militarily, and geographically
 
While much has been written about the significant events in the history of early Alabama, there has been little information available about the people who participated in those events. In Alabama Founders:Fourteen Political and Military Leaders Who Shaped the State Herbert James Lewis provides an important examination of the lives of fourteen political and military leaders. These were the men who opened Alabama for settlement, secured Alabama’s status as a territory in 1817 and as a state in 1819, and helped lay the foundation for the political and economic infrastructure of Alabama in its early years as a state.
 
While well researched and thorough, this book does not purport to be a definitive history of Alabama’s founding. Lewis has instead narrowed his focus to only those he believes to be key figures—in clearing the territory for settlement, serving in the territorial government, working to achieve statehood, playing a key role at the Constitutional Convention of 1819, or being elected to important offices in the first years of statehood.
 
The founders who readied the Alabama Territory for statehood include Judge Harry Toulmin, Henry Hitchcock, and Reuben Saffold II. William Wyatt Bibb and his brother Thomas Bibb respectively served as the first two governors of the state, and Charles Tait, known as the “Patron of Alabama,” shepherded Alabama’s admission bill through the US Senate. Military figures who played roles in surveying and clearing the territory for further settlement and development include General John Coffee, Andrew Jackson’s aide and land surveyor, and Samuel Dale, frontiersman and hero of the “Canoe Fight.” Those who were instrumental to the outcome of the Constitutional Convention of 1819 and served the state well in its early days include John W. Walker, Clement Comer Clay, Gabriel Moore, Israel Pickens, and William Rufus King.
 

An entirely revised and updated edition of the best-selling 2001 original
 
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama’s years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
 
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
 
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
 
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become a valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
 

The Spring 2024 issue of the South's popular, long-running history magazine, Alabama Heritage. This issue features articles about Black Tuscaloosans attacked by the Ku Klux Klan on June 9, 1964, an event known as Bloody Tuesday. Other features include a fresh perspective on the Civil War Battle of Mobile Bay, which made David "Damn the torpedoes" Farragut famous. A special feature about Alabama and the American presidency and a spotlight on Autauga County are other features that round out this issue that inaugurates a new design. 

An authoritative popular history that places the state in regional and national context.

Penned by one of Alabama’s most distinguished historians, this masterful work offers a sweeping yet intimate portrait of a century that reshaped both the state and the nation. With clarity, wit, and deep insight, the author traces the dramatic arc of the 20th century—from the dawn of flight and the rise of industrial power to revolutions in psychology, literature, and morality—all through the lens of Alabama’s unique experience.

Far more than a catalog of events, this book is a meditation on transformation. It captures the spirit of Alabamians as they confronted change with determination and vision, reckoning with the promises and perils of modernity. The author’s deep respect for archival sources and fellow scholars is matched by his gift for storytelling, making this an accessible and compelling read for both academics and general audiences.

With a voice honed by decades of scholarship and a heart rooted in Southern soil, the author brings history to life—illuminating how one state mirrored the nation’s evolution while forging its own path. This is essential reading for anyone seeking to understand Alabama’s place in the American story.
 

WINNER OF THE ANNE B. & JAMES B. MCMILLAN PRIZE IN SOUTHERN HISTORY

Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes.

Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.

Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.

In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
 

An expansive and accessible primer on Alabama state politics, past and present, which provides an in-depth appreciation and understanding of the twenty-second state’s distinctive political machinery
 
Why does Alabama rank so low on many of the indicators of quality of life? Why did some of the most dramatic developments in the civil rights revolution of the 1960s take place in Alabama? Why is it that a few interest groups seem to have the most political power in Alabama? William H. Stewart’s Alabama Politics in the Twenty-First Century explores these questions and more, illuminating many of the often misunderstood details of contemporary Alabama politics in this cohesive and comprehensive publication.
 
The Alabama state government, especially as a specimen of Deep South politics, is a topic of frequent discussion by its general public—second only to college football. However, there remains a surprising lack of literature focusing on the workings of the state’s bureaucracy in an extensive and systematic way. Bearing in mind the Yellowhammer State’s long and rich political history, Stewart concentrates on Alabama’s statecraft from the first decade of the twenty-first century through the November 2010 elections and considers what the widespread Republican victories mean for their constituents. He also studies several different themes prominent during the 2010 elections, including the growing number and influence of special interest groups, the respective polarization of whites and blacks into the Republican and Democratic parties, and the increasingly unwieldy state constitution.
 
This fascinating and revealing text provides a wealth of information about an extremely complex state government. Featuring detailed descriptions of important concepts and events presented in a thorough and intelligible manner, Alabama Politics in the Twenty-First Century is perfect for scholars, students, everyday Alabamians, or anyone who wants the inside scoop on the subtle inner workings of the Cotton State’s politics.

A comprehensive, illustrated history that shows Alabama's important role in the development of the nation's railroad system
 
Alabama Railroads is the first extensive history of the state’s railway system, from the chartering of the Tuscumbia Railway Company in January 1830, to the maturity of the system in the latter half of the 20th century, when Amtrak assumed control of the nation’s passenger service.
 
Railroads built Alabama. Without them the state’s vast natural resources could not have been developed. Scores of Alabama towns, including the city of Birmingham, owe their existence to the railroads. Moreover, Alabama legislators were instrumental in securing passage of momentous land grant legislation that brought the railroad—and settlers—to every section of the American frontier.
 
During the Civil War, the state’s rail system was a primary objective of Union raiders, and an Alabama rail connection into Chattanooga proved to be a vital key to victory. After the war, the railroad shaped politics and economic development in the state. Indeed, most of the important events of the first 100 years of Alabama history were influenced in a significant manner by the railroad. Alabama Railroads chronicles these events—from land grant legislation and the strategic importance of Alabama’s railroads in the Civil War to the founding of Birmingham and the development of the state’s agricultural, mineral, and timber regions.
 
Wayne Cline traces the development of all the major lines as well as the most prominent short lines, from the day in 1832 when the first horse-drawn cars rolled over primitive tracks at Tuscumbia, to the night in 1971 at Sylacauga when the final operating order was issued for one of the 20th century’s most famous streamliners. Along the way we meet the varied cast of colorful characters who pioneered the railway system that serves the state today. With more than 100 rare and vintage illustrations from the 19th and early 20th centuries, Alabama Railroads places Alabama’s rail heritage in a national context and allows students of southern history as well as railroad enthusiasts to view this Deep South state from an entirely fresh perspective.
 

A lavish presentation of 208 folksongs collected throughout Alabama in the 1940s
 
Alabama is a state rich in folksong tradition, from old English ballads sung along the Tennessee River to children’s game songs played in Mobile, from the rhythmic work songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical heritage of blacks and whites, rich and poor, hill folk and cotton farmers, these songs endure as a living part of the state’s varied past.
 
In the mid 1940s Byron Arnold, an eager young music professor from The University of Alabama, set out to find and record as many of these songs as he could and was rewarded by unstinting cooperation from many informants. Mrs. Julia Greer Marechal of Mobile, for example, was 90 years old, blind, and a semi-invalid, but she sang for Arnold for three hours, allowing the recording of 33 songs and exhausting Arnold and his technician. Helped by such living repositories as Mrs. Marechal, the Arnold collection grew to well over 500 songs, augmented by field notes and remarkable biographical information on the singers.
 
An Alabama Songbook is the result of Arnold’s efforts and those of his informants across the state and has been shaped by Robert W. Halli Jr. into a narrative enriched by more than 200 significant songs-lullabies, Civil War anthems, African-American gospel and secular songs, fiddle tunes, temperance songs, love ballads, play-party rhymes, and work songs. In the tradition of Alan Lomax’s The Folk Songs of North America and Vance Randolph’s Ozark Folksongs, this volume will appeal to general audiences, folklorists, ethnomusicologists, preservationists, traditional musicians, and historians.
 

The story of Alabama—where history shaped a state and a nation.

Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.

From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.

Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.

Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.

Collects the most recent findings of virtually all experts in the field as of 2012
 
Alabama Wildlife, Volume 5 offers a comprehensive update and provides a wealth of new information concerning changes and developments relative to the conservation status of wild animal populations of the state that have occurred in the decade since publication of the previous four volumes in 2004. Enhancements include the addition of any new or rediscovered taxon, species priority status changes, and taxonomic changes, plus the addition of the crayfishes, which were left out previously because so little was known about these understudied taxa.
 
A complete taxonomic checklist is included, which lists each imperiled taxon along with its priority designation followed by detailed species accounts. The eighty-four crayfish species accounts are comprised of a physical description (including a photograph, when available), distribution map, habitat summary, key life history, ecological information, basis for its status classification, and specific conservation and management recommendations. This revised expansion of the Alabama Wildlife set will be helpful to those seeking to broaden their knowledge of Alabama’s vast wildlife resources and will greatly influence future studies in the conservation of many of the imperiled species.
 

A vignette of local Southern history

Among the villains, heroes, rogues and demigods who inhabit Southern folklore, Stephen S. Renfroe deserves a place. In the twentieth-century a few popular magazine and newspaper articles have been written about Renfroe, while Carl Carmer’s Stars Fell on Alabama, published in 1934, devoted several pages to him. Other than this, all is previously know about the enigmatic sheriff who because an outlaw is in the form of a legend.
 
In general, Renfroe appeared in the Black Belt town of Livingston, Alabama in the late 1860s and quickly became a member of the Ku Klux Klan. Allegedly playing a major role in driving out carpetbaggers and ridding Sumter County of Radical Republican rule, he was awarded with the office of sheriff. However, he reverted to a pattern of crime that earned him disgrace and ostracism.
 
As to his origins, his background, and the details of his career—much has been speculated but little has been documented. Although no statue commemorates Renfroe’s role as a statesman, educator, or solider (his highest military rank was that of private), a case can be made that he helped shape the course of politics in Alabama’s Black Belt.
 

The first book-length study of the writings, work, and life of Renaissance man and Alabama native Albert Murray

This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.
 
Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
 

Illuminates how algorithms, intertwined with human biases, damage political discourse and civic engagement.

Algorithmic Worldmaking is an urgent exploration of the dynamic relationship between algorithms that encode their human creators’ assumptions and the humans whose choices are shaped by these algorithms in search engines, social media, and other digital spaces. Transcending discussions of one or the other, Jeremy David Johnson traces the corrupting political and social influences that arise from their mutual interaction.

Johnson uses the concept of kosmos in its sense of a dynamic order to frame the interplay between algorithms, humans, and their environments. He first shows how algorithms, far from being objective or unbiased, perpetuate human errors. Johnson then suggests a framework of four parts—navigation, exploration, maintenance, and monetization—to map the variety of political consequences to a society influenced by these four factors.

Citing controversies at major platforms such as Google, YouTube, and Facebook, Johnson demonstrates how algorithms limit and shape human thought. He makes several persuasive arguments. First, algorithms and humans share agency but humans have exceptional responsibility. Second, the algorithmic kosmos mirrors and shapes social oppression. Third, algorithms incentivize capitalist exploitation. Last, these influences damage democratic deliberation.

This landmark study is essential for scholars and students of political science, media studies, and those interested in the perilous implications of algorithmic systems on civic and political life.

A study of realism and folk literature and of the sources and techniques of storytelling

Alias Simon Suggs is a study in the life and writings of Johnson J. Hooper of Alabama, and is a masterful contribution to American biography and to American literature.
 
Extensively documented with illuminating footnotes and revealing references, its style is direct and captivating and will appeal to those who enjoy entertaining biography will relish the privilege of reading it.

Winner of the PEN/Jerard Fund Award
 
Patricia Foster’s lyrical yet often painful memoir explores the life of a white middle-class girl who grew up in rural south Alabama in the 1950s and 1960s, a time and place that did not tolerate deviation from traditional gender roles. Her mother raised Foster and her sister as “honorary boys,” girls with the ambition of men but the temperament of women.
 
An unhappy, intelligent woman who kept a heartbreaking secret from everyone close to her, Foster's mother was driven by a repressed rage that fed her obsession for middle-class respectability. By the time Foster reached age fifteen, her efforts to reconcile the contradictory expectations that she be at once ambitious and restrained had left her nervous and needy inside even while she tried to cultivate the appearance of the model student, sister, and daughter. It was only a psychological and physical breakdown that helped her to realize that she couldn't save her driven, complicated mother and must struggle instead for both understanding and autonomy.
 

The complex friendship between a black housekeeper and her Jewish employer is at the heart of Hoffman’s prize-winning novel about life in the civil rights era South

Nebraska Waters is black. Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold out their window, and into their homes, they are like family—almost.

As Nebraska makes her way, day in and out, to Vivian’s house to cook and help tend the Gold children, the “almost” threatens to widen into a great divide. The two women’s husbands affect their relationship, as do their children, Viv Waters and Benjamin Gold, born the same year and coming of age in a changing South. The bond between the women both strengthens and frays.

Winner of the Lillian Smith Book Award and Alabama Library Association Award for fiction, Roy Hoffman’s Almost Family explores the relationship that begins when one person goes to work for another, and their friendship—across lines of race, income, and religion—develops degrees of understanding yet growing misunderstanding.

The complex friendship between a black housekeeper and her Jewish employer is at the heart of Hoffman’s prize-winning novel about life in the civil rights era South

Nebraska Waters is black. Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold out their window, and into their homes, they are like family—almost.

As Nebraska makes her way, day in and out, to Vivian’s house to cook and help tend the Gold children, the “almost” threatens to widen into a great divide. The two women’s husbands affect their relationship, as do their children, Viv Waters and Benjamin Gold, born the same year and coming of age in a changing South. The bond between the women both strengthens and frays.

Winner of the Lillian Smith Book Award and Alabama Library Association Award for fiction, Roy Hoffman’s Almost Family explores the relationship that begins when one person goes to work for another, and their friendship—across lines of race, income, and religion—develops degrees of understanding yet growing misunderstanding. This edition commemorates the 35th anniversary of the book’s publication and features a foreword by the author and includes a discussion guide for readers and book clubs.
 

The first-ever English translation of the memoirs of botanist and naturalist Karl Heller

This volume is the first-ever English translation of the memoirs of Karl Heller, a twenty-year-old aspiring Austrian botanist who traveled to Mexico in 1845 to collect specimens. He passed through the Caribbean, lived for a time in the mountains of Veracruz, and journeyed to Mexico City through the cities of Puebla and Cholula. After a brief residence in the capital, Heller moved westward to examine the volcanoes and silver mines near Toluca. When the United States invaded Mexico in 1846–47 conditions became chaotic, and the enterprising botanist was forced to flee to Yucatán. Heller lived in the port city of Campeche, but visited Mèrida, the ruins of Uxmal, and the remote southern area of the Champotòn River. From there Heller, traveling by canoe, journeyed through southern Tabasco and northern Chiapas and finally returned to Vienna through Cuba and the United States bringing back thousands of samples of Mexican plants and animals.

Heller's account is one of the few documents we have from travelers who visited Mexico in this period, and it is particularly useful in describing conditions outside the capital of Mexico City. In 1853 Heller published his German-language account as Reisen in Mexiko, but the work has remained virtually unknown to English or Spanish readers. This edition now provides a complete, annotated, and highly readable translation.
 

A prismatic, imaginative exploration of David Bowie’s last days

An intricate collage-novel fusing and confusing fact and imagination, Always Crashing in the Same Car is a prismatic exploration of David Bowie through multiple voices and perspectives—the protean musician himself, an academic trying to compose a critical monograph about him, friends, lovers, musicologists, and others in Bowie’s orbit.

At its core beat questions about how we read others, how we are read by them, how (if at all) we can tell the past with something even close to accuracy, what it feels like being the opposite of young and still committed to bracing, volatile innovation.

Set during Bowie’s last months—those during which he worked on his acclaimed final album Black Star while battling liver cancer and the consequences of a sixth heart attack—yet washing back and forth across his exhilarating, kaleidoscopically costumed life, Always Crashing in the Same Car enacts a poetics of impermanence, of art, of love, of truth, even of death, that apparently most permanent of conditions.

The definitive biography Amelia Gayle Gorgas, one of the most influential people in the history of the University of Alabama

Amelia Gayle Gorgas (June 1, 1826–January 3, 1913) was the head librarian and postmaster of the University of Alabama for 25 years in the late nineteenth and early twentieth centuries. After the University's original library was burned by Union troops just days before Lee's surrender at Appomattox, Gorgas played a central role in the creation of a new library, expanding the collection from 6,000 to 20,000 volumes. She worked till the age of 80 in 1907, and, in gratitude for her years of service, the University's main library is named in her honor. This book tells her story. 

Amelia was the daughter of John Gayle, governor of Alabama from 1831 to 1835, and the wife of Josiah Gorgas, chief of ordnance for the Confederate armies. Their six children included William Crawford Gorgas, surgeon-general of the United States Army. Brought up in the antebellum South, Gorgas nevertheless was a leader in the physical and intellectual reconstruction of the University after the Civil War, both providing some stablizing continuity but also embracing change. 

The life of Amelia Gayle Gorgas disproves stereotypes of fragile Southern women. Readers of her story can see in episode after episode the strength, resiliency, and perseverance that the times called for. The extensive and penetrating scholarship of Mary Tabb Johnston and Elizabeth Johnston Lipscomb present Gorgas's story in brisk and enticing detail that will delight readers interesting in the University of Alabama and Southern history.

 

Fakery, authenticity, and identity in American literature and culture at the turn of the 20th century
 
Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real.
 
When counterfeiting is applied to individual identities, it fosters fluidity in social boundaries and the games of social climbing and passing that have come to be representative of American culture: the Horatio Alger story, the con man or huckster, the social climber, the ethnically ambiguous.
 
Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
 

Reconsiders the centrality of a remarkable American writer of the ante- and postbellum periods

Elizabeth Stoddard was a gifted writer of fiction, poetry, and journalism; successfully published within her own lifetime; esteemed by such writers as William Dean Howells and Nathaniel Hawthorne; and situated at the epicenter of New York’s literary world. Nonetheless, she has been almost excluded from literary memory and importance. This book seeks to understand why. By reconsidering Stoddard’s life and work and her current marginal status in the evolving canon of American literary studies, it raises important questions about women’s writing in the 19th century and canon formation in the 20th century.

Essays in this study locate Stoddard in the context of her contemporaries, such as Dickinson and Hawthorne, while others situate her work in the context of major 19th-century cultural forces and issues, among them the Civil War and Reconstruction, race and ethnicity, anorexia and female invalidism, nationalism and localism, and incest. One essay examines the development of Stoddard’s work in the light of her biography, and others probe her stylistic and philosophic originality, the journalistic roots of her voice, and the elliptical themes of her short fiction. Stoddard’s lifelong project to articulate the nature and dynamics of woman’s subjectivity, her challenging treatment of female appetite and will, and her depiction of the complex and often ambivalent relationships that white middle-class women had to their domestic spaces are also thoughtfully considered.

The editors argue that the neglect of Elizabeth Stoddard’s contribution to American literature is a compelling example of the contingency of critical values and the instability of literary history. This study asks the question, “Will Stoddard endure?” Will she continue to drift into oblivion or will a new generation of readers and critics secure her tenuous legacy?

Brings various important topics and groups in American religious history the rigor of scholarly assessment of the current literature

Fruitful questions that are posed by the positions and experiences of the various groups are carefully examined. American Denominational History points the way for the next decade of scholarly effort.

Examines the strengths and weaknesses of both the dramatic and cinematic arts

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa?
 
American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events.
 
But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
 

Fresh new perspectives on the study of religion, ranging from a church-architecture mecca of Southeast Indiana to what an atheist parent believes
 
American Examples: New Conversations about Religion, Volume One is the first in a series of annual anthologies published in partnership with the Department of Religious Studies at The University of Alabama. The American Examples initiative gathers scholars from around the world for a series of workshops designed to generate big questions about the study of religion in America. Bypassing traditional white Protestant narratives in favor of new perspectives on belief, social formation, and identity, American Examples fellows offer dynamic perspectives on American faith that challenge our understandings of both America and religion as categories.
 
In the first volume of this exciting academic project, five topically and methodologically diverse scholars vividly reimagine the potential applications of religious history. The five chapters of this inaugural volume use case studies from America, broadly conceived, to ask larger theoretical questions that are of interest to scholars beyond the subfield of American religious history.
 
Prea Persaud’s chapter explores the place of Hinduism among the “creole religions” of the Caribbean, while Hannah Scheidt captures what atheist parents say to each other about value systems. Travis Warren Cooper explains how the modernist church architecture of Columbus, Indiana, became central to that city’s identity. Samah Choudhury dissects how Muslim American comedians navigate Western ideas of knowledge and self to make their jokes, and their own selves legible, and Emily D. Crews uses ethnographic fieldwork to read the female reproductive body among Nigerian Pentecostal congregations. Editor Michael J. Altman also provides a brief, rich introduction assessing the state of the discipline of religious history and how the American Examples project can lead the field forward.
 
Visit americanexamples.ua.edu for more information on the group and news about upcoming projects.
 

American Examples: New Conversations about Religion, Volume Three, is the third in a series of annual anthologies produced by the American Examples workshop hosted by the Department of Religious Studies at the University of Alabama. In the latest volume from this innovative academic project, ten topically and methodologically diverse scholars vividly reimagine the meaning and applications of American religious history. These ten chapters use case studies from America, broadly conceived, to ask trenchant theoretical questions that are of interest to scholars and students within and beyond the subfield of American religious history.

Visit americanexamples.ua.edu for more information on upcoming workshop dates and future projects.

 

 

Case studies that vividly reimagine the meaning and applications of American religious history 

American Examples: New Conversations about Religion, Volume Four, continues the annual anthology series produced by the American Examples workshop at the University of Alabama’s Department of Religious Studies. The goal of American Examples is to examine examples of “something someone called religious, somewhere someone called America” by asking theoretical questions that exceed the boundaries of American religion or American religious history. This volume features seven essays exploring examples ranging from American Muslim headwear to online pickup artists to the connections between Dutch immigrants and Japanese students. This collection offers valuable insights for scholars and students within and beyond the field of American religious history.

Visit americanexamples.ua.edu for more information on upcoming workshop dates and future projects

Redefines American religion through bold case studies and fresh theoretical approaches

American Examples: New Conversations about Religion, Volume 5 continues the groundbreaking series from the Department of Religious Studies at the University of Alabama. Edited by Rachel E. C. Beckley, Jacob Lassin, Andrew Klumpp, and Michael J. Altman, this volume features seven innovative essays that challenge conventional understandings of religion in America.

From the sacred choreography of HBCU majorette dance to the spiritual significance of Korean American supermarket chain H Mart, and from evangelical summer camps to metaphysical theories of energy and oil, these essays explore “something someone called religion, somewhere someone called America.” Drawing on interdisciplinary methods—Black studies, queer theory, performance studies, and more—this collection reimagines how religion is practiced, embodied, and theorized across diverse American contexts. Volume 5 not only expands the boundaries of American religious history but also highlights the work of emerging scholars pushing the field forward. Accessible and thought provoking, this anthology is essential reading for students and scholars of religion, race, gender, and American culture.
 

Provides a clear view of the realities of the economic and social interactions between Native groups and the expanding Euro-American population
 
The last quarter of the 18th century was a period of extensive political, economic, and social change in North America, as the continent-wide struggle between European superpowers waned. Native groups found themselves enmeshed in the market economy and new state forms of control, among other new threats to their cultural survival. Native populations throughout North America actively engaged the expanding marketplace in a variety of economic and social forms. These actions, often driven by and expressed through changes in material culture, were supported by a desire to maintain distinctive ethnic identities.
 
Illustrating the diversity of Native adaptations in an increasingly hostile and marginalized world, this volume is continental in scope—ranging from Connecticut to the Carolinas, and westward through Texas and Colorado. Calling on various theoretical perspectives, the authors provide nuanced perspectives on material culture use as a manipulation of the market economy. A thorough examination of artifacts used by Native Americans, whether of Euro-American or Native origin, this volume provides a clear view of the realities of the economic and social interactions between Native groups and the expanding Euro-American population and the engagement of these Native groups in determining their own fate.
 

Fills a need for a comprehensive study of this twentieth-century literary movement
 
Although a handful of books and articles have been written about American literary Minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Ann Beattie was asked how she felt about being “classed as a minimalist,” she began her answer: “none of us have ever known what that means.” Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary Minimalism. Robert C. Clark’s American Literary Minimalism fills this significant gap.
 
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the Imagists and literary Impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “form is thought,” and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of Minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
 
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway’s In Our Time; Raymond Carver’s Cathedral; Jay McInerney’s Bright Lights, Big City; Susan Minot’s Monkeys; Sandra Cisneros’s Caramelo; and Cormac McCarthy’s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.
 

WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE 

The rearview mirror perspective of a road trip across the American “open road.”

The American Open Road: Narrative and Popular Imagination offers a rich exploration of how the mythos of the open road has shaped, and been shaped by, American culture. Beginning with the post–World War II boom that solidified car culture as central to American life, Melton reflects on how roads, automobiles, and landscapes have been represented in literature, film, and other cultural texts, highlighting the interplay between mobility and narrative.

Drawing on a wide range of cultural texts, from traditional classic road novels and cinematic presentations, to advertisements, poetry, and prose, Melton examines how the open road functions as a symbol of autonomy, reinvention, and resistance. He highlights how road narratives have also exposed deeper tensions in American life—especially around race, gender, and power—and how historically marginalized voices have used the road to reclaim space and tell new stories.

From the romanticism of Route 66 to the political edge of modern road films, The American Open Road offers a thoughtful, engaging analysis of the narratives that continue to define American identity and longing. For readers interested in cultural history, travel literature, or the enduring pull of the highway, this book offers a compelling view from the passenger seat of America’s most iconic journeys.

Explores the ways American poetry engages with visual art, music, fiction, spirituality, and performance art

Many people think of poetry as a hermetic art, as though poets wrote only about themselves or as if the subject of poetry were finally only poetry—its forms and traditions. Indeed much of what constitutes poetry in the lyric tradition depends on a stringently controlled point of view and aims for a timeless, intransitive utterance. Stephen Fredman’s study proposes a different perspective.

American Poetry as Transactional Art explores a salient quality of much avant-garde American poetry that has so far lacked sustained treatment: namely, its role as a transactional art. Specifically Fredman describes this role as the ways it consistently engages in conversation, talk, correspondence, going beyond the scope of its own subjects and forms—its existential interactions with the outside world. Poetry operating in this vein draws together images, ideas, practices, rituals, and verbal techniques from around the globe, and across time—not to equate them, but to establish dialogue, to invite as many guests as possible to the World Party, which Robert Duncan has called the “symposium of the whole.”

Fredman invites new readers into contemporary poetry by providing lucid and nuanced analyses of specific poems and specific interchanges between poets and their surroundings. He explores such topics as poetry’s transactions with spiritual traditions and practices over the course of the twentieth century; the impact of World War II on the poetry of Charles Olson and George Oppen; exchanges between poetry and other art forms including sculpture, performance art, and ambient music; the battle between poetry and prose in the early work of Paul Auster and in Lyn Hejinian’s My Life. The epilogue looks briefly at another crucial transactional occasion: teaching American poetry in the classroom in a way that demonstrates that it is at the center of the arts and at the heart of American culture.

A firsthand account of the American Jewish experience on the front lines of the Korean War

During the height of the Korean conflict, 1950–51, Orthodox Jewish chaplain Milton J. Rosen wrote 19 feature-length articles for Der Morgen Zhornal, a Yiddish daily in New York, documenting his wartime experiences as well as those of the servicemen under his care. An American Rabbi in Korea is an English translation of Rosen's important articles prepared by his son and annotated with background about Rosen's military service, a general introduction to the war and conflict on the Korean peninsula, and numerous maps and photographs.

Rosen was among those nearly caught in the Chinese entrapment of American and Allied forces in North Korea in late 1950, and some of his most poignant writing details the trying circumstances that faced both soldiers and civilians during that time. As chaplain, Rosen was able to offer a unique account of the American Jewish experience on the frontlines and in the United States military while also describing the impact of the American presence on Korean citizens and their culture. His interest in Korean attitudes toward Jews is also a significant theme within these articles. The sum is a readable account of war and its turmoil from an astute and compassionate observer.
 

Shows how American scientists emerged from a disorganized group of amateurs into a professional body sharing a common orientation and common goals
 
In this first effort to define an American scientific community, originally published in 1968, George Daniels has chosen for special study the 56 scientists most published in the 16 scientific journals identified as “national” during the period 1815 to 1845. In this reprint edition, with a new preface and introduction, Daniels shows how American scientists emerged from a disorganized group of amateurs into a professional body sharing a common orientation and common goals.
 

Tracing the first footsteps through a changing land at the edge of time.

The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.

The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
 

Tells the experiences of one unit, the 3rd Battalion, 3rd Marines, during Operation Desert Storm

Building from interviews with the members of the battalion, Otto Lehrack examines the nature of warfare in the Persian Gulf. The terrain of the Arabian Peninsula and the disposition of the enemy dictated conventional warfare requiring battalion and regimental assaults coordinated at the division level, so interviewees are primarily the officers and senior non-commissioned officers concerned.

The 3rd of the 3rd, also known as “America’s Battalion,” had just returned from deployment in the summer of 1990 when they were required to immediately re-deploy to a strange land to face a battle-hardened enemy after Iraq invaded Kuwait. Theirs was only the second Marine battalion to arrive in Saudi Arabia. They participated in the first allied ground operation of the war, played a key role in the battle for the city of Khafji, and were the first to infiltrate the Iraqi wire and minefield barrier in order to provide flank security for the beginning of the allied offensive.

Facing an enemy that had used some of the most fearsome weapons of mass destruction—chemical and biological agents—against its former opponents and against its own people, the Marines had been prepared for the worst. Lehrack has documented this unit’s remarkable performance through the accounts of those who participated in the historic events in the Persian Gulf and returned home to tell of them.
 

America’s National Cemeteries offers a historical and reflective exploration of the 156 national cemeteries across the United States. Through his personal travelogue and 180 photographs, Timothy B. Spears examines the cemeteries' evolving significance, intertwining military service, mortality, and America's enduring social challenges.

America's Pursuit of Precision Bombing, 1910-1945 offers a meticulously researched and lively account of the development of the renowned Norden bombsight and its curious relationship to American strategic bombing doctrine and practice. The Norden bombsight was the United States' first "secret weapon," ultimately the best optical bombsight produced anywhere. It was America's most expensive secret program prior to the Manhattan Project. Its development was supported not by the Army Air Corps, but by the U.S. Navy's Bureau of Ordnance. The work spanned nearly twenty years in absolute secrecy and in clear contravention of military procurement policies and statute law.

Carl Norden, its brilliant and eccentric inventor, was a Dutch national who never became an American citizen. He took little interest in the day-to-day operations of the firm that bore his name, doing the bulk of his design work at his mother's home in Switzerland, even in 1939-40. His designs were sent back to the United States via sealed diplomatic pouch. Complications arose in World War II when the U.S. Navy retained three-quarters of the instruments despite having little need for them. Also, as production shifted from hand-crafting to mass production, the accuracy of the bombsights fell.

McFarland's exhaustive account remains a definitive and authoritative history of this fascinating piece of technology.

Imagines the development of the Western Hemisphere without European contact and colonization
 
This work answers the hypothetical question: What would the Americas be like today—politically, economically, culturally—if Columbus and the Europeans had never found them, and how would American peoples interact with the world’s other societies? It assumes that Columbus did not embark from Spain in 1492 and that no Europeans found or settled the New World afterward, leaving the peoples of the two American continents free to follow the natural course of their Native lives.

The Americas That Might Have Been is a professional but layman-accessible, fact-based, nonfiction account of the major Native American political states that were thriving in the New World in 1492. Granberry considers a contemporary New World in which the glories of Aztec Mexico, Maya Middle America, and Inca Peru survived intact. He imagines the roles that the Iroquois Confederacy of the American Northeast, the powerful city-states along the Mississippi River in the Midwest and Southeast, the Navajo Nation and the Pueblo culture of the Southwest, the Eskimo Nation in the Far North, and the Taino/Arawak chiefdoms of the Caribbean would play in American and world politics in the 21st Century.

Following a critical examination of the data using empirical archaeology, linguistics, and ethnohistory, Granberry presents a reasoned and compelling discussion of native cultures and the paths they would have logically taken over the past five centuries. He reveals the spectacular futures these brilliant pre-Columbian societies might have had, if not for one epochal meeting that set off a chain of events so overwhelming to them that the course of human history was forever changed.
 

An intimate ethnographic narrative of one indigenous family in the twentieth-century Caribbean

Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.
 
In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.
 
The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.
 
In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.
 
Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
 

Colorful and lively personal essays about life in the wilds of Alabama’s Mobile-Tensaw River Delta
 
Among the Swamp People is the story of author Watt Key’s discovery of the Mobile-Tensaw River Delta. “The swamp” consists of almost 260,000 acres of wetlands located just north of Mobile Bay. There he leases a habitable outcropping of land and constructs a primitive cabin from driftwood to serve as a private getaway. His story is one that chronicles the beauties of the delta’s unparalleled natural wonders, the difficulties of survival within it, and an extraordinary community of characters—by turns generous and violent, gracious and paranoid, hilarious and reckless—who live, thrive, and perish there.
 
There is no way into the delta except by small boat. To most it would appear a maze of rivers and creeks between stunted swamp trees and mud. Key observes that there are few places where one can step out of a boat without “sinking to the knees in muck the consistency of axle grease. It is the only place I know where gloom and beauty can coexist at such extremes. And it never occurred to me that a land seemingly so bleak could hide such beauty and adventure.”
 
It also chronicles Key’s maturation as a writer, from a twenty-five-year-old computer programmer with no formal training as a writer to a highly successful, award-winning writer of fiction for a young adult audience with three acclaimed novels published to date.
 
In learning to make a place for himself in the wild, as in learning to write, Key’s story is one of “hoping someone—even if just myself—would find value in my creations.”
 

Strategy, sea, and swamp—redefining the battle that shaped America’s Gulf frontier.

Amphibious Campaign for West Florida and Louisiana, 1814–1815 is a definitive military history of the Gulf Coast operations that culminated in the Battle of New Orleans, one of the most pivotal engagements of the War of 1812. Written by retired Marine Corps Major General Wilburt S. Brown, this book offers a deeply analytical and interpretive account of the campaign, grounded in a meticulous review of primary sources and informed by modern military doctrine.

Brown examines the strategic decisions, logistical challenges, and tactical maneuvers of both British and American forces as they vied for control of West Florida and Louisiana. He reconstructs the complex amphibious operations, the coordination between naval and land forces, and the leadership of figures such as Andrew Jackson and Sir Edward Pakenham. With military precision and narrative clarity, Brown brings to life the suspense and significance of the campaign, emphasizing its broader implications for American sovereignty and military development.

This volume stands out not only for its scholarly rigor but also for its ability to engage readers with the drama and urgency of historical warfare. It remains one of the most authoritative accounts of the Gulf Coast theater and is essential reading for historians, military scholars, and anyone interested in the evolution of American defense strategy.

Rounds out Edward J. Lenik’s comprehensive and expert study of the rock art of northeastern Native Americans
 
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.
 
Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.
 
The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.

A provocative analysis of the ways our culture suffers amythia
 
Amythia results when cosmology and morality are not effectively integrated by a root metaphor, and the only possibility for the future is to transpose the old Christian God as Person to a root metaphor that is even older in origin, the concept of the Covenant tradition inherited from Israel but now understood in a nonsupernaturalist manner.
 
Rue asserts that amythia is a critical condition within the natural history of Western culture. The argument of the book begins with a theoretical perspective on the place of human culture within the scope of natural history and proceeds to establish the conceptual foundations for a natural history of culture.
 
Following an overview of the natural history of Western culture to expose the origins and depth of the contemporary intellectual and moral crisis, Rue moves on to specify and justify the limits of distinctiveness and plausibility appropriate for the task of transposing Covenant tradition. Finally, an appeal is made to the mythmakers of contemporary culture to take up the challenge of amythia.
 

This delightfully eccentric novel orbits about the character of one “Siva,” a woman who is perhaps a Hindi divinity, probably merely a Midwestern housewife, but also very possibly a porn-queen

What if Western revolution and Eastern reincarnation were discovered to be the same thing? What if the Hindu classic The Mahabharata and Hugo's Les Miserables were in fact the same book? And what would it feel like if one person were able to experience this epic east/west continuance in one life? This delightfully eccentric novel orbits about the character of one “Siva,” a woman who is perhaps a Hindi divinity, probably merely a Midwestern housewife, but also very possibly a porn-queen. Her web of tales takes her bewildered husband and the reader on a mythic and philosophic storytelling trek from ancient India, to the Paris Commune, to the St. Louis Hegelians, and finally to a neighborhood very like yours. Curtis White's Anarcho-Hindu is an unabashedly learned investigation of these recondite matters. Like The Bhagavad-Gita, the epic tale of cousin aligned against cousin in monstrous self-destruction, Anarcho-Hindu is a book about people willingly conspiring in their own defeat. Against this self-inflicted human suffering, this novel proposes the gestures of self-understanding and play that can liberate us both politically and personally. The heroes of the book are the ghostly spirits of Marx and Krishna, together for the first time, engaged in the inspired play called Refusal.
 

A comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology
 
Ancient Borinquen is a re-examination of the archaeology of Puerto Rico, drawing data from beyond the boundaries of the island itself because in prehistoric times the waters between islands would not have been viewed as a boundary in the contemporary sense of the term. The last few decades have witnessed a growth of intense archaeological research on the island, from material culture in the form of lithics, ceramics, and rock art; to nutritional, architecture, and environmental studies; to rituals and social patterns; to the aftermath of Conquest.

It is unlikely that prehistoric occupants recognized the same boundaries and responded to the same political forces that operated in the formation of current nations, states, or cities. Yet, archaeologists traditionally have produced such volumes and they generally represent anchors for ongoing research in a specific region, in this case the island of Puerto Rico, its immediate neighbors, and the wider Caribbean basin.
 
Ancient Borinquen provides a comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology, and it reflects and illuminates similar concerns elsewhere in the West Indies, lowland South America, and Central America.
 

A Dan Josselyn Memorial Publication
 
Focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi
 
Within the last 50 years archaeologists have discovered that around the 10th century AD, native southeastern peoples began a process of cultural change far more complex than anything that had occurred previously. These late prehistoric societies—known as Mississippian—have come to be regarded as chiefdoms. The chiefdoms are of great anthropological interest because in these kinds of societies social hierarchies or rank and status were first institutionalized.
 
Ancient Chiefdoms of the Tombigbee focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi. Exploring the relationships involving polity size, degree of social ranking, and resource control provides insights into cycles of chiefdom development and fragmentation. Blitz concludes that the sanctified, security maintenance roles of communal food storage management and war leadership were a sufficient basis for formal chiefly authority but insufficient for economically based social stratification.
 

Ancient Indigenous Cuisines explores the deep cultural and historical roots of Indigenous food traditions across the Americas, revealing how culinary practices are intertwined with ritual, identity, and resistance. Susan Kooiman blends archaeology, ethnography, and food studies to illuminate how ancient recipes and cooking techniques continue to shape contemporary Indigenous resilience and cultural revitalization.

A key illustrated guide to artifacts and other findings from archaeological excavations along the coastal areas of Belize. Starting with the canal location, archaeologists were able to reconstruct 19 settlements on Ambergris Caye. Their findings offer tantalizing clues about the nature of Maya coastal civilization and their extensive maritime trade network.

Examines how information derived from archaeological investigations can be presented artistically to educate the general public
 
Known widely in Europe as “interpretive narrative archaeology,” the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This book is the first compilation of international case studies of the various artistic methods used in this new form of education—one that makes archaeology “come alive” for the nonprofessional. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery—all can effectively communicate archaeological processes and cultural values to public audiences.

The contributors to this volume are a diverse group of archaeologists, educators, and artisans who have direct experience in schools, museums, and at archaeological sites. Citing specific examples, such as the film The English Patient, science fiction mysteries, and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize, and demystify the research process. A 16-page color section illuminates their examples, and an accompanying CD includes relevant videos, music, web sites, and additional color images.
*

Paints a compelling picture of impressive pre-Columbian cultures and Old World civilizations that, contrary to many prevailing notions, were not isolated from one another
 
In Ancient Ocean Crossings: Reconsidering the Case for Contacts with the Pre-Columbian Americas, Stephen Jett encourages readers to reevaluate the common belief that there was no significant interchange between the chiefdoms and civilizations of Eurasia and Africa and peoples who occupied the alleged terra incognita beyond the great oceans.
 
More than a hundred centuries separate the time that Ice Age hunters are conventionally thought to have crossed a land bridge from Asia into North America and the arrival of Columbus in the Bahamas in 1492. Traditional belief has long held that earth’s two hemispheres were essentially cut off from one another as a result of the post-Pleistocene meltwater-fed rising oceans that covered that bridge. The oceans, along with arctic climates and daunting terrestrial distances, formed impermeable barriers to interhemispheric communication. This viewpoint implies that the cultures of the Old World and those of the Americas developed independently.
 
Drawing on abundant and concrete evidence to support his theory for significant pre-Columbian contacts, Jett suggests that many ancient peoples had both the seafaring capabilities and the motives to cross the oceans and, in fact, did so repeatedly and with great impact. His deep and broad work synthesizes information and ideas from archaeology, geography, linguistics, climatology, oceanography, ethnobotany, genetics, medicine, and the history of navigation and seafaring, making an innovative and persuasive multidisciplinary case for a new understanding of human societies and their diffuse but interconnected development.
 

An examination of two seemingly incongruous areas of study: classical models of argumentation and modern modes of digital communication
 
What can ancient rhetorical theory possibly tell us about the role of new digital media technologies in contemporary public culture? Some central issues we currently deal with—making sense of information abundance, persuading others in our social network, navigating new media ecologies, and shaping broader cultural currents—also pressed upon the ancients.
 
Ancient Rhetorics and Digital Networks makes this connection explicit, reexamining key figures, texts, concepts, and sensibilities from ancient rhetoric in light of the glow of digital networks, or, ordered conversely, surveying the angles and tangles of digital networks from viewpoints afforded by ancient rhetoric. By providing an orientation grounded in ancient rhetorics, this collection simultaneously historicizes contemporary developments and reenergizes ancient rhetorical vocabularies.
 
Contributors engage with a variety of digital phenomena including remix, big data, identity and anonymity, memes and virals, visual images, decorum, and networking. Taken together, the essays in Ancient Rhetorics and Digital Networks help us to understand and navigate some of the fundamental communicative issues we deal with today.

Journals and letters, translated from the original French, bring Michaux’s work to modern readers and scientists
 
Known to today’s biologists primarily as the “Michx.” at the end of more than 700 plant names, André Michaux was an intrepid French naturalist. Under the directive of King Louis XVI, he was commissioned to search out and grow new, rare, and never-before-described plant species and ship them back to his homeland in order to improve French forestry, agriculture, and horticulture. He made major botanical discoveries and published them in his two landmark books, Histoire des chênes de l’Amérique (1801), a compendium of all oak species recognized from eastern North America, and Flora Boreali-Americana (1803), the first account of all plants known in eastern North America.
 
Straddling the fields of documentary editing, history of the early republic, history of science, botany, and American studies, André Michaux in North America: Journals and Letters, 1785–1797 is the first complete English edition of Michaux’s American journals. This copiously annotated translation includes important excerpts from his little-known correspondence as well as a substantial introduction situating Michaux and his work in the larger scientific context of the day.
 
To carry out his mission, Michaux traveled from the Bahamas to Hudson Bay and west to the Mississippi River on nine separate journeys, all indicated on a finely rendered, color-coded map in this volume. His writings detail the many hardships—debilitating disease, robberies, dangerous wild animals, even shipwreck—that Michaux endured on the North American frontier and on his return home. But they also convey the soaring joys of exploration in a new world where nature still reigned supreme, a paradise of plants never before known to Western science. The thrill of discovery drove Michaux ever onward, even ultimately to his untimely death in 1802 on the remote island of Madagascar.
 

Winner of the Elizabeth Agee Prize in American Literature
 
An audacious, interdisciplinary study that combines the burgeoning fields of digital aesthetics and eco-criticism
 
In Animal, Vegetable, Digital, Elizabeth Swanstrom makes a confident and spirited argument for the use of digital art in support of ameliorating human engagement with the environment and suggests a four-part framework for analyzing and discussing such applications.
 
Through close readings of a panoply of texts, artworks, and cultural artifacts, Swanstrom demonstrates that the division popular culture has for decades observed between nature and technology is artificial. Not only is digital technology not necessarily a brick in the road to a dystopian future of environmental disaster, but digital art forms can be a revivifying bridge that returns people to a more immediate relationship to nature as well as their own embodied selves.
 
To analyze and understand the intersection of digital art and nature, Animal, Vegetable, Digital explores four aesthetic techniques: coding, collapsing, corresponding, and conserving. “Coding” denotes the way artists use operational computer code to blur distinctions between the reader and text, and, hence, the world. Inviting a fluid conception of the boundary between human and technology, “collapsing” voids simplistic assumptions about the human body’s innate perimeter. The process of translation between natural and human-readable signs that enables communication is described as “corresponding.” “Conserving” is the application of digital art by artists to democratize large- and small-scale preservation efforts.
 
A fascinating synthesis of literary criticism, communications and journalism, science and technology, and rhetoric that draws on such disparate phenomena as simulated environments, video games, and popular culture, Animal, Vegetable, Digital posits that partnerships between digital aesthetics and environmental criticism are possible that reconnect humankind to nature and reaffirm its kinship with other living and nonliving things.
 

 

Stark and vibrant, the two halves of this sutured book expose the Frankenstein-like scars of the assemblage we call “human”
 
In “Another Governess” a woman in a decaying manor tries to piece together her own story. In “The Least Blacksmith” a man cannot help but fail his older brother as they struggle to run their father’s forge.
 
Each of the stories stands alone, sharing neither characters nor settings. But together, they ask the same question: What are the wages of being? The relentless darkness of these tales is punctured by hope—the violent hope of the speaking subject.
 

Gathers the best work of flourishing but often-neglected avant-garde southern poets

Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor.

Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry.

Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
 

An engaging look at the rise and fall of cultural diversity in the colonial South and its role in shaping a distinct southern identity
 
The 18th-century South was a true melting pot, bringing together colonists from England, France, Germany, Ireland, Switzerland, and other locations, in addition to African slaves—all of whom shared in the experiences of adapting to a new environment and interacting with American Indians. The shared process of immigration, adaptation, and creolization resulted in a rich and diverse historic mosaic of cultures.
 
The cultural encounters of these groups of settlers would ultimately define the meaning of life in the nineteenth-century South. The much-studied plantation society of that era and the Confederacy that sprang from it have become the enduring identities of the South. A full understanding of southern history is not possible, however, without first understanding the intermingling and interactions of the region’s eighteenth-century settlers. In the essays collected here, some of the South’s leading historical archaeologists examine various aspects of the colonial experience, attempting to understand how cultural identity was expressed, why cultural diversity was eventually replaced by a common identity, and how the various cultures intermeshed.
 
Written in accessible language, this book will be valuable to archaeologists and non-archaeologists alike. Cultural, architectural, and military historians, cultural anthropologists, geographers, genealogists, and others interested in the cultural legacy of the South will find much of value in this book.

Offers insights into important facets of Alabama’s ante-bellum history
 
Ante-Bellum Alabama: Town and Country was written to give the reader insight into important facets of Alabama’s ante-bellum history. Presented in the form of case studies from the pre-Civil War period, the book deals with a city, a town, a planter’s family, rural social life, attitudes concerning race, and Alabama’s early agricultural and industrial development.
 
Ante-bellum Alabama’s primary interest was agriculture; the chief crop was King Cotton; and most of the people were agriculturalists. Towns and cities came into existence to supply the agricultural needs of the state and to process and distribute farm commodities. Similarly, Alabama’s industrial development began with the manufacture of implements for farm use, in response to the state’s agricultural needs. Rural-agriculture influences dominated the American scene; and in this respect Alabama was typical of her region as well as of most of the United States.
 

Choice Outstanding Academic Title for 2002
 
A clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past
 
Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of “wannabe” Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in “Old South” days.
 
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
 
This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the “lost Indian ancestor” myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.

Examines the inherently problematic nature of representation and description of living people in ethnography and in anthropological work
 
In Anthropology and the Politics of Representation volume editor Gabriela Vargas-Cetina brings together a group of international scholars who, through their fieldwork experiences, reflect on the epistemological, political, and personal implications of their own work. To do so, they focus on such topics as ethnography, anthropologists’ engagement in identity politics, representational practices, the contexts of anthropological research and work, and the effects of personal choices regarding self-involvement in local causes that may extend beyond purely ethnographic goals.
 
Such reflections raise a number of ethnographic questions: What are ethnographic goals? Who sets the agenda for ethnographic writing? How does fieldwork change the anthropologist’s identity? Do ethnography and ethnographers have an impact on local lives and self-representation? How do anthropologists balance long-held respect for cultural diversity with advocacy for local people? How does an author choose what to say and write, and what not to disclose? Should anthropologists support causes that may require going against their informed knowledge of local lives?