ABOUT THIS BOOK

In this biting, lyrical memoir, Camara Lundestad Joof, born in Bodø to Norwegian and Gambian parents, shares her experiences as a queer Black Norwegian woman. Joof’s daily encounters belie the myth of a colorblind contemporary Scandinavia. She wrestles with the fickle palimpsest of memory, demanding communion with her readers even as she recognizes her own exhaustion in the face of constantly being asked to educate others.

“I regularly decide to quit talking to white people about racism,” writes Joof. Such discussions often feel unproductive, the occasional spark of hope coming at enormous personal cost. But not talking about it is impossible, a betrayal of self. The book is a self-examination as well as societal indictment. It is an open challenge to readers, to hear her as she talks about it, all the time.

AUTHOR BIOGRAPHY

Camara Lundestad Joof is the 2020–24 playwright in residence at Nationaltheatret (The National Theatre) in Oslo, Norway; her works have also been staged in Sweden, Denmark, Italy, and Germany. Recent plays include Samtaler med bror and De må føde oss eller pule oss for å elske oss.

Olivia Noble Gunn is an associate professor of Scandinavian studies and the Sverre Arestad Endowed Chair in Norwegian Studies at the University of Washington and the author of Empty Nurseries, Queer Occupants: Reproduction and the Future in Ibsen’s Late Plays.

REVIEWS

“[Joof’s] collection of fragmented anecdotes is radical, candid, and unapologetic, documenting with introspection the experience of being Black in a white society in which macro- and microaggressions are ubiquitous. . . . Sharp, complex, and lingering, the memoir I Talk about It All the Time places its masterful compilation of devastating truths in the context of Scandinavian racism.”

— Foreword Reviews (starred review)

“Candid, insightful, hard-hitting testimony against the myth of racial colorblindness.”

— Kirkus Reviews

“This gemlike book relentlessly dramatizes the particularities of Norwegian racism. The power of Joof's observations increases in proportion to their understated precision. Her gentle voice is wholly deceptive. She slices through the delusions, denials, and defensiveness that distinguish the unthinkable racism of Scandinavian society.”

— Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness

“A stunning memoir told in illuminating fragments. Joof’s devastating narrative captures what it costs to navigate spaces where you are constantly treated as if you do not belong.”

— Ethelene Whitmire, author of Regina Anderson Andrews, Harlem Renaissance Librarian

“Beautifully, immersively written, these everyday and reflective snapshots from the life of a Black, queer Norwegian woman are searing, insightful, and so recognizable for other women in the Black European diaspora.”

— Gloria Wekker, author of White Innocence: Paradoxes of Colonialism and Race

“An important and exceptional memoir that will give readers greater insight into and understanding of the pervasiveness of racism, bias, and discrimination against a person’s sexual orientation.”

— Library Journal

“[A] sharp, one-of-a-kind memoir. . . . [Joof’s] reflections on colorblind racism, the systemic unbelonging of people of color and the labor they must perform to dismantle it are keen, caustic and right on time.”

— Ms. Magazine

TABLE OF CONTENTS

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