Patagonia. The name connotes the exotic and a distance that seems nearly mythical. Tucked toward the toe of South America, this largely unsettled landscape is among the most varied and breathtaking in the world-aching in its beauty as it sweeps from the Andes through broad, arid steppes to pristine beaches and down to a famously violent sea. It is also home to a vast array of rare wildlife as diverse and fascinating as the region itself.

Act III in Patagonia is the first book to take an in-depth look at wildlife and human interaction in this spectacular area of the world. Written by William Conway, former president of the Wildlife Conservation Society, the book is unique in its concentration on the long Patagonian shoreline--populated by colorful cormorants, penguins, elephant seals, dolphins, sea lions, and numerous species of whale--and an increasing number of human beings.

Threatened by overfishing, invasive species, artificially abundant predators, and overgrazing, the Southern Cone of Patagonia is now the scene of a little-known conservation drama distinguished by the efforts of a dedicated group of local and foreign scientists determined to save one of the Earth's least-inhabited places. From tracking elephant seals in the Atlantic to following flamingos in the Andes, Act III in Patagonia takes readers to the sites where real-life field science is taking place. It further illuminates the ecology of the region through a history that reaches from the time of the Tehuelche Indians known by Magellan, Drake, and Darwin to the present.

Conway has helped to establish more than a dozen wildlife reserves in South America and is thus able not only to tell Patagonia's history, but to address its future. He brings a wealth of knowledge about Patagonia and its wildlife and responds to the difficult questions of how the interests of humans and wildlife are best balanced. He tells of the exciting collaborations among the Wildlife Conservation Society and its national and provincial partners to develop region-wide programs to save wildlife in steppes, coast, and sea, demonstrating that, with public support, there is hope for this stunning corner of the world. Though singular in their details, the conservation efforts Conway spotlights are a microcosm of what is happening in dozens of sites around the world.

Most of us grew up with Aesop's Fables—tales of talking animals, with morals attached. In fact, the familiar versions of the stories attributed to this enigmatic and astute storyteller are based on adaptations of Aesop by the liberated Roman slave Phaedrus. In turn, Phaedrus's renderings have been rewritten so extensively over the centuries that they do not do justice to the originals. In Aesop's Human Zoo, legendary Cambridge classicist John Henderson puts together a surprising set of up-front translations—fifty sharp, raw, and sometimes bawdy, fables by Phaedrus into the tersest colloquial English verse.

Providing unusual insights into the heart of Roman culture, these clever poems open up odd avenues of ancient lore and life as they explore social types and physical aspects of the body, regularly mocking the limitations of human nature and offering vulgar or promiscuous interpretations of the stuff of social life.

Featuring folksy proverbs and satirical anecdotes, filled with saucy naughtiness and awful puns, Aesop's Human Zoo will amuse you with its eccentricities and hit home with its shrewdly candid and red raw messages. The entertainment offered in this volume of impeccably accurate translations is truly a novelty—a good-hearted and knowing laugh courtesy of classical poetry. Beginning to advanced classicists and Latin scholars will appreciate the original Latin text provided in this bilingual edition. The splash of classic Thomas Bewick wood engravings to accompany the fables renders the collection complete.

Although Herman Melville’s Moby-Dick is beloved as one of the most profound and enduring works of American fiction, we rarely consider it a work of nature writing—or even a novel of the sea. Yet Pulitzer Prize–winning author Annie Dillard avers Moby-Dick is the “best book ever written about nature,” and nearly the entirety of the story is set on the waves, with scarcely a whiff of land. In fact, Ishmael’s sea yarn is in conversation with the nature writing of Emerson and Thoreau, and Melville himself did much more than live for a year in a cabin beside a pond. He set sail: to the far remote Pacific Ocean, spending more than three years at sea before writing his masterpiece in 1851.

A revelation for Moby-Dick devotees and neophytes alike, Ahab’s Rolling Sea is a chronological journey through the natural history of Melville’s novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction. King then climbs to the crow’s nest, setting Melville in the context of the American perception of the ocean in 1851—at the very start of the Industrial Revolution and just before the publication of On the Origin of Species. King compares Ahab’s and Ishmael’s worldviews to how we see the ocean today: an expanse still immortal and sublime, but also in crisis. And although the concept of stewardship of the sea would have been entirely foreign, if not absurd, to Melville, King argues that Melville’s narrator Ishmael reveals his own tendencies toward what we would now call environmentalism.

Featuring a coffer of illustrations and an array of interviews with contemporary scientists, fishers, and whale watch operators, Ahab’s Rolling Sea offers new insight not only into a cherished masterwork and its author but also into our evolving relationship with the briny deep—from whale hunters to climate refugees.

The natural world is filled with diverse—not to mention quirky and odd—animal behaviors. Consider the male praying mantis that continues to mate after being beheaded; the insects, insects, and birds that offer gifts of food in return for sex; the male hip-pocket frog that carries his own tadpoles; the baby spiders that dine on their mother; or the starfish that sheds an arm or two to escape a predator's grasp. In Ain’t Love Grand, Marty Crump—a tropical field biologist well known for her work with the reproductive behavior of amphibians—examines the bizarre conduct of animals as they mate, parent, feed, defend themselves, and communicate. More importantly, Crump points out that diverse and unrelated animals often share seemingly erratic behaviors—evidence, Crump argues, that these natural histories, though outwardly weird, are actually successful ways of living.

Collects the most recent findings of virtually all experts in the field as of 2012
 
Alabama Wildlife, Volume 5 offers a comprehensive update and provides a wealth of new information concerning changes and developments relative to the conservation status of wild animal populations of the state that have occurred in the decade since publication of the previous four volumes in 2004. Enhancements include the addition of any new or rediscovered taxon, species priority status changes, and taxonomic changes, plus the addition of the crayfishes, which were left out previously because so little was known about these understudied taxa.
 
A complete taxonomic checklist is included, which lists each imperiled taxon along with its priority designation followed by detailed species accounts. The eighty-four crayfish species accounts are comprised of a physical description (including a photograph, when available), distribution map, habitat summary, key life history, ecological information, basis for its status classification, and specific conservation and management recommendations. This revised expansion of the Alabama Wildlife set will be helpful to those seeking to broaden their knowledge of Alabama’s vast wildlife resources and will greatly influence future studies in the conservation of many of the imperiled species.
 

 

Exploring how the bird has been celebrated in proverbs, folk stories, art, and ceremonies, Barwell shows how people marvel at the way the albatross soars through the air, covering awe-inspiring distances with little effort thanks to its impressive wingspan. He surveys the many approaches people have taken to thinking about the albatross over the past two hundred years—from those who devoted their lives to these birds to those who hunted them for food and sport—and discusses its place in the human imagination. Concluding with a reflection on the bird’s changing significance in the modern world, Barwell considers threats to its continued existence and its prospects for the future. With one hundred illustrations from nature, film, and popular culture, Albatross is an absorbing look at these beautiful birds.

Perhaps no creature has so fired the imagination of a populace as the armadillo—that most ungainly, awkward, and timid little animal. Its detractors call it a varmint and wish it good speed from the Lone Star State and its other natural territories. But its supporters claim that it is the animal kingdom’s representative of all that’s truly Texan: tough, pioneering, adaptable, and generous in sharing its habitation with others. What is it that sets this quizzical little creature apart from the rest of the animal kingdom? Larry L. Smith and Robin W. Doughty ably answer this question in The Amazing Armadillo: Geography of a Folk Critter. This informative book traces the spread of the nine-banded armadillo from its first notice in South Texas late in the 1840s to its current range east to Florida and north to Missouri. The authors look at the armadillo’s natural history and habitat as well as the role of humans in promoting its spread, projecting that the animal is increasing in both range and number, continuing its ecological success in areas where habitat and climate are favorable. The book also contributes to a long-standing research theme in geography—the relationship between humans and wildlife. It explores the armadillo’s value to the medical community in current research in Hansen’s Disease (leprosy) as well as commercial uses, and abuses, of the armadillo in recent times. Of particular note is the author’s engaging look at the armadillo as a symbol of popular culture, the efforts now underway to make it a “totem animal” symbolizing the easy-going lifestyles of some Sunbelt cities, and the spread of the craze for armadilliana to other urban centers.

Elephants have fascinated humans for millennia. Aristotle wrote of them with awe; Hannibal used them in warfare; and John Donne called the elephant “Nature’s greatest masterpiece. . . . The only harmless great thing.” Their ivory has been sought after and treasured in most cultures, and they have delighted zoo and circus audiences worldwide for centuries. But it wasn’t until the second half of the twentieth century that people started to take an interest in elephants in the wild, and some of the most important studies of these intelligent giants have been conducted at Amboseli National Park in Kenya.

            
The Amboseli Elephants is the long-awaited summation of what’s been learned from the Amboseli Elephant Research Project (AERP)—the longest continuously running elephant research project in the world. Cynthia J. Moss and Harvey Croze, the founders of the AERP, and Phyllis C. Lee, who has been closely involved with the project since 1982, compile more than three decades of uninterrupted study of over 2,500 individual elephants, from newborn calves to adult bulls to old matriarchs in their 60s. Chapters explore such topics as elephant ecosystems, genetics, communication, social behavior, and reproduction, as well as exciting new developments from the study of elephant minds and cognition. The book closes with a view to the future, making important arguments for the ethical treatment of elephants and suggestions to aid in their conservation.

            
The most comprehensive account of elephants in their natural environment to date, The Amboseli Elephants will be an invaluable resource for scientists, conservationists, and anyone interested in the lives and loves of these extraordinary creatures.        

Pronghorn antelope are the fastest runners in North America, clocked at speeds of up to 100 kilometers per hour. Yet none of their current predators can come close to running this fast. Pronghorn also gather in groups, a behavior commonly viewed as a "safety in numbers" defense. But again, none of their living predators are fearsome enough to merit such a response.

In this elegantly written book, John A. Byers argues that these mystifying behaviors evolved in response to the dangerous predators with whom pronghorn shared their grassland home for nearly four million years: among them fleet hyenas, lions, and cheetahs. Although these predators died out ten thousand years ago, pronghorn still behave as if they were present—as if they were living with the ghosts of predators past.

Byers's provocative hypothesis will stimulate behavioral ecologists and mammalogists to consider whether other species' adaptations are also haunted by selective pressures from predators past. The book will also find a ready audience among evolutionary biologists and paleontologists.

There’s no sound quite like it, or as viscerally terrifying: the ominous rattle of the timber rattlesnake. It’s a chilling shorthand for imminent danger, and a reminder of the countless ways that nature can suddenly snuff us out.
 
Yet most of us have never seen a timber rattler. Though they’re found in thirty-one states, and near many major cities, in contemporary America timber rattlesnakes are creatures mostly of imagination and innate fear.
 
Ted Levin aims to change that with America’s Snake, a portrait of the timber rattlesnake, its place in America’s pantheon of creatures and in our own frontier history—and of the heroic efforts to protect it against habitat loss, climate change, and the human tendency to kill what we fear. Taking us from labs where the secrets of the snake’s evolutionary history are being unlocked to far-flung habitats whose locations are fiercely protected by biologists and dedicated amateur herpetologists alike, Levin paints a picture of a fascinating creature: peaceable, social, long-lived, and, despite our phobias, not inclined to bite. The timber rattler emerges here as emblematic of America and also, unfortunately, of the complicated, painful struggles involved in protecting and preserving the natural world.
 
A wonderful mix of natural history, travel writing, and exemplary journalism, America’s Snake is loaded with remarkable characters—none more so than the snake at its heart: frightening, perhaps; endangered, certainly; and unquestionably unforgettable.

The year he graduated from college, 22-year-old Noah Strycker was dropped by helicopter in a remote Antarctic field camp with two bird scientists and a three months’ supply of frozen food. His subjects: more than a quarter million penguins.

Compact, industrious, and approachable, the Adélie Penguins who call Antarctica home visit their breeding grounds each Antarctic summer to nest and rear their young before returning to sea. Because of long-term studies, scientists may know more about how these penguins will adjust to climate change than about any other creature in the world.

Bird scientists like Noah are less well known. Like the intrepid early explorers of Antarctica, modern scientists drawn to the frozen continent face an utterly inhospitable landscape, one that inspires, isolates, and punishes.

With wit, curiosity, and a deep knowledge of his subject, Strycker recounts the reality of life at the end of the Earth—thousand-year-old penguin mummies, hurricane-force blizzards, and day-to-day existence in below freezing temperatures—and delves deep into a world of science, obsession, and birds.

Among Penguins weaves a captivating tale of penguins and their researchers on the coldest, driest, highest, and windiest continent on Earth. Birders, lovers of the Antarctic, and fans of first-person adventure narratives will be fascinated by Strycker’s book.

The product of fifteen years of work by top herpetologists, this book is a comprehensive examination of the amphibians and reptiles of Arkansas, featuring over 136 species and subspecies. With over five hundred four-color photos, line drawings, and over one hundred maps, this user-friendly book will become the definitive text on the subject.

World renowned for its biological diversity and model conservation system, Costa Rica is home to a wide variety of amphibians and reptiles, from the golden toad to the scorpion lizard and the black-headed bushmaster. Jay M. Savage has studied these fascinating creatures for more than forty years, and in The Amphibians and Reptiles of Costa Rica he provides the most comprehensive, up-to-date treatment of their biology and evolution ever produced.

Savage begins with detailed discussions of the natural and cultural history of Costa Rica, setting the stage for a detailed treatment of each of the 396 species of amphibians and reptiles that may be found there. Each species account synthesizes and analyzes everything that is known about the animal's anatomy, behavior, geographic distribution, systematics, and evolutionary history and provides keys for identifying amphibians and reptiles in the field. In addition to distribution maps and systematic and morphological illustrations, the book includes color photographs of almost every known species, many taken by the distinguished nature photographers Michael and Patricia Fogden.

Because Costa Rica has played, and continues to play, a pivotal role in the study of tropical biology as well as in the development of ecotourism and ecoprospecting, and because more than half of the amphibians and reptiles in Costa Rica are also found elsewhere in Central America, The Amphibians and Reptiles of Costa Rica will be an essential book for a wide audience of nature lovers, naturalists, ecotourists, field biologists, conservationists, and government planners.

We all have an animal story—the pet we loved, the wild animal that captured our childhood imagination, the deer the neighbor hit while driving. While scientific breakthroughs in animal cognition, the effects of global climate change and dwindling animal habitats, and the exploding interdisciplinary field of animal studies have complicated things, such stories remain a part of how we tell the story of being human. Animal Acts collects eleven exciting, provocative, and moving stories by solo performers, accompanied by commentary that places the works in a broader context.

Work by leading theater artists Holly Hughes, Rachel Rosenthal, Deke Weaver, Carmelita Tropicana, and others joins commentary by major scholars including Donna Haraway, Jane Desmond, Jill Dolan, and Nigel Rothfels. Una Chaudhuri’s introduction provides a vital foundation for understanding and appreciating the intersection of animal studies and performance. The anthology foregrounds questions of race, gender, sexuality, class, nation, and other issues central to the human project within the discourse of the “post human,” and will appeal to readers interested in solo performance, animal studies, gender studies, performance studies, and environmental studies.

What does ­it mean to live and die in relation to other animals?  Animal Intimacies posits this central question alongside the intimate—and intense—moments of care, kinship, violence, politics, indifference, and desire that occur between human and non-human animals. 
 
Built on extensive ethnographic fieldwork in the mountain villages of India’s Central Himalayas, Radhika Govindrajan’s book explores the number of ways that human and animal interact to cultivate relationships as interconnected, related beings.  Whether it is through the study of the affect and ethics of ritual animal sacrifice, analysis of the right-wing political project of cow-protection, or examination of villagers’ talk about bears who abduct women and have sex with them, Govindrajan illustrates that multispecies relatedness relies on both difference and ineffable affinity between animals.  Animal Intimacies breaks substantial new ground in animal studies, and Govindrajan’s detailed portrait of the social, political and religious life of the region will be of interest to cultural anthropologists and scholars of South Asia as well.  

What similarities and differences do humans see between themselves and animals? Why do people commonly make metaphorical comparisons between human beings or social groups and animals, and to what degree are people’s attitudes and beliefs about animals parallel to or contingent upon their attitudes and beliefs about human beings and human society? This collection of articles considers these issues. The issues are basic in any study of "totemism," or human and animal relationships, and they have been discussed in anthropological literature since the time of Lewis Henry Morgan’s work on Iroquois social organization.

The contributors to this anthology have not limited themselves to the notion that clans and moieties are the only sources and objects of metaphorical comparisons between humans and animals. They suggest a shift in perspective that has metaphorical comparisons generated by conceived similarities and differences between animals and particular types of human beings. Some examples of this include macaw fledglings as adolescents; pumas as fully initiated men, and foxes as young married men. With this shift of emphasis, a significantly different analytic focus in the study of human-animal relations is produced.

The issues of animal rights and the use of animals in scientific experimentation are fraught with controversy. In an effort to define the bases of such strong emotional response towards an ethical issue, this book presents the teachings of the major religions of the world concerning animals and, more specifically, their use in science. Judaism, Christianity, Islam, Hinduism, Jainism, Buddhism, and Confucianism are represented in this collection of eight essays by religious authorities.

Scriptural writings, written and oral tradition, law, religious parables, and even folklore are used to illustrate the position of each religion on this question. When there are no specific teachings regarding the relatively recent use of animals in scientific research, conclusions are derived from the view of man’s relations with the rest of the world.

In addition to the essays dealing with specific religions, there is also a chapter detailing recent uses of animals in scientific research throughout the world. It is estimated that 500 million animals a year are sacrificed to science. This volume attempts to find out for what purposes they are used, under what conditions, and with what legal protection.

Based on a conference which explored the views of religion toward scientific experimentation on animals, this collection of essays addresses an explosive issue from a number of different perspectives. Animal Sacrifices is a fair-minded and informative discussion of a contemporary ethical dilemma.

Contributors: John Bowker, Sidney Gendin, Rabbi Dr. J. David Bleich, Andrew Linzey, James Gaffney, Al-Hafiz, B. Z. Masri, Basant K. Lal, Christopher Chapple, Rodney L. Taylor, and the editor.

Charming, full-color photographs of basic animals plus illustrations of their corresponding signs offer children ages 1 to 4 a fun way to learn their first signs and vocabulary words. Constructed of sturdy cardboard with a protective finish on each page, this hearty book will withstand the hard use to which fascinated young children will subject it, reading it again and again.

Studies have shown that babies who learn to sign can communicate at an earlier age than those who learn verbal communication alone. Other research indicates that children strengthen their grammar and vocabulary skills by learning sign language.

Animal Signs and its companion book, Word Signs, offer children exciting new worlds describing favorite things and animals while also making learning language skills fun!

With this multispecies study of animals as instrumentalities of the colonial state in Nigeria, Saheed Aderinto argues that animals, like humans, were colonial subjects in Africa.

Animality and Colonial Subjecthood in Africa broadens the historiography of animal studies by putting a diverse array of species (dogs, horses, livestock, and wildlife) into a single analytical framework for understanding colonialism in Nigeria and Africa as a whole.

From his study of animals with unequal political, economic, social, and intellectual capabilities, Aderinto establishes that the core dichotomies of human colonial subjecthood—indispensable yet disposable, good and bad, violent but peaceful, saintly and lawless—were also embedded in the identities of Nigeria’s animal inhabitants. If class, religion, ethnicity, location, and attitude toward imperialism determined the pattern of relations between human Nigerians and the colonial government, then species, habitat, material value, threat, and biological and psychological characteristics (among other traits) shaped imperial perspectives on animal Nigerians.

Conceptually sophisticated and intellectually engaging, Aderinto’s thesis challenges readers to rethink what constitutes history and to recognize that human agency and narrative are not the only makers of the past.

Animals and Inequality in the Ancient World explores the current trends in the social archaeology of human-animal relationships, focusing on the ways in which animals are used to structure, create, support, and even deconstruct social inequalities.

The authors provide a global range of case studies from both New and Old World archaeology—a royal Aztec dog burial, the monumental horse tombs of Central Asia, and the ceremonial macaw cages of ancient Mexico among them. They explore the complex relationships between people and animals in social, economic, political, and ritual contexts, incorporating animal remains from archaeological sites with artifacts, texts, and iconography to develop their interpretations.

Animals and Inequality in the Ancient World presents new data and interpretations that reveal the role of animals, their products, and their symbolism in structuring social inequalities in the ancient world. The volume will be of interest to archaeologists, especially zooarchaeologists, and classical scholars of pre-modern civilizations and societies.

Animals and Women is a collection of pioneering essays that explores the theoretical connections between feminism and animal defense. Offering a feminist perspective on the status of animals, this unique volume argues persuasively that both the social construction and oppressions of women are inextricably connected to the ways in which we comprehend and abuse other species. Furthermore, it demonstrates that such a focus does not distract from the struggle for women’s rights, but rather contributes to it.

This wide-ranging multidisciplinary anthology presents original material from scholars in a variety of fields, as well as a rare, early article by Virginia Woolf. Exploring the leading edge of the species/gender boundary, it addresses such issues as the relationship between abortion rights and animal rights, the connection between woman-battering and animal abuse, and the speciesist basis for much sexist language. Also considered are the ways in which animals have been regarded by science, literature, and the environmentalist movement. A striking meditation on women and wolves is presented, as is an examination of sexual harassment and the taxonomy of hunters and hunting. Finally, this compelling collection suggests that the subordination and degradation of women is a prototype for other forms of abuse, and that to deny this connection is to participate in the continued mistreatment of animals and women.

Drawing on the latest research in archaeozoology, archaeology, and molecular biology, Animals as Domesticates traces the history of the domestication of animals around the world. From the llamas of South America and the turkeys of North America, to the cattle of India and the Australian dingo, this fascinating book explores the history of the complex relationships between humans and their domestic animals. With expert insight into the biological and cultural processes of domestication, Clutton-Brock suggests how the human instinct for nurturing may have transformed relationships between predator and prey, and she explains how animals have become companions, livestock, and laborers. The changing face of domestication is traced from the spread of the earliest livestock around the Neolithic Old World through ancient Egypt, the Greek and Roman empires, South East Asia, and up to the modern industrial age.

Every day, millions of people around the world sit down to a meal that includes meat. This book explores several questions as it examines the use of animals as food: How did the domestication and production of livestock animals emerge and why? How did current modes of raising and slaughtering animals for human consumption develop, and what are their consequences? What can be done to mitigate and even reverse the impacts of animal production? With insight into the historical, cultural, political, legal, and economic processes that shape our use of animals as food, Fitzgerald provides a holistic picture and explicates the connections in the supply chain that are obscured in the current mode of food production. Bridging the distance in animal agriculture between production, processing, consumption, and their associated impacts, this analysis envisions ways of redressing the negative effects of the use of animals as food. It details how consumption levels and practices have changed as the relationship between production, processing, and consumption has shifted. Due to the wide-ranging questions addressed in this book, the author draws on many fields of inquiry, including sociology, (critical) animal studies, history, economics, law, political science, anthropology, criminology, environmental science, geography, philosophy, and animal science.

In this fascinating book, Terry O’Connor explores a distinction that is deeply ingrained in much of the language that we use in zoology, human-animal studies, and archaeology—the difference between wild and domestic. For thousands of years, humans have categorized animals in simple terms, often according to the degree of control that we have over them, and have tended to see the long story of human-animal relations as one of increasing control and management for human benefit. And yet, around the world, species have adapted to our homes, our towns, and our artificial landscapes, finding ways to gain benefit from our activities and so becoming an important part of our everyday lives. These commensal animals remind us that other species are not passive elements in the world around us but intelligent and adaptable creatures. Animals as Neighbors shows how a blend of adaptation and opportunism has enabled many species to benefit from our often destructive footprint on the world. O’Connor investigates the history of this relationship, working back through archaeological records. By requiring us to take a multifaceted view of human-animal relations, commensal animals encourage a more nuanced understanding of those relations, both today and throughout the prehistory of our species.

What can we learn from watching animals play?  Dogs chase each other and wrestle. Cats pounce and bite. These animals may look like they are fighting, but if you pay close attention— as world-renowned biologist Marc Bekoff does—you can see they are playing and learning the rules of their games. In Animals at Play, Bekoff shows us how animals behave when they play, with full-color illustrations showing animals in action and having fun—from squirrels climbing up a tree to polar bears somersaulting in the snow. 

Bekoff emphasizes how animals communicate, cooperate and learn to play fair and what happens when they break the rules. He uses lively illustrations and simple explanations of what it means when a sea lion swims with kelp in its mouth or when two dogs bow to each other. Bekoff also describes what happens when animals become too aggressive and how they apologize, forgive and learn to trust one another.  This entertaining and informative book will delight every child and show readers how animals—and humans—interact when they are having fun.
 

From Salvador Dalí to Walt Disney, animals have been a constant yet little-considered presence in film. Indeed, it may come as a surprise to learn that animals were a central inspiration to the development of moving pictures themselves.

In Animals in Film, Jonathan Burt points out that the mobility of animals presented technical and conceptual challenges to early film-makers, the solutions of which were an important factor in advancing photographic technology, accelerating the speed of both film and camera. The early filming of animals also marked one of the most significant and far-reaching changes in the history of animal representation, and has largely determined the way animals have been visualized in the twentieth century.

Burt looks at the extraordinary relation-ship between animals, cinema and photography (including the pioneering work of Eadweard Muybridge and Jules-Etienne Marey) and the technological developments and challenges posed by the animal as a specific kind of moving object. Animals in Film is a shrewd account of the politics of animals in cinema, of how movies and video have developed as weapons for animal rights activists, and of the roles that animals have played in film, from the avant-garde to Hollywood.

Animals play a special role in Indian culture. In opposition to deities, they help to frame the human community. Indian philosophy assumes the basic unity of animals and humans and in everyday life animals symbolize various ideas and sentiments. In the realm of Indian art, animals appear everywhere.

In this splendid and unique collection of photographs, Stella Snead captures the extraordinary vitality, intelligence, and variety of animals in Indian sculpture found at sites from prehistory through the eighteenth century. Here are cats, peacocks, mongooses, anteaters, cows, hyenas, and tigers, as well as such fantastic creatures as double-bodied lions and elephants with fish tails. Collected from all areas of India, these photographs include images from famous Indian monuments, and museum collections, as well as images from remote sites, some of which have never before been published.

Wendy Doniger's essay explores and explains the four worlds or dimensions that animals occupy in Indian thought: nature, the human world, the divine world, and the world of fantasy. George Michell places Indian sculptures of animals in their architectural and art historical context. His chronological survey identifies the location and the subject of the animals photographed and describes the artistic activity of the regions and period from which the photographs are drawn.

This beautifully illustrated book will appeal to a wide audience: to those interested in Asian studies, art, architecture, and animals, and to those drawn to Snead's powerful photographs, which capture both the idiosyncratic genius of tiny details and the grand sweep of cosmic symbols.

Animals in Religion explores the role of animals within a wide range of religious traditions. Exploring countless stories and myths passed down orally and in many religious texts, Barbara Allen—herself a practicing minister—offers a fascinating history of the ways animals have figured in our spiritual lives, whether they have been Christian, Jewish, Muslim, or any number of lesser-known religions.
           
Some of the figures here will be familiar, such as St. Francis of Assisi, famous for his accord with animals, or that beloved remover of obstacles, Ganesha, the popular elephant god in the Hindu pantheon. Delving deeper, Allen highlights the numerous ways that our religious practices have honored and relied upon our animal brethren. She examines the principle of ahimsa, or nonviolence, which has Jains sweeping the pathways before them so as not to kill any insects, as well as the similar principle in Judaism of ts’ar ba’alei chayim and the notion in some sects of Islam that all living creatures are Muslim. From ancient Egypt to the Druids to the indigenous cultures of North America and Australia, Allen tells story after story that emphasizes the same message: all species are spiritually connected. 

      This encyclopedic volume is the most comprehensive collection of original
        studies on animals and theology ever published. Contributors from both
        sides of the Atlantic tackle fundamental questions about theology and
        how it is put into practice.
      Do animals have immortal souls? Does Christ's reconciling work include
        animals? Contributors address these issues and more in the context of
        scriptural perspectives, the Christian tradition, historical disputes,
        and obligations to animals.
      As Andrew Linzey points out in his introduction, it cannot be right for
        theological practitioners to carry on their business as though the world
        of animals were invisible. Mainstream Christianity still propagates a
        range of ideas about animals that are hugely detrimental to their status
        and welfare. This important volume argues that it is time for a change.
 

"Pain is pain, irrespective of the race, sex, or species of the victim," states William Kunstler in his foreword. This moral concern for the suffering of animals and their legal status is the basis for Gary L. Francione's profound book, which asks, Why has the law failed to protect animals from exploitation?

Francione argues that the current legal standard of animal welfare does not and cannot establish fights for animals. As long as they are viewed as property, animals will be subject to suffering for the social and economic benefit of human beings.

Exploring every facet of this heated issue, Francione discusses the history of the treatment of animals, anticruelty statutes, vivisection, the Federal Animal Welfare Act, and specific cases such as the controversial injury of anaesthetized baboons at the University of Pennsylvania. He thoroughly documents the paradoxical gap between our professed concern with humane treatment of animals and the overriding practice of abuse permitted by U.S. law.

Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto.

The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves.

Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

Ants are legion: at present there are 11,006 species of ant known; they live everywhere in the world except the polar icecaps; and the combined weight of the ant population has been estimated to make up half the mass of all insects alive today.

When we encounter them outdoors, ants fascinate us; discovered in our kitchen cupboards, they elicit horror and disgust. Charlotte Sleigh’s Ant elucidates the cultural reasons behind our varied reactions to these extraordinary insects, and considers the variety of responses that humans have expressed at different times and in different places to their intricate, miniature societies. Ants have figured as fantasy miniature armies, as models of good behavior, as infiltrating communists and as creatures on the borderline between the realms of the organic and the machine: in 1977 British Telecom hired ant experts to help solve problems with their massive information network.

This is the first book to examine ants in these and many other such guises, and in so doing opens up broader issues about the history of science and humans’ relations with the natural world. It will be of interest to anyone who likes natural history or cultural studies, or who has ever rushed out and bought a can of Raid™.

"[Charlotte Sleigh's] stylish, engaging and informative study deserves to win new members for the ant fan club."—Jonathan Bate, The Times

Anthropocentrism and Its Discontents is the first-ever comprehensive examination of views of animals in the history of Western philosophy, from Homeric Greece to the twentieth century.

In recent decades, increased interest in this area has been accompanied by scholars’ willingness to conceive of animal experience in terms of human mental capacities: consciousness, self-awareness, intention, deliberation, and in some instances, at least limited moral agency.  This conception has been facilitated by a shift from behavioral to cognitive ethology (the science of animal behavior), and by attempts to affirm the essential similarities between the psychophysical makeup of human beings and animals.

Gary Steiner sketches the terms of the current debates about animals and relates these to their historical antecedents, focusing on both the dominant anthropocentric voices and those recurring voices that instead assert a fundamental kinship relation between human beings and animals.  He concludes with a discussion of the problem of balancing the need to recognize a human indebtedness to animals and the natural world with the need to preserve a sense of the uniqueness and dignity of the human individual.

Scores of wild species and ecosystems around the world face a variety of human-caused threats, from habitat destruction and fragmentation to rapid climate change. But there is hope, and it, too, comes in a most human form: zoos and aquariums. Gathering a diverse, multi-institutional collection of leading zoo and aquarium scientists as well as historians, philosophers, biologists, and social scientists, The Ark and Beyond traces the history and underscores the present role of these organizations as essential conservation actors. It also offers a framework for their future course, reaffirming that if zoos and aquariums make biodiversity conservation a top priority, these institutions can play a vital role in tackling conservation challenges of global magnitude.

While early menageries were anything but the centers of conservation that many zoos are today, a concern with wildlife preservation has been an integral component of the modern, professionally run zoo since the nineteenth century. From captive breeding initiatives to rewilding programs, zoos and aquariums have long been at the cutting edge of research and conservation science, sites of impressive new genetic and reproductive techniques. Today, their efforts reach even further beyond recreation, with educational programs, community-based conservation initiatives, and international, collaborative programs designed to combat species extinction and protect habitats at a range of scales. Addressing related topics as diverse as zoo animal welfare, species reintroductions, amphibian extinctions, and whether zoos can truly be “wild,” this book explores the whole range of research and conservation practices that spring from zoos and aquariums while emphasizing the historical, scientific, and ethical traditions that shape these efforts. Also featuring an inspiring foreword by the late George Rabb, president emeritus of the Chicago Zoological Society / Brookfield Zoo, The Ark and Beyond illuminates these institutions’ growing significance to the preservation of global biodiversity in this century.

Drawing visitors to the heart of Chicago's north side for 135 years, Lincoln Park Zoo is one of the oldest and most popular zoos in America. This thorough and fascinating history of the zoo combines archival materials, photographs, and oral histories to chronicle the zoo's development and chart the unique role it has played not just in the growth of Chicago but in the establishment of zoos in cities across America.
 
Lincoln Park Zoo was established in 1868 when New York's Central Park Commissioners sent the Lincoln Park Commissioners the gift of two pairs of swans. The swans were such a popular attraction that the park commissioners began acquiring other animals and building quarters for them, adding a bear cage, a bison enclosure, a sea lion pool, an eagle exhibit, and an animal house, all before 1900.
 
Although the zoo was initially conceived as a primarily recreational attraction, its mission has evolved over time, with conservation, science, and education now forming central elements. Starting in 1884, when the zoo saw what was reportedly the first-ever birth of a North American bison in captivity, Lincoln Park Zoo has been part of the effort to study and protect endangered species from all over the world.
 
This comprehensive history of Lincoln Park Zoo also tells the wider story of the growth of the American zoo movement and the changes that have occurred in the past century, as zoos evolved from a leisure pursuit into a multimillion-dollar industry and an invaluable participant in global conservation efforts.
 
 

Heavily illustrated with color photographs, Arkansas Mammals is the comprehensive guide to the state’s mammal population. Endangered or threatened species of mammals and missing species known to have been present in recent times are discussed, along with non-native species that have become an important part of the mammal fauna in Arkansas and adjacent states.

Lavishly illustrated with black and white photos, this book tells the story of the state's wildlife in a historical and national context. It describes the resident species, their environments, early conservation efforts to save them, and the attitudes of those who sought to make use of Arkansas's natural resources.

Tiny ruby-throated hummingbirds weighing less than a nickel fly from the upper Midwest to Costa Rica every fall, crossing the six-hundred-mile Gulf of Mexico without a single stop. One of the many creatures that commute on the Mississippi Flyway as part of an annual migration, they pass along Chicago’s lakefront and through midwestern backyards on a path used by their species for millennia. This magnificent migrational dance takes place every year in Chicagoland, yet it is often missed by the region’s two-legged residents. The Art of Migration uncovers these extraordinary patterns that play out over the seasons. Readers are introduced to over two hundred of the birds and insects that traverse regions from the edge of Lake Superior to Lake Michigan and to the rivers that flow into the Mississippi.

As the only artist in residence at the Field Museum, Peggy Macnamara has a unique vantage point for studying these patterns and capturing their distinctive traits. Her magnificent watercolor illustrations capture flocks, movement, and species-specific details. The illustrations are accompanied by text from museum staff and include details such as natural histories, notable features for identification, behavior, and how species have adapted to environmental changes. The book follows a gentle seasonal sequence and includes chapters on studying migration, artist’s notes on illustrating wildlife, and tips on the best ways to watch for birds and insects in the Chicago area.

A perfect balance of science and art, The Art of Migration will prompt us to marvel anew at the remarkable spectacle going on around us.

The human history of depicting birds dates to as many as 40,000 years ago, when Paleolithic artists took to cave walls to capture winged and other beasts. But the art form has reached its peak in the last four hundred years. In The Art of the Bird, devout birder and ornithologist Roger J. Lederer celebrates this heyday of avian illustration in forty artists’ profiles, beginning with the work of Flemish painter Frans Snyders in the early 1600s and continuing through to contemporary artists like Elizabeth Butterworth, famed for her portraits of macaws. Stretching its wings across time, taxa, geography, and artistic style—from the celebrated realism of American conservation icon John James Audubon, to Elizabeth Gould’s nineteenth-century renderings of museum specimens from the Himalayas, to Swedish artist and ornithologist Lars Jonsson’s ethereal watercolors—this book is feathered with art and artists as diverse and beautiful as their subjects. A soaring exploration of our fascination with the avian form, The Art of the Bird is a testament to the ways in which the intense observation inherent in both art and science reveals the mysteries of the natural world.

An Atlas of Cat Anatomy can help a student learn twice as much as he could in the same amount of time using only a written description. The book is spiral bound and stands like an easel, taking a minimum amount of space in the work area. Altogether there are fifty-seven plates featuring the various parts and organ systems in their actual size, making identification remarkably easy. A brief verbal description accompanies each plate. In addition, the extensive glossary includes synonymous terms, derivations, definitions, and keys to pronunciation.