In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. Kinsella’s stories offer glimpses into the lives of the people who call this area home, as the reader journeys from just north of the town of Geraldton to the far eastern and southern shires of the region.
Cast against a backdrop of indigenous dispossession, settler migration, and the destructive impact of land-clearing and monocultural farming methods, the stories offer moments of connection with the inhabitants, ranging from the matter-of-fact to the bizarre and inexplicable. Something about the nature of the place wrestles with all human interactions and affects their outcomes. The land itself is a dominant character, with dust, gnarled scrubland, and the need for rain underpinning human endeavor. Inflected with both contemporary ideas of short fiction and the “everyman” tradition of Australian storytelling, this collection will introduce many readers to a new landscape and unforgettable characters.
The Souls of Black Folk is Du Bois’s outstanding contribution to modern political theory. It is his still influential answer to the question, “What kind of politics should African Americans conduct to counter white supremacy?” Here, in a major addition to American studies and the first book-length philosophical treatment of Du Bois’s thought, Robert Gooding-Williams examines the conceptual foundations of Du Bois’s interpretation of black politics.
For Du Bois, writing in a segregated America, a politics capable of countering Jim Crow had to uplift the black masses while heeding the ethos of the black folk: it had to be a politics of modernizing “self-realization” that expressed a collective spiritual identity. Highlighting Du Bois’s adaptations of Gustav Schmoller’s social thought, the German debate over the Geisteswissenschaften, and William Wordsworth’s poetry, Gooding-Williams reconstructs Souls’ defense of this “politics of expressive self-realization,” and then examines it critically, bringing it into dialogue with the picture of African American politics that Frederick Douglass sketches in My Bondage and My Freedom. Through a novel reading of Douglass, Gooding-Williams characterizes the limitations of Du Bois’s thought and questions the authority it still exerts in ongoing debates about black leadership, black identity, and the black underclass. Coming to Bondage and then to these debates by looking backward and then forward from Souls, Gooding-Williams lets Souls serve him as a productive hermeneutical lens for exploring Afro-Modern political thought in America.
Empires Come and Go, Homelands Never
Readers of the Hebrew Bible know the basic story line: during the early sixth century BCE the Babylonian ruler Nebuchadnezzar sacked Jerusalem, deported a portion of the population to Mesopotamia, and triggered a crisis of faith in the minds of prophets, priests, and liturgists that still echoes through the centuries. Though many Judahites chose to make their way home under Persian imperial control, the straightforward biblical story of exile and return masks many complex issues of evidence and fact. Unlike previous studies that focused narrowly on the Babylonian exile of the Judahite elites, this volume widens the geographical and temporal scope to include the Assyrian, Babylonian, and Persian Empires. Improved access to and understanding of relevant texts, iconography, and material culture provide an opportunity for scholars to reappraise methods of imperial control and the responses of those in exile and under occupation. Contributors Pamela Barmash, Ryan P. Bonfiglio, Caralie Cooke, Lisbeth S. Fried, Martien A. Halvorson-Taylor, Mark W. Hamilton, Matt Waters, and Ian D. Wilson lay a firm foundation for future work on the long sixth century.
Few images of early America were more striking, and jarring, than that of slaves in the capital city of the world’s most important free republic. Black slaves served and sustained the legislators, bureaucrats, jurists, cabinet officials, military leaders, and even the presidents who lived and worked there. While slaves quietly kept the nation’s capital running smoothly, lawmakers debated the place of slavery in the nation, the status of slavery in the territories newly acquired from Mexico, and even the legality of the slave trade in itself.
This volume, with essays by some of the most distinguished historians in the nation, explores the twin issues of how slavery made life possible in the District of Columbia and how lawmakers in the district regulated slavery in the nation.
Contributors: David Brion Davis, Mary Beth Corrigan, A. Glenn Crothers, Jonathan Earle, Stanley Harrold, Mitch Kachun, Mary K. Ricks, James B. Stewart, Susan Zaeske, David Zarefsky
In the twenty years since the dissolution of the Soviet Union, the fifteen new independent republics have embarked on unprecedented transitions from command economies into market-oriented economies.
Important motivating factors for their reform efforts included issues of geographic and economic proximity to Europe and the influence of the pre-Soviet era histories in those countries. In the Shadow of Russia builds upon the conceptual frameworks that include geography and policy choices about economic integration in an analysis of the reform efforts of Kazakhstan and Uzbekistan.
Blackmon's book addresses such central questions as: How and in what areas has a republic's previous level of integration with Soviet-era Russia influenced its present economic orientation? What are the contributing factors that explain the differences in how leaders ( of a similar regime type) developed economic reform policies? To answer these questions, the author utilizes information from both the economic and the political literature on post-communist transitions, as well from political speeches.
Contrary to the conventional wisdom that sectarianism is intrinsically linked to violence, bloodshed, or social disharmony, Max Weiss uncovers the complex roots of Shiʿi sectarianism in twentieth-century Lebanon.
The template for conflicted relations between the Lebanese state and Shiʿi society arose under French Mandate rule through a process of gradual transformation, long before the political mobilization of the Shiʿi community under the charismatic Imam Musa al-Sadr and his Movement of the Deprived, and decades before the radicalization linked to Hizballah. Throughout the period, the Shiʿi community was buffeted by crosscutting political, religious, and ideological currents: transnational affiliations versus local concerns; the competing pull of Arab nationalism and Lebanese nationalism; loyalty to Jabal ʿAmil, the cultural heartland of Shiʿi Lebanon; and the modernization of religious and juridical traditions.
Uncoupling the beginnings of modern Shiʿi collective identity from the rise of political Shiʿism, Weiss transforms our understanding of the nature of sectarianism and shows why in Lebanon it has been both so productive and so destructive at the same time.
In the Shadow of the Bear chronicles the author's return, after a forty-year absence, to the site of his childhood summer vacations at Little Glen Lake in northwestern Lower Michigan's Leelanau peninsula.
The ancient Ojibwa legend that gave a name to the area's most striking geographical feature, the Sleeping Bear Sand Dunes, offers a way of understanding his mother's powerful but sometimes restless force of love and ambition in the family, as well as his father's quieter, often self-sacrificing love. Chapters devoted to the return to Leelanau, to each of his parents, and to his father's family culminate in the narrative of his daughter's 2005 Leelanau wedding.
Jim McGavran tells his story of self-discovery in prose that is alternatively frank and lyrical as he recaptures his bewildered yet enchanted boyhood self, filtered through his consciousness of longing and loss, lending the writing a particular poignancy.
The mistress of a slave-holding estate, Ida Powell Dulany took over control of the extensive family lands once her husband left to fight for the Confederacy. She struggled to manage slaves, maintain contact with her neighbors, and keep up her morale after her region was abandoned by the Confederate government soon after the beginning of hostilities.
More than just an elegantly written account of her own day-to-day experiences in the Civil War, Ida’s journal opens a window into the Southern culture of the time.
Stevan F. Meserve has written extensively for several Civil War publications and is the author of The Civil War in Loudoun County, Virginia: A History of Hard Times.
Anne Mackall Sasscer grew up on Selby, a family farm near The Plains, Virginia, the home of Ida Powell Dulany’s youngest daughter.
Mary LeJeune Mackall spent her early years at Blenheim, a pre-Revolutionary farm near Charlottesville, which inspired her lifelong interest in Virginia history.
In this first book to view modern Mexico in the era of NAFTA and globalization, In the Shadow of the Giant offers insight into the land on our southern border.
What we find is a nation that looks more like the United States than even Mexicans themselves could have imagined a decade ago: Rates of obesity are second only to the United States among the world's industrialized countries. Recreational drug use is soaring among young Mexicans, Citigroup owns the largest bank in Mexico Wal-Mart is the country's biggest private employer revealing a vastly different physical and cultural landscape from his days as a young journalist living in Mexico in the mid-1980s. Joseph Contreras tracks the relentless and ongoing Americanization of his ancestral home. Although these changes may seem a natural part of globalization, the country had long prided itself on the social, political, economic, and even spiritual differences that distinguished it from the United States. In addition to embracing our virtues and vices, Contreras argues that our southern neighbor has become a de facto economic colony of the United States.
At a time when immigration looms as a leading hot-button issue in American politics, the time is ripe for examining our influences, for better or worse, on our neighbor to the south.
Héctor Aguilar Camín and Lorenzo Meyer, two of Mexico's leading intellectuals, set out to fill a void in the literature on Mexican history: the lack of a single text to cover the history of contemporary Mexico during the twentieth century. A la sombra de la Revolución Mexicana, now available in English as In the Shadow of the Mexican Revolution, covers the Mexican Revolution itself, the gradual consolidation of institutions, the Cárdenas regime, the "Mexican economic miracle" and its subsequent collapse, and the recent transition toward a new historical period.
The authors offer a comprehensive and authoritative study of Mexico's turbulent recent history, a history that increasingly intertwines with that of the United States. Given the level of interest in Mexico—likely to increase still more as a result of the recent liberalization of trade policies—this volume will be useful in affording U.S. readers an intelligent, comprehensive, and accessible study of their neighbor to the south.
As civil wars and insurgencies rage around the globe, Klaus Schlichte’s In the Shadow of Violence addresses a crucial question: why do some groups succeed in violently seizing and holding power while others fail? What makes for a successful non-state armed force? Arguing that success rests on the ability of these groups to transform the power of violence into legitimate domination, both inside their ranks and in the larger society, Schlichte explores the techniques and strategies they employ—and the long shadow of violence they must overcome along the way.
In this comprehensive study of the artistic culture of the region between the Iron Curtain and the former Soviet Union, Piotr Piotrowski chronicles the relationship between avant-garde art production and post–World War II politics in such Iron Curtain nations as Bulgaria, the Czech Republic, East Germany, Hungary, Poland, Romania, and the former Yugoslavia. Featuring more than two hundred images, most by artists largely unfamiliar to an English-speaking audience, In the Shadow of Yalta is a fascinating portrait of the inspiring art made in a region—and at a time—of critical importance in modern Europe.
In the Shadows of State and Capital tells the story of how Ecuadorian peasants gained, and then lost, control of the banana industry. Providing an ethnographic history of the emergence of subcontracting within Latin American agriculture and of the central role played by class conflict in this process, Steve Striffler looks at the quintessential form of twentieth-century U.S. imperialism in the region—the banana industry and, in particular, the United Fruit Company (Chiquita). He argues that, even within this highly stratified industry, popular struggle has contributed greatly to processes of capitalist transformation and historical change.
Striffler traces the entrance of United Fruit into Ecuador during the 1930s, its worker-induced departure in the 1960s, the troubled process through which contract farming emerged during the last half of the twentieth century, and the continuing struggles of those involved. To explore the influence of both peasant activism and state power on the withdrawal of multinational corporations from banana production, Striffler draws on state and popular archives, United Fruit documents, and extensive oral testimony from workers, peasants, political activists, plantation owners, United Fruit administrators, and state bureaucrats. Through an innovative melding of history and anthropology, he demonstrates that, although peasant-workers helped dismantle the foreign-owned plantation, they were unable to determine the broad contours through which the subsequent system of production—contract farming—emerged and transformed agrarian landscapes throughout Latin America.
By revealing the banana industry’s impact on processes of state formation in Latin America, In the Shadows of State and Capital will interest historians, anthropologists, and political scientists, as well as scholars of globalization and agrarian studies.
A stunning history of legendary treasure seekers and enigmatic natives in Mexico's Copper Canyon
Based on his one-year sojourn in Copper Canyon among the Raramuri/Tarahumara, award-winning journalist Jeff Biggers offers a rare look into the ways of the most resilient indigenous culture in the Americas, the exploits of Mexican mountaineers, and the fascinating parade of argonauts and accidental travelers who have journeyed into the Sierra Madre over centuries. From African explorers, Bohemian friars, Confederate and Irish war deserters, French poets, Boer and Russian commandos, Apache and Mennonite communities, bewildered archaeologists, addled writers, and legendary characters including Antonin Artaud, Henry Flipper, B. Traven, Sergei Eisenstein, George Patton, Geronimo, and Pancho Villa, Biggers uncovers the remarkable treasures of the Sierra Madre.In 1989, The National Museum of the American Indian Act (NMAIA) was successfully passed after a long and intense struggle. One year later, the Native American Graves Protection and Repatriation Act (NAGPRA) followed. These federal repatriation statutes—arguably some of the most important laws in the history of anthropology, museology, and American Indian rights—enabled Native Americans to reclaim human remains, funerary objects, sacred objects, and objects of cultural patrimony.
Twenty years later, the controversy instigated by the creation of NMAIA and NAGPRA continues to simmer. In the Smaller Scope of Conscience is a thoughtful and detailed study of the ins and outs of the four-year process behind these laws. It is a singular contribution to the history of these issues, with the potential to help mediate the ongoing debate by encouraging all sides to retrace the steps of the legislators responsible for the acts.
Few works are as detailed as McKeown’s account, which looks into bills that came prior to NMAIA and NAGPRA and combs the legislative history for relevant reports and correspondence. Testimonies, documents, and interviews from the primary players of this legislative process are cited to offer insights into the drafting and political processes that shaped NMAIA and NAGPRA.
Above all else, this landmark work distinguishes itself from earlier legislative histories with the quality of its analysis. Invested and yet evenhanded in his narrative, McKeown ensures that this journey through history—through the strategies and struggles of different actors to effect change through federal legislation—is not only accurate but eminently intriguing.
Originally published to glowing reviews and literary prizes in France in 1985, this revealing diary not only recounts the moving and tragic relationship of its author, Geneviève Bréton, with the rising young nineteenth-century artist Henri Regnault, it also serves as a valuable historical document concerning the social, cultural, and political life of the French Second Empire.
The young Geneviève Bréton began her journal in 1867 as a consolation for the death of her eldest brother, Antoine. She met Regnault soon after on a trip to Rome. Throughout the next four years of their relationship, Bréton eloquently describes the personal, cultural, and political turbulence that affected her life. Writing against the backdrop of France’s fateful conflict with Prussia and the hardships and dangers of the siege of Paris and the Commune, Bréton, with innate candor and lyricism, creates a text that beautifully illuminates French art, literature, family life, society, and politics of the time. Her poignant account of her love for and engagement to Regnault reveals special insight into the life and mind of an extraordinary, though little known, literary talent. At Regnault’s death in 1871 during the Franco–Prussian War, the expression of her anguish is as much testimony to the political and cultural disorder of the time as it is to her own personal tragedy.
Following Bréton’s own instructions that she left before her death in 1918, this English version of the diary reincorporates material that was deleted from the French edition. Graced by rare photographs of the Bréton family as well as Regnault’s paintings, the book contains a touching foreword by the author’s granddaughter, Daphné Doublet-Vaudoyer. In its first English translation, it is a book for lovers of French life and culture, as well as students of French history; literature, and art.
Wilfrid Sellars (1912-1989) was, in the opinion of many, the most important American philosopher of the second half of the twentieth century. He was, Richard Rorty writes, "as original a mind as C. S. Peirce, and it has taken almost as long for the importance of his ideas to be appreciated." This collection, coedited by Sellars's chief interpreter and intellectual heir, should do much to elucidate and clearly establish the significance of this difficult thinker's vision for contemporary philosophy.
The volume presents the most readable of Sellars's essays in a sequence that illuminates what Robert Brandom calls the "inferentialist" conception of meaning at the heart of his work. This conception, laid out in the early essays, is deployed in various epistemological contexts throughout the book so that, upon arriving at the concluding papers on Kant, the reader has been given a tour d'horizon not only of the central topics of philosophy of mind and language, but of much of the history of philosophy as well--and, with this, a sense of what a shifting of analytic philosophy from its Humean into its Kantian stage would entail.
An inspiring document of passion and advocacy, In the Spirit of Wetlands reveals the transformative power of restoration.
Offering a new history of a formative cultural and political era through the cosmic phenomena that captured the public’s imagination
In the winters of 1664–65 and 1680–81, the French public was galvanized by two bright comets whose elliptical orbits could not be mapped with contemporary geometry and that thus seemed to appear in random and unpredictable locations. Bookending the period during which Louis XIV’s sun king mythology was created, these comets defied the heliocentric order to which French politics and culture aspired. As Claire Goldstein demonstrates, literary texts, cultural institutions, and architecture inspired by comets offer a different perspective on the relationship between sensory experience, ideology, and artistic form.
In the Sun King’s Cosmos: Comets and the CulturalImagination of Seventeenth-Century France presents an alternative view of a formative era in cultural and political history, when distinctly modern forms of power and control were established through a regime of the spectacular. Goldstein shows how comets allow us to see the seventeenth century in ways that complicate the narrative of a race toward rationalization, classicism, and modernity, indexing instead a messy period in which the spectacular was sometimes also inscrutable.
In an age when many of the major environmental policies established over the past four decades are under siege, Michael McCloskey reminds us of better days. . .days when conservation initiatives were seen not as political lightning rods, but as opportunities to cope with disturbing threats to the quality of our environment.
In 1961, a young let's-get-it-done McCloskey was hired as the Sierra Club's first field representative for the Northwest. From there, for nearly forty years, he rose to guide the oldest and most powerful environmental organization in the world. He helped to pave the way for the original Wilderness Act in 1964, and as the club's conservation director worked to see it implemented. He successfully lobbied for the creation of new national parks and wilderness areas, the North Cascades and Redwood National Park among them. As executive director, he was present at the creation of Earthday in 1970, directed lobbying for the enactment of over one hundred environmental laws, and watched Sierra Club membership rise from about 70,000 to more than 500,000. In the nineties, he led the Sierra Club in mounting fights against attempts to undercut EPA regulations and against trade agreements that curtailed environmental programs.
His tenure was no walk in the park or smooth glide across a placid mountain lake. The large and very public Sierra Club was fraught with brush fires, seismic tremors, and pitched battles, both within and without. He survived the ouster of his mentor, the charismatic but controversial David Brower, succeeding him as the second executive director in the club's history, and put the Sierra Club back on firm financial footing. Under less than ideal political circumstances, McCloskey helped to keep the environmental agenda moving steadily forward, even in the face of Ronald Reagan's virulently pro-development Interior Secretary James Watt (whom he was instrumental in expelling from office).
In the Thick of It describes not only McCloskey's life as an environmental activist; it reveals the inner workings and politics of one of the nation's most influential environmental nonprofit organizations during an era of ground-breaking environmental legislation. In addition to sharing the details of battles exhilaratingly won and disappointingly lost on the environmental front, he demonstrates how it is indeed possible to turn idealism and hope into practical action that can make an impact at the national level. With this book McCloskey offers not only invaluable insight into the past, but also inspiration to carry into the future.
One of the most memorable images of the British women’s suffrage movement occurred on June 4, Derby Day, 1913. As the field of horses approached a turning at Epsom, militant suffragette Emily Wilding Davison ducked out from under the railing and ran onto the track, reaching for the bridle of the King’s horse, and was killed in the collision. While her death transformed her into a heroine, it all but erased her identity. To identify what impelled Davison to suffer multiple imprisonments, to experience the torture of force-feedings and the insults of hostile members of the crowds who came to hear her speak, Carolyn P. Collette explores a largely ignored source—the writing to which Davison dedicated so much time and effort during the years from 1908 to 1913. Davison’s writing is an implicit apologia for why she lived the life of a militant suffragette and where she continually revisits and restates the principles that guided her: that woman suffrage was necessary to improve the lives of men, women, and children; that the freedom and justice women sought was sanctioned by God and unjustly withheld by humans whose opposition constituted a tyranny that had to be opposed; and that the evolution of human progress demanded that women become fully equal citizens of their nation in every respect— politically, economically, and culturally.
In the Thick of the Fight makes available for the first time the archive of published and unpublished writings of Emily Wilding Davison. Collette reorients both scholarly and public attention away from a single, defining event to the complexity of Davison’s contributions to modern feminist discourse, giving the reader a sense of the vibrancy and diversity of Davison’s suffrage writings.
Radical religious and political leader Harry F. Ward started life quietly enough in a family of Methodist shopkeepers and butchers in London. But his relentless pursuit of social justice would lead him to the United States and a long career of religious activism. Ward served as professor of Christian ethics at the Union Theological Seminary and chairman of the board of the American Civil Liberties Union for two decades. He also became a leader in labor groups, Protestant activist organizations, and New York intellectual circles.
David Duke builds his comprehensive story of this fiery leader from extensive archival sources, including FBI files and private correspondence, sermons, class notes, and other unpublished material. Duke skillfully charts Ward's rise from an idealistic Methodist minister in a Chicago stockyard parish to a prominent national religious leader and influential political figure. Ultimately, Ward's lifelong attempt to synthesize the beliefs of Jesus and Marx and his role as an admirer of the Soviet Union put him on a collision course with McCarthyism in Cold War America. Viewed by some as a prophet and by others as a heretic, traitor, and communist, Ward became increasingly marginalized as he stubbornly maintained his radical positions. Even in his own circle, he went from being a figure of unquestioned integrity who eloquently spoke his convictions to a tragically short-sighted idealogue whose unwavering pro-Soviet agenda blinded him to the horrors of Stalinist oppression.
Harry Ward's long, colorful career intersected nearly every intellectual current in American culture for more than a half century. This biography will be important for scholars of American religious history, students of liberalism and politics, social Christians, and general readers who enjoy a compelling tour into the private and public lives of notable figures of history.
In a timely book with a powerful and persuasive message, Dr. Harold G. Koenig addresses federal, state, and local government policy leaders, urging them to more fully integrate religious organizations into the formal disaster response system, and he then provides recommendations on how this can effectively be done. Koenig also advocates faith communities and organizations to learn more about the role they can play in responding to disasters and terrorism.
The Mongol conquest of north China between 1211 and 1234 inflicted terrible wartime destruction, wiping out more than one-third of the population and dismantling the existing social order. In the Wake of the Mongols recounts the riveting story of how northern Chinese men and women adapted to these trying circumstances and interacted with their alien Mongol conquerors to create a drastically new social order. To construct this story, the book uses a previously unknown source of inscriptions recorded on stone tablets.
Jinping Wang explores a north China where Mongol patrons, Daoist priests, Buddhist monks, and sometimes single women—rather than Confucian gentry—exercised power and shaped events, a portrait that upends the conventional view of imperial Chinese society. Setting the stage by portraying the late Jin and closing by tracing the Mongol period’s legacy during the Ming dynasty, she delineates the changing social dynamics over four centuries in the northern province of Shanxi, still a poorly understood region.
Dr. Chris Walsh’s scholarship has resulted in a new study on one of America’s leading authors. In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy offers close textual analysis of all of McCarthy’s Southern works along with an overview of the notable critical responses to them. The book is designed for use by scholars, teachers, and students at all levels.
McCarthy’s works set in the desert Southwest have received substantial critical and commercial acclaim. However, his Appalachian texts—which include two short stories written as an undergraduate at the University of Tennessee, five novels (including the Pulitzer Prize winner The Road), a play, and a screenplay—rival the Southwestern works in terms of their aesthetic achievement and complexity. In the Wake of the Sun introduces readers, scholars, and students to the pertinent themes in each text while also walking them through the most significant critical dialogues surrounding the texts.
How acts of violence are rhetorically "managed" by social movements: In the Wake of Violence explores the immediate and longer term aftermath of violence committed by independent radicals involved in single-issue movements. Cheryl R. Jorgensen-Earp explores several specific incidents in recent history—the arson of a Vail ski resort by environmentalists, the murder of Dr. John Britton by an antiabortion activist, and the torching of a University of California research laboratory by animal rights activists among them—to discover how the perpetrators of the violence and the majority of reformers involved in their movements rhetorically framed the violent act for a potentially outraged public.
In the Wake of Violence, claims Jorgensen-Earp, the perpetrators are often forthcoming with both explanations for and a defense of their actions, casting themselves as righteous actors or martyrs for a cause. However, ardent reformers within the same cause might look with genuine revulsion at the actions of their own radical wing. This study claims that the nonviolent majority in single-issue reform movements employs a predictable constellation of rhetorical strategies to manage the impact of radical fringe violence. The primary goal of this rhetoric is to avoid a backlash against the larger movement by a public alienated by violent acts.
In examining specific rhetorical responses by the nonviolent majority in antiabortion, animal welfare, environmental reform, abolition, and women’s suffrage movements, Jorgensen-Earp considers a wide range of discourse types—from newspaper articles, interviews, and editorials to private letters; from editorial cartoons to the homemade signs of movement activists; and from speeches to modern Internet sites. She discovers that the image restoration techniques brought to bear for a reform cause are similar to those employed by a corporation accused of wrongdoing. Ultimately, she finds that the majority of proponents of the causes she examines believe that the violence can or will be condoned and that it must be rhetorically mitigated.
Before skyscrapers and streetlights glowed at all hours, American cities fell into inky blackness with each setting of the sun. But over the course of the nineteenth and early twentieth century, new technologies began to light up streets, sidewalks, buildings, and public spaces. Peter C. Baldwin’s evocative book depicts the changing experience of the urban night over this period, visiting a host of actors—scavengers, newsboys, and mashers alike—in the nocturnal city.
More and more states are legalizing marijuana in some form. Moreover, a majority of the U.S. population is in favor of the drug for recreational use. In the Weeds looks at how our society has become more permissive in the past 150 years—even though marijuana is still considered a Schedule I drug by the American government.
Sociologists Clayton Mosher and Scott Akins take a deep dive into marijuana policy reform, looking at the incremental developments and the historical, legal, social, and political implications of these changes. They investigate the effects, medicinal applications, and possible harms of marijuana. In the Weeds also considers arguments that youth will be heavy users of legalized cannabis, and shows how “weed” is demonized by exaggerations of the drug’s risks and claims of its lack of medicinal value. Mosher and Akins end their timely and insightful book by tracing the distinct paths to the legalization of recreational marijuana in the United States and other countries as well as discussing what the future of marijuana law holds.
God deserves obedience simply because he’s God—or does he? Inspired by a passion for biblical as well as constitutional scholarship, in this bold exploration Yale Law Professor Robert A. Burt conceptualizes the political theory of the Hebrew and Christian Bibles. God’s authority as expressed in these accounts is not a given. It is no less inherently problematic and in need of justification than the legitimacy of secular government.
In recounting the rich narratives of key biblical figures—from Adam and Eve to Noah, Cain, Abraham, Moses, Job, and Jesus—In the Whirlwind paints a surprising picture of the ambivalent, mutually dependent relationship between God and his peoples. Taking the Hebrew and Christian Bibles as a unified whole, Burt traces God’s relationship with humanity as it evolves from complete harmony at the outset to continual struggle. In almost every case, God insists on unconditional obedience, while humanity withholds submission and holds God accountable for his promises.
Contemporary political theory aims for perfect justice. The Bible, Burt shows, does not make this assumption. Justice in the biblical account is an imperfect process grounded in human—and divine—limitation. Burt suggests that we consider the lessons of this tension as we try to negotiate the power struggles within secular governments, and also the conflicts roiling our public and private lives.
Westward expansion on the North American continent by European settlers generated a flurry of writings on the frontier experience over the course of a hundred years. Asserting that the dominant ideology of America’s Manifest Destiny embodied a tense, often contradictory union of Christian and secular republican views of social progress, In the Work of Their Hands Is Their Prayer investigates the ambivalence of the frontier as it was inscribed with redemptive, historical significance by a host of frontier writers.
Enlisting canonical and noncanonical sources, Joel Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, “civilizing” project of westward expansion. While he acknowledges the growing secularization of American life, Professor Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers’ meditations on social progress and the potential for human perfectibility in the landscapes of the West.
Whether discussing the Edenic imagery of women’s gardens, the advocacy of an ethics of land use, or the affairs of fortune in the mining districts of Nevada, In the Work of Their Hands Is Their Prayer presents an enlightening reexamination of an American ideology of progress and its enduring fascination with mission, Manifest Destiny, and the ends of history.
In the Work of Their Hands Is Their Prayer is a welcome addition to the extended library of critical attention to the ideology, history, and literary traditions of the American frontier.
Winner of the William M. LeoGrande Prize
For over a century, the United States has sought to improve the behavior of the peoples of Latin America. Perceiving their neighbors to the south as underdeveloped and unable to govern themselves, U.S. policy makers have promoted everything from representative democracy and economic development to oral hygiene. But is improvement a progressive impulse to help others, or realpolitik in pursuit of a superpower’s interests?
“In this subtle and searing critique of U.S. efforts to ‘uplift’ Latin America, Lars Schoultz challenges us to question the fundamental tenets of the development industry that became entrenched in the U.S. foreign policy bureaucracy over the last century.”
—Piero Gleijeses, author of Visions of Freedom
“In this masterful work, Lars Schoultz provides a companion and follow-up to his classic Beneath the United States…A necessary and rewarding read for scholars and students of U.S. foreign policy and inter-American relations.”
—Renata Keller, The Americas
The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene.
From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, Jews expressed highly ambivalent feelings about their identification with Jewish and American cultures. Ted Merwin shows how they became American by producing and consuming not images of another group, but images of themselves. As a result, they humanized Jewish stereotypes, softened anti-Semitic attitudes, and laid the groundwork for today’s Jewish comedians.
An entertaining look at the role popular culture plays in promoting the acculturation of an ethnic group, In Their Own Image enhances our understanding of American Jewish history and provides a model for the study of other groups and their integration into mainstream society.
Harvard University inaugurated a new research center devoted to international relations in 1958. The Center for International Affairs (CFIA) was founded by State Department Director of Policy Planning Staff, Robert R. Bowie, at the invitation of McGeorge Bundy, Dean of the Faculty of Arts and Sciences. Joined by Henry A. Kissinger, Edward S. Mason, and Thomas C. Schelling, Bowie quickly established the CFIA as a hub for studying international affairs in the United States. CFIA affiliates produced seminal work on arms control theory, development and modernization theory, and transatlantic relations.
Digging deep into unpublished material in the Harvard, MIT, and Kennedy Library archives, this book is punctuated with personal interviews with influential CFIA affiliates. David Atkinson describes the relationship between foreign policy and scholarship during the Cold War and documents the maturation of a remarkable academic institution. Atkinson’s history of the Center’s first twenty-five years traces the institutional and intellectual development of a research center that, fifty years later, continues to facilitate innovative scholarship. He explores the connection between knowledge and politics, beginning with the Center’s confident first decade and concluding with the second decade, which found the CFIA embroiled in Vietnam-era student protests.
From World War II to the war in Iraq, periods of international conflict seem like unique moments in U.S. political history—but when it comes to public opinion, they are not. To make this groundbreaking revelation, In Time of War explodes conventional wisdom about American reactions to World War II, as well as the more recent conflicts in Korea, Vietnam, the Gulf, Afghanistan, and Iraq. Adam Berinsky argues that public response to these crises has been shaped less by their defining characteristics—such as what they cost in lives and resources—than by the same political interests and group affiliations that influence our ideas about domestic issues.
With the help of World War II–era survey data that had gone virtually untouched for the past sixty years, Berinsky begins by disproving the myth of “the good war” that Americans all fell in line to support after the Japanese bombed Pearl Harbor. The attack, he reveals, did not significantly alter public opinion but merely punctuated interventionist sentiment that had already risen in response to the ways that political leaders at home had framed the fighting abroad. Weaving his findings into the first general theory of the factors that shape American wartime opinion, Berinsky also sheds new light on our reactions to other crises. He shows, for example, that our attitudes toward restricted civil liberties during Vietnam and after 9/11 stemmed from the same kinds of judgments we make during times of peace.
With Iraq and Afghanistan now competing for attention with urgent issues within the United States, In Time of War offers a timely reminder of the full extent to which foreign and domestic politics profoundly influence—and ultimately illuminate—each other.
The nineteenth- and twentieth-century relationship between European culture, German history, and the Jewish experience produced some of the West’s most powerful and enduring intellectual creations—and, perhaps in subtly paradoxical and interrelated ways, our century’s darkest genocidal moments. In Times of Crisis explores the flashpoints of this vexed relationship, mapping the coordinates of a complex triangular encounter of immense historical import.
In essays that range from the question of Nietzsche’s legacy to the controversy over Daniel Goldhagen’s Hitler’s Willing Executioners, the distinguished historian Steven E. Aschheim presents this encounter as an ongoing dialogue between two evolving cultural identities. He touches on past dimensions of this exchange (such as the politics of Weimar Germany) and on present dilemmas of grasping and representing it (such as the Israeli discourse on the Holocaust). His work inevitably traces the roots and ramifications of Nazism but at the same time brings into focus historical circumstances and contemporary issues often overshadowed or distorted by the Holocaust.
These essays reveal the ubiquitous charged inscriptions of Nazi genocide within our own culture and illuminate the projects of some later thinkers and historians—from Hannah Arendt to George Mosse to Saul Friedlander—who have wrestled with its problematics and sought to capture its essence. From the broadly historical to the personal, from the politics of Weimar Germany to the experience of growing up German Jewish in South Africa, the essays expand our understanding of German Jewish history in particular, but also of historical processes in general.
In this stimulating and still-timely study, Josef Pieper takes up a theme of paramount importance to his thinking – that festivals belong by rights among the great topics of philosophical discussion. As he develops his theory of festivity, the modern age comes under close and painful scrutiny. It is obvious that we no longer know what festivity is, namely, the celebration of existence under various symbols
Pieper exposes the pseudo-festivals, in their harmless and their sinister forms: traditional feasts contaminated by commercialism; artificial holidays created in the interest of merchandisers; holidays by coercion, decreed by dictators the world over; festivals as military demonstrations; holidays empty of significance. And lastly we are given the apocalyptic vision of a nihilistic world which would seek its release not in festivities but in destruction.
Formulated with Pieper's customary clarity and elegance, enhanced by brilliantly chosen quotations, this is an illuminating contribution to the understanding of traditional and contemporary experience.
Analyzing how 1980s visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities
In 1982, the protests of antiporn feminists sparked the censorship of the Diary of a Conference on Sexuality, a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. In Visible Archives documents the community networks that produced this resonant artifact and others, analyzing how visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities.
Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.
The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
The Inability to Love borrows its title from Alexander and Margarete Mitscherlich’s 1967 landmark book The Inability to Mourn, which discussed German society’s lack of psychological reckoning with the Holocaust. Challenging that notion, Agnes Mueller turns to recently published works by prominent contemporary German, non-Jewish writers to examine whether there has been a thorough engagement with German history and memory. She focuses on literature that invokes Jews, Israel, and the Holocaust. Mueller’s aim is to shed light on pressing questions concerning German memories of the past, and on German images of Jews in Germany at a moment that s ideologically and historically fraught.
The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life.
This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who also discusses how the poems reflect Enheduanna's own spiritual and psychological liberation from being an obedient daughter in the shadow of her ruler father. Meador frames the poems with background information on the religious and cultural systems of ancient Mesopotamia and the known facts of Enheduanna's life. With this information, she explores the role of Inanna as the archetypal feminine, the first goddess who encompasses both the celestial and the earthly and shows forth the full scope of women's potential.
Desire, Jacques Lacan suggests, is a condition or expression of our wounded nature. But because such desire is also unconscious, it can be expressed only indirectly, for what we consciously desire is hardly ever what we really want. Desire makes itself known, but disguises its presence—appearing, for example, in unconscious but repetitive, and sometimes even self-destructive, patterns of behavior.
Informed by the voices of Freud and Lacan regarding the nature of language and desire, Inaugural Wounds examines the ways in which five major nineteenth-century English writers explored the trajectories and shapes of desire. Arguing that we need to give to novels the same kind of close scrutiny we give to poetry, author Robert Lougy suggests that when we do so, we discover that they often astound us by the resonance and range of their language, as well as by their ability to take us to strange and haunting places.
The five narratives examined—Charles Dickens’s Martin Chuzzlewit, William Thackeray’s Journey from Cornhill to Grand Cairo, Elizabeth Gaskell’s Ruth, Wilkie Collins’s The Woman in White, and Thomas Hardy’s Jude the Obscure—testify to the mysterious origins of desire. Although each of the novels tells its own story in its own way, they share a fascination with the nature of desire itself.
Drawing upon recent work that has challenged historicist approaches toward nineteenth-century British literature, Professor Lougy uses the insights of psychoanalysis to enable us to more fully appreciate the depth and power of these novels. Of great value to Victorian and psychoanalytic scholars, Inaugural Wounds will be useful for teaching undergraduates as well.
Modern and contemporary cultures are increasingly marked by an anxiety over a perceived loss of authentic cultural identity. In this book, Vincent J. Cheng examines why we still cling to notions of authenticity in an increasingly globalized world that has exploded notions of authentic essences and absolute differences.
Who is “authentic” and who is “other” in a given culture? Who can speak for the “other?” What do we mean by authenticity? These are critical questions that today’s world––brought closer together and yet pulled farther apart by globalism and neocolonialism––has been unable to answer. Inauthentic compellingly probes these issues through revealing case studies on the pursuit of authenticity and identity.
Each chapter explores the ways in which we construct “authenticity” in order to replace seemingly vacated identities, including: the place of minorities in academia; mixed-race dynamics; the popularity of Irish culture in America; the Good Friday agreement in Northern Ireland; Jewish American identity; the status of Jewish America in relation to Israel and Palestine; the cultural problems of international adoptions; and the rapidly changing nature of the Asian American population in the United States.
Inauthentic combines the scholarly and the personal, informed argument and human interest. It will undoubtedly appeal to academic scholars, as well as to a broader reading audience.
“Utterly captivating and resonant.” —Chicago Review of Books
“Gorgeously told.” —Philadelphia Inquirer
“Resonant. . . . Engagingly delivered, candid reflections on heritage and identity.” —Kirkus Reviews
The In-Betweens tells the story of a biracial boy becoming a man, all the while trying to find himself, trying to come to terms with his white family, and trying to find his place in American society. A rich narrative in the tradition of Justin Torres’s We the Animals and Bryan Washington’s Memorial, Davon Loeb’s memoir is relevant to the country’s current climate and is part of the necessary rewrite of the nation’s narrative and identity.
The son of a Black mother with deep family roots in Alabama and a white Jewish man from Long Island, Loeb grows up in a Black family in the Pine Barrens of New Jersey as one of the few nonwhite children in their suburban neighborhood. Despite his many and ongoing efforts to fit in, Loeb acutely feels his difference—he is singled out in class during Black History Month; his hair doesn’t conform to the latest fad; coaches and peers assume he is a talented athlete and dancer; and on the field trip to the Holocaust Museum, he is the Black Jew. But all is not struggle. In lyrical vignettes, Loeb vibrantly depicts the freedom, joys, and wonder of childhood; the awkwardness of teen years, first jobs, first passions. Loeb tells an individual story universally, and readers, regardless of subjectivity and relation, will see themselves throughout The In-Betweens.
Titu Cusi tells of his father's maltreatment at the hands of the conquerors; his father's ensuing military campaigns, withdrawal, and murder; and his own succession as ruler. Although he continued to resist Spanish attempts at "pacification," Titu Cusi entertained Spanish missionaries, converted to Christianity, and then, most importantly, narrated his story of the conquest to enlighten Emperor Phillip II about the behavior of the emperor's subjects in Peru. This vivid narrative illuminates the Incan view of the Spanish invaders and offers an important account of indigenous resistance, accommodation, change, and survival in the face of the European conquest.
Informed by literary, historical, and anthropological scholarship, Bauer's introduction points out the hybrid elements of Titu Cusi's account, revealing how it merges native Andean and Spanish rhetorical and cultural practices. Supported in part by the Colorado Endowment for the Humanities.
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