"This is nothing less than a reconsideration of the entire edifice of Soviet cinema and performance. Corrigan writes with elegance and grace, guiding her readers through unfamiliar territory while always holding their attention."— Eliot Borenstein, author of Plots against Russia: Conspiracy and Fantasy after Socialism
"As a counter to a solely cinema-focused conceptualization of this era, this study develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS's body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself."— Lilya Kaganovsky, author of The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935