by Maria Corrigan
Rutgers University Press, 2025
Cloth: 978-1-9788-4302-8 | Paper: 978-1-9788-4301-1 | eISBN: 978-1-9788-4303-5 (all)
Library of Congress Classification PN1993.5.R9
Dewey Decimal Classification 791.436110947709

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKS’s vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists—including Grigori Kozintsev and Leonid Trauberg—and uses their own theoretical contributions to undo the “foundations” of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS’s body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself.