Thematically exploring the contrasts and dynamic interplay between solidity and ephemerality, in his first book of poems Harold Schweizer creates great dramatic tension by poising complex, expansive sentences against the strictures of taut margins. While portraying angels as unfettered, Schweizer doesn’t accept the platonic notion that we ever transcend our physical world. Instead, he imagines angels as immanent, everywhere: “they / inhabit all things.” The Book of Stones and Angels attempts to disclose the angelic lightness of stones in the obstinate materiality of angels, amid the lightness and frailty of our existence.