Cover
Title
Series
Copyright
Contents
Acknowledgements
1. Introduction: Information Technology and Authoritarian Populism
1.1 Note on Methodology
1.2 Outline
2.1 Introduction
2.2 From World Market to the Modern Geoculture
2.3 The Spectacle of Mechanical Culture
2.4 Era of the Television
2.5 Spectacle and Commodity Fetishism
2.6 The New Visibility
2.7 Rise of the Digital
2.8 Surfaces: Without Depth and Without Trajectory
2.9 The Spectacular Self
2.10 Prosumers, Exhibition and Surveillance
2.11 Conclusion
3.1 Introduction
3.2 Decline of Embodiment and Co-Presence
3.3 Marketing Orientation and Impression Management
3.4 Human Capital and Neoliberalism
3.5 Personal Branding and Attention Seeking
3.6 Conclusion
4.1 Introduction
4.2 Immediation of the Generalized Other
4.3 The Culture of the Newsfeed
4.4 Invisible Audience
4.5 Echo Chamber Effects
4.6 Splitting Public Sphere
4.7 Conclusion
5.1 Introduction
5.2 Alienation and Authenticity Strain
5.3 Fear
5.4 Dialectic of Abnormality
5.5 Conclusion
6.1 Introduction
6.2 The Crisis of Liberal Democracy in the Society of the Selfie
6.3 Sociopolitical Psychology of the Spectacular Subject
6.3.1 Neoliberal Impression Management
6.3.2 Invisible Audience and Echo Chamber Effects
6.3.3 Dialectics of Alienation and Abnormality
6.4.1 ‘The People’ Contra Rationality, Science and Expertise
6.4.2 Agitation Games
6.5 Political Uses of Information Technologies
6.6 Conclusion
7. Conclusion: A Turning Point for Liberal Democracy
The Authors
Bibliography
Index