“In Variations on Dawn and Dusk what’s spoken is almost sung, and what’s sung is quickly lost, but what remains is a trace of presence as political as it is spiritual, reminding the reader that we’re constituted by what passes through us, what we’re open to. . . . But what a space, lit with such generosity and heart! It is aspirational, it is hopeful, it is not sentimental. It has a truly counter-cultural music that makes use of hums and whispers and silences. As I read Variations on Dawn and Dusk I almost felt as if my body unfroze. It simply delivers light.”
— Katie Peterson, author of The Accounts
“Something quite literally ultimate transpires in these Variations on Dawn and Dusk, as Beachy-Quick has found a way to map the interstices—between quanta of light; between syllables; between the nearly inaudible sounds of colors upon surface. To my certain knowledge, no one has accomplished this since Dame Julian of Norwich. These quiet poems are a torrent of angels, and I cannot look away.”
— Donald Revell, author of The English Boat
“A true American metaphysical in the tradition of Emily Dickinson and Susan Howe, Beachy-Quick is our postmodern antinomian, suspicious not of a moribund faith but of the truth claims of consciousness itself. These fierce lyrics of existential grief display his preternatural attunement to thought at the moment it turns inward upon itself not for comfort but in grave confrontation.”
— Brian Teare, author of Doomstead Days
"A work of ekphrasis based on Robert Irwin's Untitled (Dawn to Dusk) set in the desert of Marfa, Tex., draws inspiration from the sun as it warms, cools, colors, and shifts, resulting in a series of poems whose patterns are informed by their subject: light."
— Publishers Weekly
Included in the 2019 Poetry Longlist
— National Book Awards
Finalist, Poetry
— Colorado Book Awards