Acknowledgments
Mohamed Enani
Introduction
Zahrah Youssri
Why Are Seamen Always Miserable?
Mohab Nasr
“———————”
Mahmoud Sharaf
Dali
Behind the House
Ahmed Taha
A Tale
The Wall of Genesis
Childhood Wall
Anwar Kamel Celebrates Le Quatorze Juillet
Osama El-Dinasouri
If I Were a God
Mohamed Metwalli
Untitled
This Is How the Magician Produces a Dove out of the Hat
Ali Mansour
There Is Music Going Down the Stairs
We Must Be Assured That a Fine Poet Will Be Born, Even after Fifteen Years
Alaa Khalid
A Morning Window
A Relic
Aïda
Ahmed Yamani
Streets of Black and White
Aliyah Abdul-Salaam
In Front of the House
The Mermaid
A Bird Close to Old Houses
A Village Near a Church
Yasser Abdullatif
Archeology
Bahaa Awwad
Declining Sun
Youssef Rakha
Dust Storm
Youssri Hassaan
I Considered Myself
Magdy El-Gabry
A Child Hunting Tales
Mohamed Lasheen
Nearly Three Million Years Ago
Nightmares Fit to Arouse Misgivings
Eman Mersaal
Neutrality
Repetition
Too Many Times
A Portrait
Mas’oud Shouman
A Dance with Nothing On, with Nobody Around
Shehata El-Iryaan
Thermometer of Happiness
Ihab Khalifa
No Need to Discourage Dreams
Guirguis Shoukry
A Personal Portrait
A Good Man Talking to Himself
Meelaad Zakaria Youssef
The Sadder Man
Sadiq Sharshar
Charlie Chaplin
The Singer
Safaa Fathi
For Heiner Muller
Don Quixote and the Flour Mills
Haytham El-Shawwaf
Half a Lemon, Half a Cigarette, and Half a Desire to Have It Off
The Devil’s Symbol
Imad Fouad
Truth: I Have Five Fingers on Each Hand!
Maher Sabry
The Harem
Troy
Marionette
Fathi Abdullah
On the Declaration of Joy
Small Bodies That Cannot Be Heeded
Hoda Hussein
I Can Talk to Them