Cover
Title Page
Table of Contents
Acknowledgments
Introduction
I. Misogyny and Mayhem
1. Always Ambivalent: Why Media Is Never Just Entertainment
2. Kick-Ass Feminism: Violence, Resistance, and Feminist Avengers in Larsson's Trilogy
3. Lisbeth Salander as "Final Girl" in the Swedish "Girl Who" Films
4. Accounts of Violence against Women: The Potential of Realistic Fiction
5. State Complicity in Men's Violence against Women
II. Gender and Power in the New Millennium
6. The Gender Ambiguity of Lisbeth Salander: Third-Wave Feminist Hero?
7. Third-Wave Rebels in a Second-Wave World: Polyamory, Gender, and Power
8. Men Who Love Women: Pro-feminist Masculinities in the Millennium Trilogy
9. Tiny, Tattooed, and Tough as Nails: Representations of Lisbeth Salander's Body
10. Hacker Republic: Cyberspace and the Feminist Appropriation of Technology
11. Is This What Equality Looks Like?: Working Women in the Millennium Trilogy
III. Swedish Perspectives
12. Corporations, the Welfare State, and Covert Misogyny in The Girl with the Dragon Tattoo
13. Lisbeth Salander and Her Swedish Crime Fiction "Sisters": Stieg Larsson's Hero in a Genre Context
14. Is Mikael Blomkvist the Man of the Millennium?: A Swedish Perspective on Masculinity and Feminism in Larsson's Millennium Trilogy
IV. Readers' Responses
15. An Open Letter to the Next Stieg Larsson
16. Pippi and Lisbeth: Fictional Heroes across Generations
17. Feminist Bloggers Kick Larsson's Ass: Reading Resistance Online
18. Feminist Avenger or Male Fantasy?: Reading the Reception of the Millennium Trilogy
Contributors
Index