Five hundred years ago, working from hints in classical Greek and Latin poets, the young author Jacopo Sannazaro crafted the book called Arcadia, a narrative in richly descriptive Italian prose interwoven with elegant and passionate poems. A young man—transparently a stand-in for the author—leaves his home in Naples to join a community of shepherds in the remote Greek region of Arcadia. Yet he finds that this seemingly idyllic land is as fraught as the homeland he fled. Like the author’s humanist community in Naples, ravaged in the fifteenth century by invasion and regime change, the eloquent shepherd-poets of Arcadia are driven to distraction and depression by the frustrations of desire and the social unrest that threatens their pastoral lives. Amidst all that, they tell each other their personal histories and share their sorrows in song.
Sannazaro’s Arcadia is widely recognized as a foundational text of pastoral poetry, humanism, and Italian literature. But the book itself has been largely inaccessible to English-language students and readers. This new translation uses contemporary American English to convey Arcadia’s youthful vigor, narrative energy, and poetic inventiveness. The extensive introduction and commentaries place Arcadia in the context of late fifteenth-century humanist thought and writing, as well as the complicated crisis of Naples in the years just before 1500. This translation is designed to facilitate the re-entry of Arcadia into scholarly discourse and general readership while outlining its lasting cultural influence on poetry, drama, art and music.

Nicholas R. Jones taught English at Oberlin College for over forty years, specializing in Renaissance literature. Now living in Berkeley, California, he is a translator and scholar, as well as a reviewer of classical music. Jones’s translation of the madrigals of Giovanni Battista Guarini was published by the University of Michigan Press in 2018.

“The introduction is both informative and enjoyable to read—it is clearly written, well-paced and engaging and covers the range of relevant current perspectives on Sannazaro’s work. The whole volume will be readily accessible to both the specialist and general readership and offers a new and timely translation of Sannazaro’s Arcadia.”— Michael Brennan, University of Leeds

“This book delivers what it promises: a fresh contemporary version of Sannazaro’s Arcadia, with prose sections that sound like the language we expect in contemporary fiction and renditions of poems that use rhyme and metrical rhythm judiciously to remind readers that the text before them is indeed a poem. The translator is especially effective with the form of the frottola, which recurs throughout the work.”— Dennis Looney, University of Pittsburgh