“Rippling with large energy, ambitious in its reach, and gratifying in its etched-in personal glimpses, New York Trilogy shuttles us through history, from a dig in Mesopotamia to the catastrophes of our time. Ingesting calamity, it breaks the language into fresh syncopations. So idioms change and advance. The Trilogy is a feat of contemporary witness, its multiple refractions brought to account in the self of the poet. This is how we integrate fragmentation in our time, and how, after hard passage, we look to transcend.”
— Sven Birkerts, author of "The Miró Worm and the Mysteries of Writing"
"[A] single personal epic. . . . Balakian, like many in his generation of 'witness' poets (Carolyn Forché, Lawrence Joseph), splits the difference between poetry’s compression and journalism’s immediacy . . . The operational mode is the collage, a series of images and phrases, akin to montage in film; the language, we might say, is 'clipped.' And as in journalism, the poet reports with little editorializing, letting the images speak for themselves."
— New York Review of Books
"New York Trilogy reads as the culmination of [Balakian's] life-long concern with how poetry can address—honestly, but with that complexity and beauty unique to poetry—the twin poles of human atrocity and cultural achievement; of planetary extinction and possibility. . . . Montage, fragmentation, the juggling of multiple time frames and sources, as well as variations in verse form, diction, and pacing make for some challenging reading. But ultimately, I found the book tremendously moving in its search for clarity in a life lived in full awareness of the present moment—with all its historical, cultural, geographical, and political context still attached. . . . What results is a dynamic, disturbing account of human achievement colliding periodically with the 'chthonic zigzag of hubris'. Excavation, building, and collapse recur throughout, sources of both beauty and horror. Balakian’s diction sometimes veers into technical, numerical, even algebraic language."
— Consequence Forum