Best Translation of a Literary Work Published in 2025 from the American Association of Italian Studies

In her memoir, Anna Maria Gehnyei, better known as singer, rapper, and producer Karima 2G, reveals the challenges she faced as the child of Liberian immigrants, born and raised in Rome but perpetually viewed by her fellow Italians as a foreigner.
 
The daughter of the first Kpelle man to ever leave his native village and emigrate to Europe, Anna is proud of her heritage but only knows Liberia as a mystical, faraway land that appears in her parents’ stories. Though Italy is the only homeland she knows, she is merely classed as a resident, not a permanent citizen. At school and in the streets of Rome, she is treated to a mixture of patronizing condescension and xenophobic hostility. But Anna refuses to be bullied into mute submission, finding her voice as a performer and activist who demands recognition for Italy’s growing immigrant population.
 

A collection of essays, interviews, and conversations by and between scholars, activists, and artists from Latin America and the Caribbean that paints a portrait of Black women's experiences across the region.

Black women in Latin America and the Caribbean suffer a triple erasure: as Black people, as women, and as non-English speakers in a global environment dominated by the Anglophone North. Black Feminist Constellations is a passionate and necessary corrective. Focused on and written by Black women of the southern Americas, the original works composing this volume make legible the epistemologies that sustain radical scholarship, art, and political organizing by Black women everywhere.

In essays, poems, and dialogues, the writers in Black Feminist Constellations reimagine liberation from the perspectives of radical South American and Caribbean Black women thinkers. The volume’s methodologically innovative approach reflects how Black women come together to theorize the world and challenges the notion that the university is the only site where knowledge can emerge. A major work of intellectual history, Black Feminist Constellations amplifies rarely heard voices, centers the uncanonized, and celebrates the overlooked work of Black women.

How Black women’s reproduction became integral to white supremacy, capitalism, and heteropatriarchy—and remains key to their dismantling

In the United States, slavery relied on the reproduction and other labors of unfree Black women. Nearly four centuries later, Black reproductivity remains a vital technology for the creation, negotiation, and transformation of sexualized and gendered racial categories. Yet even as Black reproduction has been deployed to resolve the conflicting demands of white supremacy, capitalism, and heteropatriarchy, Sara Clarke Kaplan argues that it also holds the potential to destabilize the oppressive systems it is supposed to maintain.

The Black Reproductive convenes Black literary and cultural studies with feminist and queer theory to read twentieth- and twenty-first-century texts and images alongside their pre-emancipation counterparts. These provocative, unexpected couplings include how Toni Morrison’s depiction of infanticide regenders Orlando Patterson’s theory of social death, and how Mary Prince’s eighteenth-century fugitive slave narrative is resignified through the representational paradoxes of Gayl Jones’s blues novel Corregidora. Throughout, Kaplan offers new perspectives on Black motherhood and gendered labor, from debates over the relationship between President Thomas Jefferson and Sally Hemings, to the demise of racist icon Aunt Jemima, to discussions of Black reproductive freedom and abortion. 

The Black Reproductive gives vital insight into the historic and ongoing conditions of Black unfreedom, and points to the possibilities for a Black feminist practice of individual and collective freedom.

Rooted in the ways Black women understand their lives, this collection archives practices of healing, mothering, and advocacy during the COVID-19 pandemic.

Recognizing that Black women have been living in pandemics as far back as colonialism and enslavement, this volume acknowledges that records of the past—from the 1918 flu pandemic to the onset of the HIV/AIDS epidemic—often erase the existence and experiences of Black women as a whole. Writing against this archival erasure, this collection consciously recenters the real-time experiences and perspectives of care, policy concerns, grief, and joy of Black women throughout the COVID-19 pandemic.

Nineteen contributors from interdisciplinary fields and diverse backgrounds explore Black feminine community, consciousness, ethics of care, spirituality, and social critique. They situate Black women’s multidimensional experiences with COVID-19 and other violences that affect their lives. The stories they tell are connected and interwoven, bound together by anti-Black gendered COVID necropolitics and commitments to creating new spaces for breathing, healing, and wellness.

Ultimately, this time-warping analysis shows how Black women imagine a more just society, rapidly adapt to changing experiences, and innovate ethics of care even in the midst of physical distancing, which can be instructive for thinking of new ways of living both during and beyond the era of COVID-19.

Contributors
Shamara Wyllie Alhassan
Sharnnia Artis
Keisha L. Bentley-Edwards
Candace S. Brown
Jenny Douglas
Kaja Dunn
Onisha Etkins
Rhonda M. Gonzales
Endia Hayes
Ashley E. Hollingshead
Kendra Jason
Julia S. Jordan-Zachery
Stacie LeSure
Janaka B. Lewis
Michelle Meggs
Nitya Mehrotra
Sherine Andreine Powerful
Marjorie Shavers
Breauna Marie Spencer
Tehia Starker Glass
Amber Walker

Black Women in Latin America and the Caribbean: Critical Research and Perspectives employs an intersectional and interdisciplinary approach to examine Black cisgender women’s social, cultural, economic, and political experiences in Latin America and the Caribbean. It presents critical empirical research emphasizing Black women’s innovative, theoretical, and methodological approaches to activism and class-based gendered racism and Black politics. While there are a few single-authored books focused on Black women in Latin American and Caribbean, the vast majority of the scholarship on Black women in Latin America and the Caribbean has been published as theses, dissertations, articles, and book chapters. This volume situates these social and political analyses as interrelated and dialogic and contributes a transnational perspective to contemporary conversations surrounding the continued relevance of Black women as a category of social science inquiry. Many of the contributing authors are from Latin American and Caribbean countries, reflecting a commitment to representing the valuable observations and lived experiences of scholars from this region. When read together, the chapters offer a hemispheric framework for understanding the lasting legacies of colonialism, transatlantic slavery, plantation life, and persistent socio-economic and cultural violence.

An anthropological study of Haitian migrant women in the Dominican Republic.

Borders of Visibility offers extremely timely insight into the Dominican Republic’s racist treatment of Haitian descendants within its borders. Jennifer L. Shoaff employs multisited feminist research to focus on the geographies of power that intersect to inform the opportunities and constraints that migrant women must navigate to labor and live within a context that largely denies their human rights, access to citizenship, and a sense of security and belonging.

Paradoxically, these women are both hypervisible because of the blackness that they embody and invisible because they are marginalized by intersecting power inequalities. Haitian women must contend with diffuse legal, bureaucratic and discursive state-local practices across “border” sites that situate them as a specific kind of threat that must be contained. Shoaff examines this dialectic of mobility and containment across various sites in the northwest Dominican Republic, including the official border crossing, transborder and regional used-clothing markets, migrant settlements (bateyes), and other rural-urban contexts.

Shoaff combines ethnographic interviews, participant observation, institutional analyses of state structures and nongovernmental agencies, and archival documentation to bring this human rights issue to the fore. Although primarily grounded in critical ethnographic practice, this work contributes to the larger fields of transnational feminism, black studies, migration and border studies, political economy, and cultural geography. Borders of Visibility brings much needed attention to Haitian migrant women’s economic ingenuity and entrepreneurial savvy, their ability to survive and thrive, their often impossible choices whether to move or to stay, returning them to a place of visibility, while exposing the very structures that continue to render them invisible and, thus, expendable over time.

In the mid-1950s, as many developing nations sought independence from colonial rule, black women in the American South and in South Africa launched parallel campaigns to end racial injustice within their respective communities. Just as the dignified obstinacy of Mrs. Rosa Parks sparked the Montgomery bus boycott in 1955, the 20,000 South African women who marched in Pretoria a year later to protest the pass laws signaled a new wave of resistance to the system of apartheid. In both places women who had previously been consigned to subordinate roles brought fresh leadership to the struggle for political freedom and social equality. 

In this book, Pamela E. Brooks tells their story, documenting the extraordinary achievements of otherwise ordinary women. In comparing the experiences of black women activists in two different parts of the African diaspora, Brooks draws heavily on oral histories that provide clear, and often painful, insight into their backgrounds, their motives, their hopes, and their fears. We learn how black women from all walks of life—domestic and factory workers, householders, teachers, union organizers, churchwomen, clubwomen, rural and urban dwellers alike—had to overcome their class differences and work through the often difficult gender relations within their families and communities. Yet eventually they came together to forge their own political organizations, such as the Women's Political Council and the Federation of South African Women, or joined orga-nizations of women and men, such as the Montgomery Improvement Association and the African National Congress, to advance the common agenda of black liberation.By tracing the dual rise of political consciousness and activism among the black women of the U.S. South and South Africa, Brooks not only illuminates patterns that have long been overlooked but places that shared history within the context of a larger global struggle to bring an end to the vestiges of European colonialism.

CaShawn Thompson crafted Black Girls Are Magic as a proclamation of Black women’s resilience in 2013. Less than five years later, it had been repurposed as a gateway to an attractive niche market. Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic examines the commercial infrastructure that absorbed Thompson’s mantra. While the terminology may have changed over the years, mainstream brands and mass media companies have consistently sought to acknowledge Black women’s possession of a distinct magic or power when it suits their profit agendas.

Beginning with the inception of the Essence brand in the late 1960s, Timeka N. Tounsel examines the individuals and institutions that have reconfigured Black women’s empowerment as a business enterprise. Ultimately, these commercial gatekeepers have constructed an image economy that operates as both a sacred space for Black women and an easy hunting ground for their dollars.

 
 

Questions traditional assumptions about power and agency in slave women’s everyday lives.

Through their open defiance, women like Harriet Tubman and Sojourner Truth had a significant impact on the institution of slavery. But what of the countless other women who did not commit public or even private acts of resistance? Are their stories worthy of our attention? While some scholars imply that only the struggle for freedom was legitimate, Jenny Sharpe complicates the linear narrative-from slavery to freedom and literacy-that emerged from the privileging of autobiographical accounts like that of Frederick Douglass. She challenges a paradigm that equates agency with resistance and self-determination, and introduces new ways to examine negotiations for power within the constraints of slavery.

In Ghosts of Slavery, Sharpe introduces a wider range of everyday practices by examining the lives of three distinctive Caribbean women: a maroon leader, a mulatto concubine, and a fugitive slave. Through them she explains how the diasporic experience of slavery enabled black women to claim an authority that they didn’t possess in Africa, how concubines empowered themselves through their mimicry of white women, and how less-privileged slave women manipulated situations that they were powerless to change. Finding the highly mediated portrayal of slave women in the historical records limited and sometimes misleading, Sharpe turns to unconventional sources for investigating these women’s lives. In this fascinating and historically rich account, she calls for new strategies of reading that question traditional narratives of history, and she finds alternative ways to integrate oral storytelling, slave songs, travel writing, court documents, proslavery literature, and contemporary literature into black history. Ultimately, this layered approach not only produces a more complex picture of the slave women’s agency than conventional readings, it encourages a more nuanced understanding of the roles of slaves in the history of slavery.

A beautiful portrait of how joy is an act of resistance.
 
“My poems brought me to Oxford, Mississippi a.k.a. the velvet ditch: / a place you can fall into, get comfortable among confederate rebels,” writes January Gill O’Neil in her stunning new collection, Glitter Road. The poems in this book look back at the end of a marriage, a heartbreaking loss, and a new relationship against the backdrop of a Mississippi season. O’Neil reflects on the history and legacy of Emmett Till, how his story is intertwined with her own, and wades through the incredible grief she feels for herself, her children, and the Black children who won’t come home tonight. These poems reclaim the vulnerable, intimate parts of a life in transition and celebrate womanhood through awakenings, landscapes, meanders, and possibilities. She declares, with both self-love and conviction, “I am done telling the kinder story. I am a myth of my own making.”
 

The Gloria Wekker Reader compiles articles, essays, interviews, poems, and letters by the Afro-Surinamese Dutch theorist and activist, Gloria Wekker. Wekker is a preeminent scholar in feminist Black diaspora studies, especially known for her developments in epistemology and methodology, conceptualizations of sexuality, and mapping of the connections between race, gender, and empire. These writings demonstrate Wekker’s theoretical and political prowess, illuminating how her scholarship was foundational in shifting the fields of anthropology, feminist and queer studies, and Black diasporic studies. Featuring a foreword by Angela Y. Davis, engaging with The Gloria Wekker Reader is an invitation for interdisciplinary and intergenerational dialogue to inspire political action.

What compels a person to risk her life to change deeply rooted systems of injustice in ways that may not benefit her? The thousands of Black Churchwomen who took part in civil rights protests drew on faith, courage, and moral imagination to acquire the lived experiences at the heart of the answers to that question. AnneMarie Mingo brings these forgotten witnesses into the historical narrative to explore the moral and ethical world of a generation of Black Churchwomen and the extraordinary liberation theology they created. These women acted out of belief that what they did was bigger than themselves. Taking as their goal nothing less than the moral transformation of American society, they joined the movement because it was something they had to do. Their personal accounts of a lived religion enacted in the world provide powerful insights into how faith steels human beings to face threats, jail, violence, and seemingly implacable hatred. Throughout, Mingo draws on their experiences to construct an ethical model meant to guide contemporary activists in the ongoing pursuit of justice.

A depiction of moral imagination that resonates today, Have You Got Good Religion? reveals how Black Churchwomen’s understanding of God became action and transformed a nation.

WINNER OF THE ASSOCIATION OF BLACK WOMEN HISTORIANS 2020 LETITIA WOODS-BROWN AWARD FOR THE BEST BOOK IN AFRICAN AMERICAN WOMEN'S HISTORY 

WINNER OF THE WESTERN ASSOCIATION OF WOMEN HISTORIAN'S BARBARA “PENNY” KANNER AWARD

2021 FINALIST FOR THE HARRIET TUBMAN BOOK PRIZE

2020 FINALIST BERSHIRE CONFERENCE OF WOMEN HISTORIANS BOOK PRIZE

Uncovering the Afro-Argentine women behind the myth of a white nation.

Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed—African, Indian, European—heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a “black disappearance” by delving into the intimate lives of black women and explaining how they contributed to the making of a “white” Argentina. Erika Denise Edwards has produced the first comprehensive study in English of the history of African descendants outside of Buenos Aires in the late colonial and early republican periods, with a focus on how these women sought whiteness to better their lives and that of their children.

Edwards argues that attempts by black women to escape the stigma of blackness by recategorizing themselves and their descendants as white began as early as the late eighteenth century, challenging scholars who assert that the black population drastically declined at the end of the nineteenth century because of the whitening or modernization process. She further contends that in Córdoba, Argentina, women of African descent (such as wives, mothers, daughters, and concubines) were instrumental in shaping their own racial reclassifications and destinies.

This volume makes use of a wealth of sources to relate these women’s choices. The sources consulted include city censuses and notarial and probate records that deal with free and enslaved African descendants; criminal, ecclesiastical, and civil court cases; marriages and baptisms records and newsletters. These varied sources provide information about the day-to-day activities of cordobés society and how women of African descent lived, formed relationships, thrived, and partook in the transformation of racial identities in Argentina.
 

    In Praise of Black Women is a magnificent tribute to women in Africa and the African diaspora from the ancient past to the present. Lavishly illustrated, with text written and selected by the celebrated Guadeloupian novelist Simone Schwarz-Bart, this four-volume series celebrates remarkable women who distinguished themselves in their time and shaped the course of culture and history.
    Volume 1: Ancient African Queens weaves together oral tradition, folk legends and stories, songs and poems, historical accounts, and travelers’ tales from Egypt to southern Africa, from prehistory to the nineteenth century. These women rulers, warriors, and heroines include Amanirenas, the queen of Kush who battled Roman armies and defeated them at Aswan; Daurama, mother of the seven Hausa kingdoms; Amina Kulibali, founder of the Gabu dynasty in Senegal; Ana de Sousa Nzinga, who resisted the Portuguese conquest of Angola; Beatrice Kimpa Vita, a Kongo prophet burned at the stake by Christian missionaries; Nanda, mother of the famous warrior-king Shaka Zulu; and many others.
    These extraordinary women's stories, narrated in the style of African oral tradition, are absorbing, informative, and accessible. The abundant illustrations, many of them rare archival images, depict the diversity among Black women and make this volume a unique treasure for every art lover, every school, and every family.

The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.

Inside the Body of Black Feminism connects historical studies of medical racism with Black feminist theories of the body to reimagine the material and metaphoric possibilities for political subjectivity across race, gender, and culture.

Inside the Body of Black Feminism charts a cultural genealogy of antiracist and feminist engagement with some of the most objectified internal “parts” of racist medical and scientific inquiry: bones and blood, brains and hearts, guts and wombs. In a move counterintuitive to Black feminism’s emphasis on externalized representations of the body, Samantha Pinto reinterprets the relationship between embodiment, health, and race through cultural archives that reimagine the inside of the Black body. Working through materials such as medical textbooks, memoirs, data visualizations, museum displays, speculative fiction, and horror films, Pinto explores how a visually inaccessible corporeal interior becomes discernible and racialized in the public sphere. Inside the Body of Black Feminism engages expressive cultural work to ask how we might know the inside of the Black body differently through Black feminist theory and how scientific and medical inquiry might enable us to understand political subjectivity anew.

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora.

Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism.

Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.

Rediscovers the crucial role that women played in the influential Negritude movement.

The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aimé Césaire, Léopold Sédar Senghor, and Léon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by the women who were not merely integral to the success of the movement, but often in its vanguard.

Through such disparate tactics as Lacascade’s use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Césaire’s revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude-black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa-Sharpley-Whiting provides the movement’s first genuinely inclusive history.

Out for Glamour in Africa critically reflects on how Black women utilized Drum magazine, a leading publication in Africa during the era of independence, for political empowerment and constructing notions of Black femininity. Wanjirũ G. Mbure terms the concept of femme urbAfricana, a model of Black femininity depicted as urban, political, fashionable, paradoxically Afrocentric, heteronormative, and transnational. Foregrounding stories of the women who embodied these traits and the social, political, and economic forces that shaped their presence in Drum, Mbure argues that these representations of Black women from Africa, the Caribbean, Europe, and the United States produced a novel form of Black urban femininity. Utilizing a breadth of archival materials from cover girl photographs, advertisements, and columns, to readers’ comments, Mbure reveals the complex relationship between the Black urban woman and the era’s contested ideals within a transnational matrix.

Black women in the department of Chocó, Colombia, respond to the violence endemic to their region with activism and storytelling. Tania Lizarazo focuses on members of COCOMACIA, a Black farmers’ association that defends communities and territories along the nation’s Pacific lowlands’ rivers. Drawing on the life stories of members, Lizarazo explains how Chocó’s Black Colombian women answered firsthand experiences of violence with a dedication to survival and activism. Survival amid armed conflict proves to be an embodied practice. Day by day, the women imagine what memory, peace, and justice could look like when the bloodshed ends. Though peace may seem impossible, wishing and working for a better world motivates these women to steadily dismantle the scaffolding of violence built around their lives.

A merger of eyewitness accounts and theory, Postconflict Utopias explores the links between lived knowledge and survival while revealing the power unleashed when women ask the simple question, “Why not?”

In Predatory Welfare, Erin Torkelson explores how the direct cash transfer program instituted in South Africa revised and reworked post-apartheid racialized and gendered dispossession, despite its promise of ameliorating extreme poverty. Beginning in 2012, she focuses on how poor Black South African women asserted their entitlements to social assistance and responsibilities for familial care against the pressures of expropriation built into the grant payment system. Because the grants did not cover monthly bills, recipients were pushed into predatory loans collateralized by welfare payments. Torkelson finds that the state-sponsored but privately-run program was fundamentally undermined by its reliance on digital financial technologies which encoded wider forces of colonial rule, nationalist politics, and global development. Even when the government assumed control of grant payment in 2018, the neoliberal bent of fiscal policy continued to drive recipients into debt in new ways. Drawing on seven years of ethnographic fieldwork and organization—in grant payment queues, loan offices, grocery stores, Parliament, and the Constitutional Court—Torkelson demonstrates how cash transfers can offer a means to making racial capitalism more acceptable and how recipients can push back to demand reparation.

In Bahia, Brazil, the decades following emancipation saw the rise of reformers who sought to reshape the citizenry by educating Bahian women in methods for raising “better babies.” The idealized Brazilian would be better equipped to contribute to the labor and organizational needs of a modern nation. Backed by many physicians, politicians, and intellectuals, the resulting welfare programs for mothers and children mirrored complex debates about Brazilian nationality. Examining the local and national contours of this movement, Progressive Mothers, Better Babies investigates families, medical institutions, state-building, and social stratification to trace the resulting policies, which gathered momentum in the aftermath of abolition (1888) and the declaration of the First Republic (1889), culminating during the administration of President Getúlio Vargas (1930–1945).

Exploring the cultural discourses on race, gender, and poverty that permeated medical knowledge and the public health system for almost a century, Okezi T. Otovo draws on extensive archival research to reconstruct the implications for Bahia, where family patronage politics governed poor women’s labor as the mothers who were the focus of medical interventions were often the nannies and nursemaids of society’s wealthier families. The book reveals key transition points as the state of Bahia transformed from being a place where poor families could expect few social services to becoming the home of numerous programs targeting the poorest mothers and their children. Negotiating crucial questions of identity, this history sheds new light on larger debates about Brazil’s past and future.

Tired of being scrutinized, criticized, and fetishized for her black skin, Cameroon-born scholar Geneviève Makaping turns the tables on Italy’s white majority, regarding them through the same unsparing gaze to which minorities have traditionally been subjected. As she candidly recounts her experiences—first across Africa and then as a migrant Black woman in Italy—Makaping describes acts of racist aggression that are wearying and degrading to encounter on a daily basis. She also offers her perspective on how various forms of inequality based on race, color, gender, and class feed off each other. Reversing the Gaze invites readers to confront the question of racism through the retelling of everyday occurrences that we might have experienced as victims, perpetrators, or witnesses. 

Analyzing how Peruvian feminist art and activism subverts and reclaims the chola stereotype to confront colonial and patriarchal institutions.

Indigenous Andean women have long been derided in Peru, spurned by colonial and then national elites as depraved cholas. Olga Rodriguez-Ulloa shows how contemporary artists and activists not only reclaim this term of abuse but also mobilize the stereotype of the angry and perverted chola to confront the cruelties of patriarchy, capitalism, and white supremacy.

Sadistic Cholas examines music, visual arts, literature, and grassroots organizing by self-identified cholas—in particular, Black women and trans and queer feminists. Under colonial domination, cholas were destined for sexual coercion, labor extraction, and reproductive exploitation. While exhuming historical traces of chola resistance, Rodriguez-Ulloa argues that this condition of oppression persisted through the internal war of the 1980s, when Marxist women at the forefront of the armed campaign were condemned as hypersexual deviants. Inspired by their leftist forebears, today’s artists experiment with an aesthetic of sadistic vengeance, configured as rightful self-defense. Yet, in spite of their violent imagery, activist cholas pursue nonviolent goals, promoting a commons of care incorporating people, animals, and the environment.

Say Her Name: Centering Black Feminism and Black Women in Sports offers an in-depth look into the lived experiences of Blackgirlwomen as athletes, activists, and everyday people through a Black feminist lens. With so much research on race centered on Black men and gender research focusing on white women, Say Her Name offers a necessary conversation that places Blackgirlwomen at the center of discussion.

Say Her Name delves deeply into issues of gender, the politics of punishment, athlete activism, the politics of Black hair, fingernails and fashion, and the representation and commodification of Blackgirlwomen in sport and society. An entry point into the growing research in sport studies and beyond from a Black feminist lens, Say Her Name offers a clear window into the power and potential of nuanced examinations of sport. As a reflection of the larger social world, sport provides a framework for understanding larger social issues, including racism, sexism, and misogynoir. Blackgirlwomen have varied experiences in sport, and Say Her Name provides a window into those experiences. The book discusses Black women in sports including the South African runner Caster Semenya and the American runners Florence Griffith Joyner and Sha’Carri Richardson, as well as Venus and Serena Williams, Gabby Douglas, and Simone Biles. The women in this book have lived experiences that speak to the larger experiences of Black women and girls in sport and society, while also leaning into a larger discussion of the importance of the social movement #SayHerName.

 

Showing Our Colors: Afro-German Women Speak Out is an English translation of the German book Farbe bekennen, edited by author May Ayim, Katharina Oguntoye, and Dagmar Schultz. It is the first published book by Afro-Germans. It is the first written use of the term Afro-German.

The early part of the nineteenth century saw the establishment of West Africa’s Sierra Leone settlement as an important center for the expanding trade economy. A surprising number of Sierra Leonean traders were Krio women, whose crosscultural background helped them to mediate the contact between European and African markets.In Sierra Leone's Settler Women Traders, E. Frances White has unearthed the fascinating social and economic history of these women traders from the late eighteenth to the mid-twentieth century. Using a lively mixture of newspaper accounts, contemporary observations, colonial documents, and oral histories, this book tells the story of former slaves and captives from Jamaica, North America, and other areas of West Africa who became successful traders linking their regional trade networks with the international economy. The study traces the eventual decline of the Sierra Leone traders’ influence under the extension of colonial rule and documents the gradual shift of Krio women into professional and semiprofessional occupations.Sierra Leone's Settler Women Traders rescues these women from the invisibility that often befails colonial subcultures and sheds new light on the role of women as cultural brokers across ethnic boundaries, resulting in a study that makes a significant contribution to the ongoing debate over the impact of colonial rule on women in Africa.

In 2014 Barbados introduced a vaccine to prevent certain strains of the human papillomavirus (HPV) and reduce the risk of cervical cancer in young women. Despite the disproportionate burden of cervical cancer in the Caribbean, many Afro-Barbadians chose not to immunize their daughters. In Suspicion, Nicole Charles reframes Afro-Barbadian vaccine refusal from a question of hesitancy to one of suspicion. Drawing on ethnographic fieldwork, black feminist theory, transnational feminist studies and science and technology studies, Charles foregrounds Afro-Barbadians' gut feelings and emotions and the lingering trauma of colonial and biopolitical violence. She shows that suspicion, far from being irrational, is a fraught and generative affective orientation grounded in concrete histories of mistrust of government and coercive medical practices foisted on colonized peoples. By contextualizing suspicion within these longer cultural and political histories, Charles troubles traditional narratives of vaccine hesitancy while offering new entry points into discussions on racialized biopolitics, neocolonialism, care, affect, and biomedicine across the Black diaspora.

Duke University Press Scholars of Color First Book Award recipient

To Defend this Sunrise examines how black women on the Caribbean coast of Nicaragua engage in regional, national, and transnational modes of activism to remap the nation’s racial order under conditions of increasing economic precarity and autocracy. The book considers how, since the 19th century, black women activists have resisted historical and contemporary patterns of racialized state violence, economic exclusion, territorial dispossession, and political repression. Specifically, it explores how the new Sandinista state under Daniel Ortega and Rosario Murillo has utilized multicultural rhetoric as a mode of political, economic, and territorial dispossession. In the face of the Sandinista state’s co-optation of multicultural discourse and growing authoritarianism, black communities have had to recalibrate their activist strategies and modes of critique to resist these new forms of “multicultural dispossession.” This concept describes the ways that state actors and institutions drain multiculturalism of its radical, transformative potential by espousing the rhetoric of democratic recognition while simultaneously supporting illiberal practices and policies that undermine black political demands and weaken the legal frameworks that provide the basis for the claims of these activists against the state.
 

In Transformismo, M. Myrta Leslie Santana draws on years of embedded research within Cuban trans/queer communities to analyze how transformistas, or drag performers, understand their roles in the social transformation of the island. Once banned and censored in Cuba, drag performance is now a state-sponsored event. Transformismo suggests that these performances make critical interventions in Cuban trans/queer life and politics and in doing so, the volume offers critical insight into how Cuba’s postsocialist reform has exacerbated racial, sexual, and economic inequalities. Leslie Santana argues that mainstream trans/queer nightlife in Cuba is entangled with the island’s tourism economy and has shaped the aesthetics and social makeup of transformismo in coastal Havana, which largely caters to foreigners. Leslie Santana considers how Black lesbian and transgender transformistas are expanding understandings of sexual selfhood and politics on the island, particularly questioning the ways that Black women’s creativity is prominently featured in the aesthetics of tourism and trans/queer nightlife, while Black women themselves are denied social and material capital.