The decades of the 1960s, ’70s, and ’80s were a time of growth and change in producing, marketing, and collecting Native American artwork and craftwork. During this time William R. Wright amassed a collection notable for its broad representation of twentieth-century Native American products. Focusing on the Southwest, he included contemporary Pueblo ceramics, Navajo and Hopi textiles, Navajo, Hopi, and Zuni jewelry, and baskets from some forty different Native American groups. The objects Wright gathered, which are now part of the collections of the Peabody Museum of Archaeology and Ethnology, reflect developments in the intersecting worlds of makers, markets, and collectors, including the challenges faced by makers to successfully balance tradition and innovation in their work and their lives.
This volume examines selected objects from the Wright collection to explore the market-influenced environment of modern Native American makers and their work, from what some consider the low end of tourist art multiples to the high end of unique, signed fine art objects.
Complex and time-consuming to produce, iron-ore mirrors stand out among Prehispanic artifacts for their aesthetic beauty, their symbolic implications, and the complexity and skill of their assembly. Manufactured Light presents the latest archaeological research on these items, focusing on the intersection of their significance and use and on the technological aspects of the manufacturing processes that created them.
The volume covers the production, meaning, and utilization of iron-ore mirrors in various Mesoamerican communities. Chapters focus on topics such as experimental archaeology projects and discussions of workshops in archaeological contexts in the Maya, Central Mexico, and northwest Mexico regions. Other chapters concentrate on the employment and ideological associations of these mirrors in Prehispanic times, especially as both sacred and luxury items. The final chapters address continuities in the use of mirrors from Prehispanic to modern times, especially in contemporary indigenous communities, with an emphasis on examining the relationship between ethnographic realities and archaeological interpretations.
While the symbolism of these artifacts and the intricacy of their construction have long been recognized in archaeological discussions, Manufactured Light is the first synthesis of this important yet under-studied class of material culture. It is a must-read for students and scholars of Mesoamerican archaeology, ethnography, religion, replicative experimentation, and lithic technology.
Contirbutors include: Marc G. Blainey, Thomas Calligaro, Carrie L. Dennett, Emiliano Gallaga, Julie Gazzola, Sergio Gómez Chávez, Olivia Kindl, Brigitte Kovacevich, Achim Lelgemann, José J. Lunazzi, John J. McGraw, Emiliano Melgar, Joseph Mountjoy, Reyna Solis, and Karl Taube.
Masked Gods is a vast book, a challenging and profoundly original account of the history, legends, and ceremonialism of the Navajo and Pueblo Indians of the Southwest. Following a brief but vivid history of the two tribes through the centuries of conquest, the book turns inward to the meaning of Native American legends and ritual—Navajo songs, Pueblo dances, Zuni kachina ceremonies. Enduring still, these rituals and ceremonies express a view of life, of man’s place in the creation, which is compared with Taoism and Buddhism—and with the aggressive individualism of the Western world.
Praise for Mezcal:
"Mezcal is also a lyrical meditation upon the ultimate strength of the land, specifically the desert Southwest, and how that land prevails and endures despite every effort of modern industry and development to rape and savage it in the name of progress. Mezcal lingers in the mind as only the very best books manage to do."—Harry Crews
"The author . . . excavates his own tormented life—and its relation to the land he loves—in a series of powerful, imagistic autobiographical essays. Like the desert he cherishes, this memoir is harsh yet lovely, full of sour self-truth. . . . A potent presentation of the wounds of one man's life, packed with indelible impressions; but there's little healing here, making this a bitter if beautiful read."—Kirkus Review
"In Mezcal . . . Bowden drops the journalistic veil, exploring the ecology of his interior landscape at least as thoroughly as the changing scenery that surrounds him. . . . Others—Aldo Leopold, Edward Abbey—have already staked inviolate claims on the Southwestern deserts. But Bowden owns the complex terrain where, like a mezcal-inspired mirage, the Sonoran sun-belt overlaps the gray convolutions of the American mind."—Los Angeles Times
Author Tammy Stone focuses on a number of general deliberations on the archaeology of middle-range society and the prehistory of the American Southwest. This includes the complex dynamics of migration, identity, ethnic interaction, and the ability of archaeologists to identify these patterns in the archaeological record. The integration and ultimate expulsion of a group of Kayenta Anasazi at Point of Pines Pueblo in the Mogollon Highlands of east-central Arizona provides a case study and location where these themes played out. Stone uses a detailed architectural analysis of the pueblo to attain a nuanced and dynamic understanding of migration from the perspective of both the Kayenta migrants and their Mogollon hosts. By examining the choices that individuals, families, and small groups made about identity and alliance from the perspective of both the migrants and host community—the latter being an aspect often missing from analyses of migration—this volume provides never-before-published data on Point of Pines Pueblo and contributes considerably to the study of community dynamics at large.
This volume presents the latest research on the development and use of communal spaces and places across the Mogollon region, located in what is now the southwestern United States and northwestern Mexico. New data demonstrate that these spaces and places, though diverse in form and function, were essential to community development and cohesion, particularly during critical formative periods associated with increasing sedentism and farming, and during comparable periods of social change.
The authors ask questions crucial to understanding past communities: What is a communal space or place? How did villagers across the Mogollon region use such places? And how do modern archaeologists investigate the past to learn how ancient people thought about themselves and the world around them? Contributors use innovative approaches to explore the development patterns and properties of communal spaces and places, as well as how and why these places were incorporated into the daily lives of village residents. Buildings and other types of communal spaces are placed into broader cultural and social contexts, acknowledging the enduring importance of the kiva-type structure to many Native American societies of the southwestern United States and northwestern Mexico.
The second in a two-volume series, Moquis and Kastiilam, Volume II, 1680–1781 continues the story of the encounter between the Hopis, who the Spaniards called Moquis, and the Spaniards, who the Hopis called Kastiilam, from the Pueblo Revolt in 1680 through the Spanish expeditions in search of a land route to Alta California until about 1781. By comparing and contrasting Spanish documents with Hopi oral traditions, the editors present a balanced presentation of a shared past. Translations of sixteenth-, seventeenth-, and eighteenth-century documents written by Spanish explorers, colonial officials, and Franciscan missionaries tell the perspectives of the European visitors, and oral traditions recounted by Hopi elders reveal the Indigenous experience.
The editors argue that only the Hopi perspective can balance the story recounted in the Spanish documentary record, which is biased, distorted, and incomplete (as is the documentary record of any European or Euro-American colonial power). The only hope of correcting those weaknesses and the enormous silences about the Hopi responses to Spanish missionization and colonization is to record and analyze Hopi oral traditions, which have been passed down from generation to generation since 1540, and to give voice to Hopi values and social memories of what was a traumatic period in their past.
Volume I documented Spanish abuses during missionization, which the editors address specifically and directly as the sexual exploitation of Hopi women, suppression of Hopi ceremonies, and forced labor of Hopi men and women. These abuses drove Hopis to the breaking point, inspiring a Hopi revitalization that led them to participate in the Pueblo Revolt and to rebuff all subsequent efforts to reestablish Franciscan missions and Spanish control. Volume II portrays the Hopi struggle to remain independent at its most effective—a mixture of diplomacy, negotiation, evasion, and armed resistance. Nonetheless, the abuses of Franciscan missionaries, the bloodshed of the Pueblo Revolt, and the subsequent destruction of the Hopi community of Awat’ovi on Antelope Mesa remain historical traumas that still wound Hopi society today.
As Americans debate what it means to be a multicultural society, one need only turn for lessons to the Southwest, where distinct peoples have coexisted over centuries. Here difference has not only survived but thrived in a melting pot of races and customs.
This book presents a montage of differing perspectives demonstrating that there is no single, definitive description of the Southwest. It brings together a host of writers, from early travelers and historians to contemporary commentators, who explore a region diverse in its people and ecology and show it to be not just a segment of the nation, but rather a border contact zone.
The editors have assembled an interdisciplinary composite, drawing on history, sociology, anthropology, and geography. Fiction, essays, poetry, newspaper articles, and interviews with local inhabitants add a colorful dimension to the coverage. All of the contributions reveal the tremendous impact that everyday occurrences can have and show how life in the Southwest is affected by the interweaving of social, cultural, and ecological forces. Together they demonstrate the role played by personal and cultural memory in creating alternative views of environment, landscape, human social interaction, conquest, dispossession, technological change, and the survival of cultures.
The Multicultural Southwest is a multifaceted work that shows the many ways in which the past continues to affect the present. It will create in readers an awareness of the phenomena that fuel human imagination and creativity as it opens their eyes to the possibilities of the future.
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