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Dreams of Difference, Songs of the Same
The Musical Moment in Film
Amy Herzog
University of Minnesota Press, 2009

Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential.

Dreams of Difference, Songs of the Same investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.

Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.

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front cover of Second Verse, Same as the First
Second Verse, Same as the First
The 2012 Presidential Election in the South
Scott E. Buchanan
University of Arkansas Press, 2014
Second Verse, Same as the First is a volume of essays covering the 2012 election as it played out in the eleven former states of the Confederacy. The essays are organized by state and emphasize the presidential campaign, but each state chapter also includes analysis on notable congressional races and important patterns at the state level. Interesting patterns in the South and their implications for the balance of power between the two major parties are analyzed. Additional chapters cover the issues that dominated voter decision making and the nomination process. Second Verse, Same as the First is a necessity for academics, journalists, and political enthusiasts seeking a deeper understanding of contemporary changes in southern electoral politics.
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front cover of We Stay the Same
We Stay the Same
Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea
Jason Steadman Roberts
University of Arizona Press, 2024
On a remote island in the South Pacific, the Lavongai have consistently struggled to obtain development through logging and commercial agriculture. Yet many Lavongai still long to move beyond the grind of subsistence work that has seemingly defined their lives on New Hanover, Papua New Guinea, for generations.

Following a long history of smaller-scale and largely unsuccessful resource development efforts, New Hanover became the site of three multinational-controlled special agricultural and business leases (SABLs) that combined to cover over 75 percent of the island for ninety-nine-year lease terms. These agroforestry projects were part of a national effort to encourage “sustainable” rural development by tapping into the growing global demand for agricultural lands and crops like oil palm and biofuels. They were supposed to succeed where the smaller-scale projects of the past had failed. Unfortunately, these SABLs resulted in significant forest loss and livelihood degradation, while doing little to promote the type of economic development that many Lavongai had been hoping for.

It is within this context that We Stay the Same grounds questions of hope for transformative economic change within Lavongai assessments of the inequitable relationships between global processes of resource development and the local lives that have become increasingly defined by the necessities and failures of these processes. Written in a clear and relatable style for students, We Stay the Same combines ethnographic and ecological research to show how the Lavongai continue to survive and make meaningful lives in a situation where their own hopes for a better future have often been used against them as a mechanism of a more distantly profitable dispossession.
 
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