logo for Pluto Press
Anti-Arab Racism in the USA
Where It Comes From and What It Means For Politics Today
Steven Salaita
Pluto Press, 2006
"A sobering analysis of anti-Arab racism, from neo-conservative to liberal, rooted in America's settler colonial past and seeping into every corner of our lives. Steven Salaita takes the reader into the crisis of Arab-American communities in the wake of 9/11. Written with passion, this lucid account of the dangers of American imperialism paints a dark picture of the agenda of the Bush administration not only in the Arab world but also for people of color at home."
Miriam Cooke, Professor, Duke University

"An impassioned and deeply compelling look at the origins, evolution, manifestations and implications of anti-Arab racism today. ... A tour-de-force."
Lisa Suhair Majaj, co-editor, Etel Adnan: Critical Reflections on the Arab-American Writer and Artist and Intersections: Gender, Nation, and Community in Arab Women¹s Novels

"Salaita dives head-first into the heart of racism in America and uses his personal experiences to help readers understand the mechanics of racism as it applies to Arabs, Muslims and people who look Middle Eastern in the post-Sept. 11 world."
Ray Hanania, journalist and filmmaker, author of I¹m Glad I Look Like a Terrorist: Growing up Arab in America and Arabs of Chicagoland

"A highly recommended read, not only for students of Middle East history, but for the average American who wants to know how we have become so intimately and yet so bitterly entwined with the people of the Middle East. ... Salaita has thoughtfully articulated a very regretful era of unabashed racism in American history."
Ramzy Baroud, editor, Palestine Chronicle and author of Searching Jenin

Today is a difficult time to be both Arab and American. Since 9/11 there has been a lot of criticism of America¹s involvement in the middle east. Yet there has been little analysis of how America treats citizens of Arab or middle eastern origin within its own borders.

Steven Salaita explores the reality of Anti-Arab racism in America. He blends personal narrative, theory and polemics to show how this deep-rooted racism affects everything from legislation to cultural life, shining a light on the consequences of Anti-Arab racism both at home and abroad.

Uniquely, the book shows how ingrained racist attitudes can be found within the progressive movements on the political left, as well as the right. Salaita argues that, under the guise of patriotism, Anti-Arab racism fuels support for policies such as the Patriot Act.

Salaita breaks down the façade of Anti-Arab racism with an insightful analysis, arguing for the urgency of a commitment to openness and inclusion in today¹s political climate.


Steven Salaita is Assistant Professor of English at the University of Wisconsin -Whitewater. He writes frequently about Arab America and the Arab World.
[more]

front cover of Applying Sharia in the West
Applying Sharia in the West
Facts, Fears and the Future of Islamic Rules on Family Relations in the West
Edited by Maurits S. Berger
Leiden University Press, 2013
Shari’a, the framework of Islamic rules and norms, governs many aspects of human behavior. The contributors to Applying Shari’a in the West examine in depth how Muslims in the West shape their normative behavior on the basis of Shari’a and how Western societies and legal systems react thereto. With its explicit focus on social and family relations, these country and thematic studies provide a timely overview of the current state of Shari’a and outline aspects of possible future developments, studies, and policies.   
[more]

front cover of As French as Everyone Else?
As French as Everyone Else?
A Survey of French Citizens of Maghrebin, African, and Turkish Origin
Authored by Sylvain Brouard and Vincent Tiberj
Temple University Press, 2011

France is often depicted as the model of assimilationist or republican integration in the international literature on immigration. However, rarely have surveys drilled down to provide individual responses from a double representative sample. In As French as Everyone Else?, Sylvain Brouard and Vincent Tiberj provide a comprehensive assessment of the state of integration in France and challenge the usual crisis of integration by systematically comparing the "new French" immigrants, as well as their children and grandchildren born in France, with a sample of the French general population.

The authors' survey considers a wide range of topics, including religious affiliation and religiosity, political attitudes and political efficacy, value systems (including gender roles, work ethics, and anti-Semitism), patterns of integration, multiple identities and national belongings, and affirmative action. As the authors show, despite existing differences, immigrants of Maghrebin, African, and Turkish origin share a wide scope of commonality with other French citizens.

[more]

front cover of The Assassination of Theo van Gogh
The Assassination of Theo van Gogh
From Social Drama to Cultural Trauma
Ron Eyerman
Duke University Press, 2008
In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactions, including arson against Muslim schools and mosques. In The Assassination of Theo van Gogh, Ron Eyerman explores the multiple meanings of the murder and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community. After meticulously analyzing the actions and reputations of van Gogh and others in his milieu, the motives of the murderer, and the details of the assassination itself, Eyerman considers the various narrative frames the mass media used to characterize the killing.

Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country’s treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995.

[more]


Send via email Share on Facebook Share on Twitter