The World Is Round, Nikky Finney’s third volume of poetry, collects the wisps of memory we carry with us throughout our earthly lives and weaves them into deft and nuanced poems that emphasize understanding the cycles of life. The settings offer a view into the kaleidoscope of human experience: the sweetness and shock of family life, the omnipresent wash of memory, and the ebullience of warm Southern air. The World Is Round carries with it an implicit challenge—to the author as a poet, and to the reader as a fellow human—to see the characters and details and events of our lives with clarity, fearlessness, and love. The result is poems that range the gamut of human reach and resilience, fury and frailty. The poet’s vision of community requires understanding and tolerance from every breathing soul. Finney illuminates the cruelties of the sometimes gawking, narrow-minded world and makes a plea for compassion inspired by our common humanity.
In the aftermath of the Stand Your Ground killing of his close friend’s father, poet Cassells explores, in his most fearless book to date, the brutality, bigotry, and betrayal at the heart of current America. Taking his cue from the Civil Rights and Vietnam War era poets and songwriters who inspired him in his youth, Cassells presents The World That the Shooter Left Us, a frank, bulletin-fierce indictment of unraveling democracy in an embattled America, in a world still haunted by slavery, by Guernica, Hiroshima, and the Holocaust, by climate catastrophe, by countless battles, borders, and broken promises—adding new grit, fire, and luster to his forty-year career as a dedicated and vital American poet.
World Tree is in many respects, David Wojahn’s most ambitious collection to date; especially notable is a 25-poem sequence of ekphrastic poems, “Ochre,” which is accompanied by a haunting series of drawings and photographs of Neolithic Art and anonymous turn of the last century snapshots.
Wojahn continues to explore the themes and approaches which he is known for, among them the junctures between the personal and political, a giddy mixing of high and pop culture references, and a deep emotional engagement with whatever material he is writing about.
Winner of the 2012 Lenore Marshall Poetry Prize from the Academy of American Poets
Drawn from classical and religious texts, as well as the work of poets and other artists, Worldwide Worship is a unique celebration of worship found in many religious traditions. These selections have been chosen singularly and as a group by John Marks Templeton, not only for their individual aesthetic beauty, but also to assist us in learning various lessons of life.
These poems begin in the coming-of-age moments that change us by forcing recognition of physical weakness, the power of sex, the importance of family, the presence of evil, and the prevalence of mortality. The book opens with narratives taken primarily from childhood and then, divided by long poem sequences, moves to adulthood and confrontation with the identity we acquire through close relationships and the pressures of our appetites, finally ending with what reads as a universal prayer of redemption.
Writing Letters for the Blind presents the reader with visions of this world and all its beauty and sordidness, joy and disappointment. This poet reports the breaking news just in from the heart and soul, and the body as well. “My father has taught me the beatitudes of sight,” Fincke tells us, always aware of what we owe to those who brought us here. He stays up through the starry darkness in the insomnia of one who feels it his duty to pay passionate attention, a poet engaged in “the basic defense of simple things.”
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