The crisis of Spartan power in the first half of the fourth century has been connected to Spartan inability to manage the hegemony built on the ruins of the Athenian Empire, or interpreted as a result of the unexpected annihilation of the Spartan army by the Boeotians at Leuktra. The present book offers a new perspective, suggesting that the crisis that finally brought down Sparta was in important ways a result of centrifugal impulses within the Peloponnesian League, accompanied by a general awakening of ethnicity in various areas of the Peloponnese.

A series of regional case studies is combined with thematic contributions focusing on topics such as the relationship of religious cults and ethnicity and of democracy and ethnicity, the use of archaeological evidence for ethnic phenomena, and comparative approaches based on social anthropology.

The fourteen essays in Viewing the Morea focus on the late medieval Morea (Peloponnese), beginning with the bold attempt of Western knights to establish a kingdom on foreign soil. Reinserted into this tale of Crusader foundation are the large numbers of Orthodox villagers who shared the region and created their own narrative of an eternal and sacred empire generated by the pains of loss and the hopes of refoundation. Layered upon the historical and physical topography of the region are the traces of the Venetians, whose “right eye,” Modon, was located at the peninsula’s southwestern tip. How these groups interacted and how they asserted identity is at the center of inquiry in these essays. Also at the core of this study is the understanding of place and memory—the recollection of the ancient history of the Peloponnese, the architectural and cartographic marking of its mountains and valleys, the re-creation of distant capitals on its land, and the refashioning of the Morea for a Renaissance audience. The authors look at the Morea and its people in the broadest possible manner and with careful attention to written and material evidence, historiography, economic networks, and the making—or retelling—of myths.