BiblioVault - Books about Indigenous Peoples of Turtle Island

Boundless

Native American Abundance in Art and Literature

Lisa A. Crossman

Amherst College Press, 2025

Boundless expands conversations on Native and Indigenous art and literature by presenting words and images in kinship. Starting in the collections of the Mead Art Museum and the Collection of Native American Literature at Amherst College and centered on the creative production of Native peoples of the Northeast, the project follows relationships between Indigenous authors and artists across the United States and beyond borders. Boundless presents an engagement of Indigenous curatorial methods as practiced by guest curator Heid E. Erdrich (Ojibwe) in an exhibition in two iterations hosted by the Mead in 2023 and 2024. Advisors to Boundless include Mohegan, Nipmuc, Shinnecock, and Wampanoag artists and scholars, along with others, who supported Erdrich in her urge to center the project in the Northeast. Advisors contributed both visual art and writing to the exhibition and publication. Collaborative co-creation between artists, students, faculty, Mead staff Lisa Crossman and Emily Potter-Ndiaye and the guest curator are also explored in this illustrated volume.

Amherst College’s Collection of Native American Literature contains thousands of Indigenous-authored works spanning centuries. The Collection’s abundance of books, prints, music, ephemera, and artist-made works, all by Native people, provide rich selections for Boundless. Crosscurrents of Indigenous visual art and literature are considered in this broad and interdisciplinary project. Boundless crosses generations to explore relatedness, kinship, and collegiality.

Boundless brings artists and writers together across generations, often drawing together works by members of the same tribe or even the same family to show the history, presence, and futurity of Native American creative and intellectual production.

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New Perspectives on the Origins of Americanist Archaeology

Edited by David L. Browman and Stephen Williams

University of Alabama Press, 2002

In this landmark book, experienced scholars take a retrospective look at the developing routes that have brought American archaeologists into the 21st century.

In 1996, the Society for American Archaeology's Committee on the History of Archaeology established a biennial symposium
named after Gordon R. Willey, one of the fathers of American archaeology, to focus on the history of the discipline. This volume grew out of the
second symposium, presented at the 1998 meeting of the Society for American Archaeology.

Interest in the intellectual history of the field is certainly nothing new—the first such volume appeared in 1856—but previously, focus has been on individuals and their theories and methods, or on various government agencies that supported, developed, or mandated
excavations in North America. This volume, however, focuses on the roots of Americanist archaeology, including its pre-1915 European connections, and on some of the earliest work by women archaeologists, which has been largely overlooked.

Full of valuable insights for archaeologists and anthropologists—both professional and amateur—into the history and
development of Americanist archaeology, New Perspectives will also inspire and serve as a model for future research.

David Browman is Professor of Anthropology and Chair of the Interdisciplinary Program in Archaeology at Washington University. Stephen Williams is Professor Emeritus of Anthropology at Harvard University.

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Self-Determined Stories

The Indigenous Reinvention of Young Adult Literature

Mandy Suhr-Sytsma

Michigan State University Press, 2018

The first book of its kind, Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature reads Indigenous-authored YA—from school stories to speculative fiction— not only as a vital challenge to stereotypes but also as a rich intellectual resource for theorizing Indigenous sovereignty in the contemporary era. Building on scholarship from Indigenous studies, children’s literature, and cultural studies, Suhr-Sytsma delves deep in close readings of works by Sherman Alexie, Jeannette Armstrong, Joseph Bruchac, Drew Hayden Taylor, Susan Power, Cynthia Leitich Smith, and Melissa Tantaquidgeon Zobel. Together, Suhr-Sytsma contends, these works constitute a unique Indigenous YA genre. This genre radically revises typical YA conventions while offering a fresh portrayal of Indigenous self-determination and a fresh critique of multiculturalism, heteropatriarchy, and hybridity. This literature, moreover, imagines compelling alternative ways to navigate cultural dynamism, intersectionality, and alliance-formation. Self-Determined Stories invites readers from a range of contexts to engage with Indigenous YA and convincingly demonstrates the centrality of Indigenous stories, Indigenous knowledge, and Indigenous people to the flourishing of everyone in every place.

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