Breeding on remote ocean islands and spending much of its life foraging for food across vast stretches of seemingly empty seas, the albatross remains a legend for most people. And yet, humans are threatening the albatross family to such an extent that it is currently the most threatened bird group in the world. In this extensively researched, highly readable book, Robin W. Doughty and Virginia Carmichael tell the story of a potentially catastrophic extinction that has been interrupted by an unlikely alliance of governments, conservation groups, and fishermen.

Doughty and Carmichael authoritatively establish that the albatross's fate is linked to the fate of two of the highest-value table fish, Bluefin Tuna and Patagonian Toothfish, which are threatened by unregulated commercial harvesting. The authors tell us that commercial fishing techniques are annually killing tens of thousands of albatrosses. And the authors explain how the breeding biology of albatrosses makes them unable to replenish their numbers at the rate they are being depleted. Doughty and Carmichael set the albatross's fate in the larger context of threats facing the ocean commons, ranging from industrial overfishing to our habit of dumping chemicals, solid waste, and plastic trash into the open seas. They also highlight the efforts of dedicated individuals, environmental groups, fishery management bodies, and governments who are working for seabird and fish conservation and demonstrate that these efforts can lead to sustainable solutions for the iconic seabirds and the entire ocean ecosystem.

Audubon was not the father of American ornithology. That honorific belongs to Alexander Wilson, whose encyclopedic American Ornithology established a distinctive approach that emphasized the observation of live birds. In the first full-length study to reproduce all of Wilson’s unpublished drawings for the nine-volume Ornithology, Edward Burtt and William Davis illustrate Wilson’s pioneering and, today, underappreciated achievement as the first ornithologist to describe the birds of the North American wilderness.

Abandoning early ambitions to become a poet in the mold of his countryman Robert Burns, Wilson emigrated from Scotland to settle near Philadelphia, where the botanist William Bartram encouraged his proclivity for art and natural history. Wilson traveled 12,000 miles on foot, on horseback, in a rowboat, and by stage and ship, establishing a network of observers along the way. He wrote hundreds of accounts of indigenous birds, discovered many new species, and sketched the behavior and ecology of each species he encountered.

Drawing on their expertise in both science and art, Burtt and Davis show how Wilson defied eighteenth-century conventions of biological illustration by striving for realistic depiction of birds in their native habitats. He drew them in poses meant to facilitate identification, making his work the model for modern field guides and an inspiration for Audubon, Spencer Fullerton Baird, and other naturalists who followed. On the bicentennial of his death, this beautifully illustrated volume is a fitting tribute to Alexander Wilson and his unique contributions to ornithology, ecology, and the study of animal behavior.

Whether we live in cities, in the suburbs, or in the country, birds are ubiquitous features of daily life, so much so that we often take them for granted. But even the casual observer is aware that birds don’t fill our skies in the number they once did. That awareness has spawned conservation action that has led to notable successes, including the recovery of some of the nation’s most emblematic species, such as the Bald Eagle, Brown Pelican, Whooping Crane, and Peregrine Falcon. Despite this, a third of all American bird species are in trouble—in many cases, they’re in imminent danger of extinction. The most authoritative account ever published of the threats these species face, The American Bird Conservancy Guide to Bird Conservation will be the definitive book on the subject.

The Guide presents for the first time anywhere a classification system and threat analysis for bird habitats in the United States, the most thorough and scientifically credible assessment of threats to birds published to date, as well as a new list of birds of conservation concern. Filled with beautiful color illustrations and original range maps, the Guide is a timely, important, and inspiring reference for birders and anyone else interested in conserving North America’s avian fauna. But this book is far more than another shout of crisis. The Guide also lays out a concrete and achievable plan of long-term action to safeguard our country’s rich bird life. Ultimately, it is an argument for hope. Whether you spend your early weekend mornings crouched in silence with binoculars in hand, hoping to check another species off your list, or you’ve never given much thought to bird conservation, you’ll appreciate the visual power and intellectual scope of these pages.

For over 25 years, primatologists have speculated that intelligence, at least in monkeys and apes, evolved as an adaptation to the complicated social milieu of hard-won friendships and bitterly contested rivalries. Yet the Balkanization of animal research has prevented us from studying the same problem in other large-brained, long-lived animals, such as hyenas and elephants, bats and sperm whales. Social complexity turns out to be widespread indeed. For example, in many animal societies one individual's innovation, such as tool use or a hunting technique, may spread within the group, thus creating a distinct culture. As this collection of studies on a wide range of species shows, animals develop a great variety of traditions, which in turn affect fitness and survival.

The editors argue that future research into complex animal societies and intelligence will change the perception of animals as gene machines, programmed to act in particular ways and perhaps elevate them to a status much closer to our own. At a time when humans are perceived more biologically than ever before, and animals as more cultural, are we about to witness the dawn of a truly unified social science, one with a distinctly cross-specific perspective?

Western Books Exhibition, Rounce and Coffin Club

Antbirds and ovenbirds, two of the five largest families of birds found only in the Western Hemisphere, have been among Alexander Skutch's favorites for more than six decades. In this book, he draws on years of observations to describe the life cycle of these fascinating birds, which inhabit Latin America from tropical Mexico to Tierra del Fuego.

Skutch covers all aspects of the birds' lives, including the various species in each family, food and foraging, daily life, voice, displays and courtship, nests and incubation, and parental care. He also recounts anecdotes from his own experiences, creating vivid pictures of antbirds foraging for the insects Skutch stirs up on walks through the rainforest and of ovenbirds repairing the observation holes that he opens in their elaborate nests.

As some of tropical America's least studied birds, antbirds and ovenbirds surely merit the extensive treatment given them here by one of our most distinguished senior ornithologists. Over fifty line drawings by noted bird artist Dana Gardner make this book a delight for both armchair and field naturalists.

In 1805, Jean Jacques Audubon was a twenty-year-old itinerant Frenchman of ignoble birth and indifferent education who had fled revolutionary violence in Haiti and then France to take refuge in frontier America. Ten years later, John James Audubon was an American citizen, entrepreneur, and family man whose fervent desire to “become acquainted with nature” had led him to reinvent himself as a naturalist and artist whose study of birds would soon earn him international acclaim. The drawings he made during this crucial decade—sold to Audubon’s friend and patron Edward Harris to help fund his masterwork The Birds of America, and now held by Harvard’s Houghton Library and Museum of Comparative Zoology—are published together here for the first time in large format and full color. In these 116 portraits of species collected in America and in Europe we see Audubon inventing his ingenious methods of posing and depicting his subjects, and we trace his development into a scientist and an artist who could proudly sign his artworks “drawn from Nature.” The drawings also serve as a record of the birds found in Europe and the Eastern United States in the early nineteenth century, some now rare or extinct.

The drawings are enhanced by an essay on the sources of Audubon’s art by his biographer, Richard Rhodes; transcription of Audubon’s own annotations to the drawings, including information on when and where the specimens were collected; ornithological commentary by Scott V. Edwards, along with reflections on Audubon as scientist; and an account of the history of the Harris collection by Leslie A. Morris.

Splendid in their own right, these drawings also illuminate the self-invention of one of the most important figures in American natural history. They will delight all those interested in American art, nature, birds, and the life and times of John James Audubon.