A view from the remote Philippine highlands where the author’s time in the kalinga homeland was packed with the elements of a thriller novel: mystery, danger, sex, violence, death—and research too!
Ants for Breakfast is about the adventure of modern archaeology. Seeking insight into prehistoric pottery manufacture and use, archaeologist James Skibo traveled to the remote Phillippine highlands to live with the Kalinga people, once headhunters, and one of the few groups in the world who still use ceramics for cooking.
Even as he looked for clues to the past in the practices of the present, the author’s time in the Kalinga homeland was packed with excitment: mystery, danger, sex, violence, and death. It was also an opportunity to taste a world both subtly and vastly different, while adding a new perspective to his own. In the course of his narrative, Skibo seizes every opportunity to link his experiences to the development of modern archaeology, and to such topics as human evolution, the peopling of the world, animal domestication, cultural logic, food taboos, basketball, Indiana Jones, and even Imelda Marcos.
H. L. Goodall’s ground-breaking study of what people do with symbols and what symbols do to people explores the lives led by people in organizations. His narratives take on the form of six detective mysteries in which the narrator figures into the plot of the intrigue and then works out its essential patterns.
In the first mystery, "Notes on a Cultural Evolution: The Remaking of a Software Company," Goodall looks at the transition of a Huntsville regional office of a Boston-based computer software company where the lives and social dramas of the participants reflect the current state of high technology. The second essay and perhaps the most insightful, "The Way the World Ends: Inside Star Wars," penetrates the various defenses of the Star Wars command office in Huntsville to discover its secrets and surprises. Goodall shows how media, technology, fear of relationships, and symbolic images of the future unite into the day-to-day operations of people who believe they are responsible for the outer limits of our nation’s defense.
"Lost in Space: The Layers of Illusion Called Adult Space Camp" illustrates how a supposedly innocent theme park invites participation in rituals and ceremonies designed to influence a future generation of taxpayers. In "Articles of Faith," Goodall enters a super mall in Huntsville, noting how shopping centers provide consumers with far more than places to purchase goods and services. "How I Spent My Summer Vacation" finds Goodall back in an academic environment, at a conference of communication scholars, where he demonstrates the difficult task of translating cultural understandings from one context to another. "The Consultant as Organizational Detective" offers the sobering message that real-life mysteries may surprise even the most accomplished sleuth. A concluding chapter, "Notes on Method," and a new autobiographical afterword round out Goodall’s penetrating look at our symbol-making culture.
A study of how doing field research submerged in a different culture impacts one's sense of identity.
In Fieldwork Dilemmas ten anthropologists disclose the political and physical dangers inherent in field research. Focusing on former socialist states, they vividly depict the upheavals of everyday life in eastern Euorpe, revealing how their informants and the communities in which they live undergo political and economic dislocations, plummeting living standards, emerging gender inequalities, and ethnic and nationalist violence.
Reports from Armenia, Bulgaria, eastern Germany, Kyrgyzstan, Macedonia, Russia, Serbia, and Uzbekistan show how fieldworkers struggle to reconcile previous experiences with postsocialist stereotypes about Soviet culture, the West, and the effects of the penetration of capitalism into noncapitalist societies. These fieldwork dilemmas are analyzed by anthropologists who are learning to position themselves professionally and personally in the field under often unstable, unpredictable situations. This volume will interest not only anthropologists but fieldworkers of all kinds, and not only scholars of eastern Europe but all those who study rapid societal changes.
National Geographic has been called a window on the world and a passport to adventure. Each month an estimated forty million people in 190 countries open its pages and are transported to exotic realms that delight the eye and mind. Such widespread renown gives the magazine's writers an almost magical access to people and happenings, as doors that are closed to the rest of the journalistic world open wide.
Thomas Y. Canby was fortunate to be a NationalGeographic writer and science editor from 1961 to 1991, a time during which the Society's ventures and size grew by leaps and bounds and the resources available to staff were seemingly limitless. In From Botswana to the Bering Sea, he gives readers an on-the-ground look at the life of a National Geographic field staffer and an insider's view of the fascinating dynamics within the magazine's editorial chambers.
Canby's assignments dealt largely with issues of global concern, and his travels took him to the farthest reaches of the planet. This book gives the reader the visas and tickets to share in Canby's experiences -- from a Filipino rice harvest capped by a feast of deep-fried rats, to impoverished villages of Asia and Africa gripped by the world's most widespread famine, to seal hunting and dog sledding with Eskimos in the Canadian high Arctic. Readers match wits with paranoid guardians of the secret Soviet space program; skirt land mines in the flaming oil fields of Kuwait; and dodge death while scuba diving to an archaeological site in a Florida sinkhole. The book also gives insight into the magazine's inner workings: how article subjects are chosen; how writers are assigned and interact; how prolonged trips to impossibly remote destinations are planned; how staffers operate in the field.
Working for National Geographic has been called "the best job in the world." From Botswana to the Bering Sea describes that unique job, and answers from first-hand knowledge the question Canby and his colleagues are so often asked: "So, what is it like to work for National Geographic?"
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy.
Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
For the late Fuad I. Khuri, a distinguished career as an anthropologist began not because of typical concerns like accessibility, money, or status, but because the very idea of an occupation that baffled his countrymen made them—and him—laugh. “When I tell them that ‘anthropology’ is my profession . . . they think I am either speaking a strange language or referring to a new medicine.” This profound appreciation for humor, especially in the contradictions inherent in the study of cultures, is a distinctive theme of An Invitation to Laughter, Khuri’s astute memoir of life as an anthropologist in the Middle East.
A Christian Lebanese, Khuri offers up in this unusual autobiography both an insider’s and an outsider’s perspective on life in Lebanon, elsewhere in the Middle East, and in West Africa. Khuri entertains and informs with clever insights into such issues as the mentality of Arabs toward women, eating habits of the Arab world, the impact of Islam on West Africa, and the extravagant lifestyles of wealthy Arabs, and even offers a vision for a type of democracy that could succeed in the Middle East. In his life and work, as these astonishing essays make evident, Khuri demonstrated how the discipline of anthropology continues to make a difference in bridging dangerous divides.
Contributors. Lars Buur, Mitchell Dean, Akhil Gupta, Thomas Blom Hansen, Steffen Jensen, Aletta J. Norval, David Nugent, Sarah Radcliffe, Rachel Sieder, Finn Stepputat, Martijn van Beek, Oskar Verkaaik, Fiona Wilson
Since 1980, The Tape-Recorded Interview has been an essential resource for folklorists and oral historians—indeed, for anyone who uses a tape recorder in field research. Now, Sandy Ives has updated this manual to reflect the current preferences in tape-recording technology and equipment.
When this book was first published, the reel-to-reel recorder was the favored format for fieldwork. Because the cassette recorder has almost completely replaced it, Ives has revised the first chapter, “How a Tape Recorder Works,” accordingly and has included a useful discussion of the differences between analog and digital recording. He has also added a brief section on video, updated the bibliography, and reworked his original comments on tape cataloging and transcription.
As in the first edition, Ives’s emphasis is on documenting the lives of common men and women. He offers a careful, step-by-step tour through the collection process—finding informants, making advance preparations, conducting the actual interview, obtaining a release—and then describes the procedures for processing the taped interview and archiving such materials for future use. He also gives special treatment to such topics as recording music, handling group interviews, and using photographs or other visual material during interviews.
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