One hundred and fifty years after the publication of On the Origin of Species, award-winning environmental reporter Alanna Mitchell set out to retrace the idea of evolution and grapple with the fact that a massive extinction of the planet's species was well under way. So began a three-year odyssey in which Mitchell picked up where Darwin left off, examining not just the origin but also the ultimate fate of our world.

Combining scientific curiosity with travel and adventure, Dancing at the Dead Sea takes the reader on an intimate tour through the world's environmental hotspots. Readers join Mitchell as she tracks the spectacular biodiversity of regions as extraordinary as the island of Madagascar, the rain forests of Suriname, the parched oases of Jordan, the Arctic desert of Banks Island, the volcanic crests of Iceland, and, ultimately, the Galapagos archipelago, where Darwin conducted his famous research. Along the way, Mitchell introduces us to the numerous scientists and conservationists who are working to protect these endangered places. She also chronicles the courageous efforts of everyday men and women in these regions as they try to convince governments to turn the world's hotspots into environmentally protected areas.

Ultimately, Mitchell's travels around the world compel her to ponder our shelf life as a species in the grand evolutionary scheme of the planet. She wonders what Darwin would make of the profound ecological destruction she witnesses. Is the human race suicidal? What can help our species avert extinction? Posing tough and cutting questions such as these, Dancing at the Dead Sea is a must-read for aficionados of good science writing and travel literature alike.

Exploring one of the greatest potential contributors to climate change—thawing permafrost—and the anxiety of extinction on an increasingly hostile planet

 

Climate scientists point to permafrost as a “ticking time bomb” for the planet, and from the Arctic, apocalyptic narratives proliferate on the devastating effects permafrost thaw poses to human survival. In Earth, Ice, Bone, Blood, Charlotte Wrigley considers how permafrost—and its disappearance—redefines extinction to be a lack of continuity, both material and social, and something that affects not only life on earth but nonlife, too.

Earth, Ice, Bone, Blood approaches the topic of thawing permafrost and the wild new economies and mitigation strategies forming in the far north through a study of the Sakha Republic, Russia’s largest region, and its capital city Yakutsk, which is the coldest city in the world and built on permafrost. Wrigley examines people who are creating commerce out of thawing permafrost, including scientists wishing to recreate the prehistoric “Mammoth steppe” ecosystem by eventually rewilding resurrected woolly mammoths, Indigenous people who forage the tundra for exposed mammoth bodies to sell their tusks, and government officials hoping to keep their city standing as the ground collapses under it. Warming begets thawing begets economic activity— and as a result, permafrost becomes discontinuous, both as land and as a social category, in ways that have implications for the entire planet. Discontinuity, Wrigley shows, eventually evolves into extinction.

Offering a new way of defining extinction through the concept of “discontinuity,” Earth, Ice, Bone, Blood presents a meditative and story-focused engagement with permafrost as more than just frozen ground.

Sprinkled across the tropical Pacific, the innumerable islands of Oceania are home to some of the most unique bird communities on the planet, and they sustain species found nowhere else on earth. Many of the birds that live in this region are endangered, however; many more have become extinct as a result of human activity, in both recent and prehistoric times.

Reconstructing the avian world in the same way archeologists re-create ancient human societies, David Steadman—a leading authority on tropical Pacific avian paleontology—has spent the past two decades in the field, digging through layers of soil in search of the bones that serve as clues to the ancient past of island bird communities. His years of indefatigable research and analysis are the foundation for Extinction and Biogeography of Tropical Pacific Birds, a monumental study of the landbirds of tropical Pacific islands—especially those from Fiji eastward to Easter Island—and an intricate history of the patterns and processes of island biology over time. 

Using information gleaned from prehistoric specimens, Steadman reconstructs the birdlife of tropical Pacific islands as it existed before the arrival of humans and in so doing corrects the assumption that small, remote islands were unable to support rich assemblages of plants and animals. Easter Island, for example, though devoid of wildlife today, was the world’s richest seabird habitat before Polynesians arrived more than a millennium ago. The forests of less isolated islands in the Pacific likewise teemed with megapodes, rails, pigeons, parrots, kingfishers, and songbirds at first human contact. 

By synthesizing data from the distant past, Steadman hopes to inform present conservation programs. Grounded in geology, paleontology, and archeology, but biological at its core, Extinction and Biogeography of Tropical Pacific Birds is an exceptional work of unparalleled scholarship that will stimulate creative discussions of terrestrial life on oceanic islands for years to come.

We are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images.

Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.

The rapid growth of the American environmental movement in recent decades obscures the fact that long before the first Earth Day and the passage of the Endangered Species Act, naturalists and concerned citizens recognized—and worried about—the problem of human-caused extinction.

As Mark V. Barrow reveals in Nature’s Ghosts, the threat of species loss has haunted Americans since the early days of the republic. From Thomas Jefferson’s day—when the fossil remains of such fantastic lost animals as the mastodon and the woolly mammoth were first reconstructed—through the pioneering conservation efforts of early naturalists like John James Audubon and John Muir, Barrow shows how Americans came to understand that it was not only possible for entire species to die out, but that humans themselves could be responsible for their extinction. With the destruction of the passenger pigeon and the precipitous decline of the bison, professional scientists and wildlife enthusiasts alike began to understand that even very common species were not safe from the juggernaut of modern, industrial society. That realization spawned public education and legislative campaigns that laid the foundation for the modern environmental movement and the preservation of such iconic creatures as the bald eagle, the California condor, and the whooping crane.

A sweeping, beautifully illustrated historical narrative that unites the fascinating stories of endangered animals and the dedicated individuals who have studied and struggled to protect them, Nature’s Ghosts offers an unprecedented view of what we’ve lost—and a stark reminder of the hard work of preservation still ahead.

How films help us understand the inevitable death of Earth and humanity

Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of “entanglement” or “enmeshment,” Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.