This volume launches a far-reaching exploration into the meaning, manifestations, and significance of ethnicity in modern society and politics. The authors seek neither to celebrate nor to deplore ethnicity, but rather to examine it as a basis of social organization which in modern societies has achieved a significance comparable to that of social class. Ethnicity indicates that minority groups around the world are no longer doing what society for hundreds of years has expected them to do—assimilate, disappear, or endure as exotic, troublesome survivors. Instead, their numbers expanded by immigration, their experiences and struggles mirrored to one another by the international mass media, minorities have become vital, highly conscious forces within almost all contemporary societies.

Ethnicity has played a pivotal role in recent social change; it has evolved into a political idea, a mobilizing principle, and an effective means of advancing group interests. Together with Glazer and Moynihan, Harold Isaacs, Talcott Parsons, Martin Kilson, Orlando Patterson, Daniel Bell, Milton Esman, Milton Gordon, William Petersen, and others bring analytic clarity to the rich concept of “ethnicity.” Their effort to explain why ethnic identity has become more salient, ethnic self-assertion stronger, and ethnic conflict more intense helps to develop a catholic view of ethnicity: this surpasses limited categories of race and nationality; includes the old world and the new, economically developed as well as developing nations; and offers a broad variety of theoretical approaches. Presenting the readers with a wealth of perceptions, points of view, and examples, Ethnicity: Theory and Experience will provoke discussion and argument for years to come.

This is a major book about one of the luminaries of the golden age of Spanish literature. In spite of his great reputation, Lope de Vega is to most of us merely a name, in part because of the prodigious quantity and variety of his plays and other writings in verse and prose. Alan Trueblood's book does not pretend to survey all of Lope's works or to touch on all the events of his colorful career; yet it probes the mind and heart, and art, of Lope as no other study in English has done.

Trueblood pursues the artistic consequences of a key experience in Lope's life, the four-year love affair with Elena Osorio that terminated violently in 1587. (The rejected Lope, age twenty-five, wrote slanderous verses about Elena's family and associates, was jailed on charges of libel, and was sentenced to ten years' exile.) Notwithstanding his subsequent marriages and liaisons, his mounting literary fame in Spain and abroad, and his eventual dedication to the Church as a priest, for forty-five years this experience reverberated intermittently in his writings, culminating in the great prose dialogue La Dorotea. Trueblood's demonstration of the increasing objectivity and sympathy with which Lope treats Elena/ Dorotea--in ballads, in sonnets, in plays, in La Dorotea--is psychologically as well as aesthetically revealing.

Trueblood provides by far the fullest analysis and elucidation of Lope's masterpiece, La Dorotea, that it has ever received--and in the process he probes the nature of literary creativity, the symbiosis between personal experience and artistic expression, in contexts going well beyond Lope and his age. Because the book will appeal to many readers who do not know Spanish, all quotations have been translated into English.