The Grand Tour, a customary trip through Europe undertaken by British nobility and wealthy landed gentry during the seventeenth and eighteenth centuries, played an important role in the formation of contemporary notions of elite masculinity. Through an examination of testimonies written by Grand Tourists, tutors, and their families, Sarah Goldsmith argues that the Grand Tour educated young men in a wide variety of skills, virtues, and vices that extended well beyond polite society.

Goldsmith demonstrates that the Grand Tour was a means of constructing Britain’s next generation of leaders. Influenced by aristocratic concepts of honor and inspired by military-style leadership, elite society viewed experiences of danger and hardship as powerfully transformative and therefore as central to constructing masculinity. Scaling mountains, volcanoes, and glaciers, and even encountering war and disease, Grand Tourists willingly tackled a variety of perils. Through her study of these dangers, Goldsmith offers a bold revision of eighteenth-century elite masculine culture and the critical role the Grand Tour played within it.

Millions of paintings were produced in the Dutch Republic. The works that we currently know and see in museums constitute only the tip of the iceberg-the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies is usually linked to high prices, famous painters and elite buyers. Angela Jager analyses the producers, suppliers and consumers active in this segment to gain insight in this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why?

In fourteen essays that speak to the full breadth of George L. Mosse’s intellectual horizons and scholarly legacy, Masses and Man explores radical nationalism, fascism, and Jewish modernity in twentieth-century Europe. Breaking from the conventions of historical analysis, Mosse shows that “secular religions” like fascism cannot be understood only as the products of socioeconomic or intellectual histories but rather must be approached first and foremost as cultural phenomena.

Masses and Man comprises three parts. The first lays out a cultural history of nationalism, essentially the first of its kind, emphasizing the importance of sacred expressions like myths, symbols, and rituals as appropriated in a political context. The second zeroes in on fascism’s most dramatic irruptions in European history in the rise of Italian Fascism and the Nazi Party in Germany, elucidating these as not just political movements but also cultural and even aesthetic ones. The third part considers nationalism and fascism from the particular standpoint of German Jews.

Taken in full, the volume offers an eloquent summation of Mosse’s groundbreaking insights into European nationalism, fascism, and Jewish history in the twentieth century. A new critical introduction by Enzo Traverso helpfully situates Mosse’s work in context and exposes the many ways in which Masses and Man, first published in 1980, remains relevant today.

A riveting account of the conquest of the vast American heartland that offers a vital reconsideration of the relationship between Native Americans and European colonists, and the pivotal role of the mighty Mississippi.

America’s waterways were once the superhighways of travel and communication. Cutting a central line across the landscape, with tributaries connecting the South to the Great Plains and the Great Lakes, the Mississippi River meant wealth, knowledge, and power for those who could master it. In this ambitious and elegantly written account of the conquest of the West, Jacob Lee offers a new understanding of early America based on the long history of warfare and resistance in the Mississippi River valley.

Lee traces the Native kinship ties that determined which nations rose and fell in the period before the Illinois became dominant. With a complex network of allies stretching from Lake Superior to Arkansas, the Illinois were at the height of their power in 1673 when the first French explorers—fur trader Louis Jolliet and Jesuit priest Jacques Marquette—made their way down the Mississippi. Over the next century, a succession of European empires claimed parts of the midcontinent, but they all faced the challenge of navigating Native alliances and social structures that had existed for centuries. When American settlers claimed the region in the early nineteenth century, they overturned 150 years of interaction between Indians and Europeans.

Masters of the Middle Waters shows that the Mississippi and its tributaries were never simply a backdrop to unfolding events. We cannot understand the trajectory of early America without taking into account the vast heartland and its waterways, which advanced and thwarted the aspirations of Native nations, European imperialists, and American settlers alike.

Since its opening in 1882, the Gotthard Railway with its 15-kilometer long tunnel under the Gotthard Mountains, provides a crucial international link through the Swiss Alps, between North-Western Europe and Italy. In contrast to many other railway lines, its symbolic meaning has never sunk into oblivion. In Swiss society today, references to the Gotthard myth are multifaceted and omnipresent. Not only do they evoke images of a technological railway project, they also allude to Swiss history, alpine nature and national identity. Reading this book assists in understanding the old and contemporary discussions about the future of the Gotthard Railway, the regions in which it lies and the Swiss national identity.Curiosity-driven, this research combines viewpoints from the history of technology, cultural studies and cultural geography to grasp the intensity of the Gotthard as a national Swiss image. Whereas the relationship between the Gotthard Mountains and the Swiss national identity has received ample scholarly attention, the role of the Gotthard Railway remains largely unexplored. To illustrate to what extent historical actors co-constructed the railway and Swiss identity, the empirical chapters start with an analysis of an engineering discussion about tunneling methods. Hereafter, the book examines the reactions in Switzerland to the inauguration of the railway line. Subsequently, it describes the appreciation of the railway line portrayed in travel guides of the belle époque. The last chapter captures the glory days of the Gotthard myth, before and during the Second World War, with a focus on the novels and plays, in which the Gotthard Tunnel construction occurs. This historical overview offers insight into the multiple roles that technology plays in the construction of a sense of national identity as well as illustrating how identity has an effect on the appropriation of a technological railway project.

Anchorites and their texts, such as Ancrene Wisse, have recently undergone a reevaluation based on material circumstances, not just theological import. The articles here address a variety of anchoritic or anchoritic-adjacent texts, encompassing guidance literature, hagiographies, miracle narratives, medical discourse, and mystic prose, and spanning in date from the eighth through the fourteenth centuries. Exploring reclusion and materiality, the collection addresses a series of overlapping themes, including the importance of touch, the limits of religious authority, and the role of the senses. Objects, metaphorical and real, embodied and spiritual, populate the pages. These categories are permeable, with flexible and porous boundaries, demonstrating the conflation of ideas, concepts, and manifestations in medieval materiality. In fact, the permeability of these categories demonstrates how materiality can reshape our approach to medieval texts. It leaves room for directions for future study, including the application of material analysis to previously unstudied objects, spaces, and literary artifacts.

This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach "the material" through four themes - glass, feathers, gold paints, and veils - in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.

This publication brings to a wider audience important new findings in the fields of medieval pottery and archaeometry. After a long period of dormancy, the study of Byzantine pottery has flourished in recent years. At the same time, the discipline of archaeometry has also undergone a rapid expansion. The combining of these two areas of research creates both opportunities and questions.

The new data that materials analysis provides about Byzantine ceramics and their production at times supports, modifies, and even contradicts conclusions derived from traditional archaeological methods. This new ability to determine the technique and provenance of Byzantine pottery has important implications well beyond the study of the material culture itself; it engages with broader historical issues, such as pilgrimage, economic relationships, and the transfer of ceramic technologies from the Islamic world to Byzantium and from Byzantium to Italy.

It is often assumed that natural philosophy was the forerunner of early modern natural sciences. But where did these sciences’ systematic observation and experimentation get their starts? In Materials and Expertise in Early Modern Europe, the laboratories, workshops, and marketplaces emerge as arenas where hands-on experience united with higher learning. In an age when chemistry, mineralogy, geology, and botany intersected with mining, metallurgy, pharmacy, and gardening, materials were objects that crossed disciplines.

Here, the contributors tell the stories of metals, clay, gunpowder, pigments, and foods, and thereby demonstrate the innovative practices of technical experts, the development of the consumer market, and the formation of the observational and experimental sciences in the early modern period. Materials and Expertise in Early Modern Europe showcases a broad variety of forms of knowledge, from ineffable bodily skills and technical competence to articulated know-how and connoisseurship, from methods of measuring, data gathering, and classification to analytical and theoretical knowledge. By exploring the hybrid expertise involved in the making, consumption, and promotion of various materials, and the fluid boundaries they traversed, the book offers an original perspective on important issues in the history of science, medicine, and technology.

Baroque depictions of violence are often dismissed as ‘over the top’ and ‘excessive’. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. Baroque paintings expose or reference their materiality by insisting on various physical changes wrought through violence. This study approaches violence as the work of materiality, which has the potential to analogously stage pictorial surfaces as corporeal surfaces, where paint becomes flayed flesh, canvas threads ruptured skin, and red paint spilt blood.

A Mattress Maker’s Daughter richly illuminates the narrative of two people whose mutual affection shaped their own lives and in some ways their times. According to the Renaissance legend, told and retold across the centuries, a woman of questionable reputation bamboozles a middle-aged warrior-prince into marrying her, and the family takes revenge. He is don Giovanni de’ Medici, son of the Florentine grand duke; she is Livia Vernazza, daughter of a Genoese artisan. They live in luxury for a while, far from Florence, and have a child. Then, Giovanni dies, the family pounces upon the inheritance, and Livia is forced to return from riches to rags. Documents, including long-lost love letters, reveal another story behind the legend, suppressed by the family and forgotten. Brendan Dooley investigates this largely untold story, among the various settings where episodes occurred, between Florence, Genoa, Venice.

In the course of explaining their improbable liaison and its consequences, A Mattress Maker’s Daughter explores early modern emotions, material culture, heredity, absolutism, and religious tensions at the crux of one of the great transformations in European culture, society, and statecraft. Giovanni and Livia exemplify changing concepts of love and romance, new standards of public and private conduct, and emerging attitudes toward property and legitimacy just as the age of Renaissance humanism gave way to the culture of Counter Reformation and Early Modern Europe.

Shortly after 9:00 a.m. on May 27, 1947, the first of forty-nine men condemned to death for war crimes at Mauthausen concentration camp mounted the gallows at Landsberg prison near Munich. The mass execution that followed resulted from an American military trial conducted at Dachau in the spring of 1946—a trial that lasted only thirty-six days and yet produced more death sentences than any other in American history.

The Mauthausen trial was part of a massive series of proceedings designed to judge and punish Nazi war criminals in the most expedient manner the law would allow. There was no doubt that the crimes had been monstrous. Yet despite meting out punishment to a group of incontestably guilty men, the Mauthausen trial reveals a troubling and seldom-recognized face of American postwar justice—one characterized by rapid proceedings, lax rules of evidence, and questionable interrogations.

Although the better-known Nuremberg trials are often regarded as epitomizing American judicial ideals, these trials were in fact the exception to the rule. Instead, as Tomaz Jardim convincingly demonstrates, the rough justice of the Mauthausen trial remains indicative of the most common—and yet least understood—American approach to war crimes prosecution. The Mauthausen Trial forces reflection on the implications of compromising legal standards in order to guarantee that guilty people do not walk free.

Between the two World Wars, particularly in the 1930s, the relations between the French civilian government and the Army went through a series of devastating changes. These turbulent developments culminated in the refusal of the Army’s leaders to obey their civilian superiors during the catastrophe of June 1940, the first such insubordination in modern French republican history. The author examines every aspect of this disastrous process, pursuing his analysis largely through the activities and thought of General Maxime Weygand, who, although deeply affected by the loss of civil–military trust, contributed importantly to it and eventually led the Army in its disobedience.

Philip Bankwitz finds the seeds of the disaffection between the French civilian authorities and the military in a variety of interconnected elements. During the early 1930s, for example, the soldiers became convinced that the Government’s policies concerning service time, military appropriations, and disarmament were pushing the Army to the brink of ruin. The Third Republic was highly unstable politically, as was shockingly demonstrated in February 1934 when the Government leaders resigned in the face of violent disorders in Paris attendant on the Stavisky Affair which climaxed two years of internal strife. Among soldiers, aware of the Government’s weakness, suspicious of its alleged antimilitarism, and fearful of the approaching conflict with Nazi Germany, there was a growing and almost unconscious tendency to think in terms of the possible need to extend the protection of the Army to the nation in its difficulties. In this way, important elements in the officer corps began, psychologically and emotionally, “to prepare for eventual intervention in national political affairs.”

General Weygand, whom the author interviewed on numerous occasions, held the personal conviction that the distrust between the civilian and military establishments was the root cause of French defeat. Mr. Bankwitz is convinced that this opinion of Weygand’s is possibly the single most important clue to the puzzling connection between the civil–military relationship and the collapse of June 1940. Granting all the other factors contributing to the defeat, it would be impossible to exaggerate the historical importance of Weygand’s disobedience—an act which also opened the way for later military saviors and for the ascendant role of the Army in French politics.

This is the first scholarly study in depth of the crucial prewar phase of the French army’s development into a disruptive force in national life. A chapter from the portentous twentieth-century story of the soldier in politics, it has relevance now to situations already formed or forming in other western societies. The value of the book is greatly enhanced by an encyclopedic bibliography of writing on French political history in this century.

In a provocative study, Paul Sonnino examines the diplomatic negotiations that took place in Westphalia from 1643 to 1648, which brought an end to the agonizing civil and religious conflict of the Thirty Years’ War.

Sonnino steps back from myriad historical readings of Westphalia to take the diplomats’ intentions and interactions strictly on their own terms. He places the reader alongside the pivotal figure of French minister Jules Cardinal Mazarin as he maneuvers for gain. The narrative thus offers a firsthand experience of the negotiations as they played out, as well as a penetrating look into the character, personality, and ideas of the crafty cardinal. Although Mazarin acquired the province of Alsace—making him a hero to French nationalists—he had a much more successful peace within his grasp, but lost it when he insisted on annexing the Spanish Low Countries. Sonnino also offers a new interpretation of the origins of the Fronde, linking the French domestic revolt to foreign policy, in Mazarin’s failure to secure peace with Spain.

Based on unprecedented archival documentation, Mazarin’s Quest provides an original and illuminating look at one of the most complicated diplomatic gatherings of all time.

These three volumes deal with the Iron Age grave materials from Magdalenska gora, excavated by the Duchess Paul Friedrich von Mecklenburg-Schwerin. The Duchess of Mecklenburg, a member of an Austrian royal family with estates in Slovenia, conducted her excavations in the early years of the twentieth century. The materials from Magdalenska gora were purchased by the Peabody Museum in the 1930s.

A beautifully illustrated argument that reveals notebooks as extraordinary paper machines that transformed knowledge on the page and in the mind.

We often think of reason as a fixed entity, as a definitive body of facts that do not change over time. But during the Enlightenment, reason also was seen as a process, as a set of skills enacted on a daily basis. How, why, and where were these skills learned? Concentrating on Scottish students living during the long eighteenth century, this book argues that notebooks were paper machines and that notekeeping was a capability-building exercise that enabled young notekeepers to mobilize everyday handwritten and printed forms of material and visual media in a way that empowered them to judge and enact the enlightened principles they encountered in the classroom. Covering a rich selection of material ranging from simple scribbles to intricate watercolor diagrams, the book reinterprets John Locke’s comparison of the mind to a blank piece of paper, the tabula rasa. Although one of the most recognizable metaphors of the British Enlightenment, scholars seldom consider why it was so successful for those who used it. Each chapter uses one core notekeeping skill to reveal the fascinating world of material culture that enabled students in the arts, sciences, and humanities to transform the tabula rasa metaphor into a dynamic cognitive model. Starting in the home, moving to schools, and ending with universities, the book reconstructs the relationship between media and the mind from the bottom up. It reveals that the cognitive skills required to make and use notebooks were not simply aids to reason; rather, they were part of reason itself.

Media in Europe Today provides a comprehensive overview of European media in its current state of transformation. Through a focus on specific European media sectors, it assesses the impact of new technologies across industries and addresses a wide range of practices, strategies, and challenges facing European media today. The Euromedia Research Group has more than twenty years of experience in the observation of trends affecting media today, and this book marks the strong continuation of that long tradition.

Consilia played an important role in not only medieval but also early modern professional health literature. A literary ‘consilium’ consisted of a written statement of one particular case, including the patient's condition and disease as well as advice concerning medical treatment. In the sixteenth century, consilia literature was a common component of the practices of many eminent physicians. This is illustrated through an analysis of consilia from twenty-two different collections and anthologies by fifteen selected authors, who represent university professors, personal physicians, and urban physicians from early modern Italy, France, and German-speaking Central Europe. A closer look at nearly 7,000 consilia shows how important a link they were within the medical community. A detailed view of consilia intended for patients suffering from the ‘French disease’ reveals details about, for instance, the most common treatments for syphilis – mercury and guaiacum – alongside many other interesting and important details.

In 1537, Florentine Duke Alessandro dei Medici was murdered by his cousin and would-be successor, Lorenzino dei Medici. Lorenzino's treachery forced him into exile, however, and the Florentine senate accepted a compromise candidate, seventeen-year-old Cosimo dei Medici. The senate hoped Cosimo would act as figurehead, leaving the senate to manage political affairs. But Cosimo never acted as a puppet. Instead, by the time of his death in 1574, he had stabilized ducal finances, secured his borders while doubling his territory, attracted an array of scholars and artists to his court, academy, and universities, and, most importantly, dissipated the perennially fractious politics of Florentine life.

Gregory Murry argues that these triumphs were far from a foregone conclusion. Drawing on a wide variety of archival and published sources, he examines how Cosimo and his propagandists successfully crafted an image of Cosimo as a legitimate sacral monarch. Murry posits that both the propaganda and practice of sacral monarchy in Cosimo's Florence channeled preexisting local religious assumptions as a way to establish continuities with the city's republican and renaissance past. In The Medicean Succession, Murry elucidates the models of sacral monarchy that Cosimo chose to utilize as he deftly balanced his ambition with the political sensitivities arising from existing religious and secular traditions.

The Medici controlled fifteenth-century Florence. Other Italian rulers treated Lorenzo the Magnificent (1449–1492) as an equal. To his close associates, he was “the boss” (“master of the workshop”). But Lorenzo liked to say that he was just another Florentine citizen. Were the Medici like the kings, princes, and despots of contemporary Italy? Or were they just powerful citizens? The Medici: Citizens and Masters offers a novel, comparative approach to answering these questions. It sets Medici rule against princely states such as Milan and Ferrara. It asks how much the Medici changed Florence and contrasts their supremacy with earlier Florentine regimes. Its contributors take diverse perspectives, focusing on politics, political thought, social history, economic policy, religion and the church, humanism, intellectual history, Italian literature, theater, festivals, music, imagery, iconography, architecture, historiography, and marriage. The book will interest students of history, Renaissance studies, Italian literature, and art history as well as anyone keen to learn about one of history’s most colorful, influential, and puzzling families.

In this work, François Soyer examines the nature of medieval anti-Jewish sentiment and violence. Analysing developments in Europe between 1100 and 1500, he points to the tensions in medieval anti-Jewish thought amongst thinkers who hoped to convert Jews and blamed Talmudic scholarship for their obduracy and yet who also, conversely, often essentialized Judaism to the point that it transformed into the functional equivalent of the modern concept of race. He argues that we should not consider antisemitism as a monolithic concept but accept the existence of independent, historical meanings and thus of antisemitisms (plural), including "medieval antisemitism" as distinct from anti-Judaism.

<p >As a small, landlocked country, medieval Bosnia managed topreserve its individuality, characterized by religious plurality and by thepersistence of its own ancient customs. But its central position in the region,situated between east and west, and between Catholic and Orthodox Christianity,meant it was heavily influenced, both politically and culturally by theVenetian Republic, the Hungarian Kingdom, and the Byzantine Empire. Due to languageissues and scarcity of sources, this region has largely been overlooked bywestern historiography. This volume features contributions from an exciting newgeneration of medievalists, who are working to rectify this gap in thenarrative.</p>

In this volume dedicated to medieval canon law expert Kenneth Pennington, leading scholars from around the world discuss the contribution of medieval church law to the origins of the western legal tradition.

This book explores medieval cityscapes within the modern urban environment, using place as a catalyst to forge connections between past and present, and investigating timely questions concerning theoretical approaches to medieval urban heritage, as well as the presentation and interpretation of that heritage for public audiences. Written by a specialist in literary and cultural history with substantial experience of multi-disciplinary research into medieval towns, <i>Medieval Cityscapes Today</i> teases out stories and strata of meaning from the urban landscape, bringing techniques of close reading to the material fabric of the city, as well as textual artefacts associated with it.

The concept of madness as a challenge to communities lies at the core of legal sources. This book considers how communal networks, ranging from the locale to the realm, responded to people who were considered mad. The madness of individuals played a role in engaging communities with legal mechanisms and proto-national identity constructs, as petitioners sought the king's mercy as an alternative to local justice. The resulting narratives about the mentally ill in late medieval France constructed madness as an inability to live according to communal rules. Although such texts defined madness through acts that threatened social bonds, those ties were reaffirmed through the medium of the remission letter. The composers of the letters presented madness as a communal concern, situating the mad within the household, where care could be provided. These mad were usually not expelled but integrated, often through pilgrimage, surveillance, or chains, into their kin and communal relationships.

The literary, historical, and linguistic confluence that characterized the Irish Sea region in the pre-modern period is reflected in the interdisciplinarity of these new research essays, centered on the literatures, languages, and histories of the Irish-Sea communities of the Middle Ages, much of which is still evoked in contemporary culture. The contributors to this collection dive deep into the rich historical record, heroic literature, and story lore of the medieval communities ringing the Irish Sea, with case studies that encompass Manx, Irish, Scandinavian, Welsh, and English traditions. Manannán, the famous travelling Celtic divinity who supposedly claimed the Isle of Man as his home, mingles here with his mythical, legendary, and historical neighbors, whose impact on our image and understanding of the pre-modern cultures of the Northern Atlantic has persisted down through the centuries.

This book provides an overarching, comprehensive analysis of the French military in the medieval period. The focus is on the armies of the French monarchy and the lands close around them, extending from the Low Countries to Provence. Central themes include recruitment and payment; military organisation; leadership, strategy, and tactics; weapons and arms; chivalry, military culture, and the rise of military professionalism.

Teaching medieval history should engage students in the real work of professional medievalists. However, many undergraduate courses rely on instructional strategies that only engage students in rote retention of medieval "stuff" and unsupported writing assignments. With trends in the USA and elsewhere showing declining undergraduate enrollment in the humanities and an increasing number of questions from university administrators regarding the utility of the liberal arts, historians need to reassess how they teach. Project-based learning (PBL) is one approach that may help medieval history instructors offer coursework that is more engaging for today's undergraduate students and provide administrators a clearer picture of the utility of studying the past. The pedagogy of PBL actively engages students in projects reflective of the real work being done by medievalists, allowing instructors to move beyond the traditional narrative found in many undergraduate survey courses. This book provides an overview of PBL theory, methods for incorporating PBL into an undergraduate medieval history course, instructional strategies, scalable assessment formats, and other resources useful for any history classroom.

How should the medieval family be characterized? Who formed the household and what were the ties of kinship, law, and affection that bound the members together? David Herlihy explores these questions from ancient Greece to the households of fifteenth-century Tuscany, to provide a broad new interpretation of family life. In a series of bold hypotheses, he presents his ideas about the emergence of a distinctive medieval household and its transformation over a thousand years.

Ancient societies lacked the concept of the family as a moral unit and displayed an extraordinary variety of living arrangements, from the huge palaces of the rich to the hovels of the slaves. Not until the seventh and eighth centuries did families take on a more standard form as a result of the congruence of material circumstances, ideological pressures, and the force of cultural norms. By the eleventh century, families had acquired a characteristic kinship organization first visible among elites and then spreading to other classes. From an indifferent network of descent through either male or female lines evolved the new concept of patrilineage, or descent and inheritance through the male line. For the first time a clear set of emotional ties linked family members.

It is the author’s singular contribution to show how, as they evolved from their heritages of either barbarian society or classical antiquity, medieval households developed commensurable forms, distinctive ties of kindred, and a tighter moral and emotional unity to produce the family as we know it. Herlihy’s range of sources is prodigious: ancient Roman and Greek authors, Aquinas, Augustine, archives of monasteries, sermons of saints, civil and canon law, inquisitorial records, civil registers, charters, censuses and surveys, wills, marriage certificates, birth records, and more. This well-written book will be the starting point for all future studies of medieval domestic life.

A provocative new approach to medieval culture. In Medieval Identity Machines, Jeffrey J. Cohen examines the messiness, permeability, and perversity of medieval bodies, arguing that human identity always exceeds the limits of the flesh. Combining critical theory with a rigorous reading of medieval texts, Cohen asks if the category "human" isn't too small to contain the multiplicity of identities. As such, this book is the first to argue for a "posthuman" Middle Ages and to make extensive use of the philosophical writings of Gilles Deleuze to rethink the medieval. Among the topics that Cohen covers are the passionate bond between men and horses in chivalric training; the interrelation of demons, celibacy, and colonialism in an Anglo-Saxon saint's life; Lancelot's masochism as envisioned by Chrétien de Troyes; the voice of thunder echoing from Margery Kempe; and the fantasies that sustained some dominant conceptions of race. This tour of identity-in all its fragility and diffusion-illustrates the centrality of the Middle Ages to theory as it enhances our understanding of self, embodiment, and temporality in the medieval world. Jeffrey J. Cohen is associate professor of English and human sciences at George Washington University. He is the author of Of Giants: Sex, Monsters, and the Middle Ages (1999).

The election of fringe political parties on the far and extreme right across Europe since spring 2014 has brought the political discourse of "old Europe" and "tradition" to the foreground. Writers and politicians on the right have called for the reclamation, rediscovery, and return of the spirit of national identities rooted in the medieval past. Though the "medieval" is often deployed as a stigmatic symbol of all that is retrograde, against modernity, and barbaric, the medieval is increasingly being sought as a bedrock of tradition, heritage, and identity. Both characterizations – the medieval as violent other and the medieval as vital foundation – are mined and studied in this book. It examines contemporary political uses of the Middle Ages to ask why the medieval continues to play such a prominent role in the political and historical imagination today.

We don’t usually think of haute cuisine when we think of the Middle Ages. But while the poor did eat a lot of vegetables, porridge, and bread, the medieval palate was far more diverse than commonly assumed. Meat, including beef, mutton, deer, and rabbit, turned on spits over crackling fires, and the rich showed off their prosperity by serving peacock and wild boar at banquets. Fish was consumed in abundance, especially during religious periods such as Lent, and the air was redolent with exotic spices like cinnamon and pepper that came all the way from the Far East.

Throughout the Middle Ages, Christians wrote about Islam and the life of Muhammad. These stories, ranging from the humorous to the vitriolic, both informed and warned audiences about what was regarded as a schismatic form of Christianity. Medieval Latin Lives of Muhammad covers nearly five centuries of Christian writings on the prophet, including accounts from the farthest-flung reaches of medieval Europe, the Iberian Peninsula, and the Byzantine Empire. Over time, authors portrayed Muhammad in many guises, among them: Theophanes’s influential ninth-century chronicle describing the prophet as the heretical leader of a Jewish conspiracy; Embrico of Mainz’s eleventh-century depiction of Muhammad as a former slave who is manipulated by a magician into performing unholy deeds; and Walter of Compiègne’s twelfth-century presentation of the founder of Islam as a likable but tricky serf ambitiously seeking upward social mobility.

The prose, verse, and epistolary texts in Medieval Latin Lives of Muhammad help trace the persistence of old clichés as well as the evolution of new attitudes toward Islam and its prophet in Western culture. This volume brings together a highly varied and fascinating set of Latin narratives and polemics never before translated into English.

The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe explores the complex history of medieval pragmatic theory and ideas and metapragmatic awareness across social discourses. Pragmatic thinking about language and communication are revealed in grammar, semiotics, philosophy, and literature. Part historical reconstruction, part social history, part language theory, Amsler supplements the usual materials for the history of medieval linguistics and discusses the pragmatic implications of grammatical treatises on the interjection, Bacon's sign theory, logic texts, Chaucer's poetry, inquisitors' accounts of heretic speech, and life writing by William Thorpe and Margery Kempe. Medieval and contemporary pragmatic theory are contrasted in terms of their philosophical and linguistic orientations. Aspects of medieval pragmatic theory and practice, especially polysemy, equivocation, affective speech, and recontextualization, show how pragmatic discourse informed social controversies and attitudes toward sincere, vague, and heretical speech. Relying on Bakhtinian dialogism, critical discourse analysis, and conversation analysis, Amsler situates a key period in the history of linguistics within broader social and discursive fields of practice.

The Persian Gulf today is home to multiple cosmopolitan urban hubs of globalization. This did not start with the discovery of oil. This book tells of the Gulf from the rise of Islam until the coming of the Portuguese, when port cities such as Siraf, Sohar, and Hormuz were entrepots for trading pearls, horses, spices, and other products across much of Asia and eastern Africa. Indeed, products traded there became a key part of the material culture of medieval Islamic civilization, and the Gulf region itself was a crucial membrane between the Middle East and the world of the broader Indian Ocean. The book also highlights the long-term presence of communities of South Asian and African ancestry, as well as patterns of religious change among Jews, Christians, Zoroastrians, and Muslims that belie the image of a region long polarized between Arabs and Persians and Sunnis and Shi’ites.

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.Read Alicia Spencer-Hall's keynote paper 'Hagiography, Media, and the Politics of Visibility' from the Gender and Medieval Studies conference in Oxford on her blog Medieval She Wrote.

Illuminated with illustrations, an exploration of medieval manuscript production that offers insight into both the early history of the book and life in the Middle Ages.
 
This book takes the reader on an immersive journey through medieval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a medieval narrator—including a parchment maker, scribe, and illuminator—introducing various aspects of manuscript production. Sara J. Charles poses the question “What actually is a scriptorium?” and explores the development of the medieval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press.
 
With the written word at the very heart of the Christian monastic movement, we see the immense amount of labor, planning, and networks needed to produce each manuscript. By tapping into these processes and procedures, The Medieval Scriptorium helps us to experience medieval life through the lens of a manuscript maker.

This book explores a millennium of literary exchanges among the peoples of the Maghrib, or westernmost strongholds of medieval Islam. In the seventh century, Muslim expansion into the western Mediterranean initiated a new phase in the layering of heterogeneous peoples and languages in this contact zone: Arabs and Berbers, Christians and Jews, Sunnī and Shīʿa Muslims, Greeks and Latins all helped shape identities, hybrid genealogies of knowledge, and political alliances. These essays excavate the literary artefacts produced in these times of turmoil, offering new perspectives on the intellectual networks and traditions that proved instrumental in overcoming the often traumatic transitions among political and/or religious regimes.

Through a focused and systematic examination of medieval theologians, philosophers, and jurists, Andrew Latham explores how ideas about supreme political authority—sovereignty—first emerged during the high medieval period. The author provides a new model for understanding the concept of sovereignty, and traces its roots, not to the early modern or late medieval eras as do all other accounts, but to the High Middle Ages. This book aims first to provide an account of a pivotal episode in the historical evolution of the idea of sovereignty—the supreme authority to command, legislate, and judge—in the thirteenth century. It also aims to reconnect early modern theorists of sovereignty to the medieval intellectual tradition out of which they emerged. Latham traces the rise of a “dualist–regnalist” model whereby supreme authority was vested neither in the pope nor the emperor; nor was it divided between coordinate temporal and spiritual powers (kings and popes). Instead, it was vested exclusively in the king, who held it directly from God or (in the case of John of Paris, for example) “the people,” without any papal or imperial mediation.

This volume in The Medieval Globe Books series surveys the distinctive but also shared rhetorical practices that characterize written requests for intercession, support, and patronage across many languages, cultures, and forms of interaction. Examples range from mundane requests to diplomatic negotiations, preserved in a variety of material media: potsherds, papyrus, paper, administrative handbooks, chronicles, and letter collections. Each contribution focuses on one textual sample or corpus of letters, providing new English translations as well as editions of the original texts in cases where no previous edition is available. Together, they represent the textual conventions and innovations of learned and vernacular epistolary traditions from many regions of North Africa and Eurasia, from the eighth to the fifteenth centuries CE.

Leaders in the field of paleopathology have found enough evidence to prove that treponematosis, including syphilis, existed in ancient and medieval Afro-Eurasia, settling a decades-long debate. Yet documentary and artistic evidence to support this important work remains scarce. After summarizing the confirmed cases of treponematosis detected to date, this book turns to contemporary accounts about the death of the English king, Edward IV, that strongly indicate syphilis as the cause. It then considers further evidence suggesting contemporary awareness that elites tended to experience the disease more severely than commoners, and includes numerous examples from medical treatises and artworks that are highly suggestive that both endemic and venereal treponematosis (bejel and syphilis) were present in late medieval Europe. In doing so, the author hopes to spark a conversation not only about the existence of the disease in various places and times, but also its wider impact on premodern society and culture.

This book argues that the impressive range of belongings that can be connected to Duchess Matilda Plantagenet—textiles, illuminated manuscripts, coins, chronicles, charters, and literary texts—allows us to perceive elite women’s performance of power, even when they are largely absent from the official documentary record. It is especially through the visual record of material culture that we can hear female voices, allowing us to forge an alternative way toward rethinking assumptions about power for sparsely-documented elite women.

This book is called a manifesto because it has an unapologetically political objective. Richard Utz wants to help reform the way we think about and practise our academic engagement with medieval culture, and he uses his own observations as a medievalist and medievalism-ist over the last twenty-five years to offer ways in which we might reconnect with the general public that has allowed us to become, since the late nineteenth century, a rather exclusive clan of specialists who communicate mostly with each other.The traditional academic study of the Middle Ages, after more than a century of growing and plateauing, is now on the decline. While, at least over the next five to ten years, we will still be basking in the reassuring proximity (at conferences) of thousands of others who are involved in what we do ourselves, there is a manifest discrepancy between the large number of students who request that we address their love of Harry Potter, Lord of the Rings, Game of Thrones, and medieval-themed video and computer games, and the decreasing number of actual medievalists hired to replace retiring colleagues. We should pursue more lasting partnerships with so-called amateurs and enthusiasts for the sake of a sustainable future engagement with medieval culture. Richard Utz suggests some ways we might do this, and looks forward to “a more truly co-disciplinary, inclusive, democratic, and humanistic engagement with what we call, for better or worse, the Middle Ages”.

This new monograph devoted to a detailed exploration of the ways in which the medieval past has been wielded to propagandic effect in Imperial, Soviet, and post-Soviet Russia. From politicians’ speeches to popular culture, from Orthodox Christianity to neo-paganism, the medieval Russian past remains crucial in constructing national identity, mobilizing society during times of crisis, and providing alternative models of communal belonging. Frequent appeals to a medieval Slavic past, its heroes and myths, have provided—and continue to provide—a particularly powerful tool for animating imperialist and populist sentiments. This study explores persuasive—and pervasive—recourse to tropes concerned with the Middle Ages in Imperial, Soviet, and post-Soviet Russia, seeking to explain why an often romanticized medieval past remains potent in Russian politics, society, and culture today.

This book explores the dimensions of medieval monastic meditation, prayer, and contemplation in the heyday of Benedictine and Cistercian spiritual writing, the eleventh and twelfth centuries. Mancia aims to answer the following questions: What did extra-liturgical prayer and meditation look like for medieval monks and nuns in western medieval Europe? When, where, and how was it practised? Was there a set way to engage with monastic meditation, or were there a variety of medieval monastic meditative experiences in the eleventh and twelfth centuries? What did monks and nuns perceive as the limitations of monastic prayer and meditation, and how did they understand their own imperfections and failures to perform "perfect" devotion? What extra-textual tools—art, manuscripts, diagrams, spaces—did monks and nuns rely upon to stimulate their practices of meditation? What does monastic meditation reveal about the emotional lives of Benedictine and Cistercian monks and nuns in the high Middle Ages? And, finally, what does the monastic struggle to pursue a prayerful Christian life have to teach the secular world of the twenty-first century?

This book looks at the intersection between medieval studies and digital humanities, confronting how medievalists negotiate the “virtual divide” between the cultural artefacts that they study and the digital means by which they address those artefacts. The essays come from medievalists who have created digital resources or applied digital tools and methodologies in their scholarship. Text encoding and analysis, data modeling and provenance, and 3D design are all discussed as they apply to western European medieval literature, history, art history, and architecture.

This book investigates the study of memory activism and memory of activism, emerging after conflict, as a political civic action. It examines the appearance and growth of memory activism in Serbia amid the legacies of unwanted memories of the wars of the 1990s, approaching the post-Yugoslav region as a region of memory and tracing the alternative calendars and alternative commemorative practices of memory activists as they have evolved over a period of more than two decades. By presenting in-depth accounts of memory activism practices, on-site and online, Memory Activism and Digital Practices after Conflict: Unwanted Memories analyses this evolution in the context of generational belonging and introduces frameworks for the study of #hashtag #memoryactivism, alternative commemorations and commemorative solidarity.

Memory was vital to the functioning of the medieval world. People in medieval societies shared an identity based on commonly held memories. Religions, rulers, and even cities and nations justified their existence and their status through stories that guaranteed their deep and unbroken historical roots. The studies in this interdisciplinary collection explore how manifestations of memory can be used by historians as a prism through which to illuminate European medieval thought and value systems. The contributors draw the link between memory and medieval science, management of power, and remembrance of the dead ancestors through examples from southern Europe as a means of enriching and complicating our study of the Middle Ages; this is a region with a large amount of documentation but which to date has not been widely studied.

In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England.

Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.

An in-depth look at the diverse group of men who comprised Britain’s first Labour Party in 1924.

In January of 1924, the cabinet of the first Labour government consisted of twenty white, middle-aged men, as it had for generations. But the election also represented a radical departure from government by the ruling class. Most members of the administration had left school by the age of fifteen. Five of them had started work by the time they were twelve years old. Three were working down the mines before they entered their teens. Two were illegitimate, one was abandoned at birth, and three were of Irish immigrant descent. For the first time in Britain’s history, the cabinet could truly be said to represent all of Britain’s social classes. This unheralded revolution in representation is the subject of Peter Clark’s fascinating new book, The Men of 1924. Who were these men? Clark’s vivid portrayal is full of evocative portraits of a new breed of politician, the forerunners of all those who, later in the last century and this one, overcame a system from which they had been excluded for too long.
 

An Interdisciplinary Study of Viking Martial Culture that Dispels Myths and Expands Our Understanding of the Medieval Norse World
Sometime near the end of the tenth century, a man named Fraði died in Sweden. His kinsmen raised a granite runestone to his memory in Denmark. The carved message appears to tell us that Fraði was “first among all Vikings” and that he was the “terror of men.” Known sources about the Vikings revolve around the constant threat of violence: literary and artistic sources from both inside and outside Viking lands, including poetry, myths, stories, and artwork; law codes; burial practices; weapons; even their ship and house architecture. 
    Based on nearly two decades of research, Men of Terror: A Comprehensive Analysis of Viking Combat is a richly illustrated interdisciplinary study of the heart of Viking society: weapons and combat. Relying on a vast array of sources from a wide range of fields, research scientist William R. Short and independent scholar and martial arts instructor Reynir A. Óskarson dig deep into the culture of men like Fraði to better understand the mindset and performance of Viking warriors that led them to venerate and praise acts of violence and aggression. In the process they have painstakingly reverse-engineered Viking combat to account for the archaeology we have. Along the way, they answer questions such as: Were there women warriors? Why were acts such as raiding held in such high esteem? What mundane object was the king of Viking weapons and how was it used? Could bowstrings of human hair really work? Through their comprehensive research, the authors present a holistic picture of this society from what previously had only been disparate and intriguing parts. By the end of the book, the reader will understand the importance of combat to Viking society, the nature of that combat, and the code of these “men of terror.”

Mennonites and their forebears are usually thought to be a people with little interest or involvement in politics. Mennonites, Politics, and Peoplehood reveals that since their early history, Mennonites have, in fact, been active participants in worldly politics. From western to eastern Europe and through different migrations to North America, James Urry’s meticulous research traces Mennonite links with kingdoms, empires, republics, and democratic nations in the context of peace, war, and revolution. He stresses a degree of Mennonite involvement in politics not previously discussed in literature, including Mennonite participation in constitutional reform and party politics, and shows the polarization of their political views from conservatism to liberalism and even revolutionary activities. Using a wide variety of sources, Mennonite, Politics, and Peoplehood combines an inter-disciplinary approach to reveal that Mennonites, far from being the “Quiet in the Land,” have deep roots in politics.