Presenting a new interpretation of humanist historiography, Donald J. Wilcox traces the development of the art of historical writing among Florentine humanists in the fifteenth century. He focuses on the three chancellor historians of that century who wrote histories of Florence—Leonardo Bruni, Poggio Bracciolini, and Bartolommeo della Scala—and proposes that these men, especially Bruni, had a new concept of historical reality and introduced a new style of writing to history. But, he declares, their great contributions to the development of historiography have not been recognized because scholars have adhered to their own historical ideals in judging the humanists rather than assessing them in the context of their own century.
Mr. Wilcox introduces his study with a brief description of the historians and historical writing in Renaissance Florence. He then outlines the development of the scholarly treatment of humanist historiography and establishes the need for a more balanced interpretation. He suggests that both Hans Baron’s conception of civic humanism and Paul Oscar Kristeller’s emphasis on the rhetorical character of humanism were important developments in the general intellectual history of the Renaissance and, more specifically, that they provided a new perspective on the entire question of humanist historiography.
The heart of the book is a close textual analysis of the works of each of the three historians. The author approaches their texts in terms of their own concerns and questions, examining three basic elements of their art. The first is the nature of the reality the historian is recounting. Mr. Wilcox asks, “What interests the writer? What is the substance of his narrative?… What does he choose from his sources…and what does he ignore? What does he interpolate into the account by drawing on his own understanding of the nature of history?” The second is the various attitudes—moral judgments, historical conceptions, analytical views—with which the historian approaches his narrative. And the third is the aspect of humanist historiography to which previous scholars have paid the least attention: the historian’s narrative technique. Mr. Wilcox identifies the difficulties involved in expressing historical ideas in narrative form and describes the means the historians developed for overcoming those difficulties. He emphasizes the positive value of rhetoric in their works and points out that they “sought by eloquence to teach men virtue.”
He devotes three chapters to Bruni, whom he considers the most original and important of the three historians. The next two chapters deal with Poggio, and the last with Scala. Throughout the book Mr. Wilcox exposes the internal connections among the three histories, thus illustrating the basic coherence of the humanist historical art.
Early in the eighth century, the current of the Muslim movement that inundated northern Spain crept over the Pyrenees to spread across a portion of the French Midi. From the north the tide of Carolingian conquest forced the Muslims back and took in these same southern French and northern Spanish provinces. During the same era the Vikings raided intermittently and with varying degrees of intensity along the seacoasts and up the inland waterways, sometimes controlling considerable areas for extended periods.
These raids and conquests inevitably affected the way of life of the people of southern France and Catalonia. Contemporary travelers and later scholars have noted that the feudal traditions and obligations that were so strong in the north seemed very weak or nonexistent in the south. They found that the land seemed to be held largely as allods, not as feudal fiefs; they saw that women held positions of surprising power, that throughout the area there was great emphasis on money, and that the traditions of Roman and Visigothic law still survived.
Although scholars have noted these differences, no one has made a comprehensive study of southern French and Catalan society as a whole. It is to fill this void that Archibald Lewis provides this volume. In a detailed and scholarly study, based largely upon original records and chronicles, he examines the familial, social, economic, governmental, military, and religious life of the area from 718 to 1050 A.D.
Lewis gives as comprehensive a picture as the records will permit of the society that existed in the early eighth century, describes and discusses the major changes which took place during the next three centuries, and analyzes their causes and effects. This study, which includes careful and detailed notes and an extensive bibliography, provides a reliable and long-needed reference tool.
Contributors. David P. Conradt, Russell J. Dalton, Kenneth Dyson, Klaus H. Goetz, Simon Green, Adrian Hyde-Price, Charlie Jeffery, Stephen Padgett, William E. Paterson, Wolfgang Rüdig, Martin Seeleib-Kaiser, Gordon Smith, Roland Sturm
Contributors. David P. Conradt, Russell J. Dalton, Kenneth Dyson, Klaus H. Goetz, Simon Green, Adrian Hyde-Price, Charlie Jeffery, Stephen Padgett, William E. Paterson, Wolfgang Rüdig, Martin Seeleib-Kaiser, Gordon Smith, Roland Sturm
Legend has it that twenty miles of volcanic rock rising through the landscape of northern Bohemia was the work of the devil, who separated the warring Czechs and Germans by building a wall. The nineteenth-century invention of the Devil’s Wall was evidence of rising ethnic tensions. In interwar Czechoslovakia, Sudeten German nationalists conceived a radical mission to try to restore German influence across the region. Mark Cornwall tells the story of Heinz Rutha, an internationally recognized figure in his day, who was the pioneer of a youth movement that emphasized male bonding in its quest to reassert German dominance over Czech space.
Through a narrative that unravels the threads of Rutha’s own repressed sexuality, Cornwall shows how Czech authorities misinterpreted Rutha’s mission as sexual deviance and in 1937 charged him with corrupting adolescents. The resulting scandal led to Rutha’s imprisonment, suicide, and excommunication from the nationalist cause he had devoted his life to furthering. Cornwall is the first historian to tackle the long-taboo subject of how youth, homosexuality, and nationalism intersected in a fascist environment. The Devil’s Wall also challenges the notion that all Sudeten German nationalists were Nazis, and supplies a fresh explanation for Britain’s appeasement of Hitler, showing why the British might justifiably have supported the 1930s Sudeten German cause. In this readable biography of an ardent German Bohemian who participated as perpetrator, witness, and victim, Cornwall radically reassesses the Czech-German struggle of early twentieth-century Europe.
The Diagram as Paradigm is the first book that looks at medieval diagrams in a cross-cultural perspective, focusing on three regions—Byzantium, the Islamicate world, and the Latin West—each culturally diverse and each closely linked to the others through complex processes of intellectual, artistic, diplomatic, and mercantile exchange.
The volume unites case studies, often of little-known material, by an international set of specialists, and is prefaced by four introductory essays that provide broad overviews of diagrammatic traditions in these regions in addition to considering the theoretical dimensions of diagramming. Among the historical disciplines whose use of diagrams is explored are philosophy, theology, mysticism, music, medicine, mathematics, astronomy, and cosmology. Despite the sheer variety, ingenuity, and visual inventiveness of diagrams from the premodern world, in conception and practical use they often share many similarities, both in construction and application. Diagrams prove to be an essential part of the fabric of premodern intellectual, scientific, religious, artistic, and artisanal life.
Lorenzo Valla (1407–1457) ranks among the greatest scholars and thinkers of the Renaissance. He secured lasting fame for his brilliant critical skills, most famously in his exposure of the “Donation of Constantine,” the forged document upon which the papacy based claims to political power. Lesser known in the English-speaking world is Valla’s work in the philosophy of language—the basis of his reputation as the greatest philosopher of the humanist movement.
Dialectical Disputations, translated here for the first time into any modern language, is his principal contribution to the philosophy of language and logic. With this savage attack on the scholastic tradition of Aristotelian logic, Valla aimed to supersede it with a new logic based on the actual historical usage of classical Latin and on a commonsense approach to semantics and argument. Valla provides a logic that could be used by lawyers, preachers, statesmen, and others who needed to succeed in public debate—one that was stylistically correct and rhetorically elegant, and thus could dispense with the technical language of the scholastics, a “tribe of Peripatetics, perverters of natural meanings.” Valla’s reformed dialectic became a milestone in the development of humanist logic and contains startling anticipations of modern theories of semantics and language.
Volume 1 contains Book I, in which Valla refutes Aristotle’s logical works on the categories, transcendentals, and predicables, with excursions into natural and moral philosophy and theology.
Lorenzo Valla (1407–1457) ranks among the greatest scholars and thinkers of the Renaissance. He secured lasting fame for his brilliant critical skills, most famously in his exposure of the “Donation of Constantine,” the forged document upon which the papacy based claims to political power. Lesser known in the English-speaking world is Valla’s work in the philosophy of language—the basis of his reputation as the greatest philosopher of the humanist movement.
Dialectical Disputations, translated here for the first time into any modern language, is his principal contribution to the philosophy of language and logic. With this savage attack on the scholastic tradition of Aristotelian logic, Valla aimed to supersede it with a new logic based on the actual historical usage of classical Latin and on a commonsense approach to semantics and argument. Valla provides a logic that could be used by lawyers, preachers, statesmen, and others who needed to succeed in public debate—one that was stylistically correct and rhetorically elegant, and thus could dispense with the technical language of the scholastics, a “tribe of Peripatetics, perverters of natural meanings.” Valla’s reformed dialectic became a milestone in the development of humanist logic and contains startling anticipations of modern theories of semantics and language.
Volume 2 contains Books II–III, in which Valla refutes Aristotle’s logical works on propositions, topics, and the syllogistic.
In 1937 during the Spanish Civil War, Arthur Koestler, a German exile writing for a British newspaper, was arrested by Nationalist forces in Málaga. He was then sentenced to execution and spent every day awaiting death—only to be released three months later under pressure from the British government. Out of this experience, Koestler wrote Darkness at Noon, his most acclaimed work in the United States, about a man arrested and executed in a Communist prison.
Dialogue with Death is Koestler’s riveting account of the fall of Málaga to rebel forces, his surreal arrest, and his three months facing death from a prison cell. Despite the harrowing circumstances, Koestler manages to convey the stress of uncertainty, fear, and deprivation of human contact with the keen eye of a reporter.
Giovanni Pontano (1426–1503), whose academic name was Gioviano, was the most important Latin poet of the fifteenth century as well as a leading statesman who served as prime minister to the Aragonese kings of Naples. His Dialogues are our best source for the humanist academy of Naples which Pontano led for several decades. They provide a vivid picture of literary life in the capital of the Aragonese seaborne empire, based in southern Italy and the Western Mediterranean. This first volume contains the two earliest of Pontano’s five dialogues. Charon, set in the underworld of classical mythology, illustrates humanist attitudes to a wide range of topics, satirizing the follies and superstitions of humanity. Antonius, a Menippean satire named for the founder of the Neapolitan Academy, Antonio Beccadelli, is set in the Portico Antoniano in downtown Naples, where the academicians commemorate and emulate their recently-deceased leader, conversing on favorite topics and stopping from time to time to interrogate passersby.
This volume contains a freshly-edited Latin text of these dialogues and the first translation of them into English.
An investigation into the politics of consumerism in East Germany during the years between the Berlin Blockade of 1948-49 and the building of the Berlin Wall in 1961, Dictatorship and Demand shows how the issue of consumption constituted a crucial battleground in the larger Cold War struggle.
Based on research in recently opened East German state and party archives, this book depicts a regime caught between competing pressures. While East Germany's leaders followed a Soviet model, which fetishized productivity in heavy industry and prioritized the production of capital goods over consumer goods, they nevertheless had to contend with the growing allure of consumer abundance in West Germany. The usual difficulties associated with satisfying consumer demand in a socialist economy acquired a uniquely heightened political urgency, as millions of East Germans fled across the open border.
A new vision of the East-West conflict emerges, one fought as much with washing machines, televisions, and high fashion as with political propaganda, espionage, and nuclear weapons. Dictatorship and Demand deepens our understanding of the Cold War.
The Diehards is a study of the 112 peers who voted against the Parliament Bill of 1911. In voting against this bill, which abolished the veto power of the House of Lords, the diehards defied the leadership of their own party. Other Unionists were willing to capitulate in response to the Liberal government's threat to create enough new peers to swamp the upper chamber, but the diehards were ready to “die in the last ditch.”
There has never been a satisfactory explanation of diehard intransigence. A mistake of contemporaries and of later historians has been to characterize the diehards as “backwoodsmen” who cared little about national politics and barely knew their way to the House of Lords. But in fact, as Gregory Phillips shows, they were among the most politically active members of the peerage. They can be seen as radical conservatives, willing to countenance drastic changes in certain aspects of politics and society in order to preserve as much as possible of their traditional position and way of life.
Utilizing a wide range of public and private papers, Phillips has given us an economic, social, and political study of Edwardian England that substantially alters our understanding of this crisis in British constitutional history.
An innovative collection of comedic stories by the original “Renaissance man.”
Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”
A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.
This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.
An innovative collection of comedic stories by the original “Renaissance man.”
Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”
A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.
This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.
This is the first study of Mendoza, the importance of whose position as Ambassador to France from 1584 to 1591--crucial in the liaison between Philip II and the French Catholic League--was long recognized but not explored. A religious zealot and military crusader who carried his uncompromising attitude into his diplomatic career, Mendoza made the connections between his master Philip and the French Catholic League much more intimate and functional than was previously suspected. In the spring of 1588, for instance, Mendozamanipulated the League and the Duke of Guise into a position of open rebellion against the King of France, thus ensuring that the Armada could sail for England without the danger of French harassment along the channel coast, and also that there would be no threat of French occupation of the Spanish Netherlands when Parma's troops should embark for the invasion of England.
Throughout the book, Spanish policies and techniques and their influence on international affairs are exemplified as they were not before. Showing how Continental diplomacy was dominated by religious zeal in the late sixteenth century, and how the fanaticism of the French religious wars formed a prelude to a reaction toward political absolutism, Jensen draws on a fund of untapped manuscript and printed sources, including Mendoza's coded letters, some of which he was the first to decipher.
"Comprehensively researched, abundantly illustrated and written in accessible and engaging prose . . . With great skill, Poore weaves diverse types of evidence, including historical sources, art, literature, journalism, film, philosophy, and personal narratives into a tapestry which illuminates the cultural, political, and economic processes responsible for the marginalization, stigmatization, even elimination, of disabled people---as well as their recent emancipation."
---Disability Studies Quarterly
"A major, long-awaited book. The chapter on Nazi images is brilliant---certainly the best that has been written in this arena by any scholar."
---Sander L. Gilman, Emory University
"An important and pathbreaking book . . . immensely interesting, it will appeal not only to students of twentieth-century Germany but to all those interested in the growing field of disability studies."
---Robert C. Holub, University of Tennessee
Disability in Twentieth-Century German Culture covers the entire scope of Germany's most tragic and tumultuous century---from the Weimar Republic to the current administration---revealing how central the notion of disability is to modern German cultural history. By examining a wide range of literary and visual depictions of disability, Carol Poore explores the contradictions of a nation renowned for its social services programs yet notorious for its history of compulsory sterilization and eugenic dogma. This comprehensive volume focuses particular attention on the horrors of the Nazi era, when those with disabilities were considered "unworthy of life," but also investigates other previously overlooked topics including the exile community's response to disability, socialism and disability in East Germany, current bioethical debates, and the rise and gains of Germany's disability rights movement.
Richly illustrated, wide-ranging, and accessible, Disability in Twentieth-Century German Culture gives all those interested in disability studies, German studies, visual culture, Nazi history, and bioethics the opportunity to explore controversial questions of individuality, normalcy, citizenship, and morality. The book concludes with a memoir of the author's experiences in Germany as a person with a disability.
Carol Poore is Professor of German Studies at Brown University.
Illustration: "Monument to the Unknown Prostheses" by Heinrich Hoerle © 2007 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
A volume in the series Corporealities: Discourses of Disability
"Insightful and meticulously researched . . . Using disability as a concept, symbol, and lived experience, the author offers valuable new insights into Germany's political, economic, social, and cultural character . . . Demonstrating the significant ‘cultural phenomena' of disability prior to and long after Hitler's reign achieves several important theoretical and practical aims . . . Highly recommended."
---Choice
Since the beginning of modern warfare, one of the favorite crusades of the international peacemakers has been toward disarmament. This book investigates the British origin of the disarmament idea--from World War I through the signing of the Treaty of Versailles. It traces the development of disarmament as a war aim, with special reference to the influence of British Liberal thought, and President Wilson's acceptance of disarmament as one of his Fourteen Points.
Disarmament is related to the other Allied war aims and to theLiberal and Labor parties during the war period. Particular attention is paid to the influence of public opinion and the British press. Neither an attack on nor an apology for the fiasco which followed, this is a lucid analysis of the events, tensions, personalities, and self-interests which led to the failure of an ideal.
“Rule Britannia! Britannia rule the waves,” goes the popular lyric. The fact that the British built the world’s greatest empire on the basis of sea power has led many to assume that the Royal Navy’s place in British life was unchallenged. Yet, as Sarah Kinkel shows, the Navy was the subject of bitter political debate. The rise of British naval power was neither inevitable nor unquestioned: it was the outcome of fierce battles over the shape of Britain’s empire and the bonds of political authority.
Disciplining the Empire explains why the Navy became divisive within Anglo-imperial society even though it was also successful in war. The eighteenth century witnessed the global expansion of British imperial rule, the emergence of new forms of political radicalism, and the fracturing of the British Atlantic in a civil war. The Navy was at the center of these developments. Advocates of a more strictly governed, centralized empire deliberately reshaped the Navy into a disciplined and hierarchical force which they hoped would win battles but also help control imperial populations. When these newly professionalized sea officers were sent to the front lines of trade policing in North America during the 1760s, opponents saw it as an extension of executive power and military authority over civilians—and thus proof of constitutional corruption at home.
The Navy was one among many battlefields where eighteenth-century British subjects struggled to reconcile their debates over liberty and anarchy, and determine whether the empire would be ruled from Parliament down or the people up.
Captured by German forces shortly after Dunkirk, and not relinquished until May of 1945, nearly a year after the Normandy invasion, the British Channel Islands (Guernsey, Jersey, Alderney, Sark, and Herm) were characterized during their occupation by severe deprivation and powerlessness. The Islanders, with few resources to stage an armed resistance, constructed a rhetorical resistance based upon the manipulation of discourse, construction of new symbols, and defiance of German restrictions on information. Though much of modern history has focused on the possibility that Islanders may have collaborated with the Germans, this eye-opening history turns to secret war diaries kept in Guernsey. A close reading of these private accounts, written at great risk to the diarists, allows those who actually experienced the Occupation to reclaim their voice and reveals new understandings of Island resistance. What emerges is a stirring account of the unquenchable spirit and deft improvisation of otherwise ordinary people in extraordinary circumstances. Under the most dangerous of conditions, Guernsey civilians used imaginative methods in reacting to their position as a subjugated population, devising a covert resistance of nuance and sustainability. Violence, this book and the people of Guernsey demonstrate, is not at all the only means with which to confront evil.
Probing the relationship between German political economy and everyday fiscal administration, The Disordered Police State focuses on the cameral sciences—a peculiarly German body of knowledge designed to train state officials—and in so doing offers a new vision of science and practice during the seventeenth and eighteenth-centuries. Andre Wakefield shows that the cameral sciences were at once natural, technological, and economic disciplines, but, more important, they also were strategic sciences, designed to procure patronage for their authors and good publicity for the German principalities in which they lived and worked. Cameralism, then, was the public face of the prince's most secret affairs; as such, it was an essentially dishonest enterprise.
In an entertaining series of case studies on mining, textiles, forestry, and universities, Wakefield portrays cameralists in their own gritty terms. The result is a revolutionary new understanding about how the sciences created and maintained an image of the well-ordered police state in early modern Germany. In raising doubts about the status of these German sciences of the state, Wakefield ultimately questions many of our accepted narratives about science, culture, and society in early modern Europe.
The Empress Eugénie, wife of Napoleon III and one of the most beautiful women ever to grace a throne, was the victim of her own inconstant mind. A daughter of an aristocratic Spanish family, she had a natural reverence for legitimate monarchy; yet her high-spirited temperament and chivalric outlook made her admire instinctively the boldness and aura of glory that she associated with the Napoleonic empire. The incongruous principles of Legitimism and Bonapartism battling within the Empress produced in her a double-mindedness that had tragic consequences.
The Empress has always been a controversial figure. Her enemies have blamed her the fall of the Second Empire and the defeat of France; her admirers have disclaimed for her any part in the mistakes that led to the disastrous Franco-Prussian War of 1870. To determine the actual role that Eugénie played, Barker, using material from public and private European archives and a wide range of published works, examines in Distaff Diplomacy the development of the Empress' views on foreign affairs and ascertains their effect on the formation of the policies of the Second Empire.
Eugénie's influence fluctuated widely over the years. As a bride she was neither interested in nor knowledgable about foreign matters; as a middle-aged woman, in the late years of the Empire, she was discredited by her past errors, but she continued to pull strings outside of normal diplomatic channels. Her most sustained and effective work, from 1861 to 1863, was largely the inspiration for a grand design to remake the map to assure French hegemony in Europe and to establish an empire in Mexico. The success of this design rested on an Austro-French alliance; but the design itself, reflecting the Empress' incoherent thinking, contained the fatal inconsistencies that made Austrian rejection of it inevitable. Since the Mexican expedition and the diplomatic muddle of 1863 were the watershed from which the subsequent troubles of the Empire flowed, the Empress must be held responsible for seriously undermining the foreign policy of the Empire. Despite Eugénie's many fine qualities—her generosity of spirit, her splendid courage, and her moral integrity—her diplomatic efforts, affected as they were by her background, temperament, state of health, and changing moods, did not amount to statesmanship. This first systematic examination of the Empress' influence on foreign policy delves deeply and carefully into the subject.
Between 1772 and 1795, Russia, Prussia, and Austria concluded agreements to annex and eradicate the Commonwealth of Poland-Lithuania. With the partitioning of Poland, the dioceses of the Uniate Church (later known as the Greek Catholic Church) were fractured by the borders of three regional hegemons.
Larry Wolff's deeply engaging account of these events delves into the politics of the Episcopal elite, the Vatican, and the three rulers behind the partitions: Catherine II of Russia, Frederick II of Prussia, and Joseph II of Austria. Wolff uses correspondence with bishops in the Uniate Church and ministerial communiqués to reveal the nature of state policy as it unfolded.
Disunion within the Union adopts methodologies from the history of popular culture pioneered by Natalie Zemon Davis (The Return of Martin Guerre) and Carlo Ginzburg (The Cheese and the Worms) to explore religious experience on a popular level, especially questions of confessional identity and practices of piety. This detailed study of the responses of common Uniate parishioners, as well as of their bishops and hierarchs, to the pressure of the partitions paints a vivid portrait of conflict, accommodation, and survival in a church subject to the grand designs of the late eighteenth century’s premier absolutist powers.
As religious violence flares around the world, we are confronted with an acute dilemma: Can people coexist in peace when their basic beliefs are irreconcilable? Benjamin Kaplan responds by taking us back to early modern Europe, when the issue of religious toleration was no less pressing than it is today.
Divided by Faith begins in the wake of the Protestant Reformation, when the unity of western Christendom was shattered, and takes us on a panoramic tour of Europe's religious landscape--and its deep fault lines--over the next three centuries. Kaplan's grand canvas reveals the patterns of conflict and toleration among Christians, Jews, and Muslims across the continent, from the British Isles to Poland. It lays bare the complex realities of day-to-day interactions and calls into question the received wisdom that toleration underwent an evolutionary rise as Europe grew more "enlightened." We are given vivid examples of the improvised arrangements that made peaceful coexistence possible, and shown how common folk contributed to toleration as significantly as did intellectuals and rulers. Bloodshed was prevented not by the high ideals of tolerance and individual rights upheld today, but by the pragmatism, charity, and social ties that continued to bind people divided by faith.
Divided by Faith is both history from the bottom up and a much-needed challenge to our belief in the triumph of reason over faith. This compelling story reveals that toleration has taken many guises in the past and suggests that it may well do the same in the future.
What has Germany made of its Nazi past?
A significant new look at the legacy of the Nazi regime, this book exposes the workings of past beliefs and political interests on how—and how differently—the two Germanys have recalled the crimes of Nazism, from the anti-Nazi emigration of the 1930s through the establishment of a day of remembrance for the victims of National Socialism in 1996.
Why, Jeffrey Herf asks, would German politicians raise the specter of the Holocaust at all, in view of the considerable depth and breadth of support its authors and their agenda had found in Nazi Germany? Why did the public memory of Nazi anti-Jewish persecution and the Holocaust emerge, if selectively, in West Germany, yet was repressed and marginalized in “anti-fascist” East Germany? And how do the politics of left and right come into play in this divided memory? The answers reveal the surprising relationship between how the crimes of Nazism were publicly recalled and how East and West Germany separately evolved a Communist dictatorship and a liberal democracy. This book, for the first time, points to the impact of the Cold War confrontation in both West and East Germany on the public memory of anti-Jewish persecution and the Holocaust.
Konrad Adenauer, Theodor Heuss, Kurt Schumacher, Willy Brandt, Richard von Weizsacker, and Helmut Kohl in the West and Walter Ulbricht, Wilhelm Pieck, Otto Grotewohl, Paul Merker, and Erich Honnecker in the East are among the many national figures whose private and public papers and statements Herf examines. His work makes the German memory of Nazism—suppressed on the one hand and selective on the other, from Nuremberg to Bitburg—comprehensible within the historical context of the ideologies and experiences of pre-1945 German and European history as well as within the international context of shifting alliances from World War II to the Cold War. Drawing on West German and recently opened East German archives, this book is a significant contribution to the history of belief that shaped public memory of Germany’s recent past.
Should the negotiation of the post–World War II peace treaties in Europe have been pursued separately or should they have been approached within the framework of a general European settlement? The debate on this fundamental foreign policy issue, which has left only faint tracks in the documentary record, is fully explored here for the first time.
W. W. Rostow, in his second book in the Ideas and Action Series, describes a meeting that took place on the eve of the departure of Secretary of State James Byrnes for Paris to participate in treaty negotiations. The meeting was probably the only occasion during 1946 when the peace treaty issue as a whole was explicitly addressed at a high level with lucid alternatives on the table. The plan laid before Secretary of State Byrnes by his senior subordinates, Under Secretary Dean Acheson and Assistant Secretary for Economic Affairs Will Clayton, aimed to halt the movement toward the split of Europe and the emergence of hostile blocs. It outlined an all-European settlement, including economic and security institutions linked to the United Nations. Only one part of the proposal gained Byrnes's support and came to life: the United Nations Economic Commission for Europe in Geneva. But the Acheson-Clayton proposal foreshadowed the Marshall Plan.
The book's larger theme is the process by which the Cold War came about. Rostow's interpretation differs from either conventional or revisionist views, emphasizing as it does the process of incremental deterioration that occurred in 1946 and the role of uncertainty and weakness in American policy.
This second volume in the Ideas and Action Series will interest general readers as well as those with a particular interest in World War II. It should be of special value to political scientists, economists, military historians, and policy makers, and may serve as a case study in a variety of courses.
In the seventeenth century most English households had gardens. These gardens were not merely ornamental; even the most elaborate and fashionable gardens had areas set aside for growing herbs, fruit, vegetables, and flowers for domestic use. Meanwhile, more modest households considered a functional garden to be a vital tool for the survival of the house and family. The seventeenth century was also a period of exciting introductions of plants from overseas, which could be used in all manner of recipes.
Using manuscript household manuals, recipe books, and printed herbals, The Domestic Herbal takes the reader on a tour of the productive garden and of the various parts of the house—kitchens and service rooms, living rooms and bedrooms—to show how these plants were used for cooking and brewing, medicines and cosmetics, in the making and care of clothes, and to keep rooms fresh, fragrant, and decorated. Recipes used by seventeenth-century households for preparations such as flower syrups, snail water, and wormwood ale are also included. A brief herbal gives descriptions of plants both familiar and less known to today’s readers, including the herbs used for common tasks like dyeing and brewing, and those that held a particular cultural importance in the seventeenth century. Featuring exquisite colored illustrations from John Gerard’s herbal book of 1597 as well as prints, archival material, and manuscripts, this book provides an intriguing and original focus on the domestic history of Stuart England.
Brett Whalen explores the compelling belief that Christendom would spread to every corner of the earth before the end of time. During the High Middle Ages—an era of crusade, mission, and European expansion—the Western followers of Rome imagined the future conversion of Jews, Muslims, pagans, and Eastern Christians into one fold of God’s people, assembled under the authority of the Roman Church.
Starting with the eleventh-century papal reform, Whalen shows how theological readings of history, prophecies, and apocalyptic scenarios enabled medieval churchmen to project the authority of Rome over the world. Looking to Byzantium, the Islamic world, and beyond, Western Christians claimed their special place in the divine plan for salvation, whether they were battling for Jerusalem or preaching to unbelievers. For those who knew how to read the signs, history pointed toward the triumph and spread of Roman Christianity.
Yet this dream of Christendom raised troublesome questions about the problem of sin within the body of the faithful. By the late thirteenth and fourteenth centuries, radical apocalyptic thinkers numbered among the papacy’s most outspoken critics, who associated present-day ecclesiastical institutions with the evil of Antichrist—a subversive reading of the future. For such critics, the conversion of the world would happen only after the purgation of the Roman Church and a time of suffering for the true followers of God.
This engaging and beautifully written book offers an important window onto Western religious views in the past that continue to haunt modern times.
The drama's laws,
the drama's patrons give,
For we that live to please,
must please to live.
—Samuel Johnson, 1747
Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live."
Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual pest—the box-lobby saunterers, the vizard masks (ladies of uncertain virtue), the catcallers, and the weeping sentimentalists. Protest demonstrations of various interest groups, such as footmen asserting their rights to sit in the upper gallery, reflect the behavior of the audience as a whole—an audience that Alexander Pope described as "the manyheaded monster of the pit."
Hughes analyzes the changes in the audience's taste through the long span from Dryden's day to Sheridan's. He illustrates the decline in taste from the sophisticated, if bawdy, comedy of the Restoration Period to the sentimentalism and empty show of later decades. He attributes the increased emphasis on sentiment and spectacle to audience influence and describes the effects of audience demands on managers, playwrights, and players. He describes in detail the mixed assembly that frequented the theatre during this period and the greatly enlarged theatres that were built to accommodate it.
Hughes concludes that it was the English people's basic love of liberty that allowed them to accept audience disruptions considered intolerable by foreign visitors and that the drama's patrons greatly influenced the quality of theatrical production during this long period.
At the turn of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era’s “bookish” culture. According to Andrew Piper, romantic writing and romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and to want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well.
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book’s identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book’s rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
On Easter Monday 1916, while much of Dublin holidayed at the seaside and placed bets at the horse races, a disciplined group of Irish Volunteers seized the city’s General Post Office in what would become the defining act of rebellion against British rule—and the most significant single event in modern Irish history. By week’s end, the rebels had surrendered, and the siege had left the once magnificent GPO an empty shell—and turned it into the most famous and deeply symbolic building in all of Ireland.
This book unravels the events in and around the GPO during the Easter Rising of 1916. Drawing on participant and eyewitness accounts, diaries, and newspaper reports, Clair Wills recreates the harrowing moments that transformed the GPO from an emblem of nineteenth-century British power and civil government, to an embattled barricade, and finally to a national symbol. What was it like to be trapped in the building? To watch, and listen to, the destruction of the city? Was the act meant as a bloody sacrifice or a military coup d’état? Exploring these questions as they were experienced and understood then and later, her book reveals the twists and turns that the myth of the GPO has undergone in the last century, as it has stood for sacrifice and treachery, national unity and divisive violence, the future and the past.
Dublin has experienced great—and often astonishing—change in its 1,400 year history. It has been the largest urban center on a deeply contested island since towns first appeared west of the Irish Sea. There have been other contested cities in the European and Mediterranean world, but almost no European capital city, David Dickson maintains, has seen sharper discontinuities and reversals in its history—and these have left their mark on Dublin and its inhabitants. Dublin occupies a unique place in Irish history and the Irish imagination. To chronicle its vast and varied history is to tell the story of Ireland.
David Dickson’s magisterial history brings Dublin vividly to life beginning with its medieval incarnation and progressing through the neoclassical eighteenth century, when for some it was the “Naples of the North,” to the Easter Rising that convulsed a war-weary city in 1916, to the bloody civil war that followed the handover of power by Britain, to the urban renewal efforts at the end of the millennium. He illuminates the fate of Dubliners through the centuries—clergymen and officials, merchants and land speculators, publishers and writers, and countless others—who have been shaped by, and who have helped to shape, their city. He reassesses 120 years of Anglo-Irish Union, during which Dublin remained a place where rival creeds and politics struggled for supremacy. A book as rich and diverse as its subject, Dublin reveals the intriguing story behind the making of a capital city.
Combining impeccable scholarship and literary elegance, David Wetzel depicts the drama of machinations and passions that exploded in a war that forever changed the face of European history.
This study is the first to examine the important political role played by astrology in Italian court culture. Reconstructing the powerful dynamics existing between astrologers and their prospective or existing patrons, The Duke and the Stars illustrates how the “predictive art” of astrology was a critical source of information for Italian Renaissance rulers, particularly in times of crisis. Astrological “intelligence” was often treated as sensitive, and astrologers and astrologer-physicians were often trusted with intimate secrets and delicate tasks that required profound knowledge not only of astrology but also of the political and personal situation of their clients. Two types of astrological predictions, medical and political, were taken into the most serious consideration. Focusing on Milan, Monica Azzolini describes the various ways in which the Sforza dukes (and Italian rulers more broadly) used astrology as a political and dynastic tool, guiding them as they contracted alliances, made political decisions, waged war, planned weddings, and navigated health crises.
The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy.
The annual journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archeology, literature, theology, law, and the auxiliary disciplines. Numerous maps, tables, illustrations, and color plates provide supplementary information for many of the articles.
In this issue: Kathleen Corrigan, “The Witness of John the Baptist on an Early Byzantine Icon in Kiev”; Ann Terry, “The Sculpture at the Cathedral of Eufrasius in Poreč”; Natalia Teteriatnikov, “Upper-Story Chapels near the Sanctuary in Churches of the Christian East”; Mark J. Johnson, “Toward a History of Theoderic’s Building Program”; Paul Magdalino, “The Bath of Leo the Wise and the ‘Macedonian Renaissance’ Revisited: Topography, Iconography, Ceremonial, Ideology”; Robert W. Edwards, “The Vale of Kola: A Final Preliminary Report on the Marchlands of Northeast Turkey”; Joseph D. C. Frendo, “History and Panegyric in the Age of Heraclius: The Literary Background to the Composition of the Histories of Theophylact Simocatta”; John Meyendorff, “Mount Athos in the Fourteenth Century: Spiritual and Intellectual Legacy”; Nicolas Oikonomides, “Mount Athos: Levels of Literacy”; and Robert F. Taft, S.J., “Mount Athos: A Late Chapter in the History of the Byzantine Rite.”
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