Ignatios the Deacon was a key figure in the revival of literary culture that took place at Constantinople in the first half of the ninth century. He is best known for his hagiographical works, but he also wrote poems, compiled an anthology of ancient proverbs, and edited textbooks. For some time he served as bishop of Nicaea under an Iconoclastic regime, but later repented of his errors and moved into the “orthodox” camp.
Preserved in a single manuscript, Ignatios’s correspondence has remained practically unknown to scholars. Some of the letters deal with literary trifles, while others contain valuable information on the social and economic history of the period. Taken together, they afford a unique glimpse into the activity of a Byzantine intellectual, struggling to survive in a time of bitter doctrinal strife.
This book focuses on the return of the diasporic Greek second generation to Greece, primarily in the first decade of the twenty-first century, and their evolving, often ambivalent, senses of belonging and conceptualizations of “home.” Drawing from a large-scale research project employing a multi-sited and multi-method comparative approach, Counter-Diaspora is a narrative ethnographic account of the lives and identities of second-generation Greek-Americans and Greek-Germans. Through an interdisciplinary gender and generational lens, the study examines lived migration experiences at three diasporic moments: growing up within the Greek diasporic setting in the United States and Germany; motivations for the counter-diasporic return; and experiences in the “homeland” of Greece. Research documents and analyzes a range of feelings and experiences associated with this “counter-diasporic” return to the ancestral homeland.
Images and imaginations of the “homeland” are discussed and deconstructed, along with notions of “Greekness” mediated through diasporic encounters. Using extensive extracts from interviews, the authors explore the roles of, among other things, family solidarity, kinship, food, language, and religion, as well as the impact of “home-coming” visits on the decision to return to the ancestral “homeland.” The book also contributes to a reconceptualization of diaspora and a problematization of the notion of “second generation.”
Andrew Mumford challenges the notion of a “special relationship” between the United States and United Kingdom in diplomatic and military affairs, the most vaunted and, he says, exaggerated of associations in the post-1945 era. Though they are allies to be sure, national self-interest and domestic politics have often undercut their relationship.
This is the first book to combine a history of US-UK interaction during major counterinsurgency campaigns since 1945, from Palestine to Iraq and Afghanistan, with a critical examination of the so called special relationship that has been tested during these difficult, protracted, and costly conflicts. Mumford’s assessment of each nation’s internal political discussions and diplomatic exchanges reveals that in actuality there is only a thin layer of specialness at work in the wars that shaped the postcolonial balance of power, the fight against Communism in the Cold War, and the twenty-first-century “war on terror.” This book is especially timely given that the US-UK relationship is once again under scrutiny because of the Trump administration’s “America First” rhetoric and Britain's changing international relations as a result of Brexit. Counterinsurgency Wars and the Anglo-American Alliance will interest scholars and students of history, international relations, and security studies as well as policy practitioners in the field.
This book traces changing gender relations in China from the tenth to fourteenth centuries by examining three critical categories of women: courtesans, concubines, and faithful wives. It shows how the intersection and mutual influence of these groups—and of male discourses about them—transformed ideas about family relations and the proper roles of men and women.
Courtesan culture had a profound effect on Song social and family life, as entertainment skills became a defining feature of a new model of concubinage, and as entertainer-concubines increasingly became mothers of literati sons. Neo-Confucianism, the new moral learning of the Song, was significantly shaped by this entertainment culture and by the new markets—in women—that it created. Responding to a broad social consensus, Neo-Confucians called for enhanced recognition of concubine mothers in ritual and expressed increasing concern about wifely jealousy. The book also details the surprising origins of the Late Imperial cult of fidelity, showing that from inception, the drive to celebrate female loyalty was rooted in a complex amalgam of political, social, and moral agendas. By taking women—and men’s relationships with women—seriously, this book makes a case for the centrality of gender relations in the social, political, and intellectual life of the Song and Yuan dynasties.
Cross-cultural encounters in Europe and Asia in the sixteenth and seventeenth centuries brought the potential for bafflement, hostility, and admiration. The court was the crucial site where expanding Eurasian states and empires met and were forced to make sense of one another. By looking at these interactions, Courtly Encounters provides a fresh cross-cultural perspective on the worlds of early modern Islam, Counter-Reformation Catholicism, Protestantism, and a newly emergent Hindu sphere.
Both individual agents and objects such as texts and paintings helped mediate encounters between courts, which possessed rules and conventions that required decipherment and translation, whether in words or in pictures. Sanjay Subrahmanyam gives special attention to the depiction of South Asian empires in European visual representations, finding a complex history of cultural exchange: the Mughal paintings that influenced Rembrandt and other seventeenth-century Dutch painters had themselves been earlier influenced by Dutch naturalism. Courtly Encounters provides a rich array of images from Europe, the Islamic world, India, and Southeast Asia as aids for understanding the reciprocal nature of cross-cultural exchanges. It also looks closely at how insults and strategic use of martyrdom figured in courtly encounters.
As he sifts through the historical record, Subrahmanyam finds little evidence for the cultural incommensurability many ethnohistorians have insisted on. Most often, he discovers negotiated ways of understanding one another that led to mutual improvisation, borrowing, and eventually change.
Creating Spaniards is a cultural and intellectual history that explains the intersection of politics and culture, and the formation of a national identity, during Spain’s Second Republic and Civil War. It counters recent scholarship claiming that leaders of the Second Republic had no programs for "inventing traditions" to encourage a Spanish national identity.
Focusing on the Second Republic, 1931–1936, Sandie Holguín illustrates how various intellectuals and politicians of the Republican–Socialist coalition used theater, literature, and film to aid the construction of a unified Spanish culture and history. She uses memoirs, journals, newspapers, parliamentary debates, and archival sources in her examination of the impact that cultural reforms had on the transformation of one of Europe’s oldest states.
Analyzing the development of a Swedish American identity
The Creation of an Ethnic Identity: Being Swedish American in the Augustana Synod, 1860–1917 analyzes how Swedish American identity was constructed, maintained, and changed in the late nineteenth and early twentieth centuries. The Augustana Synod, the largest religious-based organization created by Swedish immigrants in the United States, played an important role in establishing what it meant to be Swedish American.
In this study, author Dag Blanck poses three fundamental questions: How did an ethnic identity develop in the Augustana Synod? What was that identity? Why was an ethnic identity formed? Based on primary sources formerly unknown or neglected, The Creation of an Ethnic Identity examines the Lutheran Augustana Synod, Augustana College, and the Augustana Book Concern to provide insights into how ethnic identity is constructed within a major religious body, a central educational institution, and a major publishing house.
Starting from the concept of ethnicity as something created or invented, Blanck goes on to explore how it was possible for a white European immigrant group like the Swedes to use its ethnicity as a tool of integration into American society. The nature of their ethnicity, says Blanck, was both determined by their cultural origins and also the values and nature of American society as they perceived it. Becoming Swedish American was also a way of becoming American.
The volume, which is augmented by illustrations, integrates the most critical scholarship on immigration and ethnicity over the past half century and provides a strong argument about how ethnicity is shaped over time within an immigrant group.
Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes.
As this account of crime patterns in medieval England shows, crime can perhaps tell us more about a society's dynamics, tensions, and values than any other single social phenomenon. And Barbara Hanawalt's approach is particularly enlightening because it looks at the subject not from the heights of the era's learned opinion, but from the viewpoint of the people participating in the criminal dramas and manipulating the law for their own benefit.
Hanawalt's sources are those of the new social historian—village and judicial records supplemented by the literature of the time. She examined approximately 20,000 criminal court cases as well as coroners' and manorial court rolls. Her analysis of these data produces striking results. Medieval England, the author reveals, was a society in which all classes readily sought violent solutions to conflicts. The tensions of village life were severe. The struggle for food and for profits caused numerous homicides and property crimes. These felonies were committed in seasonal patterns, with homicides occurring most frequently during the difficult times of planting and harvesting, and burglaries reaching a peak in winter when goods were stored in houses and barns.
Moreover, organized crime was widespread and varied. It ranged from simple associations of local people to professional bands led by members of the nobility. One of Hanawalt's most interesting findings explodes the Robin Hood myth of robbers who stole from the rich and gave to the poor. Almost always, she shows, the robbers stole from the poor and kept for themselves. Throughout, Hanawalt carefully places the crimes and their participants within the context of village life in the later middle ages. Along with a description of the social and legal setting of criminal acts, she includes a discussion of the influence of war, politics, and economic, social, and demographic changes on the patterns of crime.
A provocative analysis of how Christianity helped legitimize the death penalty in early modern Europe, then throughout the Christian world, by turning execution into a great cathartic public ritual and the condemned into a Christ-like figure who accepts death to save humanity.
The public execution of criminals has been a common practice ever since ancient times. In this wide-ranging investigation of the death penalty in Europe from the fourteenth to the eighteenth century, noted Italian historian Adriano Prosperi identifies a crucial period when legal concepts of vengeance and justice merged with Christian beliefs in repentance and forgiveness.
Crime and Forgiveness begins with late antiquity but comes into sharp focus in fourteenth-century Italy, with the work of the Confraternities of Mercy, which offered Christian comfort to the condemned and were for centuries responsible for burying the dead. Under the brotherhoods’ influence, the ritual of public execution became Christianized, and the doomed person became a symbol of the fallen human condition. Because the time of death was known, this “ideal” sinner could be comforted and prepared for the next life through confession and repentance. In return, the community bearing witness to the execution offered forgiveness and a Christian burial. No longer facing eternal condemnation, the criminal in turn publicly forgave the executioner, and the death provided a moral lesson to the community.
Over time, as the practice of Christian comfort spread across Europe, it offered political authorities an opportunity to legitimize the death penalty and encode into law the right to kill and exact vengeance. But the contradictions created by Christianity’s central role in executions did not dissipate, and squaring the emotions and values surrounding state-sanctioned executions was not simple, then or now.
Crime in the U.S. and the institutions for its control are deeply embedded in and shaped by history. The historical origins have often become invisible, and their recovery difficult, but any understanding of the contemporary situation requires historical context. For over twenty-five years Eric H. Monkkonen has worked on some of the puzzles and problems in recovering the history of crime and police.
Much of his work has appeared in articles, often in specialized journals or not in English, which this book collects for the first time. In addition to Monkkonen’s major published articles, this volume includes several new ones. The topics embrace violence, public disorder, policing, popular culture, and contrasts between the U.S. and Europe. Some articles illuminate special methodological and source issues that challenge historians of criminal justice. As well as dealing with serious crime, this book includes several articles on specifically urban problems and solutions associated with disorder, crime, and poverty.
In contrast to the more technical articles, several chapters, which originally appeared as op-ed pieces, show how historical understanding can help address current policy issues in crime and crime control. All too often, current policy debates occur without proper historical background. As a result, old ideas that have been tried and rejected are re-introduced, or new and sometimes simple ideas are ignored.
Contributors. Geoff Eley, Konrad Jarausch, Herbert Kitschelt, Christiane Lemke, Andrei Markovits, Gary Marks, Wolfgang Merkel, Norman Naimark, Iván and Szonja Szelénya, Sharon Wolchik
Two centuries later, the French Revolution—that extraordinary event that founded modern democracy—continues to give rise to a reevaluation of essential questions. The ambition of this magnificent volume is not only to present the reader with the research of a wide range of international scholars on those questions, but also to bring one into the heart of the issues still under lively debate.
Its form is as original as its goal: neither dictionary, in the traditional sense of the word, nor encyclopedia, it is deliberately limited to some ninety-nine entries organized alphabetically by key words and themes under five major headings: events, including the Estates General and the Terror; actors, such as Marie Antoinette, Marat, and Napoleon Bonaparte; institutions and creations, among them Revolutionary Calendar and Suffrage; ideas, covering, for example, Ancien Régime, the American Revolution, and Liberty; and historians and commentators, from Hegel to Tocqueville. In addition, there are synoptic indexes of names and themes that give the reader easy access to the entire volume as well as a key to its profound coherence.
What unifies all the varied topics brought together in this dictionary is their authors’ effort to be “critical.” As such, the book rejects the dogmatism of closed systems and definitive interpretations. Its aim is less to make a complete inventory of the findings of the history of the French Revolution than to take stock of what remains problematical about those findings; this work thus offers the additional special quality of incorporating the rich historiographical literature unceasingly elaborated since 1789.
With A Critical Dictionary of the French Revolution, François Furet and Mona Ozouf invite the reader to recross the first two centuries of French democracy in order to gain a better understanding of the origins of the world in which we live today.
The Complete Story of a Legendary Weapon
"Spendidly enthusiastic. . . . Soar's book is indispensable."—Bernard Cornwell
"A fascinating study of a forgotten weapon. . . . For centuries the longbow dominated battle, affecting the fates of nations"—Wall Street Journal
"Bowyers, bowhunters, target archers and students of archery history should all find cause for celebration with Hugh Soar's concise but authoritative text." —Traditional BowhunterOn a clear July morning in 1346, a small force approached the walls of Caen for battle. The attackers rode to the field on horseback, banners and pennants fluttering in the light breeze. Behind them marched bowmen in tightly ranked units. At the sound of a crisp battle horn, they halted. A twinge of apprehension rippled through the thousands of Norman defenders as they looked down at the opposing army, for precision archery formation had long since disappeared as a military concept in medieval France. Here was not the expected rabble of unrated bucolics cowed by the might of France; confronting them was a quietly determined group of trained soldiers armed not with the familiar arbalest but with a new and strange weapon of great length. The defenders of Caen were about to meet the English war bow and its deadly battle shaft. For the next 100 years, this weapon, the "crooked stick," would command continental battlefields, etching its fearsome reputation at Crécy, Poitiers, Agincourt, and Verneuil, while establishing England as an international power for the first time.
Although the longbow is best known for its deployment during the Hundred Years' War, its origins lie with ancient Saxon seafighters and Welsh craftsmen, while today the bow is a vibrant part of the traditional archery scene. In The Crooked Stick: A History of the Longbow, historian Hugh D. H. Soar pulls together all of these strings, presenting the engaging story of this most charismatic standoff weapon. After a careful consideration of Neolithic bows and arrows, the author describes the bow's use in the medieval hunt and its associated customs. The longbow made its deepest mark in warfare, however, and the author follows the weapon's development and tactical deployment from the hand-bow of William the Conqueror's campaigns to the continental set-piece battles between England and France. Although soldiers reluctantly gave up the longbow for firearms, its recreational use became immensely popular, particularly during the Regency and Victorian periods. In the twentieth century it appeared as if the longbow would disappear into the fog of legend, but a new interest in traditional craft and expertise gained hold, and the pleasure of using this ancient instrument is now firmly part of archery around the world.
Through a remarkable command of manuscript and printed sources and a judicious use of material evidence, including his own important collection of rare longbows, Hugh Soar establishes the deep connections of this bow to England, Scotland, and Wales. Figures in the past like William Wallace, Edward III, and Henry V appear alongside detailed descriptions of bows, strings, arrows, and arrowheads, while the rise of institutions and craftsmen devoted to the longbow are presented to show how knowledge of this weapon was carried forward across the centuries. Today, those in the sport of archery and military historians will find that The Crooked Stick will enhance their own interests in a weapon of legendary status.
In addition to the illustrated text, the book contains appendices detailing the history and design of bracers, tabs and tips, quivers, and arrowheads associated with the longbow.In the summer and fall of 1998, ultranationalist Polish Catholics erected hundreds of crosses outside Auschwitz, setting off a fierce debate that pitted Catholics and Jews against one another. While this controversy had ramifications that extended well beyond Poland’s borders, Geneviève Zubrzycki sees it as a particularly crucial moment in the development of post-Communist Poland’s statehood and its changing relationship to Catholicism.
In The Crosses of Auschwitz, Zubrzycki skillfully demonstrates how this episode crystallized latent social conflicts regarding the significance of Catholicism in defining “Polishness” and the role of anti-Semitism in the construction of a new Polish identity. Since the fall of Communism, the binding that has held Polish identity and Catholicism together has begun to erode, creating unease among ultranationalists. Within their construction of Polish identity also exists pride in the Polish people’s long history of suffering. For the ultranationalists, then, the crosses at Auschwitz were not only symbols of their ethno-Catholic vision, but also an attempt to lay claim to what they perceived was a Jewish monopoly over martyrdom.
This gripping account of the emotional and aesthetic aspects of the scene of the crosses at Auschwitz offers profound insights into what Polishness is today and what it may become.
Crossing Borders tells the intriguing but largely unfamiliar story of the exchange of culture and knowledge between Jews and non-Jews in the Muslim and Christian worlds during the late Middle Ages as part of the preparation of Hebrew manuscripts. The book is composed of ten narratives, each of which brings to light a different aspect of Jewish life in a non-Jewish medieval society—highlighting the practical cooperation, social interaction, and religious toleration that was surprisingly common between the groups involved in the early enterprise of book production.
Alongside the narratives, Crossing Borders is beautifully illustrated with images from the Hebrew holdings at the Bodleian Library—one of the largest and most important collections of Hebrew manuscripts worldwide. The art includes Christian codex fragments from the third century, a copy of Moses Maimonides’ Mishneh Torah signed by Maimonides himself, a thirteenth century German Jewish prayer book, and lavishly illuminated Spanish Bible manuscripts from the fifteenth century. This exquisitely illustrated book takes a fascinating look at the often-ignored role of Jews in the written transmission of culture and science throughout medieval Europe.
The True Story of an Impossible Mission During the Liberation of Italy
"World War II history writing at its best.” —Dallas Morning News
“Schultz convey stories of individual courage and fear. He presents the Rapido crossing as part of an experience that changed lives utterly.” —Publishers Weekly
“Well written, superbly documented and containing many helpful illustrations and maps, this fine book will appeal to military history enthusiasts of all ages.” —Read@MPL (Milwaukee Public Library)
“Duane Schultz has written another powerful account of the Second World War.” —Daily News, Iron Mountain, Michigan
“A fast-paced, dramatic account of World War II combat.”—Global War StudiesThe Rapido River was the last natural barrier between General Mark W. Clark’s Fifth U.S. Army and Rome. Ignoring intelligence reports that the Germans had significant forces protecting the opposite side of the river, Clark ordered the 36th Division to make a nighttime crossing on January 20, 1944. The division, already coming through some of the heaviest fighting in Italy, knew they could not succeed: they had to cross a fast-flowing river at night in bitter cold and face one of the strongest, most formidable German defensive lines in Europe, full of minefields, veteran troops, and withering artillery and mortar fire. Once in the water, men in full field gear were borne away by the current or vanished in massive explosions. The few who managed to reach the other side found themselves pinned down unable to move. Soldiers died by the hundreds, yet the stunned survivors who fell back to the launch site were ordered to attack again, this time in daylight. Of the 4,000 men who attempted the crossing, more than half did not return. General Clark never accepted blame for ordering the assault despite the numerous warnings he received from both British and American commanders. Although they were decimated, the division went on to lead a key surprise attack that opened Rome to Allied forces, and ultimately fought in France, where they had the distinction of capturing Hermann Goering and Field Marshal Gerd von Rundstedt.
In Crossing the Rapido: A Tragedy of World War II, Duane Schultz follows the action at the ground level using survivors’ interviews and army documents to tell the story of one division’s sacrifice in war. In doing so, he demonstrates that the American soldier will face the greatest odds without protest, but expects those in command to share any failure or success.“Those of us who were present will always remember the men of the 36th, climbing silently in the night behind the enemy, armed with little but their American competence and a personal faith in their quiet, retiring general who had never let them down. If Generals Alexander and Clark received the key to the city of Rome, it was General Walker who turned the key and handed it to them.” —Eric Sevareid, reporting from Italy during World War II
“I have never seen so many dead as on that day.” —John Huston, Academy Award winning director during his wartime filming of The Battle of San Pietro
Eighteenth-century British culture is often seen as polite and sentimental—the creation of an emerging middle class. Simon Dickie disputes these assumptions in Cruelty and Laughter, a wildly enjoyable but shocking plunge into the forgotten comic literature of the age. Beneath the surface of Enlightenment civility, Dickie uncovers a rich vein of cruel humor that forces us to recognize just how slowly ordinary human sufferings became worthy of sympathy.
Delving into an enormous archive of comic novels, jestbooks, farces, variety shows, and cartoons, Dickie finds a vast repository of jokes about cripples, blind men, rape, and wife-beating. Epigrams about syphilis and scurvy sit alongside one-act comedies about hunchbacks in love. He shows us that everyone—rich and poor, women as well as men—laughed along. In the process, Dickie also expands our understanding of many of the century’s major authors, including Samuel Richardson, Lady Mary Wortley Montagu, Tobias Smollett, Frances Burney, and Jane Austen. He devotes particular attention to Henry Fielding’s Joseph Andrews, a novel that reflects repeatedly on the limits of compassion and the ethical problems of laughter. Cruelty and Laughter is an engaging, far-reaching study of the other side of culture in eighteenth-century Britain.
When the Nazis assumed power in Germany in 1933, they wasted no time in implementing their radical policies, first by securing passage of the Law for the Prevention of Offspring with Hereditary Diseases. Among those designated by this law as “congenitally disabled” were deaf people. Horst Biesold’s newly translated book examines this neglected aspect of Nazi “racial hygiene” through interviews with more than 1,000 deaf survivors of this brutal law that authorized forced sterilizations, abortions, and eventually murder.
Crying Hands meticulously delineates the antecedents of Nazi eugenics, beginning with Social Darwinism (postulated in the mid-nineteenth century) and tracing the various sterilization laws later initiated throughout the world, including many passed and practiced in the United States. This exceptional scholarship is movingly paralleled by the human faces fixed to the numbing statistics, as in story after story those affected recount their irretrievable loss, pain, and misplaced shame imposed upon them by the Nazi regime. Through their stories, told to Biesold in German Sign Language, they have given voice to the countless others who died from the specious science practiced by the Third Reich. And now their own trials have finally been acknowledged.
Increasingly, the role of heritage management is to anticipate and guide future environmental change rather than to simply protect landscapes of the past. This charge presents a paradox for those invested in the preservation of the past: in order to preserve the historic environment, they have to collaborate with others who wish to change it, and in order to apply their expert knowledge, they must demonstrate its benefits for policy and society. The solution advocated here is an integrative landscape approach that draws on multiple disciplines and establishes links between archaeological-historical heritage and planning and between research and policy.
Our conception of cultures and cultural change has altered dramatically in recent decades: no longer do we understand cultures as isolated units; rather, we see them as hybrid formations constantly engaged in a multidirectional process of exchange and influence with other cultures. Yet the very process by which we represent these cultural transfers is itself subject to cultural, political, and ideological conditions that affect our understanding, acknowledgment, and representation of them. Built around concrete examples of controversial representations of cultural transfer from Asia, the Arab world, and Europe, Cultural Transfers in Dispute presents a critical self-reflection on the scholarly practices that underpin our attempts to study and describe other cultures.
Culture in the Anteroom introduces an English-speaking readership to the full range of Siegfried Kracauer's work as novelist, architect, journalist, sociologist, historian, exile critic, and theorist of visual culture. This interdisciplinary anthology---including pieces from Miriam Bratu Hansen, Andreas Huyssen, Noah Isenberg, Lutz Koepnick, Eric Rentschler, and Heide Schlüpmann---brings together literary and film scholars, historians and art historians, sociologists, and architects to address the scope and current relevance of a body of work dedicated to investigating all aspects of modernism and modernity. The contributors approach Kracauer's writings from a variety of angles, some by placing them in dialogue with his contemporaries in Weimar Germany and the New York Intellectuals of the 1940s and '50s; others by exploring relatively unknown facets of Kracauer's oeuvre by considering his contributions to architectural history, the history of radio as well as other new media, and museum and exhibition culture.
In the summer of 1591 students from the University of Padua attacked the local Jesuit college and successfully appealed to the Venetian Senate to intervene on behalf of the university. When the Jesuits were expelled from the Venetian dominion a few years later, religious censorship was virtually eliminated. The result was a remarkable era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera.
In Padua a faction of university faculty, including Galileo Galilei and the philosopher Cesare Cremonini, pursued an open and free inquiry into astronomy and philosophy. In Venice some of Cremonini's students founded the Accademia degli Incogniti (Academy of the Unknowns), one of whose most notorious members was the brilliant polemicist Ferrante Pallavicino.
The execution of Pallavicino for his writings attacking Pope Urban VIII silenced the more outrageous members of the Incogniti, who soon turned to writing libretti for operas. The final phase of the Venetian culture wars pitted commercial opera, with its female performers and racy plot lines, against the decorous model of Jesuit theater. The libertine inclinations of the Incogniti suffuse many of the operas written in the 1640s, especially Monteverdi's masterpiece, L'Incoronazione di Poppea.
Edward Muir's exploration of an earlier age of anxiety reveals the distinguished past of today's culture wars, including debates about the place of women in society, the clash between science and faith, and the power of the arts to stir emotions.
In recent years, a number of European countries abolished national border controls in favor of Europe’s external frontiers. In doing so, they challenged long-established conceptions of sovereignty, territoriality, and security in world affairs.
Setting forth a new analytic framework informed by constructivism and pragmatism, Ruben Zaiotti traces the transformation of underlying assumptions and cultural practices guiding European policymakers and postnational Europe, shedding light on current trends characterizing its politics and relations with others. The book also includes a fascinating comparison to developments in North America, where the United States has pursued more restrictive border control strategies since 9/11. As a broad survey of the origins, evolution, and implications of this remarkable development in European integration, Cultures of Border Control will be of interest to students and scholars of international relations and political geography.
Renaissance Italians pioneered radical changes in ways of helping the poor, including orphanages, workhouses, pawnshops, and women’s shelters. Nicholas Terpstra shows that gender was the key factor driving innovation. Most of the recipients of charity were women. The most creative new plans focused on features of women’s poverty like illegitimate births, hunger, unemployment, and domestic violence. Signal features of the reforms, from forced labor to new instruments of saving and lending, were devised specifically to help young women get a start in life.
Cultures of Charity is the first book to see women’s poverty as the key factor driving changes to poor relief. These changes generated intense political debates as proponents of republican democracy challenged more elitist and authoritarian forms of government emerging at the time. Should taxes fund poor relief? Could forced labor help build local industry? Focusing on Bologna, Terpstra looks at how these fights around politics and gender generated pioneering forms of poor relief, including early examples of maternity benefits, unemployment insurance, food stamps, and credit union savings plans.
Combining the histories of empire, leisure, tourism, culture, and medicine, Eric T. Jennings sheds new light on the workings of empire by examining the rationale and practice of French colonial hydrotherapy between 1830 and 1962. He traces colonial acclimatization theory and the development of a “science” of hydrotherapy appropriate to colonial spaces, and he chronicles and compares the histories of spas in several French colonies—Guadeloupe, Madagascar, Tunisia, and Réunion—and in France itself. Throughout Curing the Colonizers, Jennings illuminates the relationship between indigenous and French colonial therapeutic knowledge as well as the ultimate failure of the spas to make colonialism physically or morally safe for the French.
The English middle class in the late nineteenth century enjoyed an increase in the availability and variety of material goods. With that, the visual markers of class membership and manly behavior underwent a radical change. In The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914, Brent Shannon examines familiar novels by authors such as George Eliot, Anthony Trollope, Thomas Hughes, and H. G. Wells, as well as previously unexamined etiquette manuals, period advertisements, and fashion monthlies, to trace how new ideologies emerged as mass-produced clothes, sartorial markers, and consumer culture began to change.
While Victorian literature traditionally portrayed women as having sole control of class representations through dress and manners, Shannon argues that middle-class men participated vigorously in fashion. Public displays of their newly acquired mannerisms, hairstyles, clothing, and consumer goods redefined masculinity and class status for the Victorian era and beyond.
The Cut of His Coat probes the Victorian disavowal of men’s interest in fashion and shopping to recover men’s significant role in the representation of class through self-presentation and consumer practices.
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