A searing account of how the international community is trying—and failing—to address the worst effects of climate change and the differential burdens borne by rich and poor countries.

Climate change is increasingly accepted as a global emergency creating irrevocable losses for the planet. Yet, each country experiences these losses differently, and reaching even inadequate political agreements is fraught with contestation. Governing the End untangles the complex relationship between deteriorating environmental conditions, high politics, and everyday diplomatic practices, focusing on the United Nations’ agreement to address “loss and damage” and subsequent battles over implementation.

Lisa Vanhala looks at the differing assumptions and strategic framings that poor and rich countries bring to bear and asks why some norms emerge and diffuse while others fail to do so. Governing the End is based on ethnographic observation of eight years of UN meetings and negotiations and more than one hundred and fifty interviews with diplomats, policymakers, UN secretariat staff, experts, and activists. It explores explicit political contestation, as well as the more clandestine politics that have stymied implementation and substantially reduced the scope of compensation to poor countries. In doing so, Governing the End elucidates the successes and failures of international climate governance, revealing the importance of how ideas are constructed and then institutionally embodied.

In Spoiled, Summer Kim Lee examines how contemporary Asian American artists challenge expectations that their work should repair the wounds of racial trauma. Kim Lee turns to the “spoiled”—the racialized, gendered body and all that it consumes, wrecks, and inflicts in its desire and excess—in visual culture, performance, music, and literature. Reading works by Cato Ouyang, Patty Chang, Wu Tsang, TJ Shin, Jes Fan, and others, Kim Lee highlights moments of hostility and deformation that spoil idealizations of Asian Americanness and incite modes of feeling and relating that relinquish fantasies of wholeness, power, and control. She observes the latent aggressive behaviors and negative affects in Asian American aesthetic practice: the embarrassment of asociality, the imposition of speaking as someone else, and the indulgence of ravenous appetites. In so doing, Kim Lee questions the political desires for repair expressed in “feeling Asian” and stays with the damage that spoilage creates as integral to the kinds of repair that Asian Americans seek.