An Act of Unfathomable Cruelty that Presaged Post-Revolutionary America’s Treatment of Native Americans 
On March 8, 1782, a group of western settlers killed nearly one hundred unarmed and peaceful Indians who had converted to Christianity under the tutelage of missionaries from the Church of the United Brethren. The murders were cold-blooded and heartless; roughly two-thirds of those executed were women and children. Its brutality stunned Benjamin Franklin in far-away France. He wrote: “the abominable Murders committed by some of the frontier People on the poor Moravian Indians, has given me infinite Pain and Vexation. The Dispensations of Providence in this World puzzle my weak Reason. I cannot comprehend why cruel Men should have been permitted thus to destroy their Fellow Creatures.” Since that maelstrom of violence struck the small Indian village of Gnadenhutten, history has treated the episode as a simple morality tale. While there were ample incidents of good and evil on March 8, that summation does not explain what brought murderers and victims together on the banks of the Muskingum River in today’s Ohio. It was actually the culmination of a series of events among different Indian tribes, the British, Congressional authorities at Pittsburgh, the Pennsylvania militia, and key individuals, all of which are lost in contemporary explanations of the massacre.
    Anatomy of a Massacre: The Destruction of Gnadenhutten, 1782 fills that void by examining the political maneuvering among white settlers, Continental officials, British officers, western Indian tribes, missionaries, and the Indians practicing Christianity that culminated in the massacre. Uniquely, it follows the developing story from each perspective, using first-person accounts from each group to understand how they saw and experienced the changes on the American frontier. Along the way it profiles some of the key individuals responsible for the way the war unfolded. It is a fresh look at an often mentioned, but seldom understood, episode in the American Revolution.

A history of “priming” research that analyzes the field’s underlying assumptions and experimental protocols to shed new light on a contemporary crisis in social psychology.
 
In 2012, a team of Belgian scientists reported that they had been unable to replicate a canonical experiment in the field of psychology known as “priming.” The original experiment, performed by John Bargh in the nineties, had purported to show that words connoting old age unconsciously influenced—or primed—research subjects, causing them to walk more slowly. When subsequent researchers could not replicate these results, Nobel-winning psychologist Daniel Kahneman warned of a “train wreck looming” if Bargh and his colleagues could not address doubts about their work. Since then, the inability to replicate other well-known priming experiments has helped precipitate an ongoing debate over what has gone wrong in psychology, raising fundamental questions about the soundness of research practices in the field.
 
Anatomy of a Train Wreck offers the first detailed history of priming research from its origins in the early 1980s to its recent collapse. Ruth Leys places priming experiments in the context of contemporaneous debates over not only the nature of automaticity but also the very foundations of social psychology. While these latest discussions about priming have largely focused on methodology—including sloppy experimental practices, inadequate statistical methods, and publication bias—Leys offers a genealogy of the theoretical expectations and scientific paradigms that have guided and motivated priming research itself. Examining scientists’ intellectual strategies, their responses to criticism, and their assumptions about the nature of subjectivity, Anatomy of a Train Wreck raises crucial questions about the evidence surrounding unconscious influence and probes the larger stakes of the replication crisis: psychology’s status as a science.   

In this book, Dan Stanislawski studies the geography of various small towns in one Mexican state. He discusses the factors—landscape, buildings, culture groups, and so forth—that create a unique personality for each of these towns.

A classic work that launched the career of one of the most influential scholars of their generation.

Lauren Berlant influenced generations of scholars in gender studies, affect theory, literary criticism, anthropology, sociology, and beyond. Her first book, The Anatomy of National Fantasy, was published in 1991, and it marked the start of an extraordinary career of groundbreaking essays, editorial collaborations, and monographs. This new edition reintroduces Berlant’s earliest work with a new foreword by Caleb Smith, who connects Berlant’s initial investigations as a scholar of nineteenth-century American literature to her more widely known interventions in how we understand the entanglements of national ideology, citizenship, affect, and everyday life.

A multidisciplinary analysis of right-wing populist movements in post-communist Europe and the reasons for their success. 

Over the past two decades, populist politicians and parties have enjoyed remarkable success across the globe. To develop a multidisciplinary understanding of the rise and functioning of right-wing populism in Central and Eastern Europe, The Anatomy of Right-Wing Populism examines two original concepts. The first, neo-feudalism, refers to an economic system whereby a relatively small group of elites holds most of the political power and controls a significant portion of the country’s economy. The second concept, neo-traditionalism, is a cultural strategy that aims to legitimize neo-feudal systems. Based on this framework, this volume provides empirical and theoretical analysis of populist movements and offers policy recommendations on how to resist illiberalism.

The ambiguous intent of Henry James’s horror story The Turn of the Screw has fascinated and divided its readers since its publication in 1898. The division arises between the apparitionists and the nonapparitionists in interpretation of the plot and the characters. Thomas Mabry Cranfill and Robert Lanier Clark, Jr., have here taken up the argument and made an interpretation of their own.

The authors carefully considered the mountainous critical comment, studied James’s statements regarding his intent, and minutely scrutinized the story itself. After all this probing of opinions and following of clues and observing of human beings in action, they have come out strongly on the side of the nonapparitionists.

The authors base their conclusion on analyses of character, centrally that of the governess, whom they consider the protagonist of the fearsome drama, but peripherally those of Mrs. Grose, the children, the uncle in Harley Street, and even the deceased Miss Jessel and Peter Quint. Relentlessly they relate every episode, action, and speech to the character of the governess and her relationships with those around her at Bly, picturing her as a psychological “case” whose abnormal mental state brings to those around her the inescapable misery they all suffer.

 The authors’ analysis unfolds as interestingly in terms of character and motive as if the reader did not already know what happens in James’s much-read story. It moves, moreover, with something of the same suspense as James’s horror tale, although the tension is intellectual rather than emotional. Each additional disclosure of evidence, the resolution of each situation, and the clarification of every puzzling ambiguity builds the analysis step-by-inevitable-step to its inescapable conclusion.

 The style of the analysis is graceful, urbane, and witty. The introduction gives an excellent appraisal of literary comment on James’s story and an illuminating summary of the literary “war” over the meaning of it; the bibliography provides an impressive list of books and articles on this subject, annotated to indicate in what particular ways each makes a contribution to the controversy.

Bennu, named for the ancient Egyptian phoenix, was the chosen destination of OSIRIS-REx, NASA’s premier mission of asteroid exploration, launched in 2016. Study of the asteroid is important in safeguarding the future of planet Earth, but Bennu is also a time capsule from the dawn of our Solar System, holding secrets over four-and-a-half billion years old about the origin of life and Earth as a habitable planet.

In 2020 the OSIRIS-REx spacecraft successfully landed on the surface of Bennu and collected pristine asteroid material for delivery to Earth in September 2023. Scientific studies of the samples, along with data collected during the rendezvous, promise to help find answers to some of humanity’s deepest questions: Where did we come from? What is our destiny in space?

This book, the world’s first complete (and stereoscopic) atlas of an asteroid, is the result of a unique collaboration between OSIRIS-REx mission leader Dante Lauretta and Brian May’s London Stereoscopic Company. Lauretta’s colleagues include Carina Bennett, Kenneth Coles, and Cat Wolner, as well as Brian May and Claudia Manzoni, who became part of the ultimately successful effort to find a safe landing site for sampling. The text details the data collected by the mission so far, and the stereo images have been meticulously created by Manzoni and May from original images collected by the OSIRIS-REx cameras.

The first full study of “birth figures” and their place in early modern knowledge-making. 

Birth figures are printed images of the pregnant womb, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images’ creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books in Western Europe from the mid-sixteenth to the mid-eighteenth century. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. 

Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy.

This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form.

For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists.

Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin.

This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from February 22 to July 10, 2022.

Although palpation is a foundational skill for many healthcare disciplines, few resources provide comprehensive anatomical information and relate it to real-world clinical situations. With its detailed descriptions of musculoskeletal anatomy, instructions for palpating anatomical structures, depictions of basic injuries, and correlations with clinical practice, Hands-on Anatomy successfully bridges this gap.

Hands-on Anatomy targets undergraduate or graduate students who have completed an introductory anatomy course and are beginning to apply their anatomical knowledge to the human body, as well as healthcare professionals engaged in patient assessment and treatment. Organized by region of the body, chapters discuss skeletal landmarks, muscles, ligaments, and neurovascular structures, with a focus on how to palpate these structures. Additionally, guides on assessing the range of motion of joints are provided, along with descriptions of common clinical scenarios relating to each body area. The text is supplemented with images of skeletal landmarks and muscular anatomy, photos of surface landmarks and range of motion actives, and end-of-chapter review questions to ensure understanding and retention of what was described.

From reviews of previous editions:

“This is the standard reference about Texas mammals.” —Wildlife Activist

“A must for anyone seriously interested in the wildlife of Texas.” —Texas Outdoor Writers Association News

“[This book] easily fills the role of both a field guide and a desk reference, and is written in a style that appeals to the professional biologist and amateur naturalist alike. . . . [It] should prove useful to anyone with an interest in the mammal fauna of Texas or the southern Great Plains.” —Prairie Naturalist

The Mammals of Texas has been the standard reference since the first edition was coauthored by William B. Davis and Walter P. Taylor in 1947. Revised several times over the succeeding decades, it remains the most authoritative source of information on the mammalian wildlife of Texas, with physical descriptions and life histories for 202 species, abundant photographs and drawings, and distribution maps.

In this new edition, David J. Schmidly is joined by one of the most active researchers on Texas mammals, Robert D. Bradley, to provide a thorough update of the taxonomy, distribution, and natural history of all species of wild mammals that inhabit Texas today. Using the most recent advances in molecular biology and in wildlife ecology and management, the authors include the most current information about the scientific nomenclature, taxonomy, and identification of species, while also covering significant advances in natural history and conservation.

Ordinary Injustice is the unique and riveting story of a young Latino student, Juan Rulfo, with no previous criminal record involved in a domestic violence dispute that quickly morphs into a complex case with ten felonies, multiple enhancements, a “No Bail” order, and a potential life sentence without the possibility of parole.

Building from author Alfredo Mirandé’s earlier work Rascuache Lawyer, the account is told by “The Professor,” who led a pro bono rascuache legal defense team comprising the professor, a retired prosecutor, and student interns, working without a budget, office, paralegals, investigators, or support staff. The book is a must-read for anyone interested in race, gender, and criminal injustice and will appeal not only to law scholars and social scientists but to lay readers interested in ethnographic field research, Latinx communities, and racial disparities in the legal system.

The case is presented as a series of letters to the author’s fictional alter-ego, Fermina Gabriel, an accomplished lawyer and singer. This narrative device allows the author to present the case as it happens, relaying the challenges and complexities as they occur and drawing the reader in.

While Ordinary Injustice deals with important, complicated legal issues and questions that arise in criminal defense work and looks at the case from the time of Juan’s arrest to the preliminary hearing, indictment, pretrial motions, and attempts to obtain a negotiated plea, it is written in nontechnical and engaging language that makes law accessible to the lay reader.

Reevaluates Nicolaus Steno’s contributions to anatomy and early modern science, examining his interdisciplinary interests in their historical context.
 
Nicolaus Steno (1638–1686) was a renowned anatomist in his lifetime. He reformed the anatomical understanding of glands, argued that the heart was a muscle, renamed the so-called female testicles as ovaries, and developed a mathematical model for understanding muscle contraction—discoveries that were fundamental to the fields of anatomy and physiology. However, other aspects of Steno’s life have come to define him: his claim that mountains’ strata reveal the history of the Earth and his conversion to Catholicism as a practicing scientist. This excessive attention to his geological discoveries and to asking whether science and religion are compatible, Nuno Castel-Branco argues, has obscured his significant accomplishments as an anatomist. The Traveling Anatomist thus restores Steno to his rightful place as a crucial figure in early modern science.
 
Using Steno’s extensive travels as a framework, this book depicts him as an active participant in the Republic of Letters. Castel-Branco traverses Leiden, Paris, Copenhagen, Florence, and Rome as he follows Steno in his sojourns through different scientific academies, courts, and artisanal workshops. There he developed new friends, some of whom were women, with whom he researched and exchanged ideas. Drawing on Steno’s books, correspondence, and novel archival material, Castel-Branco invites us to approach Steno and his accomplishments in anatomy, mathematics, and geology through the eyes of his contemporaries. Doing so, Castel-Branco reconstructs the rich and overlapping worlds of scientific disciplines that shaped Steno’s work, revealing the richness of interdisciplinary research in early modern intellectual life. And through Steno, he illustrates larger developments and new networks of significance in mid-seventeenth-century science. By focusing on ideas, scientific genres, institutions, and friendships, Castel-Branco offers a way others might also productively study science from the early modern period until today.