That the city and the factory cause crime and poverty has become an operative assumption for most Americans. This book is a study of an inarticulate group of people whose defining characteristic is the behavior that got them into criminal court or the poorhouse. Nineteenth-century observers tended to group criminals together with poor people into what Charles Loring Brace called “the dangerous class.” The question asked in this book is whether urbanization and industrialization, the two most central social processes in nineteenth-century American history, caused poverty and crime.
Using seldom consulted records of poorhouses and criminal courts, the author shows that the kinds of crime and the structure of crime changed, with very few paupers becoming criminals. Cities and industry affected the quality but not the quantity of crime and impoverishment. Overall no dramatic crime trends are discerned and major crimes were ubiquitous in rural and urban areas. Furthermore, the criminal class declined as Columbus grew and industrialized.
An important work in the new social history, Eric Monkkonen’s research modifies theories that the city drives its inhabitants into deviance and that status and stability inhered in the skilled occupations. He also lends clarity to the views about what kinds of criminal incidents represent pre-political rebellion.
This is the first authoritative biography of Daniel DeLeon, an enigmatic and compelling figure in the history of American Marxism. He was the leader of the Socialist Labor Party (for years the only active socialist party in America) and he was active in the Knights of Labor and the Industrial Workers of the World. He fought the “pure and simple” trade unionism of Samuel Gompers and founded the Socialist Trade and Labor Alliance as an alternative. He was, L. Glenn Seretan writes, “probably the most gifted and original Marxist intellectual to focus his attention on the problems attending revolution in the advanced capitalist civilization of the United States.”
Seretan sees Deleon's career centered in several contradictions. He was an avid foe of the Catholic Church, but he pretended to be a Venezuelan Catholic aristocrat descended from Ponce de Leon. He found a theme for his life, Seretan argues, in the legend of the Wandering Jew, and resolved the problem of his social identity by throwing himself into the work of socialism.
Daniel Smith Donelson was the grandson of two of early Middle Tennessee’s most famous founders—John Donelson and Daniel Smith—and nephew of Tennessee’s perhaps most famous soldier statesman, Andrew Jackson. And while Civil War historians are familiar with Donelson because he led a Confederate brigade, his namesake fort in Middle Tennessee, and his importance to the war effort as he transitioned into Confederate war administration, Donelson the significant son of Tennessee has eluded a full study, and no book-length biography has been published, until now.
Unfortunately, Daniel Smith Donelson left no body of papers, which leaves any biographers, as Richard Douglas Spence contends, to approach their subject through a “historical back door” via Donelson’s legendary uncle and his brother, Andrew Jackson Donelson, who enjoyed a significant political career in his own right. Spence’s biography begins with Donelson’s upbringing at the Hermitage after Donelson’s father died when he was three. From there Spence follows Donelson’s career as a planter, militiaman, state congressman, Civil War general, and finally an administrator overseeing the Confederate Department of East Tennessee. Fort Donelson was named in his honor, and his brigades fought at Cheat Mountain, Perryville, and Murfreesboro (Stones River). He was posthumously promoted to major general after dying of disease on April 17, 1863, at the age of sixty-one.
Spence’s approach reveals aspects of Donelson’s life and career that in many ways rival his Civil War record for importance, providing fresh perspectives on Jackson’s tumultuous presidency and the contentious nature of antebellum politics in Tennessee.
In a newly enlarged edition of this eye-opening book, David T. Courtwright offers an original interpretation of a puzzling chapter in American social and medical history: the dramatic change in the pattern of opiate addiction--from respectable upper-class matrons to lower-class urban males, often with a criminal record. Challenging the prevailing view that the shift resulted from harsh new laws, Courtwright shows that the crucial role was played by the medical rather than the legal profession.
Dark Paradise tells the story not only from the standpoint of legal and medical sources, but also from the perspective of addicts themselves. With the addition of a new introduction and two new chapters on heroin addiction and treatment since 1940, Courtwright has updated this compelling work of social history for the present crisis of the Drug War.
Winner of the Bolton-Johnson Prize
Winner of the Utley Prize
Winner of the Distinguished Book Award, Society for Military History
“The Dead March incorporates the work of Mexican historians…in a story that involves far more than military strategy, diplomatic maneuvering, and American political intrigue…Studded with arresting insights and convincing observations.”
—James Oakes, New York Review of Books
“Superb…A remarkable achievement, by far the best general account of the war now available. It is critical, insightful, and rooted in a wealth of archival sources; it brings far more of the Mexican experience than any other work…and it clearly demonstrates the social and cultural dynamics that shaped Mexican and American politics and military force.”
—Journal of American History
It has long been held that the United States emerged victorious from the Mexican–American War because its democratic system was more stable and its citizens more loyal. But this award-winning history shows that Americans dramatically underestimated the strength of Mexican patriotism and failed to see how bitterly Mexicans resented their claims to national and racial superiority. Their fierce resistance surprised US leaders, who had expected a quick victory with few casualties.
By focusing on how ordinary soldiers and civilians in both countries understood and experienced the conflict, The Dead March offers a clearer picture of the brief, bloody war that redrew the map of North America.
The True Story of One of America’s Most Enigmatic and Tragic Heroes
Awarded Best Western History Book of 2008 by the Wild West History Association
"A superb biography"—Foreword Reviews
"An ambitious, well-written effort to restore a Wild West desperado to history.... Readers will surely remember Jack Slade from henceforth. A treat for Western history buffs and fans of true crime."—Kirkus Reviews
"An enjoyable read, and it is also a heroic effort."—Wall Street Journal
"Every bit the page-turner as Roughing It, with one added advantage—Rottenberg's book approaches the truth."—Wild West magazine
"Now and then a book of Western history comes along that captures an era and clears up many a mystery; Death of a Gunfighter is such a book."—Colorado Central magazine
In 1859, as the United States careened toward civil war, Washington's only northern link with America's richest state, California, was a stagecoach line operating between Missouri and the Pacific. Yet the stage line was plagued by graft, outlaws, and hostile Indians. At this critical moment, the company enlisted a former wagon train captain and Mexican War veteran to clean up its most dangerous division. Over the next three years, Joseph Alfred "Jack" Slade exceeded his employers' wildest dreams, capturing bandits and horse thieves and driving away gangs; he even shot to death a disruptive employee. He kept the stagecoaches and the U.S. Mail running, and helped launch the Pony Express, all of which kept California in the Union—and without California's gold, the Union would have failed to finance its cause. Across the Great Plains he became known as "The Law West of Kearny."
Slade's legend grew when he was shot multiple times and left for dead, only to survive and exact revenge on his would-be killer. But once Slade had restored the peace, leaving him without challenges, his life descended into an alcoholic Dr. Jekyll and Mr. Hyde nightmare, transforming him from a courageous leader, charming gentleman, and devoted husband into a vicious, quick-triggered ruffian—a purported outlaw —who finally lost his life at the hands of vigilantes.
Since Slade's death in 1864, persistent myths and stories have defied the efforts of writers and historians, including Mark Twain, to capture the real Jack Slade. Despite his notoriety, the pieces of Slade's fascinating life—including his marriage to the beautiful Maria Virginia—have remained scattered and hidden. He was never photographed and left almost no personal writings, not even a letter. In Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend, journalist Dan Rottenberg assembles years of research to reveal the true story of Jack Slade, one of America's greatest tragic heroes.
Arriving at the port of New York in 1882, a 27-year-old Oscar Wilde quipped he had “nothing to declare but my genius.” But as Roy Morris, Jr., reveals in this sparkling narrative, Wilde was, for the first time in his life, underselling himself. A chronicle of the sensation that was Wilde’s eleven-month speaking tour of America, Declaring His Genius offers an indelible portrait of both Oscar Wilde and the Gilded Age.
Wilde covered 15,000 miles, delivered 140 lectures, and met everyone who was anyone. Dressed in satin knee britches and black silk stockings, the long-haired apostle of the British Aesthetic Movement alternately shocked, entertained, and enlightened a spellbound nation. Harvard students attending one of his lectures sported Wildean costume, clutching sunflowers and affecting world-weary poses. Denver prostitutes enticed customers by crying: “We know what makes a cat wild, but what makes Oscar Wilde?” Whitman hoisted a glass to his health, while Ambrose Bierce denounced him as a fraud.
Wilde helped alter the way post–Civil War Americans—still reeling from the most destructive conflict in their history—understood themselves. In an era that saw rapid technological changes, social upheaval, and an ever-widening gap between rich and poor, he delivered a powerful anti-materialistic message about art and the need for beauty. Yet Wilde too was changed by his tour. Having conquered America, a savvier, more mature writer was ready to take on the rest of the world. Neither Wilde nor America would ever be the same.
As Louisiana and Cuba emerged from slavery in the late nineteenth century, each faced the question of what rights former slaves could claim. Degrees of Freedom compares and contrasts these two societies in which slavery was destroyed by war, and citizenship was redefined through social and political upheaval. Both Louisiana and Cuba were rich in sugar plantations that depended on an enslaved labor force. After abolition, on both sides of the Gulf of Mexico, ordinary people—cane cutters and cigar workers, laundresses and labor organizers—forged alliances to protect and expand the freedoms they had won. But by the beginning of the twentieth century, Louisiana and Cuba diverged sharply in the meanings attributed to race and color in public life, and in the boundaries placed on citizenship.
Louisiana had taken the path of disenfranchisement and state-mandated racial segregation; Cuba had enacted universal manhood suffrage and had seen the emergence of a transracial conception of the nation. What might explain these differences?
Moving through the cane fields, small farms, and cities of Louisiana and Cuba, Rebecca Scott skillfully observes the people, places, legislation, and leadership that shaped how these societies adjusted to the abolition of slavery. The two distinctive worlds also come together, as Cuban exiles take refuge in New Orleans in the 1880s, and black soldiers from Louisiana garrison small towns in eastern Cuba during the 1899 U.S. military occupation.
Crafting her narrative from the words and deeds of the actors themselves, Scott brings to life the historical drama of race and citizenship in postemancipation societies.
Winner of the James P. Hanlan Book Award
Winner of the J. David Greenstone Book Prize
Winner of the S. M. Lipset Best Book Award
This pioneering work of political history recovers the central and largely forgotten role that petitioning played in the formative years of North American democracy.
Known as the age of democracy, the nineteenth century witnessed the extension of the franchise and the rise of party politics. As Daniel Carpenter shows, however, democracy in America emerged not merely through elections and parties, but through the transformation of an ancient political tool: the petition. A statement of grievance accompanied by a list of signatures, the petition afforded women and men excluded from formal politics the chance to make their voices heard and to reshape the landscape of political possibility.
Democracy by Petition traces the explosion and expansion of petitioning across the North American continent. Indigenous tribes in Canada, free Blacks from Boston to the British West Indies, Irish canal workers in Indiana, and Hispanic settlers in territorial New Mexico all used petitions to make claims on those in power. Petitions facilitated the extension of suffrage, the decline of feudal land tenure, and advances in liberty for women, African Americans, and Indigenous peoples. Even where petitioners failed in their immediate aims, their campaigns advanced democracy by setting agendas, recruiting people into political causes, and fostering aspirations of equality. Far more than periodic elections, petitions provided an everyday current of communication between officeholders and the people.
The coming of democracy in America owes much to the unprecedented energy with which the petition was employed in the antebellum period. By uncovering this neglected yet vital strand of nineteenth-century life, Democracy by Petition will forever change how we understand our political history.
This is an auto-narrated audiobook edition of this book.
Written in the aftermath of the American Civil War during the ferment of national Reconstruction, Walt Whitman’s Democratic Vistas remains one of the most penetrating analyses of democracy ever written. Diagnosing democracy’s failures as well as laying out its vast possibilities, Whitman offers an unflinching assessment of the ongoing social experiment known as the United States. Now available for the first time in a facsimile of the original 1870–1871 edition, with an introduction and annotations by noted Whitman scholar Ed Folsom that illuminate the essay’s historical and cultural context, this searing analysis of American culture offers readers today the opportunity to argue with Whitman over the nature of democracy and the future of the nation.
Living in Washington, D.C., where Congress granted male African Americans the right to vote nearly five years before the fifteenth amendment extended that right across the nation, and working for the office charged with enforcing the new civil rights amendments to the Constitution, Whitman was at the volatile center of his nation’s massive attempt to reconstruct and redefine itself after the tumultuous years of civil war. In the enduring cultural document that Democratic Vistas has become, the great poet of democracy analyzes the role that literature plays in the development of a culture, the inevitable tensions between the “democratic individual” and the “democratic nationality,” and the corrosive effects of materialism on the democratic spirit.
His own conflicting racial biases notwithstanding, Whitman in Democratic Vistas offers his most eloquent and extended articulation of the beckoning American democratic future. At a time when the nation has elected a president whom Whitman could never have imagined, his controversial and provocative book is a timely reminder of those occasions when we experience the expansion of America’s democratic dream.
In 1992 Deng Xiaoping famously declared, “Development is the only hard imperative.” What ensued was the transformation of China from a socialist state to a capitalist market economy. The spirit of development has since become the prevailing creed of the People’s Republic, helping to bring about unprecedented modern prosperity, but also creating new forms of poverty, staggering social upheaval, physical dislocation, and environmental destruction.
In Developmental Fairy Tales, Andrew F. Jones asserts that the groundwork for this recent transformation was laid in the late nineteenth century, with the translation of the evolutionary works of Lamarck, Darwin, and Spencer into Chinese letters. He traces the ways that the evolutionary narrative itself evolved into a form of vernacular knowledge which dissolved the boundaries between beast and man and reframed childhood development as a recapitulation of civilizational ascent, through which a beleaguered China might struggle for existence and claim a place in the modern world-system.
This narrative left an indelible imprint on China’s literature and popular media, from children’s primers to print culture, from fairy tales to filmmaking. Jones’s analysis offers an innovative and interdisciplinary angle of vision on China’s cultural evolution. He focuses especially on China’s foremost modern writer and public intellectual, Lu Xun, in whose work the fierce contradictions of his generation’s developmentalist aspirations became the stuff of pedagogical parable. Developmental Fairy Tales revises our understanding of literature’s role in the making of modern China by revising our understanding of developmentalism’s role in modern Chinese literature.
"An outstanding combination of literary interpretation and cultural and historical context that will be an important addition to the critical literature on Hawthorne."
---Nina Baym, University of Illinois
"It is difficult to imagine a more timely book than Devils and Rebels. Examining the role of the public intellectual and writer during a time of political conflict and war, Reynolds takes up his charges with great precision and historical finesse. What particularly distinguishes this book is its attention to the ways in which one of this country's most important authors struggled to resist the waves of political extremism and patriotic hysteria that swept around him."
---Jeffrey Steele, University of Wisconsin—Madison
Widely condemned even in his own time, Nathaniel Hawthorne's views on abolitionism and slavery are today frequently characterized by scholars as morally reprehensible. Devils and Rebels explores the historical and biographical record to reveal striking evidence of the author's true political values---values grounded in pacifism and resistant to the kind of binary thinking that could lead to violence and war.
The book offers fresh readings of not only Hawthorne's four major romances but also some of his less familiar works like "Legends of the Province House," The Whole History of Grandfather's Chair, Journal of an African Cruiser, The Life of Franklin Pierce, and "Septimius Felton." Reynolds argues that Hawthorne---whether in his politics or his art---drew upon racialized imagery from America's past revolution and war on witchcraft to create a politics of quiet imagination, alert to the ways in which New England righteousness could become totalitarian by imposing its narrow view of the world on others.
Meticulously researched and cogently argued, this groundbreaking work demonstrates the need to examine perspectives and values from beyond the New England region when studying the literary history of the American Renaissance and illuminates the difficulties faced by public intellectuals during times of political strife---an issue as relevant today as it was some one hundred and fifty years ago.
Larry J. Reynolds is Thomas Franklin Mayo Professor of Liberal Arts and Professor of English at Texas A&M University. His previous books include A Historical Guide to Nathaniel Hawthorne, National Imaginaries, American Identities: The Cultural Work of American Iconography, and European Revolutions and the American Literary Renaissance as well as an edition of the European writings of Margaret Fuller.
The Adams saga takes a stride through the first half of the nineteenth century, as Louisa Catherine Johnson Adams chronicles her life with John Quincy Adams. Born in London in 1775 to a Maryland merchant and his English wife, Louisa recalls her childhood and education in England and France and her courtship with John Quincy, then U.S. minister to the Netherlands. Married in 1797, Louisa accompanied her husband on his postings to Berlin, St. Petersburg, and London. Her memoirs of Prussia and Russia vividly portray the republican couple in the courts of Europe.
Louisa came to America in 1801 and would share John Quincy’s career as U.S. senator, secretary of state, president, and congressman. Except for his presidency, her diaries for these years have been preserved, and they reveal a reluctant but increasingly canny political wife. Lamentations about loss, including the deaths of three of four children, abound. But here, too, are views of Napoleonic Europe and American sectional disputes, with witty sketches of heroes and scoundrels. John Quincy emerges in a fullness seldom seen—ambitious and exacting, yet passionate, generous, and gallant. Louisa's diaries conclude with her reckoning of an eventful life, which came to a close in 1852.
No longer willing to accept naval blockades, the impressment of American seamen, and seizures of American ships and cargos, the United States declared war on Great Britain. The aim was to frighten Britain into concessions and, if that failed, to bring the war to a swift conclusion with a quick strike at Canada. But the British refused to cave in to American demands, the Canadian campaign ended in disaster, and the U.S. government had to flee Washington, D.C., when it was invaded and burned by a British army.
By all objective measures, the War of 1812 was a debacle for the young republic, and yet it was celebrated as a great military triumph. The American people believed they had won the war and expelled the invader. Oliver H. Perry became a military hero, Francis Scott Key composed what became the national anthem and commenced a national reverence for the flag, and the U.S.S. Constitution, "Old Ironsides," became a symbol of American invincibility. Every aspect of the war, from its causes to its conclusion, was refashioned to heighten the successes, obscure the mistakes, and blur embarrassing distinctions, long before there were mass media or public relations officers in the Pentagon.
In this entertaining and meticulously researched book by America's leading authority on the War of 1812, Donald R. Hickey dispels the many misconcep-tions that distort our view of America's second war with Great Britain. Embracing military, naval, political, economic, and diplomatic analyses, Hickey looks carefully at how the war was fought between 1812 and 1815, and how it was remembered thereafter. Was the original declaration of war a bluff? What were the real roles of Canadian traitor Joseph Willcocks, Mohawk leader John Norton, pirate Jean Laffite, and American naval hero Lucy Baker? Who killed the Shawnee chief Tecumseh and who shot the British general Isaac Brock? Who actually won the war, and what is its lasting legacy? Hickey peels away fantasies and embellishments to explore why cer-tain myths gained currency and how they contributed to the way that the United States and Canada view themselves and each other.
In 1861 at the age of eighteen, Edward Woolsey Bacon, a Yale student and son of well-known abolitionist minister Leonard Bacon, left his home in New Haven, Connecticut, to fight for the United States. Over the next four years Bacon served in both the Union navy and army, which gave him a sweeping view of the Civil War. His postings included being a captain’s clerk on the USS Iroquois, a hospital clerk in his hometown, a captain in the 29th Connecticut Infantry (Colored), and a major in the 117th U.S. Colored Infantry, and he described these experiences in vibrant letters to his friends and family. Historian George S. Burkhardt has compiled these letters, as well as Bacon’s diary in the impressive Double Duty in the Civil War: The Letters of Sailor and Soldier Edward W. Bacon.
Bacon tells of hunting Confederate commerce raiders on the high seas, enduring the tedium of blockade duty, and taking part in riverine warfare on the Mississippi. He recalls sweating in South Carolina as an infantry officer during drill and picket duty, suffering constant danger in the battlefield trenches of Virginia, marching victoriously on fallen Richmond, and tolerating the boredom of occupation duty in Texas.
His highly entertaining letters shed new light on naval affairs and reveal a close-knit family life. The narrative of his duty with black troops is especially valuable, since few first-hand accounts from white officers of the U.S. Colored Troops exist. Furthermore, his beliefs about race, slavery, and the Union cause were unconventional for the time and stand in contrast to those held by many of his contemporaries.
Double Duty in the Civil War is filled with lively descriptions of the men Bacon met and the events he experienced. With Burkhardt’s careful editing and useful annotations, Bacon’s letters and diary excerpts give rare insight into areas of the Civil War that have been neglected because of a lack of available sources. Given the scarcity of eyewitness testimonies to navy life and life in African American regiments, this book is a rarity indeed.
Joyner recovers an entire lost society and way of life from the letters, diaries, and memoirs of the plantation whites and their guests, from quantitative analysis of census and probate records, and above all from the folklore and oral history of the enslaved Americans. His classic reconstruction of daily life in All Saints Parish is an inspiring testimony to the ingenuity and solidarity of a people.
This anniversary edition of Joyner's landmark study includes a new introduction in which the author recounts his process of writing the book, reflects on its critical and popular reception, and surveys the past three decades of scholarship on the history of enslaved people in the United States.
When the American reporter Henry Morton Stanley stepped out of the jungle in 1871 and doffed his pith helmet to the Scottish missionary-explorer Dr. David Livingstone, his greeting was to take on mythological proportions. But do any of us really know what his words meant at the time--and what they have come to mean since?
Far from meeting in a remote thicket in "Darkest Africa," Stanley met Livingstone in the middle of a thriving Muslim community. The news of their encounter was transmitted around the globe, and Livingstone instantly became one of the world's first international celebrities.
This book shows how urgently a handshake between a Briton and an American was needed to heal the rift between the two countries after the American Civil War. It uncovers for the first time the journeys that Livingstone's African servants made around Britain after his death, and it makes a case for Stanley's immense influence on the idea of the modern at the dawn of the twentieth century. Drawing on films, children's books, games, songs, cartoons, and TV shows, this book reveals the many ways our culture has remembered Stanley's phrase, while tracking the birth of an Anglo-American Christian imperialism that still sets the world agenda today.
Dr. Livingstone, I Presume? is a story of conflict and paradox that also takes us into the extraordinary history of British engagement with Africa. Clare Pettitt shows both the bleakest side of imperialism and the strange afterlife of a historical event in popular mythmaking and music hall jokes.
Flavored by the oddities of historic personalities and facts, Dr. Radway’s Sarsaparilla Resolvent is set in Bush Hill, Philadelphia, 1871—home to the Baldwin Locomotive Works and a massive, gothic prison. Acclaimed writer Beth Kephart captures the rhythms and smells of an extraordinary era as William Quinn and his Ma, Essie, grapple with life among terrible accidents, miraculous escapes, and shams masquerading as truth.
In 1846 two slaves, Dred and Harriet Scott, filed petitions for their freedom in the Old Courthouse in St. Louis, Missouri. As the first true civil rights case decided by the U.S. Supreme Court, Dred Scott v. Sandford raised issues that have not been fully resolved despite three amendments to the Constitution and more than a century and a half of litigation.
The Dred Scott Case: Historical and Contemporary Perspectives on Race and Law presents original research and the reflections of the nation’s leading scholars who gathered in St. Louis to mark the 150th anniversary of what was arguably the most infamous decision of the U.S. Supreme Court. The decision, which held that African Americans “had no rights” under the Constitution and that Congress had no authority to alter that, galvanized Americans and thrust the issue of race and law to the center of American politics. This collection of essays revisits the history of the case and its aftermath in American life and law. In a final section, the present-day justices of the Missouri Supreme Court offer their reflections on the process of judging and provide perspective on the misdeeds of their nineteenth-century predecessors who denied the Scotts their freedom.
Contributors: Austin Allen, Adam Arenson, John Baugh, Hon. Duane Benton, Christopher Alan Bracey, Alfred L. Brophy, Paul Finkelman, Louis Gerteis, Mark Graber, Daniel W. Hamilton, Cecil J. Hunt II, David Thomas Konig, Leland Ware, Hon. Michael A. Wolff
Filling a significant gap in contemporary scholarship, Driven by Fear looks at the past to offer critical lessons for our age of bioterror threats and emerging infectious diseases.
Combining impeccable scholarship and literary elegance, David Wetzel depicts the drama of machinations and passions that exploded in a war that forever changed the face of European history.
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