Metaphorical World Politics argues that language and metaphor are important parts of international political reality. Metaphors and world politics have appeared together many times in recent history. The blended space that results is metaphorical world politics, a real- world game for political and scientific actors. This collection picks up the challenge to unravel the game, to examine its rules, to clarify the mixture of images and facts that is so real in politics but so exceptional in science. Scholars have studied metaphor mostly from a linguistic or a literary point of view. This work forces those primarily interested in metaphors to think about applications and implications beyond the text. Others concerned mainly with world politics may consider how metaphors may help to energize and structure international political thought and action.
     Scholars have most often studied world politics embedded in so-called "facts." Metaphorical World Politics shows that facts are misleading in their compactness, that facts are often meaningless, that metaphors in contrast are energetic processors of meaning, and that facts in world politics are nothing more than weak emulsions of metaphor. This work outlines the general place of metaphor on the map of politics and highlights the location of specific metaphors on the political terrain.

In February 2000, William Miles set off from Massachusetts for a Muslim village in West Africa with his ten-year-old son Samuel to settle an inheritance dispute over a horse. National Public Radio was so intrigued with this story that All Things Considered broadcast his pre-departure testament, as well as a follow-up commentary on what actually happened.

My African Horse Problem recounts the intricacies of this unusual father-son expedition, a sometimes harrowing two-week trip that Samuel joined as "true heir" to the disputed stallion. It relates the circumstances leading up to the dispute and describes the intimacy of a relationship spanning a quarter century between William Miles and the custodians of his family horse—Islamic village friends eking out a precarious existence along the remote sub-Saharan borderline between Nigeria and Niger.

My African Horse Problem is a multi-layered narrative—part memoir, part ethnography—reaching back to Miles's days as a Peace Corps volunteer in Niger in the 1970s and a Fulbright scholar in the 1980s. At a deeper level, the story juxtaposes the idealistic and sometimes irresponsible tendencies of a young university graduate with the parental concerns of a middle-aged, tenured professor. Miles wonders if he was justified in exposing Sam to some of the worst health risks on earth, mainly to restore tenuous ties with long-ago friends in the African bush. Was it reckless to make his son illegally cross international boundaries, in a quixotic quest for justice and family honor? My African Horse Problem is more than an adventurer's tale with a unique story line: it is a father-son travel rumination, leavened by Sam's journal entries that help his father see Africa anew through a child's fresh eyes. In this era of religious and racial tensions, it is also a reaffirmation—within a black Muslim context—of the basic human imperative of trust.