A SCHOLARLY BOOK REPOSITORY247 start with S start with S
The magnum opus of a Japanese master of speculative fiction, and a book that established Yoshio Aramaki as a leading representative of the genre, The Sacred Era is part post-apocalyptic world, part faux-religious tract, and part dream narrative. In a distant future ruled by a new Papal Court serving the Holy Empire of Igitur, a young student known only as K arrives at the capital to take The Sacred Examination, a text that will qualify him for metaphysical research service with the court. His performance earns him an assignment in the secret Planet Bosch Research Department; this in turn puts him on the trail of a heretic executed many years earlier, whose headless ghost is still said to haunt the Papal Court, which carries him on an interplanetary pilgrimage across the Space Taklamakan Desert to the Planet Loulan, where time stands still, and finally to the mysterious, supposedly mythical Planet Bosch, a giant, floating plant-world that once orbited Earth but has somehow wandered 1,000 light years away.
K’s journey to this strange world, seemingly sprung from Hieronymus Bosch’s Garden of Earthly Delights, is a journey into inner and outer space, as the novel traffics in mystic and metaphysical questions only to transform them into technical and astrophysical problems, translating the substance of religious and mythic texts into the language of science fiction.
Explores the role of the sacred in the response of French intellectuals to the rise of fascism during the 1930s
How is it that the most radical cultural iconoclasts of the interwar years—Georges Bataille, Roger Caillois, and Michel Leiris—could have responded to the rise of fascism by taking refuge in a "sacred sociology"? This is the question that Michèle H. Richman poses in a work that examines this seemingly paradoxical development. Her book traces the overall implications for French social thought of the "ethnographic detour" that began with Durkheim’s interest in Australian aboriginal religion—implications that reach back to the Revolution of 1789 and forward to the student protests of May 1968.
Richman argues that by revising a phenomenon at once as familiar and as exotic as the sacred, these intellectuals forged a point of view relevant to politics, art, and eroticism in the modern period. Assimilating sociology to this revised notion of the sacred, they revitalized a critical discourse based on anthropological thinking dating back to Montaigne and culminating in Rousseau. Her work thus supplies an important chapter in the history of the human sciences while demonstrating the formation of an innovative critical discourse that straddles literary theory, social thought, and religious and cultural studies.
A long-awaited reevaluation of Chaucer through the lens of sacrifice by a major figure in medieval studies
Historicism and its discontents have long been central to the work of Louise Fradenburg, one of the world’s most original and provocative literary medievalists. Sacrifice Your Love brings this interest to bear on Chaucer’s writing and his world, rethought in light of a theory of sacrifice and its part in cultural production. Fradenburg writes the "history of the signifier"—a way of reading change in the symbolic order—and its role in making sacrifice enjoyable.
Sacrifice Your Love develops the idea that sacrifice is a mode of enjoyment—that our willingness to sacrifice our desire is actually a way of pursuing it. Fradenburg considers the implications of this idea for various problems important in medieval studies today—how to understand the religiosity of cultural forms, particularly chivalry, in the later Middle Ages and how to understand the ethics of Chaucer’s famously nondidactic poetry—as well as in other fields of inquiry. A major rethinking of Chaucer, Sacrifice Your Love works in depth as well as across a broad range of topics from medievalism to psychoanalysis, advancing both the theory and practice of a new kind of historicist approach.
How fluorescent orange symbolizes the uneven distribution of safety and risk in the neoliberal United States
Safety Orange first emerged in the 1950s as a bureaucratic color standard in technical manuals and federal regulations in the United States. Today it is most visible in the contexts of terror, pandemic, and environmental alarm systems; traffic control; work safety; and mass incarceration. In recent decades, the color has become ubiquitous in American public life—a marker of the extreme poles of state oversight and abandonment, of capitalist excess and dereliction. Its unprecedented saturation encodes the tracking of those bodies, neighborhoods, and infrastructures judged as worthy of care—and those deemed dangerous and expendable.
Here, Anna Watkins Fisher uses Safety Orange as an interpretive key for theorizing the uneven distribution of safety and care in twenty-first-century U.S. public life and for pondering what the color tells us about neoliberalism’s intensifying impact often hiding in plain sight in ordinary and commonplace phenomena.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Unlike the idealized Vietnamese model of urban space, Hóc Môn is between worlds, neither outside nor inside but always uncomfortably both. With particular attention to everyday social realities, Harms demonstrates how living on the margin can be both alienating and empowering, as forces that exclude its denizens from power and privilege in the inner city are used to thwart the status quo on the rural edges.
More than a local case study of urban change, Harms’s work also opens a window on Vietnam’s larger turn toward market socialism and the celebration of urbanization—transformations instructively linked to trends around the globe.
Saint Genet is Jean-Paul Sartre’s classic biography of Jean Genet—thief, convict, and great artist—a character of almost legendary proportions whose influence grows stronger with time. Bringing together two of the century’s greatest minds and artists, Saint Genet is at once a compelling psychological portrait, masterpiece of literary criticism, and one of Sartre’s most personal and inspired philosophical creations.
A surprising exploration of the relationship between these two twentieth-century thinkers
The transgressive writing of Georges Bataille (1897-1962) and the rigorous ethical philosophy of social activist and Christian mystic Simone Weil (1909-1943) seem to belong to different worlds. Yet in the political ferment of 1930s Paris, Bataille and Weil were intellectual adversaries who exerted a powerful fascination on each other. Saints of the Impossible provides the first in-depth comparison of Bataille’s and Weil’s thought, showing how an exploration of their relationship reveals new facets of the achievements of two of the twentieth century’s leading intellectual figures, and raises far-reaching questions about literary practice, politics, and religion.
Considering the seeming antithesis between Weil’s heroic political engagement and Bataille’s antipolitical aestheticism, Saints of the Impossible brings out the insufficiently recognized performative dimension of Weil’s politics, while revealing the political reach of Bataille’s mystical writings. As it opens a new perspective on both Weil and Bataille, the book also points to a new way of understanding the uses and abuses of sacred power and the performative in an era of philosophical disorientation, social chaos, and war.
First published in 1958, The Salvager is both a narrative history of Great Lakes shipping disasters of 1880–1950 and the life story of Captain Thomas Reid, who operated one of the region’s largest salvaging companies during that era.
The treacherous shoals, unpredictable storms, and sub-zero temperatures of the Great Lakes have always posed special hazards to mariners—particularly before the advent of modern navigational technologies—and offered ample opportunity for an enterprising sailor to build a salvage business up from nothing. Designing much of his equipment himself and honing a keen eye for the risks and rewards of various catastrophes, Captain Reid rose from humble beginnings and developed salvaging into a science. Using the actual records of the Reid Wrecking and Towing Company as well as Reid’s personal logs and letters, Mary Frances Doner deftly tells the stories not only of the maritime disasters and the wrecking adventures that followed, but also of those waiting back on shore for their loved ones to return.
Six-year-old Sam, with his Liberian dad and African American mom, finds a way to bring everyone in his cross-cultural family together at the dinner table
Rice and okra soup: Sam’s auntie from Liberia made it, and it’s Dad’s favorite. Mom, homegrown in Minnesota, made spaghetti and meatballs. And Sam? He’s just hungry, but no matter what he chooses to eat, someone will be disappointed. Caught in the middle of his family’s African and American food fight, Sam gets a little help from his grumbling stomach—and readers of this seriously funny book by Shannon Gibney get a peek at cultures colliding in a family kitchen that work out in a very delicious way. Charly Palmer’s vibrant and captivating illustrations make this gentle lesson in getting along a bright and colorful visual feast as well.
Cassava leaf torbogee or homemade sausage pizza? Sam’s family recipes bring Sam and the Incredible African and American Food Fight to an apt and happy ending—and readers can decide which dinner is best. But, really, why not both?
Samuel Johnson was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
For anyone interested in the work of Samuel Johnson and his place in eighteenth-century studies, this bibliography will be of great value, for it includes virtually everything of importance that has been written about Johnson from his own lifetime to the present. In addition, Professors Clifford and Greene, in an introductory essay, survey and evaluate the changing attitudes toward Johnson through the entire period covered in the bibliography.
This volume is a revision and enlargement of Professor Clifford's earlier work Johnsonian Studies, 1887–1950: A Survey and Bibliography,long recognized as an indispensable tool for the study of Samuel Johnson, his circle, and his times, and now out of print. The present volume contains nearly four thousand bibliographical entries, grouped under twenty-five subject headings, and arranged chronologically within each classification. This arrangement enables the student to trace the development of the scholarship of the various aspects of Johnson's life and work. A detailed author and subject index to the whole volume makes it easy for him to find the description of the particular book or article for which he is searching.
Sarah Orne Jewett - American Writers 61 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Saul Bellow - American Writers 65 was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A fresh take on this critical philosopher.
In this essential rereading of Spinoza’s (1632-1677) philosophical and political writings, Negri positions this thinker within the historical context of the development of the modern state and its attendant political economy. Through a close examination of Spinoza, Negri reveals him as unique among his contemporaries for his nondialectical approach to social organization in a bourgeois age.
A fascinating and unprecedented ethnography of animal sanctuaries in the United States
In the past three decades, animal rights advocates have established everything from elephant sanctuaries in Africa to shelters that rehabilitate animals used in medical testing, to homes for farmed animals, abandoned pets, and entertainment animals that have outlived their “usefulness.” Saving Animals is the first major ethnography to focus on the ethical issues animating the establishment of such places, where animals who have been mistreated or destined for slaughter are allowed to live out their lives simply being animals.
Based on fieldwork at animal rescue facilities across the United States, Elan Abrell asks what “saving,” “caring for,” and “sanctuary” actually mean. He considers sanctuaries as laboratories where caregivers conceive and implement new models of caring for and relating to animals. He explores the ethical decision making around sanctuary efforts to unmake property-based human–animal relations by creating spaces in which humans interact with animals as autonomous subjects. Saving Animals illustrates how caregivers and animals respond by cocreating new human–animal ecologies adapted to the material and social conditions of the Anthropocene.
Bridging anthropology with animal studies and political philosophy, Saving Animals asks us to imagine less harmful modes of existence in a troubled world where both animals and humans seek sanctuary.
A pioneering call for a new understanding of scale across the humanities
How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? In this way, we routinely transform reality into things already outside of direct human experience, things we hardly comprehend even as we speak of DNA, climate effects, toxic molecules, and viruses. How do we find ourselves with these disorienting layers of scale? Enter Scale Theory, which provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale refigures reality—that teaches us how to think in terms of scale, no matter where our interests may lie.
Joshua DiCaglio takes us on a fascinating journey through six thought experiments that provide clarifying yet provocative definitions for scale and new ways of thinking about classic concepts ranging from unity to identity. Because our worldviews and philosophies are largely built on nonscalar experience, he then takes us slowly through the ways scale challenges and reconfigures objects, subjects, and relations.
Scale Theory is, in a sense, nondisciplinary—weaving together a dizzying array of sciences (from nanoscience to ecology) with discussions from the humanities (from philosophy to rhetoric). In the process, a curious pattern emerges: attempts to face the significance of scale inevitably enter terrain closer to mysticism than science. Rather than dismiss this connection, DiCaglio examines the reasons for it, redefining mysticism in terms of scale and integrating contemplative philosophies into the discussion. The result is a powerful account of the implications and challenges of scale, attuned to the way scale transforms both reality and ourselves.
Tells the story of Jamaican “scammers” who use crime to gain autonomy, opportunity, and repair
There is romance in stealing from the rich to give to the poor, but how does that change when those perceived rich are elderly white North Americans and the poor are young Black Jamaicans? In this innovative ethnography, Jovan Scott Lewis tells the story of Omar, Junior, and Dwayne. Young and poor, they strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Their experience of grinding poverty and drastically limited opportunity leads them to conclude that scamming is the best means of gaining wealth and advancement. Otherwise, they are doomed to live in “sufferation”—an inescapable poverty that breeds misery, frustration, and vexation.
In the Jamaican lottery scam run by these men, targets are told they have qualified for a large loan or award if they pay taxes or transfer fees. When the fees are paid, the award never arrives, netting the scammers tens of thousands of U.S. dollars. Through interviews, historical sources, song lyrics, and court testimonies, Lewis examines how these scammers justify their deceit, discovering an ethical narrative that reformulates ideas of crime and transgression and their relationship to race, justice, and debt.
Scammer’s Yard describes how these young men, seeking to overcome inequality and achieve autonomy, come to view crime as a form of liberation. Their logic raises unsettling questions about a world economy that relegates postcolonial populations to deprivation even while expecting them to follow the rules of capitalism that exacerbate their dispossession. In this groundbreaking account, Lewis asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means.
An updated edition of the definitive history of Scandinavia over the past five centuries
Despite certain distinctions and differences, the lands of Scandinavia, or Norden—Sweden, Norway, Finland, Iceland, Denmark, and the Faroe Islands—are united by bonds of culture, language, and geography, and by a shared history that comes richly to life in this landmark work. Now in an expanded, updated edition, this authoritative chronicle of five centuries of Scandinavian history incorporates the geopolitical developments and momentous events that have marked the Nordic world in recent decades.
Scandinavia since 1500 situates the region’s political history within the traditional European chronology—in which the long “modern” period is subdivided into the Renaissance, early modern, modern, and contemporary. Within this framework, Byron J. Nordstrom traces the various ways in which economic, social, and cultural ideas and practices have come to Scandinavia from abroad, only to be modified and recast in a uniquely Nordic character. Long-unquestioned national mythologies come under Nordstrom's scrutiny, along with historical blind spots and erasures, as he ranges from canonical figures like Gustavus Adolphus of Sweden and Christian IV of Denmark to the constitutions of the nineteenth and twentieth centuries, the resistance movements in World War II, and the Scandinavian welfare states, literary culture, and modern design. Expanded to include the nature and realities of the increasingly postindustrial economies of the late twentieth and early twenty-first centuries—including environmental concerns, integration with Europe, globalization, and immigration—Scandinavia since 1500 offers a comprehensive yet nuanced portrait of this unique region in all its political, diplomatic, social, economic, and cultural complexity.
Cover alt text: Bold white title and author name across breathtaking snowy landscape of sun-touched cliffs beside a waterway and scattering of homes.
Traditional Scandinavian home cooking—now in paperback!
Beatrice Ojakangas brings to life the cuisines and customs of Norway, Sweden, Finland, and Denmark, countries that share borders and bounty. Danes lead with smørrebrød (an open-faced sandwich), which may be topped with cheese, green pepper, and sliced fresh strawberries. Finns specialize in earthy, chewy whole grain bread. Norwegians have wonderfully fresh fish and seafood, and the Swedes gave the world smörgåsbord!
Ojakangas offers us true Scandinavian home cooking that features the best of what is in season. Scandinavian Cooking provides traditional menus for different occasions and seasons—from a Farmhouse Brunch with Buttered Potato Soup to an Old-Fashioned Christmas Smörgåsbord with Dip-in-the-Kettle Soup and Norwegian Cream Pudding, to a sumptuous Midsummer’s Day Buffet with Salmon-in-a-Crust and Fruit-Juice Glögg. A good Scandinavian cook has a flair for color, texture, shape, and simplicity in creating the food that these menus show off to perfection. Beatrice Ojakangas describes her experiences gathering recipes at the tables of friends on her visits to Scandinavia and the beautifully crafted tools and tableware that will help to make the Scandinavian dishes you prepare authentic.
The definitive word on sumptuous Scandinavian cooking, now in paperback!
Drawing upon her rich knowledge of Scandinavian cuisine and culture, expert chef and veteran writer Beatrice Ojakangas presents a multitude of delicious yet remarkably simple recipes in this cookbook classic, available in paperback for the first time. Scandinavian Feasts features the cuisine of Denmark, Norway, Sweden, and Finland, and it includes menus made up of a bounty of appetizers, drinks, smorgasbord, meats, fish, soups, vegetables, desserts, and breads. Easily as engaging as the dishes themselves, each recipe comes with an introduction that explains the cultural importance of the feast and details its seasonal significance.
During the long, dark Scandinavian winter, the meals tend to be hearty and substantial. In Sweden and western Finland, a traditional Thursday lunch consists of pea soup and pancakes. A typical winter dinner might include Danish crackling roast pork with sugar-browned potatoes topped off with an irresistible ice cream cake. Christmastime gatherings, in particular, are often a chance to celebrate with a cup of hot glogg or Swedish punch. When the winter is finally over, the seemingly endless summer days are savored along with the fresh fruits and vegetables that are hard to find after the short growing season. During the white nights of Sweden and Norway, it is customary to serve a midnight supper after a concert or the theater, while a special occasion such as a baptism or anniversary might call for a feast of dill-stuffed whole salmon followed by kransekake, a beautiful towering ring cake of ground almonds.No matter what your level of expertise as a cook, the recipes are easy to use. The ingredients are commonly found in most grocery stores. Scandinavian Feasts is sure to delight enthusiasts of Scandinavian culture and lovers of fine food everywhere.Beatrice Ojakangas is the author of two dozen cookbooks, including The Great Scandinavian Baking Book (1999), also published by the University of Minnesota Press. Her articles have been published in Bon Appétit, Gourmet, Cooking Light, Cuisine, and Redbook, and she has appeared on television’s Baking with Julia Child and Martha Stewart’s Living. She lives in Duluth, Minnesota.
An entertaining collection of over 400 folk tales of legends, stories, and magic. Translated from the original Norwegian, Danish, and Swedish, this highly acclaimed work is perfect for bedside or fireside reading.
Scenes from the Drama of European Literature was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In his foreword to this reprint of Erich Auerbach's major essays, Paolo Valesio pays tribute to the author with an old saying that he feels is still the best metaphor for the genesis of a literary critic: the critic is born of the marriage of Mercury and Philology. The German-born Auerbach was a scholar who specialized in Romance philology, a tradition rooted in German historicism—the conviction that works of art must be judged as products of variable places and times, not from the eye of eternity, nor by a single unchanging aesthetic standard. The mercurial element in Auerbach's work is significant, for in a life of motion—of exile from Hitler's Germany—he came to believe that literary history was evolutionary, ever-changing—a view reflected in the title of his book, which suggests life and literature are historical drama.
Auerbach is best known for his magisterial study Mimesis: The Representation of Reality in Western Literature, written during the war, in Istanbul, when he was far from his own culture and from the books that he normally relied on. In 1957, just before his death, he arranged for the publication in English of his six most important essays, in a volume called Scenes from the Drama of European Literature.As in Mimesis,Auerbach's fresh insights bring to the disparate subjects of the essays a coherence that reflects the unity of Western, humanistic tradition, even while they hint at the deepening pessimism of his later years.
In the first essay, "Figura," Auerbach develops his concept of the figural interpretation of reality; applied here to Dante's Divine Comedy,it also served as groundwork for his treatment of realism in Mimesis. A second essay on Dante's examines the poet's depiction of St. Francis of Assisi. The next three essays deal with the paradoxical nature of Pascal's political thought; the merging of la cour and la ville—the king's entourage and the bourgeoisie—chiefly in relation to the seventeenth-century French theater; and Vico's formulation concepts by the German Romantics. In the final essay Auerbach confers upon Baudelaire's Fleurs du Mal the designation "aesthetic dignity" because, not in spite of, the hideous reality of the peoms.
"A major collection of important essays on European literature, almost all classics, and almost all required reading for their various centuries—thus the book is indispensable for the medieval period,the seventeenth and nineteenth centuries; in addition, the 'Figura' and the Vico essays are very significant theoretical statements. The book is lucid and far more accessible for undergraduates than, say, current high theory. Nor has Auerbach's own work aged . . . All of his varied strengths are evidence in this collection, which is a better way into his work than Mimesis." –Fredric Jameson, University of California, Santa Cruz.
Theorizing vision and power at the intersections of the histories of psychoanalysis, media, scientific method, and colonization, Scenes of Projection poaches the prized instruments at the heart of the so-called scientific revolution: the projecting telescope, camera obscura, magic lantern, solar microscope, and prism. From the beginnings of what is retrospectively enshrined as the origins of the Enlightenment and in the wake of colonization, the scene of projection has functioned as a contraption for creating a fantasy subject of discarnate vision for the exercise of “reason.”
Jill H. Casid demonstrates across a range of sites that the scene of projection is neither a static diagram of power nor a fixed architecture but rather a pedagogical setup that operates as an influencing machine of persistent training. Thinking with queer and feminist art projects that take up old devices for casting an image to reorient this apparatus of power that produces its subject, Scenes of Projection offers a set of theses on the possibilities for felt embodiment out of the damaged and difficult pasts that haunt our present.
Considers colonial school–prison systems in relation to the self-determination of Native communities, nations, and peoples
The School–Prison Trust describes interrelated histories, ongoing ideologies, and contemporary expressions of what the authors call the “school–prison trust”: a conquest strategy encompassing the boarding school and juvenile prison models, and deployed in the long war against Native peoples. At its heart, the book is a constellation of stories of Indigenous self-determination in the face of this ongoing conquest.
Following the stories of an incarcerated young man named Jakes, the authors consider features of school–prison relations for young Native people to ask urgent questions about Indigenous sovereignty, conquest, survivance, and refusal.
Science as Power was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Science has established itself as not merely the dominant but the only legitimate form of human knowledge. By tying its truth claims to methodology, science has claimed independence from the influence of social and historical conditions. Here, Aronowitz asserts that the norms of science are by no means self-evident and that science is best seen as a socially constructed discourse that legitimates its power by presenting itself as truth.
Stanley Aronowitz is professor of sociology in the graduate school of City University of New York. His books include Working Class Hero: A New Strategy for Labor and, with Henry Giroux, Education Under Siege.
Scientific Explanation was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Is a new consensus emerging in the philosophy of science? The nine distinguished contributors to this volume apply that question to the realm of scientific explanation and, although their conclusions vary, they agree in one respect: there definitely was an old consensus.
Co-editor Wesley Salmon's opening essay, "Four Decades of Scientific Explanation," grounds the entire discussion. His point of departure is the founding document of the old consensus: a 1948 paper by Carl G. Hempel and Paul Oppenheim, "Studies in the Logic of Explanation," that set forth, with remarkable clarity, a mode of argument that came to be known as the deductive-nomological model. This approach, holding that explanation dies not move beyond the sphere of empirical knowledge, remained dominant during the hegemony of logical empiricism from 1950 to 1975. Salmon traces in detail the rise and breakup of the old consensus, and examines the degree to which there is, if not a new consensus, at least a kind of reconciliation on this issue among contemporary philosophers of science and clear agreement that science can indeed tell us why.
The other contributors, in the order of their presentations, are: Peter Railton, Matti Sintonen, Paul W. Humphreys, David Papineau, Nancy Cartwright, James Woodward, Merrilee H. Salmon, and Philip Kitcher.
The Scientific Marx was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Marx advanced Capital to the public as a scientific explanation of the capitalist economy, intending it to be evaluated by ordinary standards of scientific adequacy. Today, however, most commentators emphasize Marx's humanism or his theory of historical materialism over his scientific claims. The Scientific Marx thus represents a break with many current views of Marx's analysis of capitalism in that it takes seriously his claim that Capital is a rigorous scientific investigation of the capitalist mode of production. Daniel Little discusses the main features of Marx's account, applying the tools of contemporary philosophy of science.
He analyzes Marx's views on theory and explanation in the social sciences, the logic of Marx's empirical practices, the relation between Capital and historical materialism, the centrality of micro-foundations in Marx's analysis, and the minimal role that dialectics plays in his scientific method. Throughout, Little relies on "evidence taken from Marx's actual practice as a social scientist rather than from his explicit methodological writings." The book contributes to current controversies in the literature of "analytic Marxism" joined by such authors as Jon Elster, G.A. Cohen, and John Roemer.
The Scope of Morality was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The scope of morality, Peter A. French contends, is much narrower than many traditional and contemporary works in ethical theory suggest. We trivialize morality if we think it has something to say about everything we do; it touches us all, but not at all times.
This essay in philosophical ethics focuses upon the origin, purpose, and function of the various concepts to be found in a more or less mature morality. The author draws a distinction between moral concepts that arise from an individual's wish to live a worthwhile life and those directed towards the development of virtue in the moral community. Moral concepts, in his view, are subjective creations of human beings rather than laws with an objective basis in nature. The ethics of sociobiology, of the lifeboat and spaceship models, and of game theory all come under his critical eye in this useful and progressive work. The Scope of Morality, says Hector-Neri Castaneda, "represents a serious effort at discussing the nature of morality, taking into account the most important contributions of recent writers."
More than forty years ago a women’s liberation movement called ūman ribu was born in Japan amid conditions of radicalism, violence, and imperialist aggression. Setsu Shigematsu’s book is the first to present a sustained history of ūman ribu’s formation, its political philosophy, and its contributions to feminist politics across and beyond Japan. Through an in-depth analysis of ūman ribu, Shigematsu furthers our understanding of Japan’s gender-based modernity and imperialism and expands our perspective on transnational liberation and feminist movements worldwide.
In Scream from the Shadows, Shigematsu engages with political philosophy while also contextualizing the movement in relation to the Japanese left and New Left as well as the anti–Vietnam War and radical student movements. She examines the controversial figure Tanaka Mitsu, ūman ribu’s most influential activist, and the movement’s internal dynamics. Shigematsu highlights ūman ribu’s distinctive approach to the relationship of women—and women’s liberation—to violence: specifically, the movement’s embrace of violent women who were often at the margins of society and its recognition of women’s complicity in violence against other women.
Scream from the Shadows provides a powerful case study of a complex and contradictory movement with a radical vision of women’s liberation. It offers a unique opportunity to reflect on the blind spots within our contemporary and dominant views of feminism across their liberal, marxist, radical, Euro-American, postcolonial, and racial boundaries.
Moving images are used as diagnostic tools and locational devices every day in hospitals, clinics, and laboratories. But how and when did they come to be established and accepted sources of knowledge about the body in medical culture? How are the specialized techniques and codes of these imaging techniques determined, and whose bodies are studied, diagnosed, and treated with the help of optical recording devices?
Screening the Body traces the fascinating history of scientific film during the late nineteenth and early twentieth centuries to show that early experiments with cinema are important precedents of contemporary medical techniques such as ultrasound and PET scanning. Lisa Cartwright brings to light eccentric projects in the history of science and medicine, such as Thomas Edison's sensational attempt to image the brain with X rays before a public audience, and the efforts of doctors to use the motion picture camera to capture movements of the body, from the virtually imperceptible flow of blood to epileptic seizures.Drawing on feminist film theory, cultural studies, the history of film, and the writings of Foucault, Cartwright illustrates how this scientific cinema was part of a broader tendency in society toward the technological surveillance, management, and physical transformation of the individual body and the social body. She unveils an area of film culture that has rarely been discussed but that will leave readers with a new way of seeing the everyday practice of diagnostic imaging that we all inevitably encounter in clinics and hospitals.
Sculpture in Wood was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In simple every-day language and with lavish use of photographs, a noted sculptor takes you, step-by-step, through the process of wood sculpture and explains how to appreciate and use this kind of art in your own home. The how-to-do-it section contains information on the tools needed, the various woods and their qualities, and finishes. Photographs showing examples of the author's work and that of other contemporary sculptors illustrate his points clearly. The beginner will find this book opens the way to a rewarding hobby; the serious artist will be challenged by Mr. Rood's forceful ideas on art.
Sculpture with a Torch was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
John Rood, a sculpture and former professor of art at the University of Minnesota, provides in this book a practical, how-to-do-it discussion of the technique of welded metal sculpture. In addition to serving as an instruction manual for students and artists working with welded sculpture, the book will be helpful to art critics, connoisseurs, and others, who will gain greater insight into this kind of art by knowing something of the processes involved. In an introductory chapter the author discusses welded sculpture as an art form. In separate chapters he considers oxyacetylene welding, equipment, finishes, brazing, techniques, and arc-welding. He gives a step-by-step account of the making of a piece of welded sculpture for an architectural setting. A chapter on the making of sketches and a list of safety rules conclude the text, and there is a brief bibliography. The book is profusely illustrated with photographs showing the author's own metal sculpture, works of other artists, and tools and equipment.
John Rood is also the author of Sculpture in Wood, and his art is critically discussed and portrayed in John Rood's Sculpture by Bruno Schneider, both published by the University of Minnesota Press.
Analyzes and compares the rapid growth of medium-sized cities.
Over the past thirty years, transnational investment, trade, and government policies have encouraged the decentralization of national economies, disrupting traditional patterns of urban and regional growth. Many smaller cities-such as Seattle, Washington; Campinas, Brazil; Oita, Japan; and Kumi, Korea-have grown markedly faster than the largest metropolitan regions. These “second tier cities” are home to specialized industrial complexes that have taken root, provided significant job growth, and attracted mobile capital and labor.
The culmination of an ambitious five-year, fourteen-city research project conducted by an international team of economists and geographers, Second Tier Cities examines the potential of these new regions to balance uneven regional development, create good, stable jobs, and moderate hyper-urbanization. Comparing across national borders, the contributors describe four types of second tier cities: Marshallian industrial districts, hub-and-spoke cities, satellite platforms, and government-anchored complexes. They find that both industrial and regional policies have been important contributors to the rise of second tier cities, though the former often trump the latter. Lessons for local, national, and international policymakers are drawn. The authors are critical of devolution and argue that it must be accompanied by strong labor and environmental standards and mechanisms to overcome differential regional resource endowments.Contributors: Clelio Campolina Diniz, U Federal de Minas Gerais, Brazil; Masatomi Funaba, Kobe U of Commerce, Japan; Elyse Golob, NYC Economic Development Goup; Mia Gray, Cambridge U; Jun Ho Jeong, Oxford U; Sam Ock Park, Seoul National U; Mohammad Razavi; Fabiana Borges T. Santos, U Federal de Minas Gerais, Brazil; and Masayuki Sasaki, Kanzawa U, Japan.
In 1999, Noelani Goodyear-Ka‘ōpua was among a group of young educators and parents who founded Hālau Kū Māna, a secondary school that remains one of the only Hawaiian culture-based charter schools in urban Honolulu. The Seeds We Planted tells the story of Hālau Kū Māna against the backdrop of the Hawaiian struggle for self-determination and the U.S. charter school movement, revealing a critical tension: the successes of a school celebrating indigenous culture are measured by the standards of settler colonialism.
How, Goodyear-Ka‘ōpua asks, does an indigenous people use schooling to maintain and transform a common sense of purpose and interconnection of nationhood in the face of forces of imperialism and colonialism? What roles do race, gender, and place play in these processes? Her book, with its richly descriptive portrait of indigenous education in one community, offers practical answers steeped in the remarkable—and largely suppressed—history of Hawaiian popular learning and literacy.
This uniquely Hawaiian experience addresses broader concerns about what it means to enact indigenous cultural–political resurgence while working within and against settler colonial structures. Ultimately, The Seeds We Planted shows that indigenous education can foster collective renewal and continuity.
Seedtime of Reform was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is a detailed history of the social welfare movement in the United States during the period from the end of World War I to the inauguration of President Franklin D. Roosevelt, an era which most historians characterize as one of normalcy and reaction. In his book Professor Chambers demonstrates that this was actually a seedtime of reform, a period when the groundwork was laid for many of the sweeping social changes which were to take place under the New Deal.
While it is true, as the author points out, that the years from 1918 to 1933 were not hospitable to the cause of reform, it was during these years that reform leaders and welfare workers (and the associations and agencies they directed) elaborated new theories and programs of action to alleviate, prevent, and overcome certain persisting social ills. Although little was constructively achieved until new political leadership, operating in the context of acute and prolonged economic crisis, acted in the 1930s, much of what we identify as the New Deal was rooted not only in prewar progressivism but in the research, agitation, and welfare services of the 1920s as well. Reformers and welfare workers made especially significant contributions in the areas of housing, social security, public works, federal responsibility for dependent groups in society, and working conditions.
Unearthing the meaning of witnessing in contemporary art and politics
The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness—whether artist, historian, scientist, government official, or ordinary citizen—has become empowered in realms from art to politics.
In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique. Considering such artists as Marina Abramović, James Luna, Felix Gonzalez-Torres, Eduardo Kac, and Ann Hamilton, Blocker investigates the artists and spectators who look, the technologies they look with, and the forms of power and moral authority that permit their viewing. Going beyond particular traumatic or sensational events, Blocker contemplates the politics of witnessing and argues that the witness represents a morally unique—and even problematic—position of privilege. Separating Seeing Witness from previous literature on the subject, she finds that the visual is inherent in witnessing and asserts that contemporary art is integral to questioning and understanding how witnessing is mobilized in culture today.
Selected Essays was first published in 1933. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Professor Firkins' reputation as a writer whose work combines the qualities of thought and style, of penetrating criticism and epigrammatic wit, is amply upheld by these seventeen essays.
The volume opens with "Man: A Character Sketch," which Christopher Morley has described as a "brilliant essay in spiritual anthropology." Emerson and Howells, on both of whom Mr. Firkins was a recognized authority, are each the subject of an essay. Glimpses of the author's boyhood and of his remarkable mother are given in "Undepicted America," which is the development of an original theory concerning American letters. In "The Irresponsible Power of Realism" the author flays some modern tendencies in literature and in "The Sermon on the Mount" he sets forth the basic principles of his humanistic religious views.
A few of these essays are here published for the first time. Most of them, however, have been selected as representative of Mr. Firkins' best published work in the field of the critical essay.
This second volume of the great Swedish writer August Strindberg’s plays begins with To Damascus I (1898), the first of a trilogy. It mirrors his own departure from the naturalism he had explored in several of his earlier works, as he set forth on a spiritual odyssey. Crimes and Crimes (1899), from the beginning of his symbolist mode, is a lighter take on the themes in To Damascus I. The first of a two-part play, Dance of Death I (1900) depicts a dysfunctional marriage. A Dream Play (1901), which is one of Strindberg’s most influential, shows reality converted into a dream; many critics consider it his greatest play. In 1907, Strindberg founded the Intimate Theater in Stockholm; The Ghost Sonata (1907) and The Pelican (1907), which were written for its opening, are two examples of a chamber play, a genre that Strindberg helped to originate.
Selected Writings on Agricultural Policy and Economic Analysis was first published in
1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Conley traces the explosion of interest in mapmaking that occurred with the discovery of the New World, and discusses the commensurate rise of what he defines as cartographic writing-writing that "holds, penetrates, delineates, and explores space." Considering the works of such writers as Rabelais, Montaigne, and Descartes, Conley provides a "navigation" through the printed page, revealing the emerging values of Renaissance France. In his examination of the placing of words, letters, and graphic elements in books, he exposes the playful and sometimes enigmatic relation between spatial organization and text.
Conley also exposes the ideological exercise inherent in mapmaking, arguing that Renaissance cartography is inseparably bound up with the politics of the era. He undertakes close readings of maps and illustrations, discussing the necessity of viewing Renaissance maps in the context of their typographic layout, graphic reproduction, and literary and ideological import.
Richly illustrated throughout, The Self-Made Map combines studies of art, geography, history, literature, and printing to show a clear historical transformation, along the way linking geographical discoveries, printing processes, and political awareness. Conley's provocative analysis discloses how early modern printed literature and cartography worked together to crystallize broader issues engaging the then emergent status of cultural identity, nation, and individuality.
Tracks the shifting views of the Lower East Side from ghetto to desirable urban niche.
The Lower East Side of Manhattan is rich in stories-of poor immigrants who flocked there in the late nineteenth and early twentieth centuries; of beatniks, hippies, and artists who peopled it mid-century; and of the real estate developers and politicians who have always shaped what is now termed the "East Village." Today, the musical Rent plays on Broadway to a mostly white and suburban audience, MTV exploits the neighborhood’s newly trendy squalor in a film promotion, and on the Internet a cyber soap opera and travel-related Web pages lure members of the middle class to enjoy a commodified and sanitized version of the neighborhood.
In this sweeping account, Christopher Mele analyzes the political and cultural forces that have influenced the development of this distinctive community. He describes late nineteenth-century notions of the Lower East Side as a place of entrenched poverty, ethnic plurality, political activism, and "low" culture that elicited feelings of revulsion and fear among the city’s elite and middle classes. The resulting-and ongoing-struggle between government and residents over affordable and decent housing has in turn affected real estate practices and urban development policies. Selling the Lower East Side recounts the resistance tactics used by community residents, as well as the impulse on the part of some to perpetuate the image of the neighborhood as dangerous, romantic, and bohemian, clinging to the marginality that has been central to the identity of the East Village and subverting attempts to portray it as "new and improved." Ironically, this very image of urban grittiness has been appropriated by a cultural marketplace hungry for new fodder. Mele explores the ways that developers, media executives, and others have coopted the area’s characteristics-analyzing the East Village as a "style provider" where what is being marketed is "difference." The result is a visionary look at how political and economic actions transform neighborhoods and at what happens when a neighborhood is what is being "consumed."A comprehensive web site for Selling the Lower East Side can be found at www.upress.umn.edu/sles.
Is there a “world” anymore, let alone any “sense” to it? Acknowledging the lack of meaning in our time, and the lack of a world at the center of meanings we try to impose, Jean-Luc Nancy presents a rigorous critique of the many discourses-from philosophy and political science to psychoanalysis and art history-that talk and write their way around these gaping absences in our lives.
In an original style befitting his search for a new mode of thought, Nancy offers fragmentary readings of writers such as Nietzsche, Hegel, Marx, Lévinas, Lacan, Derrida, and Deleuze insofar as their work reflects his concern with sense and the world. Rather than celebrate or bemoan the loss of meaning or attempt to install a new one, his book seeks to reposition both sense and the world between the presence and absence of meaning, between objectivity and subjectivity. Nancy’s project entails a reconception of the field of philosophy itself, a rearticulation of philosophical practice. Neither recondite nor abstract, it is concerned with the existence and experience of freedom-the actuality of existence as experienced by contemporary communities of citizens, readers, and writers.
Combining aesthetic, political, and philosophical considerations to convey a sense of the world between meaning and reality, ideal content and material form, this book offers a new way of understanding-and responding to-“the end of the world.”
Jean-Luc Nancy teaches at the University of Human Sciences in Strasbourg. His books in English include The Literary Absolute (with Philip Lacoue-Labarthe, 1988), The Inoperative Community (Minnesota, 1991), The Birth to Presence (1993), The Experience of Freedom (1993), and The Muses (1996).
Jeffrey S. Librett is associate professor of modern languages and literatures at Loyola University of Chicago.
What happens when cochlear implants, heralded as the first successful bionic technologies, make their way around the globe and are provided by both states and growing private markets? As Sensory Futures follows these implants from development to domestication and their unequal distribution in India, Michele Ilana Friedner explores biotechnical intervention in the realm of disability and its implications for state politics in the Global South.
A signing and speaking deaf bilateral cochlear implant user, Friedner weaves personal reflections into this fine-grained ethnography of everyday negotiations, activist aspirations, and the space of the family. She places sensory anthropology in conversation with disability studies to analyze how normative sensoria are cultivated and the pursuit of listening and speaking capability is enacted. She argues that the conditions of potentiality that have emerged through cochlear implantation have, in fact, resulted in ever narrower understandings of future life possibilities. Rejecting sensory hierarchies that privilege audition, Friedner calls for multisensory, multimodal, and multipersonal ways of relating to the world.
Sensory Futures explores deaf people’s desires to create habitable worlds and grapple with what their futures might look like, in India and beyond, amid a surge in both biotechnical interventions and disability rights activism. With implications for a broad range of disability experiences, this sensitive, in-depth research focuses on the specific experiences of deaf people, both children and adults, and the structural, political, and social possibilities offered by both biotechnological and social “cures.”
A fresh and vivid translation of Flaubert’s influential bildungsroman
Gustave Flaubert conceived Sentimental Education, his final complete novel, as the history of his own generation, one that failed to fulfill the promise of the Revolution of 1848. Published a few months before the start of the 1870 Franco–Prussian War, it offers both a sweeping panorama of French society over three decades and an intimate bildungsroman of a young man from a small town who arrives in Paris when protests against the monarchy are increasing.
The novel’s protagonist, Frédéric Moreau, alternates between aimlessness and ambition as he searches for a meaningful life through love affairs and republican politics. Flaubert’s narrative includes scenes of high drama, as scattered protests across Paris swell into revolution, and quiet moments of self-aware romanticism, crafting a story that possesses the sweep and scope of a historical novel combined with deep emotion and scandalous intimacy. Suffused with tragedy and the poignancy of lost chances and wasted lives, Sentimental Education is sharpened by satirical observations of what Flaubert condemned as the Second Empire’s endemic hypocrisy and willful blindness.
This vibrant, new translation by Raymond N. MacKenzie includes an extensive critical introduction and annotations to help the modern reader appreciate Flaubert’s achievement. Sentimental Education intertwines the personal, the intimate, and the subjective with the political, social, and cultural, embedding Frédéric’s story in the larger arc of what Flaubert saw as France’s decline into mediocrity and imbecility in its politics and manners.
Separation of Church and State in the United States was first published in 1948. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This book is more than a revised and enlarged edition of Dr. Johnson's Legal Status of Church-State Relationships in the United States. Besides rewriting and bringing up to date much of the original material, the authors have added a number of chapters dealing with subjects that have gained prominence in recent years: citizenship and the bearing of arms, saluting the flag, distribution of religious literature, and freedom of speech for Communists. Such recent cases as the Supreme Court decision in McCollum v. Board of Education—better known as the Champaign, Illinois, case—are discussed in some detail.
School administrators will find the book of great practical value, for it deals predominantly with church-state relationships in the public schools, one of the chief areas of conflict. These conflicts include such questions as Bible readings and religious instruction in the public schools, dismissed and released time for religious education, the allowing of credit for religious instruction, public aid to sectarian schools, the wearing of religious garb, furnishing free textbooks and transportation for students in parochial schools.
Serf, Seigneur, and Sovereign was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is a detailed history of the agrarian reforms which took place in Bohemia during the reigns of the Habsburg rulers Maria Theresa, 1740–1780, and Joseph II, 1780–1790. The enactment of the land reforms had far-reaching social, economic, and political effects, and the subject constitutes an important chapter in the history of the nation we now know as Czechoslovakia. The topic has been hardly touched in English, however, and has only recently been properly treated by the Marxist historians of post-World War II Czechoslovakia. Much of Professor Wright's account is based on documents not previously used by historians, particularly materials in the Hofkammerarchiv in Vienna.
The author provides a background by describing the development of serfdom in Bohemia over approximately two hundred years prior to the accession of Maria Theresa to the throne of Austria in 1740. In major sections of the book Professor Wright traces the causes, events, and effects of the program of agrarian reform which Maria Theresa and Joseph II carried out. He shows how the changes in the land system profoundly affected the relationships of the serf, seigneur, and sovereign, and how they paved the way for the much greater social revolution which was to come with the emancipation of 1848.
In addition to providing a wealth of factual information, the account gives a dramatic picture of the plight of the peasant, along with valid glimpses of the personalities of the rulers and their ministers. Specialists in European history, social history, or agrarian history will find the book particularly rewarding.
Service and Procedures in Bureaucracy was first published in 1956. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Large, complex systems of organization, such as government bureaus, giant corporations, and massive trade unions, play a decisive role in the daily lives of millions of people and exert an important influence upon national and even international affairs. This gives major sociological significance to the bureaucratic organizations of such groups.
The research reported here was undertaken to test two widespread beliefs about modern, largescale organizations, and the findings point to modifications in what has been regarded as the classic sociological concept of bureaucracy.
Does the personnel in bureaucracies commonly substitute rule-following, preoccupation with procedure, for the intended service purpose of the organization? And are bureaucracies characterized by impersonality, that is, detachment of office from individual, so that relations are between offices rather than between individuals? These are the questions the authors sought to answer in their study of the Louisiana Division of Employment Security. They observed employees working at their jobs, conducted interviews, administered questionnaires, and studied the official documents and records of the organization.
Here is a picture of bureaucracy in real life that will provide valuable insight to those actively concerned with administration and personnel problems, as well as to students in the social sciences.
Making surprising and revelatory connections, Jin-kyung Lee analyzes South Korean military labor in the Vietnam War, domestic female sex workers, South Korean prostitution for U.S. troops, and immigrant/migrant labor from Asia in contemporary South Korea. Foregrounding gender, sexuality, and race, Lee reimagines the South Korean economic "miracle" as a global and regional articulation of industrial, military, and sexual proletarianization.
Lee not only addresses these under-studied labors individually but also integrates and unites them to reveal an alternative narrative of a changing South Korean working class whose heterogeneity is manifested in its objectification. Delving into literary and popular cultural sources as well as sociological work, Lee locates South Korean development in its military and economic interactions with the United States and other Asian nation-states, offering a unique perspective on how these practices have shaped and impacted U.S.-South Korea relations.
Revealing the enduring link between settler colonization and the making of modern Minneapolis
Colonial relations are often excluded from discussions of urban politics and are viewed instead as part of a regrettable past. In Settler Colonial City, David Hugill confronts this culture of organized forgetting by arguing that Minnesota’s largest city is enduringly bound up with the power dynamics of settler-colonial politics. Examining several distinct Minneapolis sites, Settler Colonial City tracks how settler-colonial relations were articulated alongside substantial growth in the Twin Cities Indigenous community during the second half of the twentieth century—creating new geographies of racialized advantage.
Studying the Phillips neighborhood of Minneapolis in the decades that followed the Second World War, Settler Colonial City demonstrates how colonial practices and mentalities shaped processes of urban reorganization, animated non-Indigenous “advocacy research,” informed a culture of racialized policing, and intertwined with a broader culture of American imperialism. It reveals how the actions, assumptions, and practices of non-Indigenous people in Minneapolis produced and enforced a racialized economy of power that directly contradicts the city’s “progressive” reputation.
Ultimately, Settler Colonial City argues that the hierarchical and racist political dynamics that characterized the city’s prosperous beginnings are not exclusive to a bygone era but rather are central to a recalibrated settler-colonial politics that continues to shape contemporary cities across the United States.
A study of Palestine-Israel through the unexpected lens of nature conservation
Settling Nature documents the widespread ecological warfare practiced by the state of Israel. Recruited to the front lines are fallow deer, gazelles, wild asses, griffon vultures, pine trees, and cows—on the Israeli side—against goats, camels, olive trees, hybrid goldfinches, and akkoub—which are affiliated with the Palestinian side. These nonhuman soldiers are all the more effective because nature camouflages their tactical deployment as such.
Drawing on more than seventy interviews with Israel’s nature officials and on observations of their work, this book examines the careful orchestration of this animated warfare by Israel’s nature administration on both sides of the Green Line. Alongside its powerful protection of wildlife biodiversity, the territorial reach of Israel’s nature protection is remarkable: to date, nearly 25 percent of the country’s total land mass is assigned as a park or a reserve. Settling Nature argues that the administration of nature advances the Zionist project of Jewish settlement and the corresponding dispossession of non-Jews from this space.
Examines how settler colonial and sexist infrastructures and narratives order a resource boom
Over the past decade, new oil plays have unsettled U.S. energy landscapes and imaginaries. Settling the Boom studies how the disruptive forces of an oil boom in the northern Great Plains are contained through the extension of settler temporalities, reassertions of heteropatriarchy, and the tethering of life to the volatility of oil and its cruel optimisms.
This collection reveals the results of sustained research in Williston, North Dakota, the epicenter of the “Bakken Boom.” While the boom brought a rapid influx of capital and workers, the book questions simple timelines of before and after. Instead, Settling the Boom demonstrates how the unsettling forces of an oil play resolve through normative narratives and material and affective infrastructures that support settler colonialism’s violent extension and its gendered orders of time and space. Considering a wide range of evidence, from urban and regional policy, interviews with city officials, media, photography, and film, these essays analyze the ongoing material, aesthetic, and narrative ways of life and land in the Bakken.
Contributors: Morgan Adamson, Macalester College; Kai Bosworth, Virginia Commonwealth U; Thomas S. Davis, Ohio State U; Jessica Lehman, Durham U.
Seven American Women Writers of the Twentieth Century was first published in 1977. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In the tradition of great American rags to riches stories, Seven Iron Men weaves together the history of how the seven Merritt brothers discovered iron ore on the Mesabi Range. In 1890 they were poised to become one of the wealthiest families in America but lost it all to industrialist John D. Rockefeller.
“The tale of their long and furious quest makes for one of the most melodramatic stories in American history. . . . The Merritts leap from the chronicle in all the colors of life—especially Lon, the king of them all, with his maudlin poetizing, his childlike faith in mankind, and his incredible tropical hat. It is a tale full of thrills, shot with sardonic humors.” —H. L. Mencken, The Nation
“Certainly it is no small contribution to the history of the American people to unfold the tale of the discovery and development of those huge iron deposits of the Mesabi Range flanking much of Lake Superior. To these perhaps quite as much as to any other one factor the country owes its industrial supremacy in the ago of steel.” —New York Herald Tribune
Paul de Kruif (1890–1971) was a microbiologist, served as a contributing editor to Reader’s Digest, and was the best-selling author of Microbe Hunters.
Seven Modern American Novelists was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume provides critical introductions to seven of the most significant American novelists of this century, bringing together in convenient book form the material from some of the University of Minnesota Pamphlets on American Writers. The writers discussed and the contributing authors are Edith Wharton by Louis Auchincloss, Sinclair Lewis by Mark Schorer, F. Scott Fitzgerald by Charles E. Shain, William Faulkner by William Van O'Connor, Ernest Hemingway by Philip Young, Thomas Wolfe by C. Hugh Holman, and Nathanael West by Stanley Edgar Hyman.
In an introduction Mr. O'Connor, who is one of the editors of the pamphlet series, discusses some critical principles as they apply to fiction writers in general and to twentieth-century American novelists in particular. He is the author of many volumes of literary criticism as well as a collection of short stories and was a professor of English at the University of California, Davis.
Teachers, librarians, and others who use the material of the University of Minnesota Pamphlets on American Writers for frequent reference or as classroom texts will find this book particularly useful. Biographical information about the writers as well as critical evaluations of their writing is given. A bibliography for each writer lists his works and critical and biographical works about him.
Seven Modern American Poets was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume provides concise critical introductions to seven of the most important twentieth-century American poets, bringing together in convenient book form the material from some of the University of Minnesota Pamphlets on American Writers. The poets discussed and the contributing authors are Robert Frost by Lawrance Thompson, Wallace Stevens by William York Tindall, William Carlos Williams by John Malcolm Brinnin, Ezra Pound by William Van O'Connor, John Crowe Ransom by John L. Stewart, T.S. Eliot by Leonard Unger, and Allen Tate by George Hemphill.
Biographical information about the poets as well as critical discussions of their work is provided. A selected bibliography for each poet lists his works and critical and biographical writing about him.
In an introduction Mr. Unger, who is one of the editors of the pamphlet series, discusses the poets and their place in the development of modern American poetry. Mr. Unger is a professor of English at the University of Minnesota and the author of a number of critical works, including T. S. Eliot: Moments and Patterns.
Teachers, librarians, and others who use the material of the University of Minnesota Pamphlets on American Writers for frequent reference or as classroom texts will find this book particularly useful. It serves also as an excellent guide for the general reader.
A revelatory look at the ways that gender, power, and the media are intertwined.
It all comes down to sex and money: how the media are organized, how they work, what they say, who gets to say it and to whom. That is the message this book delivers—and then parses for its meaning to society and culture. Forcefully and persuasively, this groundbreaking volume uses the media to show how questions of gender and economics are inextricably linked to issues of power in Western capitalist societies. Integrating political economy and feminism, it offers a new understanding of communication at the personal, experiential, institutional, and structural levels-and exposes all the subtle and complex ways in which sex and money are sutured into individuals’ daily lives.
Contributors: Robin Andersen, Fordham U; Ellen Balka, Simon Fraser U; Amy Beer; Carolyn M. Byerly, Ithaca College; Ramona Curry, U of Illinois; Fred Fejes, Florida Atlantic U; Nancy Hauserman, U of Iowa; Michèle Martin, Carleton U, Canada; Stana Martin, Central Missouri State U; Lisa McLaughlin, Miami U, Ohio; Roopali Mukherjee, Indiana U; Angela R. Record; Karen Ross, Coventry U; H. Leslie Steeves, U of Oregon; Angharad N. Valdivia, U of Illinois; Janet Wasko, U of Oregon; and Justin Wyatt.
What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places? Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England.
Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to “chin-chucking” and convivial drinking, Sex before Sex offers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, including Romeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.
Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY–Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo–SUNY.
From concerns over the bullying of LGBTQ youth and battles over sex education to the regulation of sexual activity and the affirmation of queer youth identity, sexuality saturates the school day. Rather than understand these conflicts as an interruption to the work of education, Jen Gilbert explores how sexuality comes to bear on and to enliven teaching and learning.
Gilbert investigates the breakdowns, clashes, and controversies that flare up when sexuality enters spaces of schooling. Education must contain the volatility of sexuality, Gilbert argues, and yet, when education seeks to limit the reach of sexuality, it risks shutting learning down. Gilbert penetrates this paradox by turning to fiction, film, legal case studies, and personal experiences. What, she asks, can we learn about school from a study of sexuality?
By examining the strange workings of sexuality in schools, Gilbert draws attention to the explosive but also compelling force of erotic life in teaching and learning. Ultimately, this book illustrates how the most intimate of our experiences can come to shape how we see and act in the world.
Shakespearean Metadrama was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a new approach to Shakespeare criticism, the author interprets five of Shakespeare's early plays as metadramas, dramas that are not only about the various moral, social, political, and other thematic issues with which critics have so long been concerned but also about the plays themselves. Professor Calderwood demonstrates that in these five plays Shakespeare writes about his dramatic art -- its nature, its media of language and theater, its generic forms and conventions, its relationship to truth and the social order.
In an introductory chapter the author explains his theory of metadrama, placing it in a general critical context as well as in the specific framework of Shakespeare's plays. He distinguishes between the meaning of metadrama and the similar terms "metaplay" and "metatheare." He points out that the dominant metadramatic aspect of the five plays under study is the interplay of language and action in drama. A separate chapter is devoted to the interpretation of each of the plays.
Professor Calderwood is aware that in presenting his critical theory and interpretations he may be met with skepticism by other scholars and critics. He anticipates such a situation in the introduction: "To the critic trying on introductory styles for a book on Shakespearean metadrama," he writes, "the plight of Falstaff at the Boar's Head Tavern comes all to readily to mind. 'What trick," he must ask himself, 'what device, what starting-hole, canst thou now find out to hide thee from this open and apparent shame?'"
A provocative exploration of the relationship between gender, history, and Shakespeare’s plays.
Over the past fifteen years, Jonathan Goldberg’s wide-ranging essays have been among the most sophisticated, influential, and controversial writing about Shakespeare. He challenges the critical orthodoxy, provoking scholars to reassess both their own assumptions and those underpinning the field of Shakespeare studies. Collected in one volume for the first time, these essays offer a sustained, energetic, and rigorous examination of issues of gender and sexuality that pervade Shakespeare’s plays, as well as a road map of the shifts during the past two decades in our understanding of English literature’s most canonical figure.
Central to these essays are concerns about textuality as considered from a number of vantage points, including deconstructionist, psychoanalytic, and historicist. Goldberg studies most of Shakespeare’s plays, giving particular emphasis to Henry IV, Parts 1 and 2, and to Romeo and Juliet; he focuses throughout on the relationship between the text as material object and the reality created or reflected by that text. Among the issues he considers are the textual instability of Shakespeare’s plays and the historical instabilities of gender and sexuality depicted in those plays, the construction of gender and the dehumanization implicit in treating characters as a textual production, the function of letters and other documents within the Shakespearean texts, and the correlation of sexual politics and textual desire. Tracing a path from characters in the scriptive sense to their embodiment in characters marked by gender and sexuality, Shakespeare's Hand provides a brilliant set of inquiries into the production, critical reception, and conditions of Shakespearean texts.
Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
Meng Yue is assistant professor of East Asian languages and literature at the University of California, Irvine.
Analyzing a Chinese city’s dazzling rise to global megacity status
Until around 1990, Shanghai was China’s premier but sluggish industrial center. Now at the beginning of the twenty-first century, the joint impact of global forces and state power has turned Shanghai into a dynamic megacity. Shanghai’s remarkable growth in economy, infrastructure, and global presence has prompted questions about the Shanghai “miracle.” This collection places the city’s unprecedented rise in a rare comparative examination of U.S. cities, as well as with Asian megacities Singapore and Hong Kong, providing a nuanced account of how Shanghai’s politics, economy, society, and space have been transformed by macro- and micro-level forces.
Contributors: Stephen W. K. Chiu, Chinese U of Hong Kong; K. C. Ho, National U of Singapore; John D. Kasarda, U of North Carolina; Hanlong Lu, Shanghai Academy of Social Sciences; Tai-lok Lui, Chinese U of Hong Kong; Ann R. Markusen, U of Minnesota; Anthony M. Orum, U of Illinois, Chicago; Yuan Ren, Fudan U Shanghai; Saskia Sassen, Columbia U; Jiaming Sun, Texas A&M U, Commerce; Fulong Wu, Cardiff U; Pingkang Yu, George Washington U; Tingwei Zhang, U of Illinois, Chicago; Zhenhua Zhou, Development Research Center, Shanghai Municipal Government.
How nineteenth-century social reformers devised a new set of radical blueprints for society
In the middle of the nineteenth century, a utopian impulse flourished in the United States through the circulation of architectural and urban plans predicated on geometrically distinct designs. Though the majority of such plans remained unrealized, The Shape of Utopia emphasizes the enduring importance of these radical propositions and their ability to visualize alternatives to what was then a newly emerging capitalist nation.
Drawing diagrammatic plans for structures such as octagonal houses, a hexagonal anarchist city, and circular centers of equitable commerce, these various architectural utopians applied geometric forms to envision a more just and harmonious society. Highlighting the inherent political capacity of architecture, Irene Cheng showcases how these visionary planners used their blueprints as persuasive visual rhetoric that could mobilize others to share in their aspirations for a better world.
Offering an extensive and uniquely focused view of mid-nineteenth-century America’s rapidly changing cultural landscape, this book examines these utopian plans within the context of significant economic and technological transformation, encompassing movements such as phrenology, anarchism, and spiritualism. Engaging equally with architectural history, visual culture studies, and U.S. history, The Shape of Utopia documents a pivotal moment in American history when ordinary people ardently believed in the potential to reshape society.
Exploring forms of desire unaccounted for in previous histories of sexuality
What can the Renaissance tell us at our present moment about who and what is “queer,” as well as the political consequences of asking? In posing this question, The Shapes of Fancy offers a powerful new method of accounting for ineffable and diffuse forms of desire, mining early modern drama and prose literature to describe new patterns of affective resonance.
Starting with the question of how and why readers seek traces of desire in texts from bygone times and places, The Shapes of Fancy demonstrates a practice of critical attunement to the psychic and historical circulations of affect across time within texts, from texts to readers, and among readers. Closely reading for uncharted desires as they recur in early modern drama, witchcraft pamphlets, and early Atlantic voyage narratives and demonstrating how each is structured by qualities of secrecy, impossibility, and excess, Christine Varnado follows four “shapes of fancy”: the desire to be used to others’ ends; indiscriminate, bottomless appetite; paranoid self-fulfilling suspicion; and melancholic longings for impossible transformations and affinities. These affective dynamics go awry in atypical and perverse ways. In other words, argues Varnado, these modes of feeling are recognizable on the page or stage as “queer” because of how, and not by whom, they are expressed.
This new theorization of desire expands the notion of queerness in literature, decoupling the literary trace of queerness from the binary logics of same-sex versus opposite-sex and normative versus deviant that have governed early modern sexuality studies. Providing a set of methods for analyzing affect and desire in texts from any period, The Shapes of Fancy stages an impassioned defense of the inherently desirous nature of reading, making a case for readerly investment and identification as vital engines of meaning making and political insight.
Cracking open the politics of transparency and secrecy
In an era of open data and ubiquitous dataveillance, what does it mean to “share”? This book argues that we are all “shareveillant” subjects, called upon to be transparent and render data open at the same time as the security state invests in practices to keep data closed. Drawing on Jacques Rancière’s “distribution of the sensible,” Clare Birchall reimagines sharing in terms of a collective political relationality beyond the veillant expectations of the state.
On the wings of Laura Erickson’s award-winning book For the Birds comes Sharing the Wonder of Birds with Kids. Easy and fun to use, Sharing the Wonder is a delightful book that helps caring adults introduce kids to the fascinating world of birds.
Chock-full of creative activities, this hands-on guide goes way beyond teaching bird identification. In her light-hearted style, Erickson paves the way for children to discover—with a little help from you—the beauty and significance of birds, how their bodies work, why they behave as they do, and why it’s critical to protect and care for them.
Sharing the Wonder of Birds with Kids will show you how to kindle children’s interest in birds, giving them the joy and pride of discovering these natural treasures for themselves.
Dogged by depression, doubt, and—as a trip to the Mayo Clinic has revealed—emphysema, 66-year-old Sherlock Holmes is preparing to return to England when he receives a shock: a note slipped under his hotel room door, from a vicious murderer
The manuscript contains the story of how Sherlock Holmes and Watson traveled to Minnesota to track a murderous arsonist—known only as the Red Demon—who is threatening both Hill and his Great Northern Railway. Set against the backdrop of the real, devastating Hinckley forest fire of 1894, Sherlock Holmes and the Red Demon is the tense and atmospheric first novel in Larry Millett’s classic series of adventures that brought Sherlock Holmes and Dr. Watson to Minnesota.
Sherlock Holmes is bored between cases at 221B Baker Street. So when King Oskar II of Sweden—who has heard of the discovery of the Kensington Rune Stone by a farmer in Minnesota—asks to engage his services, Holmes jumps at the chance to decipher the runes and determine whether the find is real or a hoax. With Dr. John H. Watson by his side, faithfully recording every detail, Holmes makes his way to Minnesota for a third time. But, in the first of many strange and unfortunate coincidences, the farmer who found the mysterious stone is murdered, and the stone itself is stolen on the day the famous detective arrives.
With the help of one Shadwell Rafferty, now a friend and partner, Holmes must solve this baffling case to find both the stone and the murderer.
As the city of Minneapolis prepares for a visit from President William McKinley, someone else prepares for murder. On the day before the visit, a union activist is found hanged, naked, outside a ruined mansion. A placard around his neck reads “THE SECRET ALLIANCE HAS SPOKEN.” Who is the alliance? What does it want? How was the victim involved with the city’s corrupt mayor? And why did he possess a photograph of a prominent citizen in a compromising position? Shadwell Rafferty searches for answers, encountering bribery, corruption, union organizers, anarchists, and conspiracy, putting himself in danger. But as luck would have it, his old friends Sherlock Holmes and Dr. John H. Watson are on their way.
In this fourth installment of Larry Millett’s Minnesota Mystery series, Shadwell Rafferty commands center stage in a brand-new city. Packed with Millett’s signature historical and architectural detail, this book is deviously delightful.
Shipwreck Modernity engages early modern representations of maritime disaster in order to describe the global experience of ecological crisis. In the wet chaos of catastrophe, sailors sought temporary security as their worlds were turned upside down. Similarly, writers, poets, and other thinkers searched for stability amid the cultural shifts that resulted from global expansion. The ancient master plot of shipwreck provided a literary language for their dislocation and uncertainty.
Steve Mentz identifies three paradigms that expose the cultural meanings of shipwreck in historical and imaginative texts from the mid-sixteenth through the early eighteenth centuries: wet globalization, blue ecology, and shipwreck modernity. The years during which the English nation and its emerging colonies began to define themselves through oceangoing expansion were also a time when maritime disaster occupied sailors, poets, playwrights, sermon makers, and many others. Through coming to terms with shipwreck, these figures adapted to disruptive change.
Traces of shipwreck ecology appear in canonical literature from Shakespeare to Donne to Defoe and also in sermons, tales of survival, amateur poetry, and the diaries of seventeenth-century English sailors. The isolated islands of Bermuda and the perils of divine anger hold central places. Modern sailor-poets including Herman Melville serve as valuable touchstones in the effort to parse the reality and understandings of global shipwreck.
Offering the first ecocritical account of early modern shipwreck narratives, Shipwreck Modernity reveals the surprisingly modern truths to be found in these early stories of ecological collapse.
A Short History of Canada for Americans was first published in 1942. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A Short History of Parliament was first published in 1953. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Redefines media history through Chicano film and television.
One of the most influential figures in ethnic media studies takes direct aim at how Chicano filmmaking has been represented in the history of media in the United States. Shot in America tackles seemingly intractable dilemmas involving the political and market functions of film and TV to provide a definitive response to the debates over cultural and racial identity that have embroiled media and cultural studies over the past two decades.
Noriega offers a compelling and detailed description of an enormous body of work by Chicano media makers against the backdrop of Chicano social movements, politics, and activism over a forty-year period—an extraordinary exposition of the civil rights movement, media reform activities, and public affairs programming that constitutes the prehistory of independent and minority cinemas.Noriega reveals the ways in which Chicano and other minority protests both emerged within and were regulated by the very institutions that excluded them. Shot in America is a study with broad implications for our understanding of cultural politics and the entertainment industries.
A fascinating portrait of the history and landscape of this remote settlement.
The village of Djarkhan is in the heart of Russia’s Sakha Republic, on the Central Yakut Plain. The world around Djarkhan, with its extreme subarctic climate and intractable permafrost, seems an unlikely place to look for a rich, historic, and exotic efflorescence of human life, and yet this is precisely what the authors found. Their book is a remarkable account of how the people of Djarkhan have created their own distinctive place through their unique relationship with a severe and demanding land.
This book traces the way of life of the village’s Turkic inhabitants, the Yakuts, from their arrival in the 1600s through czarist times and the Soviet era to the present day. As a native of the village, geographer Bella Bychkova Jordan enjoyed unparalleled access to its people and their stories, myths, humor, problems, and folklore. Viewed through the prism of cultural geography, this material forms the basis of a remarkable portrait of a people wresting a living from the land in one of the coldest and most isolated spots on Earth. Published in collaboration with the Center for American Places.
An event-by-event look at how institutionalized racism harms the health of African Americans in the twenty-first century
A crucial component of anti-Black racism is the unconscionable disparity in health outcomes between Black and white Americans. Sickening examines this institutionalized inequality through dramatic, concrete events from the past two decades, revealing how unequal living conditions and inadequate medical care have become routine.
From the spike in chronic disease after Hurricane Katrina to the lack of protection for Black residents during the Flint water crisis—and even the life-threatening childbirth experience for tennis star Serena Williams—author Anne Pollock takes readers on a journey through the diversity of anti-Black racism operating in healthcare. She goes beneath the surface to deconstruct the structures that make these events possible, including mass incarceration, police brutality, and the hypervisibility of Black athletes’ bodies. Ultimately, Sickening shows what these shocking events reveal about the everyday racialization of health in the United States.
Concluding with a vital examination of racialized healthcare during the COVID pandemic and the Black Lives Matter rebellions of 2020, Sickening cuts through the mind-numbing statistics to vividly portray healthcare inequalities. In a gripping and passionate style, Pollock shows the devastating reality and consequences of systemic racism on the lives and health of Black Americans.
How the “bad feelings” of trans experience inform trans survival and flourishing
Some days—or weeks, or months, or even years—being trans feels bad. Yet as Hil Malatino points out, there is little space for trans people to think through, let alone speak of, these bad feelings. Negative emotions are suspect because they unsettle narratives of acceptance or reinforce virulently phobic framings of trans as inauthentic and threatening.
In Side Affects, Malatino opens a new conversation about trans experience that acknowledges the reality of feeling fatigue, envy, burnout, numbness, and rage amid the ongoing onslaught of casual and structural transphobia in order to map the intricate emotional terrain of trans survival. Trans structures of feeling are frequently coded as negative on both sides of transition. Before transition, narratives are framed in terms of childhood trauma and being in the “wrong body.” Posttransition, trans individuals—especially trans people of color—are subject to unrelenting transantagonism. Yet trans individuals are discouraged from displaying or admitting to despondency or despair.
By moving these unloved feelings to the center of trans experience, Side Affects proposes an affective trans commons that exists outside political debates about inclusion. Acknowledging such powerful and elided feelings as anger and exhaustion, Malatino contends, is critical to motivating justice-oriented advocacy and organizing—and recalibrating new possibilities for survival and well-being.
Questions the literal burying of the nuclear threat and how it relates to expectations for our future
A rising ocean. A falling building. A toxic river. Species extinguished. A nuclear landscape. In a world so configured, the state of contemporary ecological thought and practice is woefully—and perilously—inadequate. Focusing on the government’s nuclear waste burial program in Carlsbad, New Mexico, Signs of Danger begins the urgent work of finding a new way of thinking about ecological threat in our time.
The Waste Isolation Pilot Plant in Carlsbad began receiving shipments in 1999. With a proposed closing date of 2030, this repository for nuclear waste must be secured with a sign, the purpose of which will be to keep people away for three hundred generations. In the official documents uncovered by Peter van Wyck, we encounter a government bureaucracy approaching the issue of nuclear waste as a technical problem only to find itself confronting a host of intractable philosophical issues concerning language, culture, and history. Signs of Danger plumbs these depths as it shows us how the problem raised in the desert of New Mexico is actually the problem of a culture grappling with ecological threats and with questions of the limits of meaning and representation in the deep future. The reflections at the center of this book—on memory, trauma, disaster, representation, and the virtual—are aimed at defining the uniquely modern status of environmental and nuclear threats. They offer invaluable insights into the interface of where culture ends and nature begins, and how such a juncture is closely linked with questions of risk, concepts of history, and the cultural experience of time.Winner of the 2005 Gertrude J. Robinson Book Prize of the Canadian Communication AssociationREADERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press