Parthenia Hague experienced the Civil War while employed as a schoolteacher on a plantation near Eufaula, Alabama. This book recounts how a frightened and war-weary household dealt with privations during the blockade imposed on the South by the federal navy. The memoir of Parthenia Hague is a detailed look at the ingenious industry and self-sufficiency employed by anxious citizens as the northern army closed in.

Year of the Pig is a personal account of one avid hunter's pursuit of wild pigs in eleven American states. Mark Hainds tied his mission to the Chinese calendar's Year of the Pig in 2007 and journeyed through longleaf forests, cypress swamps, and wiliwili forests in search of his prey. He used a range of weapons--black-powder rifle, bow and arrow, knife, and high-powered rifle--and various methods to stalk his quarry through titi, saw palmetto, privet hedge, and blue palms.

Introduced pig populations have wreaked havoc on ecosystems the world over.  Non-native to the Western Hemisphere, pigs originally arrived in the southeast with De Soto's entrada and in the Hawaiian Archipelago on the outriggers of South Pacific islanders. In America feral hogs are considered pests and invaders because of their omnivorous diet and rooting habits that destroy both fragile native species and agricultural cropland.

Appealing to hunters and adventure readers for its sheer entertainment, Year of the Pig will also be valuable to farmers, land managers, and environmentalists for its broad information and perspective on the topic.

The first edition of Halbert and Ball's Creek War was published in 1895, and a new edition containing an introductory essay, supplementary notes, a bibliography, and an index by Frank L. Owsley Jr., was published in 1969. This standard account of one of the most controversial wars in which Americans have fought is again available, with introductory materials and a bibliography revised to reflect the advances in scholarship since the 1969 edition. This facsimile reproduction of the 1895 original provides a full and sympathetic account of the Indians' point of view, from the earliest visit of the great Shawnee chief Tecumseh to the southern tribes in 1811, through the buildup of apprehension and hostilities leading to the fateful battles at Burnt Corn, Fort Mims, and Holy Ground.

“In The Naval Air War in Korea, Dr. Hallion has captured the fact, feel- ing, and fancy of a very important conflict in aviation history, in- cluding the highly significant facets of the transition from piston to jet-propelled combat aircraft.”—Norman Polmar, author of Naval Institute Guide to the Ships and Aircraft of the U.S. Fleet, 18th Edition

Chronicles the history of battlefield air attack from 1911, when the airplane was first used in war, to the end of World War II.

At the time of Spanish contact in A.D. 1540, the Mississippian inhabitants of the great valley in northwestern Georgia and adjacent portions of Alabama and Tennessee were organized into a number of chiefdoms distributed along the Coosa and Tennessee rivers and their major tributaries.  The administrative centers of these polities were large settlements with one or more platforms mounds and a plaza.  Each had a large resident population, but most polity members lived in a half dozen or so towns located within a day’s walk of the center. This book is about one such town, located on the Coosa River in Georgia and known to archaeologists as the King site.

Excavations of two-thirds of the 5.1 acre King site reveal a detailed picture of the town’s domestic and public architecture and overall settlement plan. Intensive analysis of architectural features, especially of domestic structures, enables a better understanding of the variation in structure size, compass orientation, construction stages, and symbolic cosmological associations; the identification of multi-family households; and the position of individual structures within the town’s occupation sequence or life history.  Comparison of domestic architecture and burials reveals considerable variation between households in house size, shell bead wealth, and prominence of adult members. One household is preeminent in all these characteristics and may represent the household of the town chief or his matrilineal extended family. Analysis of public architectural features has revealed the existence of a large meeting house with likely historical connections to 18th-century Creek town houses; a probable cosmological basis for the town’s physical layout; and an impressive stockade-and-ditch defensive perimeter.

The King site represents a nearly ideal opportunity to identify the kinds of status positions that were held by individual inhabitants; analyze individual households and investigate the roles they played in King site society; reconstruct the community that existed at King, including size, life history, symbolic associations, and integrative mechanisms; and place King in the larger regional political system. With excavations dating back to 1973, and supported in part by the National Endowment for the Humanities and the National Geographic Society, this is social archaeology at its best.

Examines an eclectic group of western women’s autobiographical texts—canonical and otherwise—Playing House in the American West argues for a distinct regional literary tradition characterized by strategic representations of unconventional domestic life  

The controlling metaphor Cathryn Halverson uses in her engrossing study is “playing house.”  From Caroline Kirkland and Laura Ingalls Wilder to Willa Cather and Marilynne Robinson, from the mid-nineteenth to the late-twentieth centuries, western authors have persistently embraced wayward or eccentric housekeeping to prove a woman’s difference from western neighbors and eastern readers alike. 

The readings in Playing House investigate the surprising textual ends to which westerners turn the familiar terrain of the home: evaluating community; arguing for different conceptions of race and class; and perhaps most especially, resisting traditional gender roles.  Western women writers, Halverson argues, render the home as a stage for autonomy, resistance, and imagination rather than as a site of sacrifice and obligation.

The western women examined in Playing House in the American West are promoted and read as representatives of a region, as insiders offering views of distant and intriguing ways of life, even as they conceive of themselves as outsiders. By playing with domestic conventions, they recast the region they describe, portraying the West as a place that fosters female agency, individuality, and subjectivity.

Winner of FC2’s Ronald Sukenick Innovative Fiction Prize

Stories that remap the world to reveal hidden places we have always suspected of existing and scenarios that show us glimpses of ourselves
 
In these stories, readers encounter a wizened, silent child; a documentary filmmaker lost in the Amazon; a writer physically overwhelmed by the amount of content she has generated; the disappearance of the world’s cats; and an enormous houseplant that has become quietly malevolent. Through these encounters, which are presented with insightful, intricate, and often very funny writing, readers come to know the scintillating zone where fiction and reality become indistinguishable.
 
Working in the tradition of voice impressionists like Maria Bamford, Hampton draws on a wide range of styles and voices to tell stories that seem at once familiar and strange, spoofed and invented. Readers who have enjoyed the work of Shirley Jackson, George Saunders, Lydia Davis, or Robert Walser will be at home in these pages, but so too will readers who have given up on fiction. These stories show us that insouciance can be beautiful, confusion can be intricate and ordered, and rule-breaking can be a discipline all its own.

A study of the ways that southern Presbyterians in the wake of the Civil War contended with a host of cultural and theological questions

Southern Presbyterian theologians enjoyed a prominent position in antebellum southern culture. Respected for both their erudition and elite constituency, these theologians identified the southern society as representing a divine, Biblically ordained order. Beginning in the 1840s, however, this facile identification became more difficult to maintain, colliding first with antislavery polemics, then with Confederate defeat and reconstruction, and later with women’s rights, philosophical empiricism, literary criticisms of the Bible, and that most salient symbol of modernity, natural science.

As Monte Harrell Hampton shows in Storm of Words, modern science seemed most explicitly to express the rationalistic spirit of the age and threaten the Protestant conviction that science was the faithful “handmaid” of theology. Southern Presbyterians disposed of some of these threats with ease. Contemporary geology, however, posed thornier problems. Ambivalence over how to respond to geology led to the establishment in 1859 of the Perkins Professorship of Natural Science in Connexion with Revealed Religion at the seminary in Columbia, South Carolina. Installing scientist-theologian James Woodrow in this position, southern Presbyterians expected him to defend their positions.

Within twenty-five years, however, their anointed expert held that evolution did not contradict scripture. Indeed, he declared that it was in fact God’s method of creating. The resulting debate was the first extended evolution controversy in American history. It drove a wedge between those tolerant of new exegetical and scientific developments and the majority who opposed such openness. Hampton argues that Woodrow believed he was shoring up the alliance between science and scripture—that a circumscribed form of evolution did no violence to scriptural infallibility. The traditionalists’ view, however, remained interwoven with their identity as defenders of the Lost Cause and guardians of southern culture.

The ensuing debate triggered Woodrow’s dismissal. It also capped a modernity crisis experienced by an influential group of southern intellectuals who were grappling with the nature of knowledge, both scientific and religious, and its relationship to culture—a culture attempting to define itself in the shadow of the Civil War and Reconstruction.

The definitive account of how conservative Southern Baptists came to dominate the nation's largest Protestant denomination

In 1979 a group of conservative members of the Southern Baptists Convention (SBC) initiated a campaign to reshape the denomination’s seminaries and organizations by installing new conservative leaders who made belief in the inerrancy of the Bible a condition of service. They succeeded. This book is a definitive account of that takeover.

Barry Hankins argues that the conservatives sought control of the SBC not or not only to secure the denomination's orthodoxy but to mobilize Southern Baptists for a war against secular culture. The best explanation of the beliefs and behavior of Southern Baptist conservatives, Hankins concludes, lies in their adoption of the culture war model of American society. Believing that "American culture has turned hostile to traditional forms of faith,” they sought to deploy the Southern Baptist Convention in a "full-scale culture war" against secularism in the United States. Hankins traces the roots of this movement to the ideas of such post-WWII northern evangelicals as Carl F. H. Henry and Francis Schaeffer. Henry and Schaeffer viewed America's secular culture as hostile to Christianity and called on evangelicals to develop a robust Christian opposition to secular culture. As the nation’s largest Protestant denomination, SBC positions on divisive cultural issues like abortion have remade the American political landscape, most notably in the reversal of Roe v. Wade. 

Hankins also argues, however, that Southern Baptist conservatives sought more than orthodox adherence to Biblical inerrancy. They also sought an identity that was authentically Baptist and Southern. Hankin’s excellent and prescient work will fascinate readers interested in contemporary American religion, culture, and public policy, as well as in the American South.

An anthology of the most important historical sources, classical and modern, on the subjects of presumptions and burdens of proof

In the last fifty years, the study of argumentation has become one of the most exciting intellectual crossroads in the modern academy. Two of the most central concepts of argumentation theory are presumptions and burdens of proof. Their functions have been explicitly recognized in legal theory since the middle ages, but their pervasive presence in all forms of argumentation and in inquiries beyond the law—including politics, science, religion, philosophy, and interpersonal communication—have been the object of study since the nineteenth century.

However, the documents and essays central to any discussion of presumptions and burdens of proof as devices of argumentation are scattered across a variety of remote sources in rhetoric, law, and philosophy. Presumptions and Burdens of Proof: An Anthology of Argumentation and the Law brings together for the first time key texts relating to the history of the theory of presumptions along with contemporary studies that identify and give insight into the issues facing students and scholars today.

The collection’s first half contains historical sources and begins with excerpts from Aristotle’s Topics and goes on to include the locus classicus chapter from Bishop Whately’s crucial Elements of Rhetoric as well as later reactions to Whately’s views. The second half of the collection contains contemporary essays by contributors from the fields of law, philosophy, rhetoric, and argumentation and communication theory. These essays explore contemporary understandings of presumptions and burdens of proof and their role in numerous contexts today. This anthology is the definitive resource on the subject of these crucial rhetorical modes and will be a vital resource to all scholars of communication and rhetoric, as well as legal scholars and practicing jurists.

Investigates public administration’s increasing dependence on technology and how its pervasive use in complex and interrelated socioeconomic and political affairs has outstripped the ability of many public administrators and the public to grasp the consequences of their choices
 
In this well-informed yet anxious age, public administrators have constructed vast cisterns that collect and interpret a meteoric shower of facts. Akhlaque Haque demonstrates that this pervasive use and increasing dependence on information technology (IT) enables sophisticated and well-intentioned public services that nevertheless risk deforming public policy decision-making and sees a contradiction inherent in a public that seeks services that require a level of data collection that in turn triggers fears of a tyrannical police state.
 
The author posits that IT’s potential as a tool for human development depends on how civil servants and citizens actively engage in identifying desired outcomes, map IT solutions to those outcomes, and routinize the applications of those solutions. This leads to his call for the development of entrepreneurs who generate innovative solutions to critical human needs and problems. In his powerful summary, he recaps possible answers to the question: What is the best way a public institution can apply technology to improving the human condition?
 
Engrossing, challenging, and timely, Surveillance, Transparency, and Democracy is essential reading for both policy makers as well as the great majority of readers and citizens engaged in contemporary arguments about the role of government, public health and security, individual privacy, data collection, and surveillance.
 

Contemporary scholarship illustrates the law’s increasingly powerful role in American life; legal education, in turn, has focused on the problems and techniques of communication. This book addresses these interests through critical study of eight popular trials: the 17th-century trial of Dr. Henry Sacheverell, and the 20th-century trials of Scopes, the Rosenbergs, the Chicago Seven, the Catonsville Nine, John Hinckley, Claus von Bulow, and San Diego Mayor Larry Hedgecock. Such trials spark major public debates, become symbols of public life, and legitimize particular beliefs and institutions. Despite high visibility and drama, however, the popular trial has not received sufficient study as persuasive event. Lying at the intersection of the institutional practices of law and the mass media, the popular trial has confounded study according to the conventional assumptions of scholarship in both law and communication studies.

 

Michael Harmon employs the literary conceit of a Final Exam, first “written” in the early 1930s, in a critique of the field’s answers to the legitimacy question. Because the assumptions that underwrite the question preclude the possibility of a coherent answer, the exam should be canceled and its question rewritten. Envisaging a public administration no longer hostage to the legitimacy question, Harmon explains how the study and practice of public administration might proceed from adolescence to maturity. 

 

Drawing chiefly from pragmatist philosophy, he argues that despite the universal rejection of the “politics/administration” dichotomy on factual grounds, the pseudo-problem of legitimacy nonetheless persists in the guise of four related conceptual dualisms: 1) values and facts, 2) thinking and doing, 3) ends and means, and 4) theory and practice. Collectively, these dualisms demand an impossible answer to the practical question of how we might live, and govern, together in a world of radical uncertainty and interdependence. Only by dissolving them can the legitimacy question (Woodrow Wilson’s ghost) finally be banished, clearing away the theoretical debris that obscures a more vital and useful conception of governance.

  

 

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Through a Glass Darkly is a collection of essays by scholars who argue that Baptists are frequently misrepresented, by outsiders as well as insiders, as members of an unchanging monolithic sect.

 

In contemporary discussions of religious denominations, it is often fashionable and easy to make bold claims regarding the history, beliefs, and practices of certain groups. Select versions of Baptist history have been used to vindicate incomplete or inaccurate assertions, attitudes, and features of Baptist life and thought. Historical figures quickly become saints, and overarching value systems can minimize the unsavory realities that would contribute to a truer interpretation of Baptist life.

 

The essays in this volume use the term Baptist in the broadest sense to refer to those Christians who identify themselves as Baptists and who baptize by immersion as a non-sacramental church rite. Over the past four hundred years, Baptists have grown from a persecuted minority to a significant portion of America’s religious population. They have produced their fair share of controversies and colorful characters that have, in turn, contributed to a multifaceted history.

 

But what does it mean to be a “real Baptist”? Some look to historical figures as heroic exemplars of Baptist core values. Others consider cultural, social, or political issues to be guideposts for Baptist identity. Through a Glass Darkly dives deeper into history for answers, revealing a more complete version of the expansive and nuanced history of one of America’s most influential religious groups.

 

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Contributors:

James P. Byrd / John G. Crowley / Edward R. Crowther / Christopher H. Evans / Elizabeth H. Flowers / Curtis W. Freeman / Barry G. Hankins / Paul Harvey / Bill J. Leonard / James A. Patterson / Jewel L. Spangler / Alan Scot Willis

The story of one of this country's major religious movements is told through the spiritual odyssey of one of its prominent spokesmen.

When Homer Hailey sparked controversy within Churches of Christ congregations over his stand on divorce and remarriage, he spoke to a movement already sundered. Historian David Edwin Harrell tells Hailey's story as a means of presenting the larger drama of faith and feuding within those churches.

A nondenominational movement of autonomous congregations, Churches of Christ have been among the fastest-growing religious bodies in the 20th century. Throughout the movement's history, church leaders debated issues ranging from missionary societies to the use of instrumental music in worship. Although some disagreements affected only the ties between congregations, others led to the creation of three distinct groups calling themselves Churches of Christ identified by their sociological and theological positions.

This book shows how the story of the Churches of Christ is reflected by Homer Hailey, a preacher, educator, and author whose life puts in perspective the personal journeys traveled by members in this century. Writing from the perspective of the non-institutional wing within the movement, Harrell avoids mainstream biases to describe the various dissenting views as fully and fairly as possible.

Combining institutional history and biography, Harrell's book is the first to bring the story of the Churches of Christ to century's end. It provides new insight into how this movement realigned itself and shows how one man's career reflected a century of spiritual growth and change for the church as a whole.

The definitive social history of the Disciples of Christ in the 19th century

The Disciples of Christ, led by reformers such as Alexander Campbell and Barton W. Stone, was one of a number of early-19th-century primitivist religious movements seeking to “restore the ancient order of things.” The Disciples movement was little more than a loose collection of independent congregations until the middle of the 19th century, but by 1900 three clear groupings of churches had appeared. Today, more than 5 million Americans—members of the modern-day Disciples of Christ (Christian Church), Independent Christian Churches, and Churches of Christ, among others—trace their religious heritage to this “Restoration Movement.”
 

Examines how representations of Martin Luther King Jr.’s character and persona in works of African American literature have evolved and reflect the changing values and mores of African American culture

African American writers have incorporated Martin Luther King Jr. into their work since he rose to prominence in the mid-1950s. Martin Luther King Jr., Heroism, and African American Literature is a study by award-winning author Trudier Harris of King’s character and persona as captured and reflected in works of African American literature continue to evolve.
 
One of the most revered figures in American history, King stands above most as a hero. His heroism, argues Harris, is informed by African American folk cultural perceptions of heroes. Brer Rabbit, John the Slave, Stackolee, and Railroad Bill—folk heroes all—provide a folk lens through which to view King in contemporary literature. Ambiguities and issues of morality that surround trickster figures also surround King. Nonconformist traits that define Stackolee and Railroad Bill also inform King’s life and literary portraits. Defiance of the law, uses of indirection, moral lapses, and bad habits are as much a part of the folk-transmitted biography of King as they are a part of writers’ depictions of him in literary texts.
 
Harris first demonstrates that during the Black Arts Movement of the 1960s, when writers such as Nikki Giovanni, Sonia Sanchez, and LeRoi Jones (Amiri Baraka) were rising stars in African American poetry, King’s philosophy of nonviolence was out of step with prevailing notions of militancy (Black Power), and their literature reflected that division.
 
In the quieter times of the 1970s and 1980s and into the twenty-first century, however, treatments of King and his philosophy in African American literature changed. Writers who initially rejected him and nonviolence became ardent admirers and boosters, particularly in the years following his assassination. By the 1980s, many writers skeptical about King had reevaluated him and began to address him as a fallen hero. To the most recent generation of writers, such as Katori Hall, King is fair game for literary creation, no matter what those portrayals may reveal, to a point where King has become simply another source of reference for creativity.
 
Collectively these writers, among many others, illustrate that Martin Luther King Jr. provides one of the strongest influences upon the creative worlds of multiple generations of African American writers of varying political and social persuasions.

This easy-to-use reference work documents the many long-vanished towns, forts, settlements, and former state capitals that were once thriving communities of Alabama.

Dead Towns of Alabama is not merely a series of obituaries for dead towns. Instead, it brings back to life 83 Indian towns, 77 fort sites, and 112 colonial, territorial, and state towns. W. Stuart Harris conjures up a wealth of fascinating images from Alabama's rich and colorful past--images of life as the Indians lived it, of colonial life in the wilderness, of Spanish explorers and French exiles, of danger and romance, of riverboats and railroads, of plantations and gold mines, of stagecoaches and ferries. Overall, it presents a thoroughly absorbing panorama of Alabama's early history.

Here we learn about two former capitals--St. Stephens and Cahaba--that have deteriorated to mouldering ruins now. We learn about once thriving communities--county seats, river landings and crossings, trading posts, junctions, and other settlements--that time has forgotten. Absent from most maps, these sites come alive again in Harris's fascinating account, filled anew with the bustling activity of their former inhabitants.

First published in 1977, Dead Towns of Alabama is a unique guidebook to every region of the state. It is an invaluable resource for historians, students, tourists, and anyone interested in exploring Alabama's interesting historical and cultural past.

 

Florida governor Reubin Askew memorably characterized a leader as “someone who cares enough to tell the people not merely what they want to hear, but what they need to know.” It was a surprising statement for a contemporary politician to make, and, more surprising still, it worked. In The Politics of Trust: Reubin Askew and Florida in the 1970s, Gordon E. Harvey traces the life and career of the man whose public service many still recall as “the Golden Age” of Florida politics.
 
Askew rose to power on a wave of “New South” leadership that hoped to advance the Democratic Party beyond the intransigent torpor of southern politics since the Civil War. He hoped to replace appeals to white supremacy with a vision of a more diverse and inclusive party. Following his election in Florida, other New South leaders such as Georgia’s Jimmy Carter, Arkansas’s Dale Bumpers, and South Carolina’s John C. West all came to power.
 
Audacious and gifted, Askew was one of six children raised by a single mother in Pensacola. As he worked his way up through the ranks of the state legislature, few in Florida except his constituents knew his name when he challenged Republic incumbent Claude R. Kirk Jr. on a populist platform promising higher corporate taxes. When he won, he inaugurated a series of reforms, including a new 5 percent corporate income tax; lower consumer, property, and school taxes; a review of penal statutes; environmental protections; higher welfare benefits; and workers’ compensation to previously uncovered migrant laborers.
 
Touting honesty, candor, and transparency, Askew dubbed his administration “government in the sunshine.” Harvey demonstrates that Askew’s success was not in spite of his penchant for bold, sometimes unpopular stances, but rather because his mix of unvarnished candor, sober ethics, and religious faith won the trust of the diverse peoples of his state.

Three trailblazers for education reform in the Sunbelt South.

In southern politics, 1970 marked a watershed. A group of southern governors entered office that year and changed both the way the nation looked at the South and the way the constituents of those states viewed themselves. Reubin Askew in Florida, John West in South Carolina, Jimmy Carter in Georgia, and Albert Brewer in Alabama all represented a new breed of progressive moderate politician that helped demolish Jim Crow segregation and the dual economies, societies, and educational systems notorious to the Sunbelt South. Historian Gordon Harvey explores the political lives and legacies of three of these governors, examining the conditions that led to such a radical change in political leadership, the effects their legislative agendas had on the identity of their states, and the aftermath of their terms in elected office.

A common thread in each governor's agenda was educational reform. Albert Brewer's short term as Alabama governor resulted in a sweeping education package that still stands as the most progressive the state has seen. Reubin Askew, far more outspoken than Brewer, won the Florida gubernatorial election through a campaign that openly promoted desegregation, busing, and tax reform as a means of equal school funding. John West's commitment to a policy of inclusion helped allay fears of both black and white parents and made South Carolina's one of the smoothest transitions to integrated schools.

As members of the first generation of New South governors, Brewer, Askew, and West played the role of trailblazers. Their successful assaults on economic and racial injustice in their states were certainly aided by such landmark events as Brown v. Board of Education, the civil rights movement, and the expansion of voting rights-all of which sounded the death knell for the traditional one-party segregated South. But in this critical detailing of their work for justice, we learn how these reform-minded men made education central to their gubernatorial terms and, in doing so, helped redefine the very character of the place they called home.

 

This collection of essays on the social and political history of the modern South consider the region’s poor, racial mores and race relations, economic opportunity, Protestant activism, political coalitions and interest groups, social justice, and progressive reform.

History and Hope in the Heart of Dixie illuminates the dual role of historian and public advocate in modern America. In a time when the nation’s eyes have been focused by Hurricanes Katrina and Rita onto the vulnerability and dire condition of poor people in the South, the applicability of research, teaching, and activism for this voiceless element seems all the more relevant.

 

Responding to the example of Wayne Flynt, whose fierce devotion to his state of Alabama and its region has not blinded his recognition of the inequities and despair that define southern life for so many, the scholars assembled in this work present contributions to the themes Flynt so passionately explored in his own work. Two seasoned observers of southern history and culture—John Shelton Reed and Dan T. Carter—offer assessments of Flynt’s influence on the history profession as a whole and on the region of the South in particular.

 

In the past decade, the United States has rapidly deployed militarized drones in theaters of war for surveillance as well as targeted killing. The swiftness with which drones were created and put into service has outstripped the development of an associated framework for discussing them, with the result that basic conversations about these lethal weapons have been stymied for a lack of a shared rhetoric. Marouf Hasian’s Drone Warfare and Lawfare in a Post-Heroic Age fills that critical gap.
 
With a growing fleet of more than 7,500 drones, these emblems of what one commentary has dubbed “push-button, bloodless wars” comprise as much as a third of the US aircraft force. Their use is hotly debated, some championing air power that doesn’t risk the lives of pilots, others arguing that drone strikes encourage cycles of violence against the United States, its allies, and interests.
 
In this landmark study, Hasian illuminates both the discursive and visual argumentative strategies that drone supporters and critics both rely on. He comprehensively reviews how advocates and detractors parse and re-contextualize drone images, casualty figures, governmental “white papers,” NGO reports, documentaries, and blogs to support their points of view. He unpacks the ideological reflexes and assumptions behind these legal, ethical, and military arguments.
 
Visiting both formal legal language used by legislators, political leaders, and policy makers as well as public, vernacular commentaries about drones, Drone Warfare and Lawfare in a Post-Heroic Age dispassionately illuminates the emotive, cognitive, and behavioral strategies partisans use to influence public and official opinion.

Analyses the ways American leaders have justified the use of military tribunals, the suspension of due process, and the elimination of habeas corpus
Though the war on terrorism is said to have generated unprecedented military situations, arguments for the Patriot Act and military tribunals following 9/11 resemble many historical claims for restricting civil liberties, more often than not in the name of necessity.

Marouf Hasian Jr. examines the major legal cases that show how various generations have represented the need for military tribunals, and how officials historically have applied the term “necessity.” George Washington cited the necessity of martial discipline in executing the British operative Major André. Tribunals tried and convicted more than 200 Sioux warriors during the Dakota Wars. President Lincoln suspended habeas corpus for many civilian and military prisoners during the Civil War. Twentieth Century military and civilian leaders selectively drafted their own codes, leading to the execution of German saboteurs during World War II. Further, General MacArthur’s tribunal to investigate the wartime activities of Japanese General Yamashita raised the specter of “victor’s justice,” anticipating the outcry that attended the Nuremberg trials.

          
In those cases as in current debates about the prosecution of terrorists, Hasian argues that the past is often cited selectively, neglecting historical contexts and the controversies these cases engendered.
 

A fascinating memoir by Egypt-born American literary theorist and writer Ihab Hassan about his life in Japan. Part recollection, part cultural perception, Between the Eagle and the Sun records his journey, living and seeing himself sometimes as another, assaying always to read the hieroglyphs of his past in the scripts of Japan. As lucid as it is intensely felt, at once lyrical and critical, the work offers a beguiling vision of Japan and, by tacit contrast, of America. For writing, the author says, is more than praise or blame, it is also knowledge, empathy, and delight. These attributes are evident in Hassan's treatment of Japanese culture, its people and scenes. Indeed, the people, rendered in vibrant portraits throughout the book, abide when all the shadows of romance and exasperation have fled.

True to its moment, the work also reinvests the forms of memoir, travel, and quest. Cultural essays, travel anecdotes, autobiographical meditations, portraits of Japanese friends, a section titled "Entries, A to Z," fit into a tight frame, with clear transitions from one section to another. The style, however, alters subtly to suit topic, occasion, and mood.

“Hassler’s history will survive as our most detailed narrative of the first day’s battle, examining the day’s action so minutely that no succeeding historian of Gettysburg will be able to ignore it. Hassler’s book has solid virtues in addition to its thoroughness of detail: it offers a persuasive argument that the first day’s events largely determined the eventual outcome of the battle; Hassler displays uncommonly complete knowledge of the battlefield terrain [and] makes uniquely good use of the information that can be gleaned from the monuments and markers on the battlefield.” – American Historical Review

Marianne Hauser's short fiction is a literary documentary of exile, the other-worldly travelogue of an imagination permanently displaced. These accounts of expatriates and lost children situate us in foreign realms, between the titillating intimacies of strangers and looming brutalities we can never quite see. In Hauser's fiction, expatriation is not a historical accident but a condition as essential to humans as breathing or speech. A young boy's suicide in "Heartlands Beat" or a child's vision of her piano teacher's corpse invoke the permanent dislocations that adulthood can never overcome. It is as though birth were, for Hauser, the great forced migration, an incomprehensible banishment from some homeland every child can remember. Her characters gaze in bewilderment at the crude and violent landscape that, through preposterous twistings, they have come to occupy, wondering how they could have ended so incongruously, unable to imagine any dwelling but here. Beautiful fabrications from the writer about whom Anais Nin remarked, "She deftly weaves the strange, the unknown, the unfamiliar, the perverse, into a fabric of human fallibilities that draws drama and farce close to us."

Well-researched analysis of the impact that Spain and Spanish America had on antebellum literature in the United States.
 
In Hispanicism and Early US Literature, author John C. Havard posits that representations of Spain, Spanish America, Spanishness, and Spanish Americanness are integral elements in the evolution of early national and antebellum US literature. He argues that Spanish-speaking countries have long held a broad fascination for Americans and that stock narratives regarding these peoples were central to the period’s US literature.
 
Beginning with the work of eighteenth-century literary nationalists such as Joel Barlow, US literature has been drawn to reflect on Spain and Spanish America. Such reflection was often inspired by geopolitical conflicts such as US expansion into Spanish Louisiana and the US-Mexican War. Havard terms the discourse emerging from these reflections “Hispanicism.” This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest.
 
Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism.
 
More than just a work of literary criticism, there is a substantial amount of cultural and political history discussed. Havard’s use of archival sources such as political articles and personal correspondence elucidates not just literary genres and movements such as early national epic poetry, abolitionist fiction, and the American Renaissance, but also US culture writ large.

Winner of the Florida Historical Society's 2015 Stetson Kennedy Award

The 1980 Mariel Boatlift was a profound episode in twentieth-century American history, impacting not just Florida, but the entire country. During the first twenty days of the boatlift, with little support from the federal government, the state of Florida coordinated and responded to the sudden arrival in Key West of more than thirty thousand Cuban refugees, the first wave of immigrants who became known as “Marielitos.”
 
Kathleen Dupes Hawk, Ron Villella, Adolfo Leyva de Varona, and Kristen Cifers combine the insights of expert observers with the experiences of actual participants. The authors organize and present a wealth of primary sources, first-hand accounts, archival research, government records, and interviews with policy-makers, volunteers, and refugees that bring into focus the many far-reaching human, political, and cultural outcomes of the Mariel Boatlift that continue to influence Florida, the United States, and Cuba today.
 
Emerging from these key records and accounts is a grand narrative of high human drama. Castro’s haphazard and temporary opening of Cuba spurred many thousands of Cubans to depart in calamitously rushed, unprepared, and dangerous conditions. The book tells the stories of these Cuban citizens, most legitimately seeking political asylum but also including subversive agents, convicted criminals, and the mentally ill, who began arriving in the US beginning in April 1980. It also recounts how local and state agencies and private volunteers with few directives or resources were left to improvise ways to provide the Marielitos food, shelter, and security as well as transportation away from Key West.
 
The book provides a definitive account of the political, legal, and administrative twists on the local, state, and federal levels in response to the crisis as well as of the often-dysfunctional attempts at collaboration between governmental and private institutions. Vivid and readable, Florida and the Mariel Boatlift of 1980 presents the significant details that illuminate and humanize this complex humanitarian, political, and logistical crisis. 

An exploration of the Spanish colonial reaction to the threat of Napoleonic subversion

A Great Fear: Luís de Onís and the Shadow War against Napoleon in Spanish America, 1808–1812 explores why Spanish Americans did not take the opportunity to seize independence in this critical period when Spain was overrun by French armies and, arguably, in its weakest state. In the first years after his appointment as Spanish ambassador to the United States, Luís de Onís claimed the heavy responsibility of defending Spanish America from the wave of French spies, subversives, and soldiers whom he believed Napoleon was sending across the Atlantic to undermine the empire.

As a leading representative of Spain’s loyalist government in the Americas, Onís played a central role in identifying, framing, and developing what soon became a coordinated response from the colonial bureaucracy to this perceived threat. This crusade had important short-term consequences for the empire. Since it paralleled the emergence of embryonic independence movements against Spanish rule, colonial officials immediately conflated these dangers and attributed anti-Spanish sentiment to foreign conspiracies.

Little direct evidence of Napoleon’s efforts at subversion in Spanish America exists. However, on the basis of prodigious research, Hawkins asserts that the fear of French intervention mattered far more than the reality. Reinforced by detailed warnings from Ambassador Onís, who found the United States to be the staging ground for many of the French emissaries, colonial officials and their subjects became convinced that Napoleon posed a real threat. The official reaction to the threat of French intervention increasingly led Spanish authorities to view their subjects with suspicion, as potential enemies rather than allies in the struggle to preserve the empire. In the long term, this climate of fear eroded the legitimacy of the Spanish Crown among Spanish Americans, a process that contributed to the unraveling of the empire by the 1820s.

This study draws on documents and official records from both sides of the Hispanic Atlantic, with extensive research conducted in Spain, Guatemala, Argentina, and the United States. Overall, it is a provocative interpretation of the repercussions of Napoleonic intrigue and espionage in the New World and a stellar examination of late Spanish colonialism in the Americas.

The first full-length study of a significant figure of the Spanish Enlightenment

Latin American independence histories of the last 150 years have tended to stereotype Captain General Bustamante, governor of the Spanish colony of Guatemala from 1811 to 1818, as a tyrannical arch-villain who personified colonial oppression. Timothy Hawkins, in contrast, examines Bustamante and his administration within the context of preservation of empire, the effort by colonial officials and partisans to maintain the integrity of the Spanish empire in spite of internal and external unrest.

Based on extensive primary research in the archives of Guatemala, Mexico, and Spain, Hawkins’s approach links the Central American experience to that of areas such as Peru, Venezuela, and Mexico, that also responded equivocally and haphazardly to rebellious uprisings against colonial rule. While conceding that Bustamante’s role in the suppression of unrest turned him into one of the more controversial figures in Latin American history, Hawkins argues that the Bustamante administration should not be seen as an isolated and perverse case of Spanish repression but as an example of a relatively successful, if short lived, campaign by Spain to preserve its empire.

An annotated selection of unpublished letters by Nathaniel Hawthorne's sister.

Retrieved from seven different libraries, this corpus of letters was preserved by the Manning family chiefly for their value as records of Nathaniel Hawthorne's life and work; but they ironically also illuminate the life and mind of a fascinating correspondent and citizen of New England with incisive views and commentaries on her contemporaries, her role as a woman writer, Boston and Salem literary culture, and family life in mid-19th-century America.

This book illuminates Elizabeth's early life; the trauma caused for sister and brother by the death of their father; her and her brother's education; and the tensions the two children experienced when they moved in with their mother's family, the welthier Mannings, instead of the poorer though socially more venerable Hawthornes, following their father's death.  The letters portray Elizabeth's constrained relationship with Nathaniel's wife Sofia Peabody and counter Sophia's portrayal of her sister-in-law as a recluse, oddity, and "queer scribbler."

These 118 letters also reveal Elizabeth Hawthorne's tremendous gifts as a thinker, correspondent, and essayist, her interest in astronomy, a lifelong drive toward self-edification in many fields, and her extraordinary relationship with Nathaniel.  As a sibling and a fellow author, they were sometimes lovingly codependent and sometimes competitive.  Finally, her writing reveals the larger worlds of politics, war, the literary landscape, class, family life, and the freedoms and constraints of a woman's role, all by a heretofore understudied figure.

This volume is derived from papers presented by the North American delegates at the Third International Steinbeck Congress, held in May 1990 in Honolulu, Hawaii, under the co-sponsorship of the Steinbeck Society of Japan and the International Steinbeck Society. These ten essays, arranged in two parts, seek to provide a clearer understanding of Steinbeck's life and work during his most productive period. Part I discusses Steinbeck's women, with emphasis on the function of the feminine from original perspectives. It uses recent research sources, including some of the Steinbeck-Gwyn love letters and poems. Part II explores the Depression trilogy—"In Dubious Battle", "Of Mice and Men," and "The Grapes of Wrath"—Steinbeck's major works of the late 1930s.

"Provides an engaging and illuminating view of the culture of the South and the study of natural history. . . . Ravenel's achievements, Haygood argues, refute Clement Eaton's contention that slavery stifled creative thought; they also modify the more extravagant claim for southern equality with northern science made in Thomas Cary Johnson's Scientific Interests in the Old South (1936)."

—American Historical Review

"Convincingly argues for the importance of these middle years to understanding American science and vividly illustrates the effect of the Civil War on science. . . . Ravenel, a geographically isolated planter with a college degree but no scientific training, managed to serve as one of America's leading mycologists, despite continual financial and medical problems and the disruption of the Civil War. This lively account of his life and work is at once inspiring and tragic."

Journal of the History of Biology

"A thoroughly enjoyable biography of one of the important American naturalists, botanists, and mycologists of the 1800s. . . . Truly an outstanding contribution to the history of American science."

—Brittonia

Published in cooperation with the Barber Vintage Motorsports Museum, Birmingham.

 

A veteran journalist’s collection of sportswriting on the blue-collar South.

Sport mirrors life. Or, in Paul Hemphill's opinion, “Sport is life.” The 15 pieces in this compelling collection are arranged along the timeline for an aspiring athlete's dream: “The Dawning,” with stories about boys hoping and trying to become men, “The Striving,” about athletes at work, defining themselves through their play, and “The Gloaming,” about the twilight time when athletes contend with broken dreams and fading powers. Through all the pieces, Hemphill exhibits his passion for the sports he covers and a keen eye for the dramas, details, and hopes that fire the lives of athletes, allowing them to become prototypes of all human existence.

Most of the stories have been previously published in such national magazines as Sports Illustrated, True, Life, Today’s Health, and Sport. In “White Bread and Baseball,” the author chronicles his own boyhood infatuation with the minor-league Birmingham Barons, while in “Yesterday’s Hero” he details the sad end of a former All-American football player named Bob Suffridge, a portrait of a lion in winter. “It’s a Mad, Mad, Mad Whirl” covers nights on the road with the roller derby, and “Saturday Night at Dixie Speedway” captures all the raucous glory of a stock-car dirt track under the hot lights. “Big Night, Big City” tells of an anxious, small-town high school basketball team facing their crucial chance for glory at a state tournament in Atlanta, and the classic “Mister Cobb” details a personal lesson on sliding the young author received from “the greatest player in the history of baseball.”

These stories are often bittersweet, emotional, and mythic: little dramas bearing impact and psychological “size.” Some of them are distinctively “Dixie,” but they ultimately transcend time and place. Frye Gaillard, author of Kyle at 200 MPH: A Sizzling Season in the Petty-NASCAR Dynasty, writes, “For more than 30 years, Paul Hemphill has been one of the finest writers in the South, and I think he proves it again in this collection. He exudes a natural feel for the players and the game, drawing out the real-life themes of struggle and desire, occasional triumph, and the omnipresent possibilities of heartache and failure.”

 

 

This novel is about a young man, Jule, who grew up in rural Alabama in the 1930s. He experienced a peaceful farm life filled with hard work in the hot sun followed by socializing by moonlight in the cooling hours of the night. His mother, Ollie Miss, raised him “to be somebody,” as she said, and he always knew that he would follow her advice. As he grew, he developed a close friendship with the white storekeeper’s son, Rollo, and an earthly love for Berta Mae, a neighbor girl. This quiet life changed abruptly for the young Negro boy when he fled Alabama and arrived in Harlem, there to gain a foothold in that world center of black social and economic power. Although a novel, Jule is strongly autobiographical and gives insight into a vanished Harlem, a glittering community that produced a rich outpouring of distinctively American literary works. J. Lee Greene’s introduction places the novel in the context of the time and links this work with Henderson’s earlier novel – Ollie Miss, also available from the University of Alabama Press – establishing its rightful place in Afro-American literature. 

Ollie Miss is a folk novel of Southern backwoods and rural, poor black life in Alabama's recent past. The novel serves as an important social record of a past society, time, and circumstance that would evolve into an era of social change, namely the civil rights movement. Ollie Miss is also a love story that speaks of personal loneliness and the need for fulfillment in a young black woman, poor and ignorant, and unattached. It is a story of Ollie Miss's personal struggle to "become" a person in her own right, to be independent, and to find some small measure of happiness in life.

This book focuses on the Colombian Violencia, the undeclared civil war between the Liberal and Conservative parties that raged from the late 1940s to early 1960s. It presents the information as a narrative history.

There is also an array of appendixes, maps, and photographs.

Figures of protection and security are everywhere in American public discourse, from the protection of privacy or civil liberties to the protection of marriage or the unborn, and from social security to homeland security. Liberalism and the Culture of Security traces a crucial paradox in historical and contemporary notions of citizenship: in a liberal democratic culture that imagines its citizens as self-reliant, autonomous, and inviolable, the truth is that claims for citizenship—particularly for marginalized groups such as women and slaves—have just as often been made in the name of vulnerability and helplessness.

 

Katherine Henry traces this turn back to the eighteenth-century opposition of liberty and tyranny, which imagined our liberties as being in danger of violation by the forces of tyranny and thus in need of protection. She examines four particular instances of this rhetorical pattern. The first chapters show how women’s rights and antislavery activists in the antebellum era exploited the contradictions that arose from the liberal promise of a protected citizenry: first by focusing primarily on arguments over slavery in the 1850s that invoke the Declaration of Independence, including Harriet Beecher Stowe’s fiction and Frederick Douglass’s “Fourth of July” speech; and next by examining Angelina Grimké’s brief but intense antislavery speaking career in the 1830s.

 

New conditions after the Civil War and Emancipation changed the way arguments about civic inclusion and exclusion could be advanced. Henry considers the issue of African American citizenship in the 1880s and 1890s, focusing on the mainstream white Southern debate over segregation and the specter of a tyrannical federal government, and then turning to Frances E. W. Harper’s fictional account of African American citizenship in Iola Leroy. Finally, Henry examines Henry James’s 1886 novel The Bostonians, in which arguments over the appropriate role of women and the proper place of the South in post–Civil War America are played out as a contest between Olive Chancellor and Basil ransom for control over the voice of the eloquent girl Verena Tarrant.

The American East India Squadron was created in 1835 by the Navy Department to extend a measure of authority to a remote corner of the globe. Americans in distant areas frequently had to cope without a naval presence, and the establishment of a permanent naval station abroad usually reflected the government’s assumption that American commercial or strategic interests were sufficiently vital to justify more than occasional visits. The appearance of a regular squadron did not necessarily imply that it would actually do anything, but rather that it would be available if the need arose. 

The first comprehensive study of the meaning of pottery as a social activity in coastal North Carolina.

Pottery types, composed of specific sets of attributes, have long been defined for various periods and areas of the Atlantic coast, but their relationships and meanings have not been explicitly examined. In exploring these relationships for the North Carolina coast, this work examines the manner in which pottery traits cross-cut taxonomic types, tests the proposition that communities of practice existed at several scales, and questions the fundamental notion of ceramic types as ethnic markers.

Ethnoarchaeological case studies provide a means of assessing the mechanics of how social structure and gender roles may have affected the transmission of pottery-making techniques and how socio-cultural boundaries are reflected in the distribution of ceramic traditions. Another very valuable source of information about past practices is replication experimentation, which provides a means of understanding the practical techniques that lie behind the observable traits, thereby improving our understanding of how certain techniques may have influenced the transmission of traits from one potter to another. Both methods are employed in this study to interpret the meaning of pottery as an indicator of social activity on the North Carolina coast.

Hereford’s memoir stands out because of its medical and civil rights themes, and also because of its compelling account of the professional ruin Hereford encountered after 37 years of practice, as the end of segregation and the federal role in medical care placed black doctors in competition with white ones for the first time.

Innovative and thorough, Signs and Symbols in Chaucer’s Poetry presents nine essays that reexamine the literary iconography of Middle English. Chaucer’s work is the most well-known, and possibly the most significant, remnant of the Middle Ages; investigations into his writing and meanings are fruitful even today. The essays collected by John P. Hermann and John J. Burke Jr. invite scholars to consider new interpretations of old symbols while acknowledging the intricacies of historical context.

Each highly distinguished scholar responds to D. W. Robertson’s seminal, if controversial, approach to Chaucer’s work. Robertson’s scholarship, which also provides the opening essay of the collection, uses a historicist approach to contextualize Chaucer’s imagery within the literary and cultural conventions of the Middle Ages. Sources for such contextualization include etymology, topology, the classics, pictorial art, the Bible, and the developing sciences of the time. Robertson, as well as his contemporary Bernard F. Huppé, provided a fascinating new direction for modern Chaucer studies that focused on daily life.

Each essay uses this approach to draw attention to various examples of Chaucer’s iconography. The texts span several of Chaucer’s works and a plethora of subjects, including music, disappointed expectations, repeated or conflicting signs, and more. This volume provides insight into Chaucer’s work as well as the Middle Ages as a whole, examining conventions and expectations of society at that time. Scholars, instructors, and lovers of Chaucer will all find value in this finely edited collection.

A frank and engaging exploration of the burgeoning academic field of environmental history

Inspired by the pioneering work of preeminent environmental historian Donald Worster, the contributors to A Field on Fire: The Future of Environmental History reflect on the past and future of this discipline. Featuring wide-ranging essays by leading environmental historians from the United States, Europe, and China, the collection challenges scholars to rethink some of their orthodoxies, inviting them to approach familiar stories from new angles, to integrate new methodologies, and to think creatively about the questions this field is well positioned to answer.
 
Worster’s groundbreaking research serves as the organizational framework for the collection. Editors Mark D. Hersey and Ted Steinberg have arranged the book into three sections corresponding to the primary concerns of Worster’s influential scholarship: the problem of natural limits, the transnational nature of environmental issues, and the question of method. Under the heading “Facing Limits,” five essays explore the inherent tensions between democracy, technology, capitalism, and the environment. The “Crossing Borders” section underscores the ways in which environmental history moves easily across national and disciplinary boundaries. Finally, “Doing Environmental History” invokes Worster’s work as an essayist by offering self-conscious reflections about the practice and purpose of environmental history.
 
The essays aim to provoke a discussion on the future of the field, pointing to untapped and underdeveloped avenues ripe for further exploration. A forward thinker like Worster presents bold challenges to a new generation of environmental historians on everything from capitalism and the Anthropocene to war and wilderness. This engaging volume includes a very special afterword by one of Worster’s oldest friends, the eminent intellectual historian Daniel Rodgers, who has known Worster for close to fifty years.

The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire.
 
In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’”
 
Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself.
 
The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.

The position of the pharmacist in the structure of health care in the United States evolved during the middle half of the 19th century, roughly from the founding of the Philadelphia College of Pharmacy in 1821 to the passage of meaningful pharmaceutical legislation in the 1870s. Higby examines the professional life of William Procter, Jr., generally regarded as the “Father of American Pharmacy,” and follows the development of American pharmacy through four decades of Procter’s professional commitment to the field. 

“Higginbotham has given to American historiography a microcosmic view of one of the earliest and most important outposts in the colonial new world. The Latin South can henceforth not be ignored.” —Alabama Historical Quarterly

By analyzing the pottery found at a well-known archaeological site, Hilgeman constructs the long-awaited timeline for the rise and decline of this ancient society.

Located near present-day Evansville, Indiana, the Angel site is one of the important archaeological towns associated with prehistoric Mississippian society. More than two million artifacts were collected from this site during excavations from 1939 to 1989, but, until now, no systematic survey of the pottery sherds had been conducted. This volume, documenting the first in-depth analysis of Angel site pottery, also provides scholars of Mississippian culture with a chronology of this important site.

Angel is generally thought to have been occupied from before A.D. 1200 to 1450, but scholars have been forced to treat this period as one chronological unit without any sense of the growth and decline of the society that occupied it. Using radiocarbon assays and an analysis of its morphological and stylistic attributes of pottery, Sherri Hilgeman is able to divide the occupation of Angel into a series of recognizable stages. She then correlates those stages with similar ones at other archaeological excavations—especially nearby Kincaid—making it possible to compare Angel society with other native cultures of the lower Ohio Valley. Through this important contribution to native pottery studies, Hilgeman opens a window into the lifeways of prehistoric Angel society and places that society in the larger context of Mississippian culture.

 

 

A holistic approach to analyzing distinct grassland habitats that integrates ecological, historical, and archaeological data
 
Today the southeastern United States is a largely rural, forested, and agricultural landscape interspersed with urban areas of development. However, two centuries ago it contained hundreds of thousands of acres of natural grasslands that stretched from Florida to Texas. Now more than 99 percent of these prairies, glades, and savannas have been plowed up or paved over, lost to agriculture, urban growth, and cattle ranching. The few remaining grassland sites are complex ecosystems, home to hundreds of distinct plant and animal species, and worthy of study.
 
Southeastern Grasslands: Biodiversity, Ecology, and Management brings together the latest research on southeastern prairie systems and species, provides a complete picture of an increasingly rare biome, and offers solutions to many conservation biology queries. Editors JoVonn G. Hill and John A. Barone have gathered renowned experts in their fields from across the region who address questions related to the diversity, ecology, and management of southeastern grasslands, along with discussions of how to restore sites that have been damaged by human activity.

Over the last twenty years, both researchers and the public have become more interested in the grasslands of the Southeast. This volume builds on the growing knowledge base of these remarkable ecosystems with the goal of increasing appreciation for them and stimulating further study of their biota and ecology. Topics such as the historical distribution of grasslands in the South, the plants and animals that inhabit them, as well as assessments of several techniques used in their conservation and management are covered in-depth. Written with a broad audience in mind, this book will serve as a valuable introduction and reference for nature enthusiasts, scientists, and land managers.

Hill’s landmark work in southern religious history returns to print updated and expanded—and compellingly relevant.

The first critical volume devoted to the full range of women's postmodern works

We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rachel Blau DuPlessis; discussions include analyses of the work of Kathleen Fraser, Harryette Mullen, and Kathy Acker, among others. The editors take as their title a line from the work of Lyn Hejinian, one of the most respected of innovative women poets writing today.

The volume is organized into four sections: the first two seek to identify, from two different angles, the ways women of different sociocultural backgrounds are exploring their relationships to their cultures' inherited traditions; the third section investigates the issue of visuality and the problems and challenges it creates; and the fourth section expands on the role of the body as material and performance.

The collection will breach a once irreconcilable divide between those who theorize about women's writing and those who focus on formalist practice. By embracing "astonishment" as the site of formalist-feminist investigation, the editors seek to show how form configures feminist thought, and, likewise, how feminist thought informs words and letters on a page. Students and scholars of avant-garde poetry, women's writing, and late-20th-century American literature will welcome this lively discussion.

A timely update on the state of bioarchaeological research, offering contributions to the archaeology, prehistory, and history of the southeastern United States.
 
Building on the 1991 publication What Mean These Bones? Studies in Southeastern Bioarchaeology, this new edited collection from Shannon Chappell Hodge and Kristrina A. Shuler marks steady advances over the past three decades in the theory, methodology, and purpose of bioarchaeology in the southeastern United States and across the discipline. With a geographic scope that ranges from Louisiana to South Carolina and a temporal span from early prehistory through the nineteenth century, the coverage aims to be holistic.
 
Bioarchaeology of the American Southeast: Approaches to Bridging Health and Identity in the Past is organized into two main parts. The first, “Context and Culture History in Bioarchaeology,” focuses on the fundamentals of archaeology—figuring out who lived at an archaeological site, when they lived there, what they did, and how they lived their lives.
 
This builds the framework that allows archaeologists to answer deeper questions, such as the ones addressed in the second part, “Social Identities in Bioarchaeology.” Here contributors explore questions of identity, ethnicity, gender and the status of women, social status, class, power and exploitation, migration, and conflict. These chapters implement and contribute to anthropological theory and showcase improved methods, such as innovative statistical analyses, and incorporate newer technology, including a DNA and geographic information system applications.

After twenty years in New York City, a prize-winning writer takes a "long look back" at his hometown of Mobile, Alabama.
 
In Back Home: Journeys through Mobile, Roy Hoffman tells stories—through essays, feature articles, and memoir—of one of the South's oldest and most colorful port cities. Many of the pieces here grew out of Hoffman's work as Writer-in-Residence for his hometown newspaper, the Mobile Register, a position he took after working in New York City for twenty years as a journalist, fiction writer, book critic, teacher, and speech writer. Other pieces were first published in the New York Times, Southern Living, Preservation, and other publications. Together, this collection comprises a long, second look at the Mobile of Hoffman's childhood and the city it has since become.
 
Like a photo album, Back Home presents close-up portraits of everyday places and ordinary people. There are meditations on downtown Mobile, where Hoffman's grandparents arrived as immigrants a century ago; the waterfront where longshoremen labor and shrimpers work their nets; the back roads leading to obscure but intriguing destinations. Hoffman records local people telling their own tales of race relations, sports, agriculture, and Mardi Gras celebrations. Fishermen, baseball players, bakers, authors, political figures--a strikingly diverse population walks across the stage of Back Home.

Throughout, Hoffman is concerned with stories and their enduring nature. As he writes, "When buildings are leveled, when land is developed, when money is spent, when our loved ones pass on, when we take our places a little farther back every year on the historical time-line, what we have still are stories."

The worlds of three women and the men they love come together in this novel of war and hurricanes, loss and renewal. Christiane, or Nana, reliving the past in her eighties, her granddaughter Angela, working at a Biloxi casino in her twenties, and their teenage friend Cam, the daughter of a Vietnamese shrimper, form a deep connection. As they face heartbreak, their bonds nurture and sustain them. Ordinary people impacted by the shifts of history—Come Landfall is a southern story with a global sensibility.

The Gulf Coast serves as more than just a setting—it is a character unto itself. With casinos lining one side of the highway, antebellum homes along the other, and a Vietnamese neighborhood up the road, here the old South collides with the new. From households along this stretch of US 90, lineages and emotional connections stretch all over the world.

Inspired by true events, Roy Hoffman’s novel has its seeds in the saga of his uncle, Maj. Roy Robinton, US Marine Corps, a WWII prisoner of war in the Philippines who disappeared as captive on a Japanese “hellship.” His young bride, back home, was ground down, waiting.

Christiane returns in her mind to the man she married at twenty-one—Rosey, a flyer with the Army Air Corps who was in the Philippines at the outbreak of WWII. Angela meets Frank, an airman at Keesler Air Force base who is proudly patriotic, deeply religious, and a student of weather. Cam falls in love with Joe, a Biloxi cop, and her own tumultuous story begins to interweave with that of Angela’s and Nana’s. What’s taken from Nana, Angela, and Cam (and so many others when storms make their landfall), what’s given back, and what’s kept forever sit at the heart of this
intimate yet expansive novel.

 

During the past few decades, Caribbean scholars on both sides of the Atlantic have increasingly developed and employed new methods and techniques for the study of archaeological materials. The aim of earlier research in the Caribbean was mainly to define typologies on the basis of pottery and lithic assemblages leading to the establishment of chronological charts for the region, and it was not until the 1980s that the use of technological and functional analyses of artifacts became widespread. The 1990s saw a veritable boom in this field, introducing innovative methods and techniques for analyzing artifacts and human skeletal remains. Innovative approaches included microscopic use-wear analysis, starch residue and phytolith analysis, stable isotope analysis, experimental research, ethnoarchaeological studies, geochemical analyses, and DNA studies. 

 

The purpose of this volume is to describe new methods and techniques in the study of archaeological materials from the Caribbean and to assess possible avenues of mutual benefit and integration. Exploring the advantages and disadvantages in the application of a selected number of newly emerging methods and techniques, each of these approaches is illustrated by a case study. These studies benefited from a diverse array of experience and the international background of the researchers from Canada, the Netherlands, Cuba, Puerto Rico, Martinique, Italy, Mexico, Dominican Republic, England, and the United States who are integral members of the archaeological community of the Caribbean. A background to the study of archaeological materials in the Caribbean since the 1930s is provided in order to contextualize the latest developments in this field.

Swim for the Little One First is a dazzling new collection of twelve short fictions by the acclaimed fiction writer and prose stylist Noy Holland. The stories gathered in Swim for the Little One First vary in setting (Ecuador, Montana, Florida, the Berkshires, North Dakota, New Mexico, and California) and style (from the plainspoken to the fustian).

 

In “Milk River” a young girl whose mother has committed suicide and whose brother has gone off to war is left to tend to her ailing father; in “Today is an Early Out” a family finds itself caught in a mudslide in the Sierra Nevada; in “Merengue” a young couple takes up residence in a HUD hotel in Miami Beach, among the elderly living out their last days. In the title story a woman with young children addresses her father, who has come to visit, in theobdurate language of remorse. In “Pemmican” the author takes a comic approach to the telling of an absurd story about escaped pet mice surviving winter in a car. In these and seven other stories, Noy Holland, an author praised by writers and critics ranging from William H. Gass to Michiko Kakutani, presents readers with what Gass has described as “beautifully lyrical but bitter prose and . . . an ardent grimness of eye that is both unsettling and intensely satisfying.”

What Begins with Bird, by Noy Holland, is both an investigation of family relationships and a sophisticated study of language and rhythm. Holland creates an exhilarating tension between the satisfactions of meaning and the attenuated beauty of lyric, making her fiction felt as deeply as it is understood. An unstable sister whose misconceived pregnancy replays the endless nightmare of childhood siblings and a wrecked marriage occasioning the misery of a horse: these are the frozen events around which Holland's words congeal. The poetry of her images, powerful but immediately absorbed, can bring consciousness to a standstill: "By then I've reached her: Sister spluttering, spitting out the plug of snow. Her mouth is bleeding. Her face is the grotesque of a face, a soul in flames, some rung of hell, and she is sobbing, spit puddling under her tongue." The Faulknerian echoes of Holland's prose invoke a dreamscape, a panorama enclosing barns and men and guns and Mother, as she trudges the cold hills in her nightgown. This writing is exquisite, a gorgeousness as unforgettable as a stabbing pain or the after-image of a howl in the pitch of night.