During the Cold War, the Soviet military embarked on a massive project to map every corner of the globe. As part of this project, many cities and towns in the British Isles were mapped in astonishing detail and with great accuracy, providing the Soviet Union with strategic intelligence on key British and Irish locations. These were not simply copies of existing local maps, but included considerable original research. Following the collapse of the Soviet Union, news of the previously secret maps began to emerge, though little is still known about why they were made or how the information was gathered.

 

Drawing on an archive acquired by the Bodleian Library, John M. Davies and Alexander J. Kent examine the maps of more than thirty British and Irish towns, including, among many others, Liverpool, Manchester, Birmingham, Swansea, and Sheffield. They look at some of the notable inaccuracies and highlight the surprising wealth of information the maps contain, including bridge heights, river depths, street names, and every strategic installation of possible significance. In addition, their expert commentary offers suggestions about what the maps may reveal about the sources of the data.

 

A fascinating collection of documents concerning Cold War military intelligence, Soviet Intelligence Plans for the British Isles represents an intriguing exploration of how information was compiled during a period of deep mutual suspicion between the Soviet Union and the West.

Many beautiful illuminated manuscripts survive from the Middle Ages and can be seen in libraries and museums throughout Europe. But who were the skilled craftsmen who made these exquisite books? What precisely is parchment? How were medieval manuscripts designed and executed? What were the inks and pigments, and how were they applied? Examining the work of scribes, illuminators, and bookbinders, this lavishly illustrated account tells the story of manuscript production from the early Middle Ages through to the high Renaissance. Each stage of production is described in detail, from the preparation of the parchment, pens, paints, and inks to the writing of the scripts and the final decoration of the manuscript. Christopher de Hamel’s engaging text is accompanied by a glossary of key technical terms relating to manuscripts and illumination, providing an invaluable introduction for anyone interested in studying medieval manuscripts today.

Since its foundation in 1860, the Oxford University Museum of Natural History has become a key center for scientific study, its much-loved building an icon for visitors from around the world. The museum now holds more than seven million scientific specimens, including five million insects, half a million fossil specimens, and half a million zoological specimens. It also holds an extensive collection of archival material relating to important naturalists such as Charles Darwin, William Jones, and James Charles Dale.
            This lavishly illustrated book features highlights from the collections, ranging from David Livingstone’s tsetse fly specimens to Mary Anning’s ichthyosaur, and from crabs collected by Darwin during his voyage on the Beagle to the iconic Dodo, the only soft tissue specimen of the species in existence. Also featured are the first described dinosaur bones, found in a small Oxfordshire village, the Red Lady of Paviland (who was in fact a man who lived 29,000 years ago), and a meteorite from the planet Mars.
            Each item tells a unique story about natural history, the history of science, collecting, or the museum itself. Rare & Wonderful offers unique insight into the extraordinary wealth of information and fascinating tales that can be gleaned from these collections.

Fountain Pens—The Super-Pen for Our Super-Men
Ladies! Learn to Drive! Your Country Needs Women Drivers!
Do you drink German water?
 
When Britain declared war on Germany in 1914, industrious companies wasted no time in seizing the commercial opportunities presented by the conflict. Without TV or radio, newspapers provided one of the few ways in which the British public could get reliable news of the war. To cater to their rising readerships, advertising emerged as the new science of sales, growing increasingly sophisticated throughout the war years in both visual presentation and psychological appeal.
           
The Huns Have Got my Gramophone! collects some of the most compelling and cleverly worded original advertisements created between 1914 and 1918. Many of the advertisements are aimed at women, from fearless guard dogs promising protection while husbands are away to soaps and skin creams for “beauty on duty.” Others use the power of patriotism to push new products for men, including “officers’ waterproof trench coats,” and one young officer writing in the Times attests to the coats’ superior weather resistance by boldly asserting that he’d leave his sword behind before he left his Burberry. Together, the advertisements collected in the book reveal how advertisers sought to create new markets for products that took into account social change throughout the course of the conflict.
           
Featuring a range of products, from clothing, cigarettes, and invalid carriages to motorcycles and portable Decca phonographs—the “ideal gramophone for active service”—the book offers a new and unexpected source of historical information and an intimate glimpse of a nation at war.

Most of us can recall with clarity a favorite scene from Shakespeare. But call to mind the playwright’s appearance and there are many depictions to choose from with few widely accepted. Shakespeare himself left no description of his appearance nor can any evidence be found that he commissioned a portrait.

With Portraits of Shakespeare, Katherine Duncan-Jones poses a series of questions about the mysterious physical appearance of the brilliant writer of plays, poems, and sonnets: Why is it so difficult to find images of Shakespeare that were made during his lifetime? Which images are most likely to have been made by those close to the writer? And why do newly discovered images emerge with such startling regularity? With an eye toward answering these questions, the book begins with a broad analysis of the tradition of the “author portrait” before, during, and after Shakespeare’s lifetime. Duncan-Jones provides a detailed critique of three of the most widely accepted portraits: the engraving facing the First Folio’s title page; the sculptured stone bust that adorns Shakespeare’s funerary monument at Holy Trinity Church, Stratford-upon-Avon; and the “Chandos portrait,” an early seventeenth-century painting on canvas which is widely recognized as the best image. Through a painstaking historical analysis of the painting’s early history and provenance, Duncan-Jones arrives at a plausible new identification of both the artist and the artist’s personal connections with Shakespeare. Finally, taking the book into the present, she considers the afterlife of all three images in memorials, advertising, and in graphic art—all evidence of a continuing desire to put a face to one of literature’s most famous names.

This innovative collection of essays shows how linguistic diversity has inspired people across time and cultures to embark on adventurous journeys through the translation of texts. It tells the story of how ideas have travelled via the medium of translation into different languages and cultures, focusing on illustrated examples ranging from Greek papyri through illuminated manuscripts and fine early books to fantasy languages and the search for a universal language.

Starting with the concept of Babel itself, which illustrates the early cultural prominence of multilingualism, the book examines a Mediterranean language of four millennia ago called Linear A, which still resists deciphering today. Going on to explore how languages have interacted with each other in different contexts, the book also sheds light on the multilingual transmission of key texts in religion, science, fables and fairy-tales, and epic literature. Lavishly illustrated with a diverse range of material, from papyrus fragments found at Oxyrhynchus in Egypt to Esperanto handbooks to Asterix cartoons, Babel opens up a world of adventures into translation.
 

In 1566, Queen Elizabeth I visited Oxford for the first time. She toured the colleges, gave lectures, and attended a play in her honor at Christ Church. She was presented with a companion—a handbook made specifically for her and now fully reproduced as Queen Elizabeth's Book of Oxford.

 

Newly translated, the book's Latin verse is written in a conversational tone as a lively discussion between the revered Queen and a knowledgeable guide. The volume also includes exquisite pen-and-ink drawings of Oxford's most famous buildings and an illuminating introduction by Louise Durning that places the text in its proper historical context. As Durning relates, Queen Elizabeth's Book of Oxford served several purposes, the most important of which was Oxford's interest in the Queen's potential patronage of a new college. Although Elizabeth never honored the request, she was eventually honored as the "founder" of Jesus College.

 

Queen Elizabeth's Book of Oxford offers a glimpse into the process of patronage during the fifteenth and sixteenth centuries. It will be treasured by scholars of Elizabethan history as well as by anyone interested in the historical development of universities around the world.

Veronica is your average hippopotamus with a big dream: she wants to become famous. But with so many hippopotamuses wallowing in the cool mud and swimming and splashing in the clear water along the riverbank, it’s more difficult to stand out than one might think. So Veronica does what any determined young mammal would do: she sets off to find her fortune in the nearby pink-and-white city. If she were the only hippopotamus, everyone would surely take notice, and it would be marvelous—or would it?

Many miles from the cool, muddy riverbank, the men and women of the pink-and-white city stare at Veronica, bump into her with their cars, and shout angrily when she steps on their toes. In the city, Veronica is not only conspicuous—she is very much in the way! Mishaps befall her at every turn. While taking a curbside nap, she is issued a warning for stopping traffic.  When she bathes in the public fountain, the townspeople cluck unsympathetically. At the farmers’ market, Veronica is unused to city manners and helps herself happily to an entire cart of fresh, delicious vegetables—including the paper bags. When a policeman is called to capture the hungry hippo, Veronica decides that the city is not the place for a hippopotamus. But the hustle and bustle of city life is not the only surprise to come from Veronica’s big journey. When she returns home to the riverbank, she finds her dream has come true after all. From that day forward, Veronica is famous among the hippopotamuses, who gather each day at sunset to hear about her adventures in the pink-and-white city.

Originally published in the 1960s, Veronica by Caldecott Medal–winning author and illustrator Roger Duvoisin is the most recent addition to the Bodleian Library’s newly minted children’s book imprint. For little readers with big dreams, it offers a timeless tale of the surprising places those dreams may take us.