Dr. Kaplan, winner of $100,000 Kettering Prize for cancer research, has now updated and enlarged his authoritative reference, once again drawing heavily upon the uniquely comprehensive and coherent Stanford data garnered over a twenty-year period. This edition incorporates discussion of the newer radionuclides, computed tomography and ultrasound, as well as such recent developments as the transmissibility controversy.

Major sections have been added on cell culture, surface marker characterization, and cytogenetics. The material on cell-mediated immunity has been doubled, and an entirely new chapter has been included on chemotherapy, offering an analysis of evidence bearing on the selection of optimal treatment.

The sexual abuse of children by Catholic clergy is arguably the most acute crisis Catholicism has faced since the Reformation. The prevalence of clergy sexual abuse and its shocking cover-up by church officials have obscured the largely untold story of the tort system’s remarkable success in bringing the scandal to light, focusing attention on the need for institutional reform, and spurring church leaders and public officials into action.

Stories of the tort system as an engine of social justice are rare. Holding Bishops Accountable tells one such story by revealing how pleadings, discovery documents, and depositions fueled media coverage of the scandal. Timothy Lytton shows how the litigation strategy of plaintiffs’ lawyers gave rise to a widespread belief that the real problem was not the actions of individual priests but rather the church’s massive institutional failure. The book documents how church and government policymakers responded to the problem of clergy sexual abuse only under the pressure of private lawsuits.

As Lytton deftly demonstrates, the lessons of clergy sexual abuse litigation give us reason to reconsider the case for tort reform and to look more closely at how tort litigation can enhance the performance of public and private policymaking institutions.

Out-of-control costs. Box office bombs that should have been foreseen. A mania for sequels at the expense of innovation. Blockbusters of ever-diminishing merit. What other industry could continue like this--and succeed as spectacularly as Hollywood has? The American movie industry's extraordinary success at home and abroad--in the face of dire threats from broadcast television and a wealth of other entertainment media that have followed--is David Waterman's focus in this book, the first full-length economic study of the movie industry in over forty years.

Combining historical and economic analysis, Hollywood's Road to Riches shows how, beginning in the 1950s, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces.

Waterman argues that the movie studios have multiplied their revenues by effectively using pay television and home video media to extract the maximum amounts that individual consumers are willing to pay to watch the same movies in different venues. Along the way, the Hollywood studios have masterfully handled piracy and other economic challenges to the multimedia system they use to distribute movies.

The author also looks ahead to what Internet file sharing and digital production and distribution technologies might mean for Hollywood's prosperity, as well as for the quality and variety of the movies it makes.

Founded by Constantine the Great, rebuilt by Justinian, and redecorated in the ninth, tenth, and twelfth centuries, the Church of the Holy Apostles in Constantinople was the mausoleum of emperors, patriarchs, and saints. It was also a key station in the ceremonies of the city, the site of an important school, a major inspiration for apostolic literature, and briefly the home of the patriarch. Despite its significance, the church no longer exists, replaced by the mosque of Mehmet II after the fall of the city to the Ottomans. Today the church is remembered primarily from two important middle Byzantine ekphraseis, which celebrate its beauty and prominence, as well as from architectural copies and manuscript illustrations.

Scholars have long puzzled over the appearance of the church, as well as its importance to the Byzantines. Anxious to reconstruct the building and its place in the empire, an early collaborative project of Dumbarton Oaks brought together a philologist, an art historian, and an architectural historian in the 1940s and 1950s to reconstruct their own version of the Holy Apostles. Never fully realized, their efforts remained unpublished. The essays in this volume reconsider their project from a variety of vantage points, while illuminating differences of approach seventy years later, to arrive at a twenty-first-century synthesis.

The elusive image of the Holy Grail has haunted the Western imagination for eight centuries. It represents the ideal of an unattainable yet infinitely desirable goal, the possibility of perfection. Initially conceived in literature, it became a Christian icon which has been re-created in a multitude of forms over time even though the Grail has no specific material attributes or true religious significance.

Richard Barber traces the history of the legends surrounding the Holy Grail, beginning with Chrétien de Troyes's great romances of the twelfth century and the medieval Church's religious version of the secular ideal. He pursues the myths through Victorian obsessions and enthusiasms to the popular bestsellers of the late twentieth century that have embraced its mysteries. Crisscrossing the borders of fiction and spirituality, the quest for the Holy Grail has long attracted writers, artists, and admirers of the esoteric. It has been a recurrent theme in tales of imagination and belief which have laid claim to the highest religious and secular ideals and experiences. From Lancelot to Parsifal, chivalric romances to Wagner's Ring, T. S. Eliot to Monty Python, the Grail has fascinated and lured the Western imagination from beyond the reach of the ordinary world.

On May 10, 1900, an enthusiastic Brooklyn crowd bid farewell to the Quito. The ship sailed for famine-stricken Bombay, carrying both tangible relief—thousands of tons of corn and seeds—and “a tender message of love and sympathy from God’s children on this side of the globe to those on the other.” The Quito may never have gotten under way without support from the era’s most influential religious newspaper, the Christian Herald, which urged its American readers to alleviate poverty and suffering abroad and at home. In Holy Humanitarians, Heather D. Curtis argues that evangelical media campaigns transformed how Americans responded to domestic crises and foreign disasters during a pivotal period for the nation.

Through graphic reporting and the emerging medium of photography, evangelical publishers fostered a tremendously popular movement of faith-based aid that rivaled the achievements of competing agencies like the American Red Cross. By maintaining that the United States was divinely ordained to help the world’s oppressed and needy, the Christian Herald linked humanitarian assistance with American nationalism at a time when the country was stepping onto the global stage. Social reform, missionary activity, disaster relief, and economic and military expansion could all be understood as integral features of Christian charity.

Drawing on rigorous archival research, Curtis lays bare the theological motivations, social forces, cultural assumptions, business calculations, and political dynamics that shaped America’s ambivalent embrace of evangelical philanthropy. In the process she uncovers the seeds of today’s heated debates over the politics of poverty relief and international aid.

Often simply called the Holy Mountain, Mount Athos was the most famous center of Byzantine monasticism and remains the spiritual heart of the Orthodox Church today. This volume presents the Lives of Euthymios the Younger, Athanasios of Athos, Maximos the Hutburner, Niphon of Athos, and Philotheos. These five holy men lived on Mount Athos at different times from its early years as a monastic locale in the ninth century to the last decades of the Byzantine period in the early fifteenth century. All five were celebrated for asceticism, clairvoyance, and, in most cases, the ability to perform miracles; Euthymios and Athanasios were also famed as founders of monasteries.

Holy Men of Mount Athos illuminates both the history and the varieties of monastic practice on Athos, individually by hermits as well as communally in large monasteries. The Lives also demonstrate the diversity of hagiographic composition and provide important glimpses of Byzantine social and political history.

All the Lives in this volume are presented for the first time in English translation, together with authoritative editions of their Greek texts.

The ten holy women whose biographies are presented here represent a wide variety of Byzantine female saints: nuns who disguised themselves in male monastic garb; a repentant harlot who withdrew to the desert for forty-seven years of self-imposed isolation; a nun who escaped from Arab captivity to spend thirty-five years as a hermit on the abandoned island of Paros; a wonder-working abbess who slew a dragon; widows who found refuge in the ascetic life of the convent; married laywomen and a queen abused by their husbands.

The careers of these holy women demonstrate some of the divergent paths to sanctification in Byzantium, including mortification of the body, unquestioning obedience to a superior, repentance, acts of charity, prophecy, and miracle-working. At the same time, the texts of the Lives reveal the Byzantine ambivalence toward women, reflecting a paradox of civilization that simultaneously denigrated women as daughters of Eve and elevated Mary as the Mother of God and the instrument of man’s salvation.

These vitae, ranging from the fifth to the thirteenth centuries, also supplement traditional narrative histories by providing information on such aspects of Byzantine civilization as the impact of Arab and Bulgarian raids, iconoclasm, the monastic routine in convents, everyday family life and household management, and a smallpox epidemic in Thessalonike.

This collection of sacred biographies is the initial volume in a new Dumbarton Oaks series, Byzantine Saints’ Lives in Translation. The vitae selected for the series are rendered into English for the first time and are fully annotated.

During the closing decades of the nineteenth century, approximately two dozen Protestant mission societies, which since 1812 had been sending Americans abroad to evangelize non-Christians, coordinated their enterprise and expanded their operations with unprecedented urgency and efficiency. Ambitious innovations characterized the work in traditional and new foreign mission fields, but the most radical changes occurred in the institutionalization of what contemporaries referred to as the home base of the mission movement.

Valentin Rabe focuses on the recruitment of personnel, fundraising, administration, promotional propaganda, and other logistical problems faced by the agencies in the United States. When generalizations concerning the American base require demonstration or references to the field of operations, China—the country in which American missionaries applied the greatest proportion of the movement's resources by the 1920s—is used as the primary illustration.

In this series of interlocking essays, which had their start as lectures inspired by the presidency of Barack Obama, Robert Burns Stepto sets canonical works of African American literature in conversation with Obama’s Dreams from My Father. The elegant readings that result shed surprising light on unexamined angles of works ranging from Frederick Douglass’s Narrative to W. E. B. Du Bois’s Souls of Black Folk to Toni Morrison’s Song of Solomon.

Stepto draws our attention to the concerns that recur in the books he takes up: how protagonists raise themselves, often without one or both parents; how black boys invent black manhood, often with no models before them; how protagonists seek and find a home elsewhere; and how they create personalities that can deal with the pain of abandonment. These are age-old themes in African American literature that, Stepto shows, gain a special poignancy and importance because our president has lived through these situations and circumstances and has written about them in a way that refreshes our understanding of the whole of African American literature.

Stepto amplifies these themes in four additional essays, which investigate Douglass’s correspondence with Harriet Beecher Stowe; Willard Savoy’s novel Alien Land and its interracial protagonist; the writer’s understanding of the reader in African American literature; and Stepto’s account of his own schoolhouse lessons, with their echoes of Douglass’ and Obama’s experiences.

An extraordinary inquiry into the meaning of home, through explorations literary and political, philosophical and deeply personal, by the acclaimed author of Loneliness as a Way of Life.

Home as an imagined refuge. Home as a place of mastery and domination. Home as a destination and the place we try to escape from. Thomas Dumm explores these distinctively American understandings of home. He takes us from Thomas Jefferson’s Monticello and Henry David Thoreau’s Walden to Laura Ingalls Wilder’s little house on the prairie and Emily Dickinson’s homestead, and finally to the house Herman Wallace imagined and that sustained him during his forty-one years of solitary confinement at Angola State Penitentiary.

Dumm argues that it is impossible to separate the comforting and haunting aspects of home. Each chapter reveals a different dimension of the American experience of home: slavery at Monticello, radical individuality at Walden, Indian-hating in the pioneer experience, and the power of remembering and imagining home in extreme confinement as a means of escape. Hidden in these homes are ghosts—enslaved and imprisoned African Americans, displaced and massacred Native Americans, subordinated homemakers, all struggling to compose their lives in a place called home.

Framed by a prologue on Dad and an epilogue on Mom, in which the author reflects on his own experiences growing up in western Pennsylvania with young parents in a family of nine children, Home in America is a masterful meditation on the richness and poverty of an idea that endures in the world we have made.

Mildred and Robert Woods Bliss were consummate collectors and patrons. After purchasing Dumbarton Oaks in 1920, they significantly redesigned the house and its interiors, built important new structures, added over fifty acres of planned gardens, hosted important musical evenings and intellectual discussions in their Music Room, and acquired a world-class art collection and library.

The illustrated essays in this volume reveal how the Blisses’ wide-ranging interests in art, music, gardens, architecture, and interior design resulted in the creation of the Dumbarton Oaks Research Library and Collection. Their collections of Byzantine and Pre-Columbian art and rare garden books and drawings are examined by Robert Nelson, Julie Jones, and Therese O’Malley, respectively. James Carder provides the Blisses’ biography and discusses their patronage of various architects, including Philip Johnson, and the interior designer Armand Albert Rateau. The Blisses’ collaboration with Beatrix Farrand on the creation of the Dumbarton Oaks Gardens is recounted by Robin Karson, and their commission of Igor Stravinsky’s Dumbarton Oaks Concerto and its premiere by Nadia Boulanger is examined by Jeanice Brooks. The volume demonstrates that every aspect of the Blisses’ collecting and patronage had a place in the creation of what they came to call their “home of the humanities.”

Humans are social animals and, in general, don’t thrive in isolated environments. Homeless people, many of whom suffer from serious mental illnesses, often live socially isolated on the streets or in shelters. Homelessness, Housing, and Mental Illness describes a carefully designed large-scale study to assess how well these people do when attempts are made to reduce their social isolation and integrate them into the community.

Should homeless mentally ill people be provided with the type of housing they want or with what clinicians think they need? Is residential staff necessary? Are roommates advantageous? How is community integration affected by substance abuse, psychiatric diagnoses, and cognitive functioning? Homelessness, Housing, and Mental Illness answers these questions and reexamines the assumptions behind housing policies that support the preference of most homeless mentally ill people to live alone in independent apartments. The analysis shows that living alone reduces housing retention as well as cognitive functioning, while group homes improve these critical outcomes. Throughout the book, Russell Schutt explores the meaning and value of community for our most fragile citizens.

Bernard Fenik analyzes the style of the Iliad and the Nibelungenlied, showing how the narratives work. In the process he sheds new light on the artistry of ancient and medieval epics. This in turn touches on the long-debated question of whether and to what extent they were orally composed.

In the Homeric poems, medieval German epics, and the Chanson de Roland, Fenik finds similarities in the shaping of episodes and scenes. His analysis of narrative structures reveals controlled composition even where the language is heavily formulaic and the action highly stylized. This level of artistic control does not in itself rule out oral composition but does force a redefinition of the terms in which that theory is applied.

Homer the Classic is about the reception of Homeric poetry from the fifth through the first century BCE. The study of this reception is important for understanding not only the all-pervasive literary influence of ancient Greek epic traditions but also the various ways in which these traditions were used by individuals and states to promote their own cultural and political agenda. The aim of this book, which centers on ancient concepts of Homer as the author of a body of poetry that we know as the Iliad and the Odyssey, is not to reassess the oral poetic heritage of Homeric poetry but to show how it became a classic in the days of the Athenian empire and later.

This volume is one of two books stemming from six Sather Classical Lectures given in the spring semester of 2002 at the University of California at Berkeley while the author was teaching there as the Sather Professor.

The Iliad defines its poetic goal as preserving the kleos aphthiton, “fame unwithered,” (IX.413) of its hero, Achilles. But how are we to understand the status of the “unwithered” in the Iliad?

In Homeric Durability, Lorenzo F. Garcia, Jr., investigates the concept of time and temporality in Homeric epic by studying the semantics of “durability” and “decay”: namely, the ability of an entity to withstand the effects of time, and its eventual disintegration. Such objects—the ships of the Achaeans, the bodies of the dead, the walls of the Greeks and Trojans, and the tombs of the dead—all exist within time and possess a demonstrable “durability.” Even the gods themselves are temporal beings. Through a framework informed by phenomenology, psychology, and psychopathology, Garcia examines the temporal experience of Homer’s gods and argues that in moments of pain, sorrow, and shame, Homeric gods come to experience human temporality. If the gods themselves are defined by human temporal experience, Garcia argues, the epic tradition cannot but imagine its own temporal durability as limited: hence, one should understand kleos aphthiton as fame which has not yet decayed, rather than fame which will not decay.

Hesiod (Hesiodus), an epic poet apparently of the eighth century BC, was born in Asia Minor but moved to Boeotia in central Greece. He was regarded by later Greeks as a contemporary of Homer.

Three works survive under Hesiod's name: (1) "Works and Days," addressed to his brother. In it he gives us the allegories of the two Strifes, and the myth of Pandora; stresses that every man must work; describes the accepted Five Ages of the world; delivers moral advice; surveys in splendid style a year's work on a farm; gives precepts on navigation; and propounds lucky and unlucky days. (2) "Theogony," a religious work about the rise of the gods and the universe from Chaos to the triumph of Zeus, and about the progeny of Zeus and of goddesses in union with mortal men. (3) "The Shield" (not by Hesiod), an extract from a "Catalogue of Women," the subject being Alcmena and her son Heracles and his contest with Cycnus, with a description of Heracles' shield. All three works are of great literary interest.

Invocations, curiosities, and biographies connected with the famous Greek bard.

Performances of Greek epics customarily began with a hymn to a god or goddess—as Hesiod's Theogony and Works and Days do. A collection of thirty-three such poems has come down to us from antiquity under the title “Hymns of Homer.” This Loeb Classical Library volume contains, in addition to the Hymns, fragments of five comic poems that were connected with Homer’s name in or just after the Classical period (but are not today believed to be by the author of the Iliad and the Odyssey). Here too is a collection of ancient accounts of the poet’s life.

The Hymns range widely in length: two are over 500 lines long; several run only a half dozen lines. Among the longest are the hymn to Demeter, which tells the foundational story of the Eleusinian Mysteries; and to Hermes, distinctive in being amusing. The comic poems gathered as Homeric Apocrypha include Margites, the Battle of Frogs and Mice, and, for the first time in English, a fragment of a perhaps earlier poem of the same type called Battle of the Weasel and the Mice. The edition of Lives of Homer contains The Contest of Homer and Hesiod and nine other biographical accounts, translated into English for the first time.

Martin West’s faithful and pleasing translations are fully annotated; his freshly edited texts offer new solutions to a number of textual puzzles.

Responding to George Lakoff’s and Mark Johnson’s analysis of metaphor, William Brockliss explores the Homeric poets’ use of concrete concepts drawn from the Greek natural environment to aid their audiences’ understanding of abstract concepts. In particular, he considers Homeric images that associate flowers with the concepts of deception, disorder, and death, and examines the ways in which the poets engage with natural phenomena such as the brief, diverse blooms of the Greek spring.

Taken together, such Homeric images present a more pessimistic depiction of the human condition than we find in the vegetal imagery of other archaic Greek genres. While lyric poets drew on floral imagery to emphasize the beauty of the beloved, the Homeric poets used images of flowers to explore the potentially deceptive qualities of bodies adorned for seduction. Where the Hesiodic poets employed vegetal images to depict the stable structure of the cosmos, the Homeric poets set arboreal imagery of good order against floral images suggestive of challenges or changes to orderliness. And while the elegiac poets celebrated the brief “flower of youth,” the Homeric poets created floral images reminiscent of Hesiodic monsters, and thereby helped audiences to imagine the monstrous otherness of death.

This is the long-awaited work on Homer's Odyssey by one of our foremost teachers and scholars of the classics--John H. Finley, Jr. Already, generations of students at Harvard have benefited from his knowledge and understanding of Homer's words and world. Now his thoughts on the Odyssey are woven together in this remarkable volume.

Finley begins by arguing the unity of design in the Odyssey, and shows the connection between the actions of three main characters: Telemachus' maturity brings Penelope to her long-delayed decision for remarriage, which, by producing the bow as marriage-test, gives the unknown Odysseus his means of success against the suitors.

Finley also suggests that the poem is a kind of half-divine comedy. About an older man's glad return, it contrasts to the Iliad's story of young man's death far from home. It is a comedy to the Iliad's tragedy and, like Shakespeare's Tempest, it brings the absent king to knowledge which, though initially unwelcome, proves his and others' happiness.

Throughout his book, Finley applies a lifetime's learning to a work that is universally recognized as one of the highest achievements of our civilization. At a time when Homer is in danger of being swallowed by specialists, it is important to recognize and uphold the poet's basic concern for life and myth and legend. Such sympathy combined with knowledge is Finley's fine achievement.

Homer’s Iliad and Odyssey are the only early Greek heroic epics to have survived the transition to writing, even though extant evidence indicates that they emerged from a thriving oral culture. Among the missing are the songs of Boeotian Thebes.

Homer’s Thebes examines moments in the Iliad and Odyssey where Theban characters and thematic engagements come to the fore. Rather than sifting through these appearances to reconstruct lost poems, Elton Barker and Joel Christensen argue that the Homeric poems borrow heroes from Thebes to address key ideas—about politics, time, and genre—that set out the unique superiority of these texts in performance. By using evidence from Hesiod and fragmentary sources attributed to Theban tradition, Barker and Christensen explore Homer’s appropriation of Theban motifs of strife and distribution to promote his tale of the sack of Troy and the returns home.

As Homer’s Thebes shows, this Theban material sheds light on the exceptionality of the Homeric epics through the notions of poetic rivalry and Panhellenism. Furthermore, by emphasizing a nonhierarchical model of “reading” the epics derived from oral-formulaic poetics, this book contributes to recent debates about allusion, neoanalysis, and intertextuality.

A seventeenth-century English traveler to the Eastern Mediterranean would have faced a problem in writing about this unfamiliar place: how to describe its inhabitants in a way his countrymen would understand? In an age when a European education meant mastering the Classical literature of Greece and Rome, he would naturally turn to touchstones like the Iliad to explain the exotic customs of Ottoman lands. His Turk would have been Homer’s Turk.

An account of epic sweep, spanning the Crusades, the Indian Raj, and the postwar decline of the British Empire, Homer’s Turk illuminates how English writers of all eras have relied on the Classics to help them understand the world once called “the Orient.” Ancient Greek and Roman authors, Jerry Toner shows, served as a conceptual frame of reference over long periods in which trade, religious missions, and imperial interests shaped English encounters with the East. Rivaling the Bible as a widespread, flexible vehicle of Western thought, the Classics provided a ready model for portrayal and understanding of the Oriental Other. Such image-making, Toner argues, persists today in some of the ways the West frames its relationship with the Islamic world and the rising powers of India and China.

Discussing examples that range from Jacobean travelogues to Hollywood blockbusters, Homer’s Turk proves that there is no permanent version of either the ancient past or the East in English writing—the two have been continually reinvented alongside each other.

Anna Bonifazi suggests that the Homeric text we have now would have enabled ancient audiences to enjoy the evocative power of even minimal linguistic elements. The multiple functions served by these elements are associated not only with the variety of narrative contexts in which they occur but also with overarching poetic strategies.

The findings relate to two strategies in particular: unfolding the narrative by signaling the upcoming content with αύ- adverbs and particles, and letting the complexity of Odysseus’s identity resonate through the ambiguous use of third-person pronouns. The words’ evocative power springs from the deliberate merging of distinct meanings, which prompts multifaceted interpretations. The text allows the incorporation of different viewpoints, just as an iridescent fabric allows the simultaneous perception of different colors.

The collapse of China’s Qing dynasty coincided roughly with discoveries that helped revolutionize views of infectious disease. Together, these parallel developments generated a set of paradigm shifts in the understanding of society, the individual, as well as the cultural matrix that mediates between them. In Homesickness, Carlos Rojas examines an array of Chinese literary and cinematic tropes of illness, arguing that these works approach sickness not solely as a symptom of dysfunction but more importantly as a key to its potential solution.

Rojas focuses on a condition he calls “homesickness”—referring to a discomfort caused not by a longing for home but by an excessive proximity to it. The product of a dialectics of internal alienation and self-differentiation, this inverse homesickness marks a movement away from the “home,” conceived as spaces associated with the nation, the family, and the individual body. The result is a productive dynamism that gives rise to the possibility of long-term health. Without sickness, in other words, there could be no health.

Through a set of detailed analyses of works from China, Greater China, and the global Chinese diaspora—ranging from late-imperial figures such as Liu E and Zeng Pu to contemporary figures such as Yan Lianke and Tsai Ming-liang—Rojas asserts that the very possibility of health is predicated on this condition of homesickness.

Just as investors want the companies they hold equity in to do well, homeowners have a financial interest in the success of their communities. If neighborhood schools are good, if property taxes and crime rates are low, then the value of the homeowner’s principal asset—his home—will rise. Thus, as William Fischel shows, homeowners become watchful citizens of local government, not merely to improve their quality of life, but also to counteract the risk to their largest asset, a risk that cannot be diversified. Meanwhile, their vigilance promotes a municipal governance that provides services more efficiently than do the state or national government.

Fischel has coined the portmanteau word “homevoter” to crystallize the connection between homeownership and political involvement. The link neatly explains several vexing puzzles, such as why displacement of local taxation by state funds reduces school quality and why local governments are more likely to be efficient providers of environmental amenities. The Homevoter Hypothesis thereby makes a strong case for decentralization of the fiscal and regulatory functions of government.

Acclaimed for his intricate, incisive, and often controversial explorations of art, literature, and society, Leo Bersani now addresses homosexuality in America.

Hardly a day goes by without the media focusing an often sympathetic beam on gay life--and, with AIDS, on gay death. Gay plays on Broadway, big book awards to authors writing on gay subjects, Hollywood movies with gay themes, gay and lesbian studies at dozens of universities, openly gay columnists and even editors at national mainstream publications, political leaders speaking in favor of gay rights: it seems that straight America has finally begun to listen to homosexual America.

Still, Bersani notes, not only has homophobia grown more virulent, but many gay men and lesbians themselves are reluctant to be identified as homosexuals. In Homos, he studies the historical, political, and philosophical grounds for the current distrust, within the gay community, of self-identifying moves, for the paradoxical desire to be invisibly visible. While acknowledging the dangers of any kind of group identification (if you can be singled out, you can be disciplined), Bersani argues for a bolder presentation of what it means to be gay. In their justifiable suspicion of labels, gay men and lesbians have nearly disappeared into their own sophisticated awareness of how they have been socially constructed. By downplaying their sexuality, gays risk self-immolation--they will melt into the stifling culture they had wanted to contest.

In his chapters on contemporary queer theory, on Foucault and psychoanalysis, on the politics of sadomasochism, and on the image of "the gay outlaw" in works by Gide, Proust, and Genet, Bersani raises the exciting possibility that same-sex desire by its very nature can disrupt oppressive social orders. His spectacular theory of "homo-ness" will be of interest to straights as well as gays, for it designates a mode of connecting to the world embodied in, but not reducible to, a sexual preference. The gay identity Bersani advocates is more of a force--as such, rather cool to the modest goal of social tolerance for diverse lifestyles--which can lead to a massive redefining of sociality itself, and of what we might expect from human communities.

How have major civilizations of the last two millennia treated people who were attracted to their own sex? In a narrative tour de force, Louis Crompton chronicles the lives and achievements of homosexual men and women alongside a darker history of persecution, as he compares the Christian West with the cultures of ancient Greece and Rome, Arab Spain, imperial China, and pre-Meiji Japan.

Ancient Greek culture celebrated same-sex love in history, literature, and art, making high claims for its moral influence. By contrast, Jewish religious leaders in the sixth century BCE branded male homosexuality as a capital offense and, later, blamed it for the destruction of the biblical city of Sodom. When these two traditions collided in Christian Rome during the late empire, the tragic repercussions were felt throughout Europe and the New World.

Louis Crompton traces Church-inspired mutilation, torture, and burning of “sodomites” in sixth-century Byzantium, medieval France, Renaissance Italy, and in Spain under the Inquisition. But Protestant authorities were equally committed to the execution of homosexuals in the Netherlands, Calvin’s Geneva, and Georgian England. The root cause was religious superstition, abetted by political ambition and sheer greed. Yet from this cauldron of fears and desires, homoerotic themes surfaced in the art of the Renaissance masters—Donatello, Leonardo, Michelangelo, Sodoma, Cellini, and Caravaggio—often intertwined with Christian motifs. Homosexuality also flourished in the court intrigues of Henry III of France, Queen Christina of Sweden, James I and William III of England, Queen Anne, and Frederick the Great.

Anti-homosexual atrocities committed in the West contrast starkly with the more tolerant traditions of premodern China and Japan, as revealed in poetry, fiction, and art and in the lives of emperors, shoguns, Buddhist priests, scholars, and actors. In the samurai tradition of Japan, Crompton makes clear, the celebration of same-sex love rivaled that of ancient Greece.

Sweeping in scope, elegantly crafted, and lavishly illustrated, Homosexuality and Civilization is a stunning exploration of a rich and terrible past.

One of the hallmarks of the classical Spanish theater is a vengeful conception of personal honor. This view, to some extent characteristic of Spanish life and thinking of the time, finds its fullest expression in those dramas called “honor plays.” In this study Donald R. Larson analyzes the honor plays of Lope de Vega, stellar playwright of Spain's Golden Age, and demonstrates in the course of them a consistent line of dramatic development.

Representative works have been selected from each of the three categories into which Lope's plays are customarily grouped—the early plays, those of the middle period, and the late plays. Larson's approach to the comedias is both critical and historical; it allows him to chart the evolution of the group as a whole, while providing significant new insights into the individual works. In the words of Bruce W. Wardropper, he gives us “a rare opportunity to follow one of the multiple threads through the Lopean labyrinth.”

As Lope is one of the giants of European literature and ought to be of interest to all students of the drama, the book contains complete English translations of passages quoted in the original Spanish.

The brutality and racial hatred exhibited by Japan’s military during the Pacific War piqued outrage in the West and fanned resentments throughout Asia. Public understanding of Japan’s wartime atrocities, however, often fails to differentiate the racial agendas of its military and government elites from the racial values held by the Japanese people. While not denying brutalities committed by the Japanese military, Honored and Dishonored Guests overturns these standard narratives and demonstrates rather that Japan’s racial attitudes during wartime are more accurately discerned in the treatment of Western civilians living in Japan than the experiences of enemy POWs.

The book chronicles Western communities in wartime Japan, using this body of experiences to reconsider allegations of Japanese racism and racial hatred. Its bold thesis is borne out by a broad mosaic of stories from dozens of foreign families and individuals who variously endured police harassment, suspicion, relocation, starvation, denaturalization, internment, and torture, as well as extraordinary acts of charity. The book’s account of stranded Westerners—from Tokyo, Yokohama, and Kobe to the mountain resorts of Karuizawa and Hakone—yields a unique interpretation of race relations and wartime life in Japan.

The brutality and racial hatred exhibited by Japan’s military during the Pacific War piqued outrage in the West and fanned resentments throughout Asia. Public understanding of Japan’s wartime atrocities, however, often fails to differentiate the racial agendas of its military and government elites from the racial values held by the Japanese people. While not denying brutalities committed by the Japanese military, Honored and Dishonored Guests overturns these standard narratives and demonstrates rather that Japan’s racial attitudes during wartime are more accurately discerned in the treatment of Western civilians living in Japan than the experiences of enemy POWs.

The book chronicles Western communities in wartime Japan, using this body of experiences to reconsider allegations of Japanese racism and racial hatred. Its bold thesis is borne out by a broad mosaic of stories from dozens of foreign families and individuals who variously endured police harassment, suspicion, relocation, starvation, denaturalization, internment, and torture, as well as extraordinary acts of charity. The book’s account of stranded Westerners—from Tokyo, Yokohama, and Kobe to the mountain resorts of Karuizawa and Hakone—yields a unique interpretation of race relations and wartime life in Japan.

Cundill Prize Finalist
A Financial Times Book of the Year
A Spectator Book of the Year
A Five Books Book of the Year

The Mongols are known for one thing: conquest. But in this first comprehensive history of the Horde, the western portion of the Mongol empire that arose after the death of Chinggis Khan, Marie Favereau takes us inside one of the most powerful engines of economic integration in world history to show that their accomplishments extended far beyond the battlefield. Central to the extraordinary commercial boom that brought distant civilizations in contact for the first time, the Horde had a unique political regime—a complex power-sharing arrangement between the khan and nobility—that rewarded skillful administrators and fostered a mobile, innovative economic order. From their capital on the lower Volga River, the Mongols influenced state structures in Russia and across the Islamic world, disseminated sophisticated theories about the natural world, and introduced new ideas of religious tolerance.

An eloquent, ambitious, and definitive portrait of an empire that has long been too little understood, The Horde challenges our assumptions that nomads are peripheral to history and makes it clear that we live in a world shaped by Mongols.

“The Mongols have been ill-served by history, the victims of an unfortunate mixture of prejudice and perplexity…The Horde flourished, in Favereau’s fresh, persuasive telling, precisely because it was not the one-trick homicidal rabble of legend.”
—Wall Street Journal

“Fascinating…The Mongols were a sophisticated people with an impressive talent for government and a sensitive relationship with the natural world…An impressively researched and intelligently reasoned book.”
—The Times

If not for a horse, would Alexander have been the Great? William, the Conqueror? Richard, the Lionhearted? If not for their awesome mounts, would the Spaniards have had their way with the New World? Would Paul Revere have spread the word? Would the West have been won?

It is hard to comprehend how far horse power has carried us, difficult to imagine, in our era of mechanical wizardry and speed, what role the horse has played in shaping human history. This is the challenge Juliet Clutton-Brock takes up in her book, a splendid blend of natural and social history that recounts the horse's story as it has figured in—and transfigured—our own.

By drawing on biological, archaeological, and historical evidence, Clutton-Brock describes the wild horse and the wild ass, from their widespread distribution at the end of the last Ice Age to their near extinction today. She shows how these beasts, once hunted for meat, were drafted for work and domesticated as humans began to grasp the possibilities of riding horseback. This discovery, with the speed, distance, and power it offered, transformed the course of history. This elegant tale of the horse and donkey, wonderfully written and handsomely illustrated, revives the true meaning of "horse power."

Historians have long assumed that new industrial machines and power sources eliminated work animals from nineteenth-century America, yet a bird’s-eye view of nineteenth-century society would show millions of horses supplying the energy necessary for industrial development. Horses were ubiquitous in cities and on farms, providing power for transportation, construction, manufacturing, and agriculture. On Civil War battlefields, thousands of horses labored and died for the Union and the Confederacy hauling wagons and mechanized weaponry.

The innovations that brought machinery to the forefront of American society made horses the prime movers of these machines for most of the nineteenth century. Mechanization actually increased the need for horsepower by expanding the range of tasks requiring it. Indeed, the single most significant energy transition of the antebellum era may have been the dramatic expansion in the use of living, breathing horses as a power technology in the development of industrial America.

Ann Greene argues for recognition of horses’ critical contribution to the history of American energy and the rise of American industrial power, and a new understanding of the reasons for their replacement as prime movers. Rather than a result of “inevitable” technological change, it was Americans’ social and political choices about power consumption that sealed this animal’s fate. The rise and fall of the workhorse was defined by the kinds of choices that Americans made and would continue to make—choices that emphasized individual mobility and autonomy, and assumed, above all, abundant energy resources.

The remarkable relationship between people and horses has been evoked in art from the beginning of the bond between them. In this beautifully illustrated book, Catherine Johns explores the horse in art from the ancient world to the modern era.

In early human history, horses were among the wild creatures hunted for meat; they were domesticated comparatively late, around 4000 B.C. As people developed from hunter-gatherers to farmers, the horse offered the potential for a revolution in power and transport—the ability to move farther and faster transformed society. Johns tells the story of the horse and highlights the key roles this animal has played in human warfare, travel, ceremony, hunting, racing, and in myth and symbolism.

The themes are presented in stunning four-color illustrations of British Museum objects that trace our perceptions of the horse through time and space, and convey the wide variety of images that have been created of this magnificent creature: in colossal and life-sized sculpture, in paintings, and in minuscule form on coins, gems, and jewelry; and from the world of ancient Greece and Rome to the arts of India, Africa, China, and Japan.

Horses appear in stone and metal, ceramic, wood, bone, ivory, and textiles. From the Horse of Selene and a gold model chariot from the Oxus treasure to Persian miniatures and prints by Duerer, Stubbs, and Hokusai, this book will inform, entertain, and delight horse lovers and all readers interested in this inspiring animal and its profound contribution to human culture.

The cost of hospital care has grown so rapidly in the past thirty years that it is threatening to bend our economy completely out of shape. A hospital bed that cost $16 per day in 1950 cost $214 per day by 1978—an increase of more than 1200 per cent! What is the cause of this fantastic inflation, which has been far higher than for any other major good or service? In this pathbreaking book, Martin Feldstein sets forth a novel explanation, provides empirical support for it, and suggests some remedies for the problem.

Feldstein demonstrates a complex relationship between the growing sophistication of hospital care, physician and patient demand, third-party insurance payments, and the tax treatment of insurance premiums. This last, he argues, is the key to the problem in that government policies stimulate the purchase of excessive insurance by a tax deduction and exclusion that cost the Treasury about $10 billion a year. To mitigate the increasingly severe burden of hospital costs, Feldstein recommends that this preferential tax treatment be ended. In its place, he proposes a new national health insurance plan that would give incentives to physicians and their patients to economize on costs and at the same time provide adequate coverage for major illnesses.

How did menopause change from being a natural (and often welcome) end to a woman's childbearing years to a deficiency disease in need of medical and pharmacological intervention? As she traces the medicalization of menopause over the last 100 years, historian Judith Houck challenges some widely held assumptions. Physicians hardly foisted hormones on reluctant female patients; rather, physicians themselves were often reluctant to claim menopause as a medical problem and resisted the widespread use of hormone therapy for what was, after all, a normal transition in a woman's lifespan. Houck argues that the medical and popular understandings of menopause at any given time depended on both pharmacological options and cultural ideas and anxieties of the moment. As women delayed marriage and motherhood and entered the workforce in greater numbers, the medical understanding, cultural meaning, and experience of menopause changed. By examining the history of menopause over the course of the twentieth century, Houck shows how the experience and representation of menopause has been profoundly influenced by biomedical developments and by changing roles for women and the changing definition of womanhood.

Bernd Heinrich's widely praised Bumblebee Economics set a high standard for scientifically accurate yet gracefully articulate writing about nature's ingenious patterns, specifically thermoregulation. Hot-Blooded Insects takes a giant step forward by presenting an overview of what is now known about thermoregulation in all of the major insect groups, offering new insights on physiology, ecology, and evolution.

The book is richly illustrated by the author's exquisite sketches. By describing the environmental opportunities and challenges faced by moths and butterflies, grasshoppers and locusts, dungball rollers and other beetles, a wide range of bees, and other insects, Heinrich explains their dazzling variety of physiological and behavioral adaptations to what, for them, is a world of violent extremes of temperature. These mechanisms are apparent only through precise observations, but the small body size of insects poses large technical difficulties in whole-animal experiments, engendering controversy about the reliability of the data thus derived. Emphasizing an experimental approach, Heinrich pinpoints where he believes studies have gone astray, describing in detail both groundbreaking experiments and those which leave a reasonable doubt about the mechanism being interpreted. He reviews relevant work on the major taxa to show the underlying patterns that draw diversity together, opines on current controversies, and identifies questions that call for further study.

Physiologists, ecologists, entomologists, and zoologists—in fact, all biologists—will be stimulated and challenged to further research by this masterly synthesis of a new field; it will also appeal to informed readers interested in general science.

Houghton Library—the primary repository for Harvard University’s rare books, manuscripts, and much more—celebrates its 75th anniversary in 2017. Houghton’s holdings span nearly the entire history of the written word, from papyrus to the laptop. This anniversary volume presents a snapshot of the unique items that fill the library’s shelves.

From miniature books composed by a teenage Charlotte Brontë to a massive medieval manuscript hymnbook; from the plays of Shakespeare to costume designs for Star Trek; and from the discoveries of Copernicus to the laptops of twenty-first century writers, the selections celebrate great achievements in many and diverse fields of human endeavor. For the first time, readers will be able to tour the Houghton Library collection—which draws thousands of visitors from around the world each year—from home, with full-color illustrations.

A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants’ lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era.

As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artifact and the artifacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants’ social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.

A bold account of property reform during the French Revolution, arguing that the lofty democratic ideals enshrined by revolutionary leaders were rarely secured in practice—with lasting consequences.

Property reform was at the heart of the French Revolution. As lawmakers proclaimed at the time, and as historians have long echoed, the Revolution created modern property rights. Under the new regime, property was redefined as an individual right to which all citizens were entitled. Yet as the state seized assets and prepared them for sale, administrators quickly found that realizing the dream of democratic property rights was far more complicated than simply rewriting laws.

H. B. Callaway sifts through records on Parisian émigrés who fled the country during the Revolution, leaving behind property that the state tried to confiscate. Immediately, officials faced difficult questions about what constituted property, how to prove ownership, and how to navigate the complexities of credit arrangements and family lineage. Mothers fought to protect the inheritances of their children, tenants angled to avoid rent payments, and creditors sought their dues. In attempting to execute policy, administrators regularly exercised their own judgment on the validity of claims. Their records reveal far more continuity between the Old Regime and revolutionary practices than the law proclaimed. Property ownership continued to depend on webs of connections beyond the citizen-state relationship, reinforced by customary law and inheritance traditions. The resulting property system was a product of contingent, on-the-ground negotiations as much as revolutionary law.

The House in the Rue Saint-Fiacre takes stock of the contradictions on which modern property rights were founded. As Callaway shows, the property confiscations of Parisian émigrés are a powerful, clarifying lens on the idea of ownership even as it exists today.

Following on the heels of The Scarlet Letter, The House of the Seven Gables was intended to be a far sunnier book than its predecessor and one that would illustrate “the folly” of tumbling down on posterity “an avalanche of ill-gotten gold, or real estate.” Many critics have faulted the novel for its explaining away of hereditary guilt or its contradictory denial of it. Denis Donoghue instructs the reader in a fresh appreciation of the novel.

The John Harvard Library edition reproduces the authoritative text of The House of the Seven Gables in the Centenary Edition of the Works of Nathaniel Hawthorne.

As direct descendants of the great courtier-poets Fujiwara no Shunzei (1114–1204) and his son Teika (1162–1244), the heirs of the noble Reizei house can claim an unbroken literary lineage that spans over eight hundred years. During all that time, their primary goal has been to sustain the poetic enterprise, or michi (way), of the house and to safeguard its literary assets.

Steven D. Carter weaves together strands of family history, literary criticism, and historical research into a coherent narrative about the evolution of the Reizei Way. What emerges from this innovative approach is an elegant portrait of the Reizei poets as participants in a collective institution devoted more to the continuity of family poetic practices and ideals than to the concept of individual expression that is so central to more modern poetic culture.

In addition to the narrative chapters, the book also features an extensive appendix of one hundred poems from over the centuries, by poets who were affiliated with the Reizei house. Carter’s annotations provide essential critical context for this selection of poems, and his deft translations underscore the rich contributions of the Reizei family and their many disciples to the Japanese poetic tradition.

This book assesses the effects of spatially concentrated programs for housing and neighborhood improvement. These programs provide direct assistance to low–income property owners in an attempt to arrest neighborhood decline and encourage revitalization.

The authors used the Harvard Urban Development Simulation Model (HUDS) in evaluating these programs. HUDS, a large–scale computer model, represents the process of housing rehabilitation, the production and consumption of housing services, household moving decisions, and other determinant of neighborhood change. The model simulates the behavior of approximately 80,000 individual households in two hundred residential neighborhoods of various quality levels. Unlike more aggregate models of urban development, HUDS has the capacity to identify how specific housing policies affect individual households as well as particular neighborhoods.

Since program evaluations are no better than the models on which they are based, the authors provide sufficient detail to permit those readers primarily interested in the policy analysis to assess the methodology and to understandhow the policies are represented in the model; a more technical discussion of the model is then presented in appendixes.

Although the simulations focus on policies that induce central–city property owners to upgrade their properties and thus stimulate revitalization, many of the authors' findings are relevant to larger issues of urban development. For example, the analysis of how housing rehabilitation subsidies affect the investment behavior of nonsubsidized property owners provides insights about the link between initial upgrading and sustained neighborhood improvement. The analysis also demonstrates how differences in location, household, and housing stock characteristics affect a particular neighborhood’s responsiveness to a common policy initiative.

The Housing Act of 1949 called for a “decent home and suitable living environment” for every American. The progress toward this goal over the last fifty years is generally a story of success. Kent Colton documents the remarkable progress in the areas of housing production, homeownership, and rental housing, the transformation of the nation’s housing finance system, the role of government, and the place of housing in the economy. However, significant challenges remain and new issues have arisen.

This work looks to the future using case studies developed during the author’s fifteen-year tenure as head of the National Association of Home Builders and includes discussions of real-world problems and the people involved. Highlighting the process of developing and implementing housing policy given the great challenges of working with many diverse interests, the author outlines a housing policy framework based on a set of principles for achieving common ground.

A Chronicle of Higher Education “Top 10 Books on Teaching” Selection
Winner of the Virginia and Warren Stone Prize

Constrained by shrinking budgets, can colleges do more to improve the quality of education? And can students get more out of college without paying higher tuition? Daniel Chambliss and Christopher Takacs conclude that the limited resources of colleges and students need not diminish the undergraduate experience. How College Works reveals the surprisingly decisive role that personal relationships play in determining a student's collegiate success, and puts forward a set of small, inexpensive interventions that yield substantial improvements in educational outcomes.

“The book shares the narrative of the student experience, what happens to students as they move through their educations, all the way from arrival to graduation. This is an important distinction. [Chambliss and Takacs] do not try to measure what students have learned, but what it is like to live through college, and what those experiences mean both during the time at school, as well as going forward.”
—John Warner, Inside Higher Ed

The beauty of science may be pure and eternal, but the practice of science costs money. And scientists, being human, respond to incentives and costs, in money and glory. Choosing a research topic, deciding what papers to write and where to publish them, sticking with a familiar area or going into something new—the payoff may be tenure or a job at a highly ranked university or a prestigious award or a bump in salary. The risk may be not getting any of that.

At a time when science is seen as an engine of economic growth, Paula Stephan brings a keen understanding of the ongoing cost-benefit calculations made by individuals and institutions as they compete for resources and reputation. She shows how universities offload risks by increasing the percentage of non-tenure-track faculty, requiring tenured faculty to pay salaries from outside grants, and staffing labs with foreign workers on temporary visas. With funding tight, investigators pursue safe projects rather than less fundable ones with uncertain but potentially path-breaking outcomes. Career prospects in science are increasingly dismal for the young because of ever-lengthening apprenticeships, scarcity of permanent academic positions, and the difficulty of getting funded.

Vivid, thorough, and bold, How Economics Shapes Science highlights the growing gap between the haves and have-nots—especially the vast imbalance between the biomedical sciences and physics/engineering—and offers a persuasive vision of a more productive, more creative research system that would lead and benefit the world.

Even in this age of working mothers, the role of fathering is often overlooked. This book illuminates the realities of fathering by presenting the results of a unique empirical study conducted over four decades and covering four generations of fathers and children. Through case studies and data analysis, John Snarey demonstrates that men's care for their families reaps immense and long-lasting benefits—for themselves, for their offspring, and for future generations.

In striking contrast to research that considers fathers to be obscure or peripheral figures, Snarey reveals their position as central caregivers and characterizes their most effective nurturing behaviors. He examines fathers' involvement in three vital realms of their children's development: social-emotional, intellectual-academic, and physical-athletic. Looking specifically at fathers' relationships with their oldest children during the first two decades of their lives, Snarey addresses issues of fathering in both childhood and adolescence. He presents portraits of individual father-son and father-daughter relationships, and measures and defines the ways in which “good” fathers are constructively engaged in and supportive of children's growth. Snarey also focuses on the fathers themselves. Moving back in time, he explores how men's boyhood experiences with their own fathers affect their subsequent parenting styles. Then, cycling forward, he observes how various fathering experiences affect men at mid-life, in their marriages, and throughout their careers. His study also considers how the threat of infertility impacts fathers' generativity—their ability to care for the next generation.

Within the current wave of scholarly interest in fathering, this is the first comprehensive longitudinal study of the topic. It is firmly grounded in Erik H. Erikson's model of psychosocial generativity, and adds a significant dimension to Erikson's theory by successfully applying it to empirical research. Snarey makes a major contribution to male, child, family, and developmental psychology, and addresses issues of ongoing concern in the fields of sociology and education. How Fathers Care for the Next Generation offers hope that men can, indeed, rework their past and provide better fathering than they themselves received.

In 1985, a black veteran of the civil rights movement offered a bleak vision of a long and troubled struggle. For more than a century, black southerners learned to live with betrayed expectations, diminishing prospects, and devastated aspirations. Their odyssey includes some of the most appalling examples of terrorism, violence, and dehumanization in the history of this nation. But, as Leon Litwack graphically demonstrates, it is at the same time an odyssey of resilience and resistance defined by day-to-day acts of protest: the fight for justice poignantly recorded in the stories, songs, images, and movements of a people trying to be heard.

For black men and women, the question is: how free is free? Despite two major efforts to reconstruct race relations, injustices remain. From the height of Jim Crow to the early twenty-first century, struggles over racism persist despite court decisions and legislation. Few indignities were more pronounced than the World War II denial of basic rights and privileges to those responding to the call to make the world safe for democratic values—values that they themselves did not enjoy. And even the civil rights movement promise to redeem America was frustrated by change that was often more symbolic than real.

Although a painful history to confront, Litwack’s book inspires as it probes the enduring story of racial inequality and the ongoing fight for freedom in black America with power and grace.

Winner of the Jackie Kirk Award
Winner of the AESA Critics’ Choice Award

“Blazes new trails in the study of the lives of girls, challenging all of us who care about justice and gender equity not only to create just and inclusive educational institutions but to be unapologetically feminist in doing so. Seamlessly merging research with the stories and voices of girls and those who educate them, this book reminds us that we should do better and inspires the belief that we can. It is the blueprint we’ve been waiting for.”
—Brittney C. Cooper, author of Eloquent Rage

“Nuamah makes a compelling and convincing case for the development of the type of school that can not only teach girls but also transform them…An essential read for all educators, policymakers, and parents invested in a better future.”
—Joyce Banda, former President of the Republic of Malawi

This bold and necessary book points out a simple and overlooked truth: most schools never had girls in mind to begin with. That is why the world needs what Sally Nuamah calls “feminist schools,” deliberately designed to provide girls with achievement-oriented identities. And she shows how these schools would help all students, regardless of their gender.

Educated women raise healthier families, build stronger communities, and generate economic opportunities for themselves and their children. Yet millions of disadvantaged girls never make it to school—and too many others drop out or fail. Upending decades of advice and billions of dollars in aid, Nuamah argues that this happens because so many challenges girls confront—from sexual abuse to unequal access to materials and opportunities—go unaddressed. But it isn’t enough just to go to school. What you learn there has to prepare you for the world where you’ll put that knowledge to work.

A compelling and inspiring scholar who has founded a nonprofit to test her ideas, Nuamah reveals that developing resilience is not a gender-neutral undertaking. Preaching grit doesn’t help girls; it actively harms them. Drawing on her deep immersion in classrooms in the United States, Ghana, and South Africa, Nuamah calls for a new approach: creating feminist schools that will actively teach girls how and when to challenge society’s norms, and allow them to carve out their own paths to success.

Most psychologists claim that we begin to develop a “theory of mind”—some basic ideas about other people’s minds—at age two or three, by inference, deduction, and logical reasoning.

But does this mean that small babies are unaware of minds? That they see other people simply as another (rather dynamic and noisy) kind of object? This is a common view in developmental psychology. Yet, as this book explains, there is compelling evidence that babies in the first year of life can tease, pretend, feel self-conscious, and joke with people. Using observations from infants’ everyday interactions with their families, Vasudevi Reddy argues that such early emotional engagements show infants’ growing awareness of other people’s attention, expectations, and intentions.

Reddy deals with the persistent problem of “other minds” by proposing a “second-person” solution: we know other minds if we can respond to them. And we respond most richly in engagement with them. She challenges psychology’s traditional “detached” stance toward understanding people, arguing that the most fundamental way of knowing minds—both for babies and for adults—is through engagement with them. According to this argument the starting point for understanding other minds is not isolation and ignorance but emotional relation.

A distinguished and experienced appellate court judge, Richard A. Posner offers in this new book a unique and, to orthodox legal thinkers, a startling perspective on how judges and justices decide cases. When conventional legal materials enable judges to ascertain the true facts of a case and apply clear pre-existing legal rules to them, Posner argues, they do so straightforwardly; that is the domain of legalist reasoning. However, in non-routine cases, the conventional materials run out and judges are on their own, navigating uncharted seas with equipment consisting of experience, emotions, and often unconscious beliefs. In doing so, they take on a legislative role, though one that is confined by internal and external constraints, such as professional ethics, opinions of respected colleagues, and limitations imposed by other branches of government on freewheeling judicial discretion. Occasional legislators, judges are motivated by political considerations in a broad and sometimes a narrow sense of that term. In that open area, most American judges are legal pragmatists. Legal pragmatism is forward-looking and policy-based. It focuses on the consequences of a decision in both the short and the long term, rather than on its antecedent logic. Legal pragmatism so understood is really just a form of ordinary practical reasoning, rather than some special kind of legal reasoning.

Supreme Court justices are uniquely free from the constraints on ordinary judges and uniquely tempted to engage in legislative forms of adjudication. More than any other court, the Supreme Court is best understood as a political court.

Why do men talk and women gossip, and which is better for you? Why is monogamy a drain on the brain? And why should you be suspicious of someone who has more than 150 friends on Facebook?

We are the product of our evolutionary history, and this history colors our everyday lives—from why we joke to the depth of our religious beliefs. In How Many Friends Does One Person Need? Robin Dunbar uses groundbreaking experiments that have forever changed the way evolutionary biologists explain how the distant past underpins our current ­behavior.

We know so much more now than Darwin ever did, but the core of modern evolutionary theory lies firmly in Darwin’s elegantly simple idea: organisms behave in ways that enhance the frequency with which genes are passed on to future generations. This idea is at the heart of Dunbar’s book, which seeks to explain why humans behave as they do. Stimulating, provocative, and immensely enjoyable, his book invites you to explore the number of friends you have, whether you have your father’s brain or your mother’s, whether morning sickness might actually be good for you, why Barack Obama’s 2008 victory was a foregone conclusion, what Gaelic has to do with frankincense, and why we laugh. In the process, Dunbar examines the role of religion in human evolution, the fact that most of us have unexpectedly famous ancestors, and why men and women never seem able to see eye to eye on color.

Stanley Fish's Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world's preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement on Milton for our time.

How Milton works "from the inside out" is the foremost concern of Fish's book, which explores the radical effect of Milton's theological convictions on his poetry and prose. For Milton the value of a poem or of any other production derives from the inner worth of its author and not from any external measure of excellence or heroism. Milton's aesthetic, says Fish, is an "aesthetic of testimony": every action, whether verbal or physical, is or should be the action of holding fast to a single saving commitment against the allure of plot, narrative, representation, signs, drama--anything that might be construed as an illegitimate supplement to divine truth. Much of the energy of Milton's writing, according to Fish, comes from the effort to maintain his faith against these temptations, temptations which in any other aesthetic would be seen as the very essence of poetic value.

Encountering the great poet on his own terms, engaging his equally distinguished admirers and detractors, this book moves a 300-year debate about the significance of Milton's verse to a new level.

Excellence. Originality. Intelligence. Everyone in academia stresses quality. But what exactly is it, and how do professors identify it?

In the academic evaluation system known as “peer review,” highly respected professors pass judgment, usually confidentially, on the work of others. But only those present in the deliberative chambers know exactly what is said. Michèle Lamont observed deliberations for fellowships and research grants, and interviewed panel members at length. In How Professors Think, she reveals what she discovered about this secretive, powerful, peculiar world.

Anthropologists, political scientists, literary scholars, economists, historians, and philosophers don’t share the same standards. Economists prefer mathematical models, historians favor different kinds of evidence, and philosophers don’t care much if only other philosophers understand them. But when they come together for peer assessment, academics are expected to explain their criteria, respect each other’s expertise, and guard against admiring only work that resembles their own. They must decide: Is the research original and important? Brave, or glib? Timely, or merely trendy? Pro-diversity or interdisciplinary enough?

Judging quality isn’t robotically rational; it’s emotional, cognitive, and social, too. Yet most academics’ self-respect is rooted in their ability to analyze complexity and recognize quality, in order to come to the fairest decisions about that elusive god, “excellence.” In How Professors Think, Lamont aims to illuminate the confidential process of evaluation and to push the gatekeepers to both better understand and perform their role.

How Sex Changed is a fascinating social, cultural, and medical history of transsexuality in the United States. Joanne Meyerowitz tells a powerful human story about people who had a deep and unshakable desire to transform their bodily sex. In the last century when many challenged the social categories and hierarchies of race, class, and gender, transsexuals questioned biological sex itself, the category that seemed most fundamental and fixed of all.

From early twentieth-century sex experiments in Europe, to the saga of Christine Jorgensen, whose sex-change surgery made headlines in 1952, to today’s growing transgender movement, Meyerowitz gives us the first serious history of transsexuality. She focuses on the stories of transsexual men and women themselves, as well as a large supporting cast of doctors, scientists, journalists, lawyers, judges, feminists, and gay liberationists, as they debated the big questions of medical ethics, nature versus nurture, self and society, and the scope of human rights.

In this story of transsexuality, Meyerowitz shows how new definitions of sex circulated in popular culture, science, medicine, and the law, and she elucidates the tidal shifts in our social, moral, and medical beliefs over the twentieth century, away from sex as an evident biological certainty and toward an understanding of sex as something malleable and complex. How Sex Changed is an intimate history that illuminates the very changes that shape our understanding of sex, gender, and sexuality today.

Musical expression is at the heart of the American spiritual experience. And nowhere can you gauge the depth of spiritual belief and practice more than through the music that fills America's houses of worship. Most amazing is how sacred music has been shaped by the exchanges of diverse peoples over time. How Sweet the Sound traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.

Pursuing the intimate relationship between music and spirituality in America, Stowe focuses on the central creative moments in the unfolding life of sacred song. He fills his pages with the religious music of Indians, Shakers, Mormons, Moravians, African-Americans, Jews, Buddhists, and others. Juxtaposing music cultures across region, ethnicity, and time, he suggests the range and cross-fertilization of religious beliefs and musical practices that have formed the spiritual customs of the United States, producing a multireligious, multicultural brew.

Stowe traces the evolution of sacred music from hymns to hip-hop, finding Christian psalms deeply accented by the traditions of Judaism, and Native American and Buddhist customs influenced by Protestant Christianity. He shows how the creativity and malleability of sacred music can explain the proliferation of various forms of faith and the high rates of participation they've sustained. Its evolution truly parallels the evolution of American pluralism.

Between the early seventeenth century and the early twentieth,nearly all the land in the United States was transferred from AmericanIndians to whites. This dramatic transformation has been understood in two very different ways--as a series of consensual transactions, but also as a process of violent conquest. Both views cannot be correct. How did Indians actually lose their land?

Stuart Banner provides the first comprehensive answer. He argues that neither simple coercion nor simple consent reflects the complicated legal history of land transfers. Instead, time, place, and the balance of power between Indians and settlers decided the outcome of land struggles. As whites' power grew, they were able to establish the legal institutions and the rules by which land transactions would be made and enforced.

This story of America's colonization remains a story of power, but a more complex kind of power than historians have acknowledged. It is a story in which military force was less important than the power to shape the legal framework within which land would be owned. As a result, white Americans--from eastern cities to the western frontiers--could believe they were buying land from the Indians the same way they bought land from one another. How the Indians Lost Their Land dramatically reveals how subtle changes in the law can determine the fate of a nation, and our understanding of the past.

The United States has two separate banking systems today—one serving the well-to-do and another exploiting everyone else. How the Other Half Banks contributes to the growing conversation on American inequality by highlighting one of its prime causes: unequal credit. Mehrsa Baradaran examines how a significant portion of the population, deserted by banks, is forced to wander through a Wild West of payday lenders and check-cashing services to cover emergency expenses and pay for necessities—all thanks to deregulation that began in the 1970s and continues decades later.

“Baradaran argues persuasively that the banking industry, fattened on public subsidies (including too-big-to-fail bailouts), owes low-income families a better deal…How the Other Half Banks is well researched and clearly written…The bankers who fully understand the system are heavily invested in it. Books like this are written for the rest of us.”
—Nancy Folbre, New York Times Book Review

“How the Other Half Banks tells an important story, one in which we have allowed the profit motives of banks to trump the public interest.”
—Lisa J. Servon, American Prospect

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

Jacob Riis’s pioneering work of photojournalism takes its title from Rabelais’s Pantagruel: “One half of the world knoweth not how the other half liveth; considering that no one has yet written of that Country.” An anatomy of New York City’s slums in the 1880s, it vividly brought home to its first readers through the powerful combination of text and images the squalid living conditions of “the other half,” who might well have inhabited another country. The book pricked the conscience of its readers and raised the tenement into a symbol of intransigent social difference. As Alan Trachtenberg makes clear in his introduction, it is a book that still speaks powerfully to us today of social injustice.

Except for the modernization of spelling and punctuation, the John Harvard Library edition of How the Other Half Lives reproduces the text of the first published book version of November 1890. For this edition, prints have been made from Riis’s original photographs now in the archives of the Museum of the City of New York. Endnotes aid the contemporary reader.

This is a new and thorough revision of a recognized classic whose first edition was hailed as the most authoritative account in English of the governing of the Soviet Union. Now, with historical material rearranged in chronological order, and with seven new chapters covering most of the last fifteen years, this edition brings the Soviet Union fully into the light of modern history and political science.

The purposes of Fainsod's earlier editions were threefold: to explain the techniques used by the Bolsheviks and Stalin to gain control of the Russian political system; to describe the methods they employed to maintain command; and to speculate upon the likelihood oftheir continued control in the future. This new edition increases very substantially the attention paid to another aspect of the political process—how policy is formed, how the Soviet Union is governed. Whenever possible, Mr. Hough attempts to analyze the alignments and interrelationships between Soviet policy institutions. Moreover, he constantly moves beyond a description of these institutions to probe the way they work. Two chapters are devoted to the questions of individual political participation. Other chapters examine the internal organization of institutions and explore the ways in which the backgrounds of their officials influence their policy positions and alliances. The picture that emerges is an unprecedented account of the distribution of power in the Soviet Union.

Throughout his remarkable career, Donald Pfaff has demonstrated that by choosing problems and methods with care, biologists can study the molecular mechanisms of brains more complex than those of fruit flies, snails, roundworms, and other invertebrates. His half century in the lab, starting with his discovery of hormone receptors in the brains of mammals and leading to the first detailed account of a neural circuit for mammalian behavior, puts him in a unique position to survey the origins and development of behavioral neurobiology and the current state of research. How the Vertebrate Brain Regulates Behavior offers a close-up, conversational perspective on scientific struggles and successes throughout a fifty-year quest to understand how behavior is regulated in a complex organism.

In graduate school, when Pfaff expressed a desire to study behavioral regulation, his advisor suggested focusing on hormones. Pfaff’s investigation into the hormonal basis of female sexual behavior in laboratory rats led him to a comprehensive appreciation of how hormone-dependent neurons work through neural circuits to produce discrete behaviors among all vertebrates. This breakthrough, along with other researchers’ findings, established a link between molecular biology and neuroscience that opened up a fruitful new field of inquiry.

Pfaff’s approach is to focus on one solvable problem and explore it from many angles. He begins with a single observed behavior and traces its regulation through a series of biological mechanisms—from hormones to genes to neural circuits. Pfaff’s relentless pursuit of his goals continues to inspire neuroscientists today.

No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth.

David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style.

Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.

An all-star cast of scholars and politicians from Europe and America propose and debate the creation of a new European parliament with substantial budgetary and legislative power to solve the crisis of governance in the Eurozone and promote social and fiscal justice and public investment.

The European Union is struggling. The rise of Euroskeptic parties in member states, economic distress in the south, the migrant crisis, and Brexit top the news. But deeper structural problems may be a greater long-term peril. Not least is the economic management of the Eurozone, the nineteen countries that use the Euro. How can this be accomplished in a way generally acceptable to members, given a political system whose structures are routinely decried for a lack of democratic accountability? How can the EU promote fiscal and social justice while initiating the long-term public investments that Europe needs to overcome stagnation? These are the problems a distinguished group of European and American scholars set out to solve in this short but valuable book.

Among many longstanding grievances is the charge that Eurozone policies serve large and wealthy countries at the expense of poorer nations. It is also unclear who decides economic policy, how the interests of diverse member states are balanced, and to whom the decision-makers are accountable. The four lead authors—Stéphanie Hennette, Thomas Piketty, Guillaume Sacriste, and Antoine Vauchez—describe these and other problems, and respond with a draft treaty establishing a parliament for economic policy, its members drawn from national parliaments. We then hear from invited critics, who express support, objections, or alternative ideas.

How to Democratize Europe offers a chance to observe how major thinkers view some of the Continent’s most pressing issues and attempt to connect democratic reform with concrete changes in economic and social policies.

It is not surprising that biography is one of the most popular literary genres of our day. What is remarkable is that there is no accessible guide for how to write one. Now, following his recent Biography: A Brief History (from Harvard), award-winning biographer and teacher Nigel Hamilton tackles the practicalities of doing biography in this first succinct primer to elucidate the tools of the biographer’s craft.

Hamilton invites the reader to join him on a fascinating journey through the art of biographical composition. Starting with personal motivation, he charts the making of a modern biography from the inside: from conception to fulfillment. He emphasizes the need to know one’s audience, rehearses the excitement and perils of modern research, delves into the secrets of good and great biography, and guides the reader through the essential components of life narrative.

With examples taken from the finest modern biographies, Hamilton shows how to portray the ages of man—birth, childhood, love, life’s work, the evening of life, and death. In addition, he suggests effective ways to start and close a life story. He clarifies the difference between autobiography and memoir—and addresses the sometimes awkward ethical, legal, and personal consequences of truth-telling in modern life writing. He concludes with the publication and reception of biography—its afterlife, so to speak.

Written with humor, insight, and compassion, How To Do Biography is the manual that would-be biographers have long been awaiting.

Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant.

Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world.

How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.

John L. Austin was one of the leading philosophers of the twentieth century. The William James Lectures presented Austin's conclusions in the field to which he directed his main efforts on a wide variety of philosophical problems. These talks became the classic How to Do Things with Words.

For this second edition, the editors have returned to Austin's original lecture notes, amending the printed text where it seemed necessary. Students will find the new text clearer, and, at the same time, more faithful to the actual lectures. An appendix contains literal transcriptions of a number of marginal notes made by Austin but not included in the text. Comparison of the text with these annotations provides new dimensions to the study of Austin's work.

John L. Austin was one of the leading philosophers of the twentieth century. The William James Lectures presented Austin’s conclusions in the field to which he directed his main efforts on a wide variety of philosophical problems. These talks became the classic How to Do Things with Words.

For this second edition, the editors have returned to Austin’s original lecture notes, amending the printed text where it seemed necessary. Students will find the new text clearer, and, at the same time, more faithful to the actual lectures. An appendix contains literal transcriptions of a number of marginal notes made by Austin but not included in the text. Comparison of the text with these annotations provides new dimensions to the study of Austin’s work.

In 1989 Michael Bishop and Harold Varmus were awarded the Nobel Prize for their discovery that normal genes under certain conditions can cause cancer. In this book, Bishop tells us how he and Varmus made their momentous discovery. More than a lively account of the making of a brilliant scientist, How to Win the Nobel Prize is also a broader narrative combining two major and intertwined strands of medical history: the long and ongoing struggles to control infectious diseases and to find and attack the causes of cancer.

Alongside his own story, that of a youthful humanist evolving into an ambivalent medical student, an accidental microbiologist, and finally a world-class researcher, Bishop gives us a fast-paced and engrossing tale of the microbe hunters. It is a narrative enlivened by vivid anecdotes about our deadliest microbial enemies--the Black Death, cholera, syphilis, tuberculosis, malaria, smallpox, HIV--and by biographical sketches of the scientists who led the fight against these scourges.

Bishop then provides an introduction for nonscientists to the molecular underpinnings of cancer and concludes with an analysis of many of today's most important science-related controversies--ranging from stem cell research to the attack on evolution to scientific misconduct. How to Win the Nobel Prize affords us the pleasure of hearing about science from a brilliant practitioner who is a humanist at heart. Bishop's perspective will be valued by anyone interested in biomedical research and in the past, present, and future of the battle against cancer.

Victor Fuchs, author of Who Shall Live?, cuts through the hand wringing and the “pop” panaceas for America's current social crises in a brilliant analysis of the way we live. The facts are familiar. A doubled rate of divorce. A birth rate cut nearly in half while the percentage of illegitimate births nearly tripled. The young face dismal job prospects, and many of the old are totally dependent on the federal government.

Fuchs's economic approach shows us that the societal upheaval of American life is not created by fiat but rather emerges as millions of men and women make seemingly small choices that are constrained by their circumstances: “Should I go back to school?” “How many children should we have?” “When should I retire?” In a masterly synthesis, he shows the interrelatedness of our choices regarding family, work, health, and education throughout the life cycle. He uses the latest facts of American life to explore three major themes—the fading family, the impact of simple demographics on individual destiny, and the effect of weighing present and future costs and benefits on individual choice.

Fuchs concludes by offering innovative solutions to many contemporary problems: social security, health insurance, child care, youth unemployment, and illegitimate births. Moving beyond the outworn orthodoxies of liberalism and conservatism, he offers a clearer view of our circumstances so that readers from all walks of life can make better private choices, and contribute to more effective public policies.

A former Wisconsin high school science teacher makes the case that how and why we teach science matters, especially now that its legitimacy is under attack.

Why teach science? The answer to that question will determine how it is taught. Yet despite the enduring belief in this country that science should be taught, there has been no enduring consensus about how or why.

This is especially true when it comes to teaching scientific process. Nearly all of the basic knowledge we have about the world is rock solid. The science we teach in high schools in particular—laws of motion, the structure of the atom, cell division, DNA replication, the universal speed limit of light—is accepted as the way nature works. Everyone also agrees that students and the public more generally should understand the methods used to gain this knowledge. But what exactly is the scientific method?

Ever since the late 1800s, scientists and science educators have grappled with that question. Through the years, they’ve advanced an assortment of strategies, ranging from “the laboratory method” to the “five-step method” to “science as inquiry” to no method at all. How We Teach Science reveals that each strategy was influenced by the intellectual, cultural, and political circumstances of the time. In some eras, learning about experimentation and scientific inquiry was seen to contribute to an individual’s intellectual and moral improvement, while in others it was viewed as a way to minimize public interference in institutional science.

John Rudolph shows that how we think about and teach science will either sustain or thwart future innovation, and ultimately determine how science is perceived and received by the public.

The Hubble Space Telescope is the largest, most complex, and most powerful observatory ever deployed in space, designed to allow astronomers to look far back into our own cosmic past with unprecedented clarity. Yet from its launch in 1990, when it was discovered that a flawed mirror was causing severe “myopia” and sending fuzzy images back to Earth, the HST has been at the center of a controversy over who was at fault for the flaw and how it should be fixed. Now Eric Chaisson, a former senior scientist on the HST project, tells the inside story of the much heralded mission to fix the telescope. Drawing on his journals, Chaisson recreates the day-to-day struggles of scientists, politicians, and publicists to fix the telescope and control the political spin. Illustrated with “before and after” full-color pictures from the telescope and updated with a new preface, The Hubble Wars tells an engaging tale of scientific comedy and error.

In this new edition, coming at the half-way point in the HST’s planned mission of fifteen years, Chaisson has brought the Hubble story up-to-date by sorting out the spectacular from the mundane contributions the HST has made to our knowledge of the Solar System, the Milky Way Galaxy, and the distant galaxies of deep space.