During World War I, aggressive countries infringed on the rights and privileges of neutral nations such as the Netherlands and Switzerland as they had been defined in prior international agreements. The essays in this critical collection provide comparisons of the history of neutrality in several countries involved in World War I and analyze the concept of neutrality from multiple perspectives: political, economic, cultural, and legal.
Though Europe’s universities are very well represented among the world’s top 200 universities, they are almost entirely absent from the top fifty. In this impassioned book, Jo Ritzen argues that European universities are economically, culturally, and socially underexploited, and he outlines a series of changes necessary to make these institutions more successful. He advocates reorganizing universities to favor innovation over bureaucracy, securing financing from private sources to meet the gaps left by public budget cuts, and matching and selecting students with an eye toward effectively educating for an international labor market. With such reinvention, universities would become instrumental to strengthening the European competitive position through economic innovation, increased social cohesion, and a more vibrant cultural dynamism.
Cinema Beyond Film elaborates on the theoretical uses of two key terms—dispositif and episteme—in order to examine their relationship as well as their larger connections to film, technology, and modernity. Although both terms originate in the work of Foucault, dispositif (“device”) intrinsically links itself to the mechanics of movement and speed behind cinematics, while more generally referring to the mechanisms and structures that hold power in place. Episteme(“to know”), on the other hand, refers to the conditions and possibilities of knowledge and reception, more than to technological innovation. Each term is explored here in relation to the other, allowing this edited collection to assess the wide array of potential materialities that arise from the mechanics behind cinema and the changing face of its technology.
The two most recent expansions to the EU, in May 2004 and January 2007, have had a significant impact on contemporary conceptions of statehood, nation-building, and citizenship within the Union. This volume outlines the citizenship laws in each of the twelve new countries as well as in the accession states of Croatia and Turkey.
City in Sight presents recent scholarship on the various issues facing today’s Dutch metropolitan areas, including immigration and the growing diversity among the urban population, urban restructuring and neighborhood renewal, shifts in urban governance, and the promotion of active citizenship. With its wealth of information and up-to-date research, this text will appeal to scholars of urban politics and social history from all over the globe.
Exploring the intersections of memory, gender, and the postcolonial, Colonial Memory explores the phenomenon of colonial memory through the specific genre of women’s travel writing. Building on criticism of memory and travel writing, Sarah De Mul seeks to open Dutch literature to postcolonial themes and concepts and to insert the history of the Dutch colonies and its critical recollection into the traditionally Anglophone-dominated field of postcolonial studies.
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