“A lesson in how to practice recognizing the fundamental truth that every inch of the Americas is Indigenous territory” —Robert Warrior, from the Foreword

Many people learn about Indigenous politics only through the most controversial and confrontational news: the Standing Rock Sioux Tribe’s efforts to block the Dakota Access Pipeline, for instance, or the battle to protect Bears Ears National Monument in Utah, a site sacred to Native peoples. But most Indigenous activism remains unseen in the mainstream—and so, of course, does its significance. J. Kēhaulani Kauanui set out to change that with her radio program Indigenous Politics. Issue by issue, she interviewed people who talked candidly and in an engaging way about how settler colonialism depends on erasing Native peoples and about how Native peoples can and do resist. Collected here, these conversations speak with clear and compelling voices about a range of Indigenous politics that shape everyday life.

Land desecration, treaty rights, political status, cultural revitalization: these are among the themes taken up by a broad cross-section of interviewees from across the United States and from Canada, Mexico, Chile, Bolivia, Peru, Australia, and New Zealand. Some speak from the thick of political action, some from a historical perspective, others from the reaches of Indigenous culture near and far. Writers, like Comanche Paul Chaat Smith, author of Everything You Know about Indians Is Wrong, expand on their work—about gaming and sovereignty, for example, or protecting Native graves, the reclamation of land, or the erasure of Indian identity. These conversations both inform and engage at a moment when their messages could not be more urgent.

Contributors: Jessie Little Doe Baird (Mashpee Wampanoag), Omar Barghouti, Lisa Brooks (Abenaki), Kathleen A. Brown-Pérez (Brothertown Indian Nation), Margaret “Marge” Bruchac (Abenaki), Jessica Cattelino, David Cornsilk (Cherokee Nation), Sarah Deer (Muskogee Creek Nation), Philip J. Deloria (Dakota), Tonya Gonnella Frichner (Onondaga Nation), Hone Harawira (Ngapuhi Nui Tonu), Suzan Shown Harjo (Cheyenne and Hodulgee Muscogee), Rashid Khalidi, Winona LaDuke (White Earth Ojibwe), Maria LaHood, James Luna (Luiseño), Aileen Moreton-Robinson (Quandamooka), Chief Mutáwi Mutáhash (Many Hearts) Marilynn “Lynn” Malerba (Mohegan), Steven Newcomb (Shawnee/Lenape), Jean M. O’Brien (White Earth Ojibwe), Jonathan Kamakawiwo‘ole Osorio (Kanaka Maoli), Steven Salaita, Paul Chaat Smith (Comanche), Circe Sturm (Mississippi Choctaw descendant), Margo Taméz (Lipan Apache), Chief Richard Velky (Schaghticoke), Patrick Wolfe. 

This volume brings together interviews that appeared in a variety of magazines between 1959 and 2004. Conducted by writers, critics, musicians, visual artists, a philosopher, and an architect, the interviews indicate the evolution of Lacy’s extraordinary career and thought. Lacy began playing the soprano saxophone at sixteen, and was soon performing with Dixieland musicians much older than he. By nineteen he was playing with the pianist Cecil Taylor, who ignited his interest in the avant-garde. He eventually became the foremost proponent of Thelonious Monk’s music. Lacy played with a broad range of musicians, including Monk and Gil Evans, and led his own bands. A voracious reader and the recipient of a MacArthur “genius” grant, Lacy was particularly known for setting to music literary texts—such as the Tao Te Ching, and the work of poets including Samuel Beckett, Robert Creeley, and Taslima Nasrin—as well as for collaborating with painters and dancers in multimedia projects.

Lacy lived in Paris from 1970 until 2002, and his music and ideas reflect a decades-long cross-pollination of cultures. Half of the interviews in this collection originally appeared in French sources and were translated specifically for this book. Jason Weiss provides a general introduction, as well as short introductions to each of the interviews and to the selection of Lacy’s own brief writings that appears at the end of the book. The volume also includes three song scores, a selected discography of Lacy’s recordings, and many photos from the personal collection of his wife and longtime collaborator, Irene Aebi.

Interviews by: Derek Bailey, Franck Bergerot, Yves Bouliane, Etienne Brunet, Philippe Carles, Brian Case, Garth W. Caylor Jr., John Corbett, Christoph Cox, Alex Dutilh, Lee Friedlander, Maria Friedlander, Isabelle Galloni d'Istria, Christian Gauffre, Raymond Gervais, Paul Gros-Claude, Alain-René Hardy, Ed Hazell, Alain Kirili, Mel Martin, Franck Médioni, Xavier Prévost, Philippe Quinsac, Ben Ratliff, Gérard Rouy, Kirk Silsbee, Roberto Terlizzi, Jason Weiss