BiblioVault - Books by Jackson

Magical Muse

Millennial Essays on Tennessee Williams

Edited by Ralph F. Voss

University of Alabama Press, 2002

In this unique and engaging collection, twelve essays celebrate the legacy of one of America's most important playwrights and investigate Williams's enduring effect on America's cultural, theatrical, and literary heritage.

Like Faulkner before him, Tennessee Williams gave universal appeal to southern characters and settings. His major plays, from Cat on a Hot Tin Roof and The Glass Menagerie to A Streetcar Named Desire and Night of the Iguana, continue to capture America's popular imagination, a significant legacy. Though he died in 1983, only recently have Williams's papers become available to the public, bringing to light a number of intriguing discoveries—letters, drafts, and several unpublished and unproduced plays. These recent developments make a reassessment of Williams's life and work both timely and needed.

The essays in this collection originated as presentations at the 27th annual Alabama Symposium on English and American Literature at The University of Alabama in 1999. The book addresses a wide range of topics, among them the influence of popular culture on Williams's plays, and, in turn, his influence on popular culture; his relationship to Hollywood and his struggles with censorship, Hollywood standards, and the competing vision of directors such as Elia Kazan; his depictions of gender and sexuality; and issues raised by recently discovered plays.

Anyone interested in American literature and drama will find this collection of fresh, accessible essays a rewarding perspective on the life, work, and legacy of one of the bright stars of American theatre.

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Making Healthy Places

Designing and Building for Health, Well-being, and Sustainability

Edited by Andrew L. Dannenberg, Howard Frumkin, and Richard J. Jackson

Island Press, 2011

The environment that we construct affects both humans and our natural world in myriad ways. There is a pressing need to create healthy places and to reduce the health threats inherent in places already built. However, there has been little awareness of the adverse effects of what we have constructed-or the positive benefits of well designed built environments.

This book provides a far-reaching follow-up to the pathbreaking Urban Sprawl and Public Health, published in 2004. That book sparked a range of inquiries into the connections between constructed environments, particularly cities and suburbs, and the health of residents, especially humans. Since then, numerous studies have extended and refined the book's research and reporting. Making Healthy Places offers a fresh and comprehensive look at this vital subject today.

There is no other book with the depth, breadth, vision, and accessibility that this book offers. In addition to being of particular interest to undergraduate and graduate students in public health and urban planning, it will be essential reading for public health officials, planners, architects, landscape architects, environmentalists, and all those who care about the design of their communities.

Like a well-trained doctor, Making Healthy Places presents a diagnosis of--and offers treatment for--problems related to the built environment. Drawing on the latest scientific evidence, with contributions from experts in a range of fields, it imparts a wealth of practical information, with an emphasis on demonstrated and promising solutions to commonly occurring problems.

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Making Jazz French

Music and Modern Life in Interwar Paris

Jeffrey H. Jackson

Duke University Press, 2003

Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.

Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France’s most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.

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Mapping White Identity Terrorism and Racially or Ethnically Motivated Violent Extremism

A Social Network Analysis of Online Activity

Heather J. Williams

RAND Corporation, 2022

The authors reviewed literature on White identity terrorism and racially or ethnically motivated violent extremism (REMVE) and analyzed social media data from six platforms that host extremist content. They developed a network map that evaluates REMVE network construction, connectivity, geographic location, and proclivity to violence and found that users in the United States are overwhelmingly responsible for REMVE discourse online.

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Mean and Lowly Things

Snakes, Science, and Survival in the Congo

Kate Jackson

Harvard University Press, 2010

In 2005 Kate Jackson ventured into the remote swamp forests of the northern Congo to collect reptiles and amphibians. Her camping equipment was rudimentary, her knowledge of Congolese customs even more so. She knew how to string a net and set a pitfall trap, but she never imagined the physical and cultural difficulties that awaited her.

Culled from the mud-spattered pages of her journals, Mean and Lowly Things reads like a fast-paced adventure story. It is Jackson’s unvarnished account of her research on the front lines of the global biodiversity crisis—coping with interminable delays in obtaining permits, learning to outrun advancing army ants, subsisting on a diet of Spam and manioc, and ultimately falling in love with the strangely beautiful flooded forest.

The reptile fauna of the Republic of Congo was all but undescribed, and Jackson’s mission was to carry out the most basic study of the amphibians and reptiles of the swamp forest: to create a simple list of the species that exist there—a crucial first step toward efforts to protect them. When the snakes evaded her carefully set traps, Jackson enlisted people from the villages to bring her specimens. She trained her guide to tag frogs and skinks and to fix them in formalin. As her expensive camera rusted and her Western soap melted, Jackson learned what it took to swim with the snakes—and that there’s a right way and a wrong way to get a baby cobra out of a bottle.

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Method and Imagination in Coleridge's Criticism

J. R. de J. Jackson

Harvard University Press

Minima Ethnographica

Intersubjectivity and the Anthropological Project

Michael Jackson

University of Chicago Press, 1998

The postmodern opposition between theory and lived reality has led in part to an anthropological turn to "dialogic" or "reflexive" approaches. Michael Jackson claims these approaches are hardly radical as they still drift into such abstractions as "society" or "culture." His Minima Ethnographica proposes an existential anthropology that recognizes even abstract relationships as modalities of interpersonal life.

Written in the style of Theodor Adorno's Minima Moralia, Jackson's work shows how general ideas are always anchored in particular social events and critical concerns. Emphasizing the intersubjective encounter over objective descriptions of the whole historical and contemporary situation of a given people, he illustrates the power and originality of existential anthropology through a series of vignettes from his fieldwork in Sierra Leone and Australia. An award-winning poet, novelist, and anthropologist, Jackson offers a timely critique of conventions that dull our sense of the links between academic study and lived experience.

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Model City Blues

Urban Space and Organized Resistance in New Haven

Mandi Isaacs Jackson

Temple University Press, 2008

Model City Blues tells the story of how regular people, facing a changing city landscape, fought for their own model of the “ideal city” by creating grassroots plans for urban renewal. Filled with vivid descriptions of significant moments in a protracted struggle, it offers a street-level account of organized resistance to institutional plans to transform New Haven, Connecticut in the 1960s. Anchored in the physical spaces and political struggles of the city, it brings back to center stage the individuals and groups who demanded that their voices be heard.

By reexamining the converging class- and race-based movements of 1960s New Haven, Mandi Jackson helps to explain the city's present-day economic and political struggles. More broadly, by closely analyzing particular sites of resistance in New Haven, Model City Blues employs multiple academic disciplines to redefine and reimagine the roles of everyday city spaces in building social movements and creating urban landscapes.

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Moose

Kevin Jackson

Reaktion Books, 2008

Its hooves were supposedly a cure for epilepsy; it is the mascot of the Seattle Mariners baseball team and the clothing company Abercrombie & Fitch; and its meat is a delicacy. The moose is a fascinating but elusive animal of the north, and its little-known natural history is the focus of Kevin Jackson’s engaging new book.

Moose explains moose’s biological history and describes its natural environments around the world, including Canada, New England, Alaska, and Scandinavia, where the moose is the national animal of Sweden and Norway. Jackson considers why the moose is really an elk and an elk is a wapiti, and he also looks at the controversy behind the naming of the Irish Elk. Moose explores the animal’s role in human history since the Stone Age, including the “alces” in Julius Caesar’s history of the Gallic Wars and its influence on figures such as poet Ted Hughes and Theodore Roosevelt and his Bull Moose Party. The Rocky and Bullwinkle Show, a 150-foot statue being built in Sweden, and colorful moose lore all appear in this wide-ranging study, making this an essential read for naturalists and moose lovers alike.

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More Stories from the Round Barn

Jacqueline Dougan Jackson

Northwestern University Press, 2002

In this much anticipated companion volume to Stories from the Round Barn, Jackson assembles a collection of rich narratives and a cast of inspirational characters to joyously illustrate life. In the tradition of Willa Cather, Jackson writes of innocence, simplicity, and what happens when both are messily shattered by the intrusion of animals, children, war, epidemics, and progress itself. With wit and compassion Jackson recollects the hardships and satisfactions of farm life as lived according to her grandfather's motto: "Life as Well as a Living."

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More Than Meat and Raiment

Poems

Angela Jackson

Northwestern University Press, 2022

Angela Jackson returns with a poetic collage that draws on imagery from the African American South and the South Side of Chicago, storytelling, the Black Arts Movement, and Hausa folklore. Deftly intertwining narrative and free verse, she expresses the complexities, beauty, and haunts of the multilayered Black voice. Jackson offers a stirring mixture of the music, food, and soul that have come to characterize her lyrical work.

The speakers of these poems reflect on memory and saga, history and legend. Voices recall evenings spent catching fireflies with a younger sister, the aroma of homemade rolls, the father who squeezes papers into his wallet alongside bills in order to appear wealthy (“a flock of green birds rustling inside / to get out for some extravagance”). A Black girl watches TV and dreams of the perfect partner. A citizen contends with the unrelenting devastation of police violence in a work reminiscent of Gwendolyn Brooks’s “verse journalism.” A mother loses her daughter only to witness her rebirth: “Praise be / the human being / that is being.”

In “For Our People,” an homage to Margaret Walker, Jackson summons the resilience and imagination of African Americans, celebrating “each of us injured or exalted, betrayer or betrayed, muted / and declamatory, all one, each of us all of us, each a private star beloved in the universe.” Lauded as one of American poetry’s most vivid voices, Jackson continues her reign among the country’s foremost wordsmiths. This sublime collection delves deep into the porch stories and folktales that have carried the Black voice through all its histories.

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A Movement of the People

The Roots of Environmental Education and Advocacy in Alabama

Katie Lamar Jackson, Foreword by David Mathews

University of Alabama Press, 2017

How a grassroots movement led primarily by women shaped Alabama’s environmental consciousness.

A Movement of the People: The Roots of Environmental Education and Advocacy in Alabama is a detailed history of the Alabama Environmental Quality Association (AEQA). The AEQA helped to establish groundbreaking environmental protection and natural resource preservation policies for the state and the region and grew into one of the nation’s most progressive environmental education efforts.

The AEQA began in 1966 with the relatively simple political action agenda of cleaning up unsightly and unsanitary roadside trash. These inspired citizens collaborated with civic leaders to identify and remove illegal rural dumps and create more regulated landfills statewide. Eventually they became involved in the “Keep America Beautiful” campaign and with the US Public Health Service in its attempt to rid the state of the yellow-fever mosquito vector, Aedes aegypti, which breeds in standing, fetid water. The acme of these early efforts was the passage of Alabama’s Solid Waste Disposal Law of 1969, one of the nation’s first such bills.

The AEQA’s dedicated staff and supporters spearheaded other environmental projects, many of which remain active today, such as recycling programs with industry giants throughout the Southeast and the founding of the Bartram Trail Conference, a multistate initiative to identify and preserve the path that Quaker botanist William Bartram took through the territory before its formation into states.

Using recorded interviews with Martha McInnis, executive vice president of the AEQA, and full access to a meticulously preserved archive of the organization’s papers and artifacts, Katie Lamar Jackson relates this previously untold story of remarkable “citizen activism.” A Movementof the People is a valuable account of the organization’s growth and advancement, both economically and societally, which serves as a blueprint for successful civic activism and grassroots organizing.

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My Father's Name

A Black Virginia Family after the Civil War

Lawrence P. Jackson

University of Chicago Press, 2012

Armed with only early boyhood memories, Lawrence P. Jackson begins his quest by setting out from his home in Baltimore for Pittsylvania County, Virginia, to try to find his late grandfather’s old home by the railroad tracks in Blairs. My Father’s Name tells the tale of the ensuing journey, at once a detective story and a moving historical memoir, uncovering the mixture of anguish and fulfillment that accompanies a venture into the ancestral past, specifically one tied to the history of slavery.

After asking around in Pittsylvania County and carefully putting the pieces together, Jackson finds himself in the house of distant relations. In the pages that follow, he becomes increasingly absorbed by the search for his ancestors and increasingly aware of how few generations an African American needs to map back in order to arrive at slavery, “a door of no return.” Ultimately, Jackson’s dogged research in libraries, census records, and courthouse registries enables him to trace his family to his grandfather’s grandfather, a man who was born or sold into slavery but who, when Federal troops abandoned the South in 1877, was able to buy forty acres of land. In this intimate study of a black Virginia family and neighborhood, Jackson vividly reconstructs moments in the lives of his father’s grandfather, Edward Jackson, and great-grandfather, Granville Hundley, and gives life to revealing narratives of Pittsylvania County, recalling both the horror of slavery and the later struggles of postbellum freedom.
My Father’s Name is a family story full of twists and turns—and one of haunting familiarity to many Americans, who may question whether the promises of emancipation have ever truly been fulfilled. It is also a resolute look at the duties that come with reclaiming and honoring Americans who survived slavery and a thoughtful meditation on its painful and enduring history.

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