In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the Geographia, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author “travels” the known world), is interleaved with lavishly engraved maps to accompany readers on this journey.
Sean Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the Geographia as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose not to bestow some other highly valued good, such as the city’s renowned textiles, but instead the best example of what Florentine visual, material, and intellectual culture had to offer.
Printing and Prophecy: Prognostication and Media Change 1450-1550 examines prognostic traditions and late medieval prophetic texts in the first century of printing and their effect on the new medium of print. The many prophetic and prognostic works that followed Europe's earliest known printed book---not the Gutenberg Bible, but the Sibyl's Prophecy, printed by Gutenberg two years earlier and known today only from a single page---over the next century were perennial best sellers for many printers, and they provide the modern observer with a unique way to study the history and inner workings of the print medium. The very popularity of these works, often published as affordable booklets, raised fears of social unrest. Printers therefore had to meet customer demand while at the same time channeling readers' reactions along approved paths. Authors were packaged---and packaged themselves---in word and image to respond to the tension, while leading figures of early modern culture such as Paracelsus, Martin Luther, and Sebastian Brant used printed prophecies for their own purposes in a rapidly changing society.
Based on a wide reading of many sources, Printing and Prophecy contributes to the study of early modern literature, including how print changed the relationship among authors, readers, and texts. The prophetic and astrological texts the book examines document changes in early modern society that are particularly relevant to German studies and are key texts for understanding the development of science, religion, and popular culture in the early modern period. By combining the methods of cultural studies and book history, this volume brings a new perspective to the study of Gutenberg and later printers.
From the eleventh through the seventeenth centuries, the publishers of Jianyang in Fujian province played a conspicuous role in the Chinese book trade. Unlike the products of government and educational presses, their publications were destined for the retail book market. These publishers survived by responding to consumer demands for dictionaries, histories, geographies, medical texts, encyclopedias, primers, how-to books, novels, and anthologies. Their publications reflect the varied needs of the full range of readers in late imperial China and allow us to study the reading habits, tastes, and literacy of different social groups. The publishers of Jianyang were also businessmen, and their efforts to produce books efficiently, meet the demands of the market, and distribute their publications provide a window on commerce and industry and the growth of regional and national markets.
The broad cultural, historical, and geographical scope of the Jianyang book trade makes it an ideal subject for the study of publishing in China. Based on an extensive study of Jianyang imprints, genealogies of the leading families of printers, local histories, documents, and annotated catalogs and bibliographies, Lucille Chia has written not only a history of commercial printing but also a wide-ranging study of the culture of the book in traditional China.
Printing Landmarks tells the story of the late Tokugawa period’s most distinctive form of popular geography: meisho zue. Beginning with the publication of Miyako meisho zue in 1780, these monumental books deployed lovingly detailed illustrations and informative prose to showcase famous places (meisho) in ways that transcended the limited scope, quality, and reliability of earlier guidebooks and gazetteers. Putting into spellbinding print countless landmarks of cultural significance, the makers of meisho zue created an opportunity for readers to experience places located all over the Japanese archipelago.
In this groundbreaking multidisciplinary study, Robert Goree draws on diverse archival and scholarly sources to explore why meisho zue enjoyed widespread and enduring popularity. Examining their readership, compilation practices, illustration techniques, cartographic properties, ideological import, and production networks, Goree finds that the appeal of the books, far from accidental, resulted from specific choices editors and illustrators made about form, content, and process. Spanning the fields of book history, travel literature, map history, and visual culture, Printing Landmarks provides a new perspective on Tokugawa-period culture by showing how meisho zue depicted inspiring geographies in which social harmony, economic prosperity, and natural stability made for a peaceful polity.
In his comprehensive study of types from the earliest times to the twentieth century, Daniel Berkeley Updike, founder of the famous Merrymount Press of Boston, traces the sequence of development in typography and discusses the relative importance of each period and the lesson that it holds for the modern printer. The 367 illustrations reproduce carefully selected pages from rare and beautiful books. The text constitutes a running commentary on the historical and artistic significance of these specimens, which exemplify the best work of printers and type founders from Gutenberg to Bruce Rogers. The closing chapters on choice of type and on the industrial conditions of the past and their relationship to the problem of printers today are particularly valuable.
Printing Types is the master work of a master printer, collecting in two volumes a wealth of material once scattered through widely diverse sources. Everyone interested in the graphic arts will welcome the reissue of this classic on the art of printing.
In his comprehensive study of types from the earliest times to the twentieth century, Updike, founder of the famous Merrymount Press of Boston, traces the sequence of development in typography and discusses the relative importance of each period and the lesson that it holds for the modern printer. The 367 illustrations reproduce carefully selected pages from rare and beautiful books. The text constitutes a running commentary on the historical and artistic significance of these specimens, which exemplify the best work of printers and type founders from Gutenberg to Bruce Rogers. The closing chapters on choice of type and on the industrial conditions of the past and their relationship to the problem of printers today are particularly valuable.
Printing Types is the master work of a master printer, collecting in two volumes a wealth of material once scattered through widely diverse sources. Everyone interested in the graphic arts will welcome the reissue of this classic on the art of printing.
Brazil has developed a distinctive response to the injustices inflicted by the country’s race relations regime. Despite the mixed racial background of most Brazilians, the state recognizes people’s racial classification according to a simple official scheme in which those self-assigned as black, together with “brown” and “indigenous” (preto-pardo-indigena), can qualify for specially allocated resources, most controversially quota places at public universities. Although this quota system has been somewhat successful, many other issues that disproportionately affect the country’s black population remain unresolved, and systemic policies to reduce structural inequality remain off the agenda.
In The Prism of Race, David Lehmann explores, theoretically and practically, issues of race, the state, social movements, and civil society, and then goes beyond these themes to ask whether Brazilian politics will forever circumvent the severe problems facing the society by co-optation and by tinkering with unjust structures. Lehmann disrupts the paradigm of current scholarly thought on Brazil, placing affirmative action disputes in their political and class context, bringing back the concept of state corporatism, and questioning the strength and independence of Brazilian civil society.
A pioneering history of incarceration in Western political thought.
The prison as we know it is a relatively new institution, established on a large scale in Europe and the United States only during the Enlightenment. Ideas and arguments about penal incarceration, however, long predate its widespread acceptance as a practice. The Prison before the Panopticon argues that debates over imprisonment are as old as Western political philosophy itself. This groundbreaking study examines the role of the prison in the history of political thought, detailing the philosophy of incarceration as it developed from Demosthenes, Plato, and Philo to Thomas More, Thomas Hobbes, and Jeremy Bentham.
Jacob Abolafia emphasizes two major themes that reappear in philosophical writing about the prison. The first is the paradox of popular authorization. This is the problem of how to justify imprisonment in light of political and theoretical commitments to freedom and equality. The second theme is the promise of rehabilitation. Plato and his followers insist that imprisonment should reform the prisoner and have tried to explain in detail how incarceration could have that effect.
While drawing on current historical scholarship to carefully situate each thinker in the culture and penal practices of his own time and place, Abolafia also reveals the surprisingly deep and persistent influence of classical antiquity on modern theories of crime and punishment. The Prison before the Panopticon is a valuable resource not only about the legitimacy of the prison in an age of mass incarceration but also about the philosophical justifications for penal alternatives like restorative justice.
In 1892, unrepentant anarchists Alexander Berkman, Henry Bauer, and Carl Nold were sent to the Western Pennsylvania State Penitentiary for the attempted assassination of steel tycoon Henry Clay Frick. Searching for a way to continue their radical politics and to proselytize among their fellow inmates, these men circulated messages of hope and engagement via primitive means and sympathetic prisoners. On odd bits of paper, in German and in English, they shared their thoughts and feelings in a handwritten clandestine magazine called “Prison Blossoms.” This extraordinary series of essays on anarchism and revolutionary deeds, of prison portraits and narratives of homosexuality among inmates, and utopian poems and fables of a new world to come not only exposed the brutal conditions in American prisons, where punishment cells and starvation diets reigned, but expressed a continuing faith in the "beautiful ideal" of communal anarchism.
Most of the "Prison Blossoms" were smuggled out of the penitentiary to fellow comrades, including Emma Goldman, as the nucleus of an exposé of prison conditions in America’s Gilded Age. Those that survived relatively unrecognized for a century in an international archive are here transcribed, translated, edited, and published for the first time. Born at a unique historical moment, when European anarchism and American labor unrest converged, as each sought to repel the excesses of monopoly capitalism, these prison blossoms peer into the heart of political radicalism and its fervent hope of freedom from state and religious coercion.
Of the fifty thousand Americans who declared themselves conscientious objectors during World War II, nearly six thousand went to prison, many serving multiyear sentences in federal lockups. Some conscientious objectors, notably Robert Lowell, William Everson, and William Stafford, went on to become important figures in the literary life of their country, while others were participants and teachers in the civil rights and antiwar movements of the 1950s, 1960s, and 1970s. This long out-of-print book, reprinted from the rare original 1951 edition, collects firsthand accounts by conscientious objectors who were imprisoned for their beliefs.
Prison Etiquette is illustrated with eleven line drawings by Lowell Naeve.
Has society ceded its self-governance to technogovernance?
The Prison House of the Circuit presents a history of digital media using circuits and circuitry to understand how power operates in the contemporary era. Through the conceptual vocabulary of the circuit, it offers a provocative model for thinking about governance and media.
The authors, writing as a collective, provide a model for collective research and a genealogical framework that interrogates the rise of digital society through the lens of Foucault’s ideas of governance, circulation, and power. The book includes five in-depth case studies investigating the transition from analog media to electronic and digital forms: military telegraphy and human–machine incorporation, the establishment of national electronic biopolitical governance in World War I, media as the means of extending spatial and temporal policing, automobility as the mechanism uniting mobility and media, and visual augmentation from Middle Ages spectacles to digital heads-up displays. The Prison House of the Circuit ultimately demonstrates how contemporary media came to create frictionless circulation to maximize control, efficacy, and state power.
From broken-window policing in Detroit to prison-building in Appalachia, exploring the expansion of the carceral state and its oppressive social relations into everyday life
Prison Land offers a geographic excavation of the prison as a set of social relations—including property, work, gender, and race—enacted across various landscapes of American life. Prisons, Brett Story shows, are more than just buildings of incarceration bound to cycles of crime and punishment. Instead, she investigates the production of carceral power at a range of sites, from buses to coalfields and from blighted cities to urban financial hubs, to demonstrate how the organization of carceral space is ideologically and materially grounded in racial capitalism.
Story’s critically acclaimed film The Prison in Twelve Landscapes is based on the same research that informs this book. In both, Story takes an expansive view of what constitutes contemporary carceral space, interrogating the ways in which racial capitalism is reproduced and for which police technologies of containment and control are employed. By framing the prison as a set of social relations, Prison Land forces us to confront the production of new carceral forms that go well beyond the prison system. In doing so, it profoundly undermines both conventional ideas of prisons as logical responses to the problem of crime and attachment to punishment as the relevant measure of a transformed criminal justice system.
The 1970s were tumultuous years in American prisons, beginning with the bloody uprising at Attica and ending with the even bloodier one at New Mexico State. The Massachusetts prison system was one of the most seriously afflicted. Murders, suicides, riots, strikes, and mass escapes were only the most obvious manifestations of a system in turmoil. Attempts at reform foundered badly there, in part because of strong opposition from prison "guards" or
officers. Kelsey Kauffman's unsparing account of life "on the inside" during that troubled time takes the usually neglected perspective of prison officers. The setting is primarily the maximum-security institution, Walpole; the voices are those of men who felt as trapped as the inmates they guarded.
Prison officers have a subculture and "code" of behavior as binding as that of inmates. As Kauffman quickly makes clear, what recruits learned from their fellow officers—and inmates—was far more important in how they adjusted to the harsh prison environment than was the inadequate instruction they received from the Department of Correction. She describes in detail the role of officers in the everyday life of the prison, their relationship to a seemingly uncaring prison administration, their power struggles with inmates, their methods for coping with inmate violence, and the consequences of their own resort to violence against inmates.
Through the pain filled words of the officers themselves, she chronicles the devastating effect that working in prison had on them and their families. Prison officers, Kauffman argues, are a badly misunderstood and often maligned group. Failure to appreciate their problems and perspectives has inevitably undermined attempts to reform prisons and contributed to the general misery of those who live and work behind prison walls. Although the events that Kauffman discusses helong to a particularly violent time and place, the underlying problems do not. In varying intensity they characterize most prisons most of the time.
Until February 15, 2001, Howard Reich’s mother, Sonia, had managed to keep almost everything about her experience of the Holocaust from her son. That night, she packed some clothes and fled her house in Skokie, Illinois, convinced that someone was trying to kill her. This was the first indication that she was suffering from late-onset post traumatic stress disorder, a little-known condition that can emerge decades after the initial trauma. For Howard, it was also the opening of a window onto his mother’s past.
In Prisoner of Her Past, Howard Reich has written a moving memoir about growing up as the child of Holocaust survivors and finding refuge from silence and fear in the world of jazz. It is only when Sonia’s memories overwhelm her and Howard begins to piece together her story that he comes to understand how his parents’ lives shaped his own. The paperback edition includes an epilogue by the author that relates developments since the publication of the cloth edition.
Retired Captain Pao Yang was a Hmong airman trained by the U.S. Air Force and CIA to fly T-28D aircraft for the U.S. Secret War in Laos. However, his plane was shot down during a mission in June 1972. Yang survived, but enemy forces captured him and sent him to a POW camp in northeastern Laos. He remained imprisoned for four years after the United States withdrew from Vietnam because he fought on the American side of the war.
Prisoner of Wars shows the impact the U.S Secret War in Laos had on Hmong combatants and their families. Chia Vang uses oral histories thatpoignantly recount Yang’s story and the deeply personal struggles his loved ones—who feared he had died—experienced in both Southeast Asia and the United States. As Yang eventually rebuilt his life in America, he grappled with issues of freedom and trauma.
Yang’s life provides a unique lens through which to better understand the lasting impact of the wars in Southeast Asia and the diverse journeys that migrants from Asia made over the last two centuries. Prisoner of Wars makes visible an aspect of the collateral damage that has been left out of dominant Vietnam War narratives.
The twelve stories in The Prisoner Pear: Stories from the Lake take place in an affluent suburb of Portland, Oregon, but they could be taken from any number of similar enclaves across the United States. These stories infuse stark reality with occasional hints of magical realism to explore what the American dream means to twenty-first-century suburbanites. In a city where the homecoming queen still makes the front page of the weekly newspaper, ducks caught in storm drains and stolen campaign signs make up the bulk of the paper’s crime reports. The community’s hidden complexities, however, rival those of Sherwood Anderson’s Winesburg, Ohio.
Each of the stories begins with an entry from the newspaper’s police blotter. Elissa Minor Rust fills in the background to these small, odd events-a headless parakeet found in a mailbox, a nude jogger, an alarmingly deathlike discarded teddy bear. Her stories, both humorous and disturbing, probe beneath the clear, hard surface of a community into the murky depths beneath.
The lake at the center of town is a constant in the lives of this town’s people, and it reappears throughout the book as a symbol of wealth and power, of love and loss. The Prisoner Pear offers a rare look inside the heart of suburban America. Reading these stories is, as one character observes, “like seeing the town from the inside out, as if the lake was its heart and the rest merely its bones and skin.”
The United States has both the largest, most expensive, and most powerful military and the largest, most expensive, and most punitive carceral system in the history of the world. Since the American War in Vietnam, hundreds of thousands of veterans have been incarcerated after their military service.
Identifying the previously unrecognized connections between American wars and mass incarceration, Prisoners after War reaches across lines of race, class, and gender to record the untold history of incarcerated veterans over the past six decades. Having conducted dozens of oral history interviews, Jason A. Higgins traces the lifelong effects of war, inequality, disability, and mental illness, and explores why hundreds of thousands of veterans, from Vietnam to Afghanistan, were caught up in the carceral system. This original study tells an intergenerational history of state-sanctioned violence, punishment, and inequality, but its pages also resonate with stories of survival and redemption, revealing future possibilities for reform and reparative justice.
In late 1842, Private William Preston Stapp and about three hundred other citizens of the Republic of Texas took it upon themselves to invade Mexico. They intended to retaliate for a recent Mexican attack on San Antonio and to humiliate President Sam Houston, who had been hesitant to seek revenge.
Stapp provides a closely observed, day-by-day narrative of the disastrous adventure later known as the Mier expedition. While his style might be described as "elegantly restrained" in comparison to the literary excesses of that early Victorian age, Stapp's flair for drama and description makes for colorful reading.
In response to the public outrage prompted by the San Antonio incident, Houston issued a presidential proclamation inviting volunteers for a retaliatory expedition across the Rio Grande. After the bloodless "capture" and pillage of two Mexican border towns, he called the volunteers back home. Most were relieved to comply, but some felt compelled to pursue the honor of the Republic further, and the Mier expedition was launched on December 20, 1842. On the day after Christmas, all save a forty-man camp guard were captured outside of Mier, a few miles across the Mexican border.
The prisoners faced a brutal forced march to Mexico City. Stapp was one of a large group that escaped along the way, became lost in the mountains, and suffered badly from hunger and thirst before recapture. He survived the notorious Black Bean Episode in which 17 of the 176 returned escapees were shot after drawing black beans in a lottery. The Texans were delivered to Perote Prison near Mexico City in September 1843, where a few of them tunneled to freedom and many more died in captivity. Mexico released the last of the prisoners in 1844, and Stapp was among them.
First published in 1845 and later issued in pamphlet form in 1933 by the La Grange Journal, The Prisoners of Perote is a fascinating view of a painful episode in Texas history.
The foreword by Joe B. Frantz provides a perspective on the Texas-Mexico relations during this period "when both countries were shaking down and had not yet found their way." He points out that The Prisoners of Perote provides some clues to the reasons behind the inherent tenseness that exists between Texas and Mexico today.
A CounterPunch Best Book of the Year
A Lone Star Policy Institute Recommended Book
“If you care, as I do, about disrupting the perverse politics of criminal justice, there is no better place to start than Prisoners of Politics.”
—James Forman, Jr., author of Locking Up Our Own
The United States has the highest rate of incarceration in the world. The social consequences of this fact—recycling people who commit crimes through an overwhelmed system and creating a growing class of permanently criminalized citizens—are devastating. A leading criminal justice reformer who has successfully rewritten sentencing guidelines, Rachel Barkow argues that we would be safer, and have fewer people in prison, if we relied more on expertise and evidence and worried less about being “tough on crime.” A groundbreaking work that is transforming our national conversation on crime and punishment, Prisoners of Politics shows how problematic it is to base criminal justice policy on the whims of the electorate and argues for an overdue shift that could upend our prison problem and make America a more equitable society.
“A critically important exploration of the political dynamics that have made us one of the most punitive societies in human history. A must-read by one of our most thoughtful scholars of crime and punishment.”
—Bryan Stevenson, author of Just Mercy
“Barkow’s analysis suggests that it is not enough to slash police budgets if we want to ensure lasting reform. We also need to find ways to insulate the process from political winds.”
—David Cole, New York Review of Books
“A cogent and provocative argument about how to achieve true institutional reform and fix our broken system.”
—Emily Bazelon, author of Charged
A pathbreaking account of World War II POW camps, challenging the longstanding belief that the Japanese Empire systematically mistreated Allied prisoners.
In only five months, from the attack on Pearl Harbor in December 1941 to the fall of Corregidor in May 1942, the Japanese Empire took prisoner more than 140,000 Allied servicemen and 130,000 civilians from a dozen different countries. From Manchuria to Java, Burma to New Guinea, the Japanese army hastily set up over seven hundred camps to imprison these unfortunates. In the chaos, 40 percent of American POWs did not survive. More Australians died in captivity than were killed in combat.
Sarah Kovner offers the first portrait of detention in the Pacific theater that explains why so many suffered. She follows Allied servicemen in Singapore and the Philippines transported to Japan on “hellships” and singled out for hard labor, but also describes the experience of guards and camp commanders, who were completely unprepared for the task. Much of the worst treatment resulted from a lack of planning, poor training, and bureaucratic incoherence rather than an established policy of debasing and tormenting prisoners. The struggle of POWs tended to be greatest where Tokyo exercised the least control, and many were killed by Allied bombs and torpedoes rather than deliberate mistreatment.
By going beyond the horrific accounts of captivity to actually explain why inmates were neglected and abused, Prisoners of the Empire contributes to ongoing debates over POW treatment across myriad war zones, even to the present day.
Prisons and Patriots provides a detailed account of forty-one Nisei (second-generation Japanese Americans), known as the Tucsonians, who were imprisoned for resisting the draft during WWII. Cherstin Lyon parallels their courage as resisters with that of civil rights hero Gordon Hirabayashi, well known for his legal battle against curfew and internment, who also resisted the draft. These dual stories highlight the intrinsic relationship between the rights and the obligations of citizenship, particularly salient in times of war.
Lyon considers how wartime civil disobedience has been remembered through history—how soldiers have been celebrated for their valor while resisters have been demonized as unpatriotic. Using archival research and interviews, she presents a complex picture of loyalty and conflict among first-generation Issei and Nisei. Lyon contends that the success of the redress movement has made room for a narrative that neither reduces the wartime confinement to a source of shame nor proffers an uncritical account of heroic individuals.
An international best seller dissects the globalization of penal policies “made in U.S.A.” as part of the spread of neoliberalism
In the early 1990s, Mayor Rudolph Giuliani launched a zero-tolerance campaign aimed at street disorders and petty offenders, incarnated in the infamous “squeegee man.” New York City soon became a planetary showcase for an aggressive approach to law enforcement that, despite its extravagant costs and the absence of connection to the crime drop, came to be admired and imitated by other cities in the United States, Western Europe, and Latin America.
In Prisons of Poverty, Loïc Wacquant tracks the incubation and internationalization of the slogans, theories, and measures composing this new punitive “common sense,” fashioned to curb mounting urban inequality and marginality in the metropolis. He finds that a network of Reagan-era conservative think tanks (led by the Manhattan Institute) forged them as weapons in their crusade to dismantle the welfare state and, in effect, to criminalize poverty. He traces their import and export through the agency of the media and the pro-market policy institutes that have mushroomed across the European Union, particularly in Tony Blair’s Britain. And he shows how academics helped smuggle U.S. techniques of penalization into their countries by dressing them up in scholarly garb.Now available in English for the first time in an expanded edition, Prisons of Poverty reveals how the Washington consensus on economic deregulation and welfare retrenchment was extended to encompass punitive crime control because the invisible hand of the market necessitates and calls forth the iron fist of the penal state.In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W. E. B. DuBois famously termed “the problem of the color line.”
A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: “we had to establish means for their control. Hence came the penitentiary.” Such rampant racism co ntributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America’s national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study.
Every day, Internet users interact with technologies designed to undermine their privacy. Social media apps, surveillance technologies, and the Internet of Things are all built in ways that make it hard to guard personal information. And the law says this is okay because it is up to users to protect themselves—even when the odds are deliberately stacked against them.
In Privacy’s Blueprint, Woodrow Hartzog pushes back against this state of affairs, arguing that the law should require software and hardware makers to respect privacy in the design of their products. Current legal doctrine treats technology as though it were value-neutral: only the user decides whether it functions for good or ill. But this is not so. As Hartzog explains, popular digital tools are designed to expose people and manipulate users into disclosing personal information.
Against the often self-serving optimism of Silicon Valley and the inertia of tech evangelism, Hartzog contends that privacy gains will come from better rules for products, not users. The current model of regulating use fosters exploitation. Privacy’s Blueprint aims to correct this by developing the theoretical underpinnings of a new kind of privacy law responsive to the way people actually perceive and use digital technologies. The law can demand encryption. It can prohibit malicious interfaces that deceive users and leave them vulnerable. It can require safeguards against abuses of biometric surveillance. It can, in short, make the technology itself worthy of our trust.
Like other dangerous but pleasurable activities, such as downhill skiing and mountain climbing, engaging in unprotected sex implicitly involves the weighing of costs and benefits. Recognizing that the transmission of the AIDS virus is a consequence of private choices—rational and often informed—to engage in risky conduct, the authors employ tools of economic analysis to reassess the orthodox approach to AIDS by the public health community.
Standard predictions of the spread of AIDS, the authors argue, are questionable because they ignore rational behavioral response to the risk of infection. For the same reason, customary recommended public health measures, such as extensive testing for the AIDS virus, not only may be ineffective in controlling the spread of the disease but may actually cause it to spread more rapidly. The authors examine regulatory measures and proposals such as mandatory testing, criminal punishments, and immigration controls, as well as the subsidization of AIDS education and medical research, the social and fiscal costs of AIDS, the political economy of the government's response, and the interrelation of AIDS and fertility risk.
Neither liberal nor conservative, yet on the whole skeptical about governmental involvement in the epidemic, this book is certain to be controversial, but its injection of hard-headed economic thinking into the AIDS debate is long overdue. Although Private Choices and Public Health is accessible to the interested general reader, it will also capture the attention of economists—especially those involved in health issues—epidemiologists, public health workers, lawyers, and specialists in sexual behavior and drug addiction.
Taylor explores aspects of himself that have affected his work. He delves into the creation of Aureole and From Sea to Shining Sea, from their initial inception to the ways in which specific dancers influenced the choreography, including such notables as Pina Bausch, Laura Dean, David Parsons, Twyla Tharp, Dan Wagoner, Senta Driver—all of whom went on to form their own companies—and others—Bettie de Jong, Nicholas Gunn, and Carolyn Adams—who remained as much a part of the Taylor style as the choreography itself. Taylor writes with sincerity, wit, and charm of his associations with Martha Graham, Merce Cunningham, Jerome Robbins, Anthony Tudor, George Balanchine, and many others.
Private Eyes is the complete map to what Raymond Bhandler called "the mean streets," the exciting world of the fictional private eye. It is intended to entertain current PI fans and to make new ones.
What is a family? Grandparents, mom, dad, and kids around a Thanksgiving turkey? An egg mother, a womb mother, a sperm donor, and their mutual child? Two gay men caring for their adopted son? In this provocative essay, a leading American legal historian argues that laws about family are increasingly laws about individuals and their right to make their own, sometimes contentious, choices.
Drawing on many revealing and sometimes colorful court cases of the past two centuries, Private Lives offers a lively short history of the complexities of family law and family life--including the tensions between the laws on the books and contemporary arrangements for marriage, divorce, adoption, and child rearing. Informal common-law marriage was once widely accepted as a means to regularize property arrangements, but it declined as the state asserted its authority to dictate who could marry and reproduce. In the twentieth century, state attempts to control private life were swept away, most famously in the creation of "no-fault" divorce, a system in which laws that made divorce nearly unattainable were circumvented.
Private life, the author argues, as a legitimate sphere, was once basically confined to life in nuclear families; but the modern law of "privacy" extends the accepted zone of intimate relations. The omnipresence of the media and our fascination with celebrity test the boundaries of public and private life. Meanwhile, laws about cohabitation and civil unions, among others, suggest that family and commitment, in their many forms, remain powerful ideals.
Private Lives, Proper Relations begins with the question of why contemporary African American literature—particularly that produced by black women—is continually concerned with issues of respectability and propriety. Candice M. Jenkins argues that this preoccupation has its origins in recurrent ideologies about African American sexuality, and that it expresses a fundamental aspect of the racial self—an often unarticulated link between the intimate and the political in black culture.
In a counterpoint to her paradigmatic reading of Nella Larsen’s Passing, Jenkins’s analysis of black women’s narratives—including Ann Petry’s The Street, Toni Morrison’s Sula and Paradise, Alice Walker’s The Color Purple, and Gayl Jones’s Eva’s Man—offers a theory of black subjectivity. Here Jenkins describes middle-class attempts to rescue the black community from accusations of sexual and domestic deviance by embracing bourgeois respectability, and asserts that behind those efforts there is the “doubled vulnerability” of the black intimate subject. Rather than reflecting a DuBoisian tension between race and nation, to Jenkins this vulnerability signifies for the African American an opposition between two poles of potential exposure: racial scrutiny and the proximity of human intimacy.
Scholars of African American culture acknowledge that intimacy and sexuality are taboo subjects among African Americans precisely because black intimate character has been pathologized. Private Lives, Proper Relations is a powerful contribution to the crucial effort to end the distortion still surrounding black intimacy in the United States.
Candice M. Jenkins is associate professor of English at Hunter College, City University o
A political leader's decisions can determine the fate of a nation, but what determines how and why that leader makes certain choices? William H. Chafe, a distinguished historian of twentieth century America, examines eight of the most significant political leaders of the modern era in order to explore the relationship between their personal patterns of behavior and their political decision-making process. The result is a fascinating look at how personal lives and political fortunes have intersected to shape America over the past fifty years.
One might expect our leaders to be healthy, wealthy, genteel, and happy. In fact, most of these individuals--from Franklin Delano Roosevelt to Martin Luther King, Jr., from John F. Kennedy to Bill Clinton--came from dysfunctional families, including three children of alcoholics; half grew up in poor or only marginally secure homes; most experienced discord in their marriages; and at least two displayed signs of mental instability. What links this extraordinarily diverse group is an intense ambition to succeed, and the drive to overcome adversity. Indeed, adversity offered a vehicle to develop the personal attributes that would define their careers and shape the way they exercised power.
Chafe probes the influences that forged these men's lives, and profiles the distinctive personalities that molded their exercise of power in times of danger and strife. The history of the United States from the Depression into the new century cannot be understood without exploring the dynamic and critical relationship between personal history and political leadership that these eight life stories so poignantly reveal.
Averch describes and analyzes common strategies for solving problems in public policy. The strategies discussed include the use of markets, bureaus, regulation, planning and budgeting, benefit-cost, systems analysis, and evaluation. He examines the historical development of each strategy; describes how each strategy would ideally work; explains the necessary or sufficient conditions that permit each strategy to work; lists the potential failures of each strategy; and provides a judgment or appraisal of each strategy.
Examines the complex ecology of quasi-public and privatized institutions that mobilize and administer many of the political, administrative, and fiscal resources of today’s metropolitan regions
In recent decades metropolitan regions in the United States have witnessed the rise of multitudes of “shadow governments” that often supersede or replace functions traditionally associated with municipalities and other local governments inherited from the urban past. Shadow governments take many forms, ranging from billion-dollar special authorities that span entire urban regions, to public–private partnerships and special districts created to accomplish particular tasks, to privatized gated communities, to neighborhood organizations empowered to receive private and public funds. They finance and administer public services ranging from the prosaic (garbage collection and water utilities) to the transformative (economic development and infrastructure). Private Metropolis demonstrates that this complex ecosystem of local governance has compromised and even eclipsed democratic processes by moving important policy decisions out of public sight.
The quasi-public institutions of urban governance generally escape the budgetary and statutory restraints imposed on traditional local governments and protect policy decisions from the limitations and vagaries of electoral politics. Moving major policy decisions into a privatized and corporatized realm facilitates efficiency and speed, but at the cost of democratic oversight. Increasingly, the urban electorate is left debating symbolic issues only tangentially connected to the actual distribution of the resources that affect people’s lives.
The essays in Private Metropolis grapple with the difficult and timely questions that arise from this new ecology of governance: What are the consequences of the proliferation of special authorities, privatized governments, and public–private arrangements? Is the trade-off between democratic accountability and efficiency worth it? Has the public sector, with its messiness and inefficiencies—but also its checks and balances—ceded too much power to these new institutions? By examining such questions, this book provokes a long-overdue debate about the future of urban governance.
Contributors: Douglas Cantor, California State U, Long Beach; Ellen Dannin, Pennsylvania State U; Jameson W. Doig, Princeton U; Mary Donoghue; Peter Eisinger, New School; Steven P. Erie, U of California, San Diego; Rebecca Hendrick, U of Illinois at Chicago; Sara Hinkley, U of California, Berkeley; Amanda Kass, U of Illinois at Chicago; Scott A. MacKenzie, U of California, Davis; David C. Perry, U of Illinois at Chicago; James M. Smith, U of Indiana South Bend; Shu Wang, Michigan State U; Rachel Weber, U of Illinois at Chicago.
Every night we enter a mythic realm, a dark, primordial world of fear and desire. What this world offers, Anthony Stevens suggests, may well be the key to understanding our waking mysteries--ourselves, our society, and our history. A prominent psychiatrist and practicing Jungian analyst, Stevens views dreaming from both psychological and neurological perspectives to show how dreams owe their origins as much to our evolutionary history as a species as to our personal history as individuals.
A work rich in symbolic and scientific insight, Private Myths traverses the course of dream interpretation from distant hunter-gatherer times to the present. This analysis is as authoritative as it is wide-ranging, including discussions of the biology of dreaming and the discovery of REM sleep, elaboration of the latest neuroscientific techniques in sleep research, and an assessment of the century-long legacy of analytic practice to dream interpretation. In a close look at the actual processes of dream formation, Stevens relates "dream work" to other creative capacities such as language, poetry, storytelling, memory, play, symptom-formation, magic, and ritual. He draws on his many years of experience to analyze key historical dreams, such as Freud's dream of Irma's injection and Hitler's dream of being buried alive, and enriches this discussion with analyses of his own and his patients' dreams.
Remarkable in its breadth, Private Myths makes the principles of dream interpretation accessible to scientists, the findings of dream science accessible to analysts, and the discoveries of both available to anyone intrigued by the mysteries of dreams and dreaming.
Private Practices examines the relationship between science, sexuality, gender, race, and culture in the making of modern America between 1920 and 1950, when contradictions among liberal intellectuals affected the rise of U.S. conservatism. Naoko Wake focuses on neo-Freudian, gay psychiatrist Harry Stack Sullivan, founder of the interpersonal theory of mental illness. She explores medical and social scientists' conflicted approach to homosexuality, particularly the views of scientists who themselves lived closeted lives.
Wake discovers that there was a gap--often dramatic, frequently subtle--between these scientists' "public" understanding of homosexuality (as a "disease") and their personal, private perception (which questioned such a stigmatizing view). This breach revealed a modern culture in which self-awareness and open-mindedness became traits of "mature" gender and sexual identities. Scientists considered individuals of society lacking these traits to be "immature," creating an unequal relationship between practitioners and their subjects. In assessing how these dynamics--the disparity between public and private views of homosexuality and the uneven relationship between scientists and their subjects--worked to shape each other, Private Practices highlights the limits of the scientific approach to subjectivity and illuminates its strange career--sexual subjectivity in particular--in modern U.S. culture.
Our whole nation benefits from the preservation of natural habitats and their diversity of animal and plant species—yet small groups of private landowners often bear most of the costs of setting land aside for conservation purposes. This imbalance has generated many conflicts since the passage of the Endangered Species Act in 1973 and remains one of the most controversial issues to be resolved as the ESA makes its way through Congress for reauthorization.
To provide policy makers, landowners, and other stakeholders in the ESA debates with impartial baseline information, this book offers multidisciplinary perspectives on the role that private property plays in protecting endangered species in the United States. The opening chapter traces the evolution of the ESA and set forth the parameters of the debate over regulation of private property. Four subsequent chapters explore the judicial and economic implications of ESA and suggest how issues of scale and diversity affect the implementation of the ESA on private property. The volume concludes with eight principles to help frame the ongoing ESA reauthorization debate, developed by the University of Wyoming's Institute for Environment and Natural Resources Policy Board, the sponsor of the research presented in this book.
Why, after several generations of suffrage and a revival of the women's movement in the late 1960s, do women continue to be less politically active than men? Why are they less likely to seek public office or join political organizations? The Private Roots of Public Action is the most comprehensive study of this puzzle of unequal participation.
The authors develop new methods to trace gender differences in political activity to the nonpolitical institutions of everyday life--the family, school, workplace, nonpolitical voluntary association, and church. Different experiences with these institutions produce differences in the resources, skills, and political orientations that facilitate participation--with a cumulative advantage for men. In addition, part of the solution to the puzzle of unequal participation lies in politics itself: where women hold visible public office, women citizens are more politically interested and active. The model that explains gender differences in participation is sufficiently general to apply to participatory disparities among other groups--among the young, the middle-aged, and the elderly or among Latinos, African-Americans and Anglo-Whites.
In The Private Self, Arnold Modell contributes an interdisciplinary perspective in formulating a theory of the private self. A leading thinker in American psychoanalysis, Modell here studies selfhood by examining variations on the theme of the self in Freud and in the work of object relations theorists, self psychologists, and neuroscientists. Modell contends that the self is fundamentally paradoxical, in that it is at once dependent upon social affirmation and autonomous in generating itself from within. We create ourselves, he suggests, by selecting values that are endowed with private meanings.
By thinking of the unconscious as a neurophysiological process, and the self as the subject and object of its own experience, Modell is able to explain how identity can persist in the flux of consciousness. He thus offers an exciting and original perspective for our understanding of the mind and the brain.
At the 2003 "Rock the Vote" debate, one of the questions posed by a student to the eight Democratic candidates for the presidential nomination was "have you ever used marijuana?" Amazingly, all but one of the candidates voluntarily answered the question. Add to this example the multiple ways in which we now see public intrusion into private lives (security cameras, electronic access to personal data, scanning and "wanding" at the airport) or private self-exposure in public forums (cell phones, web cams, confessional talk shows, voyeuristic "reality" TV). That matters so private could be treated as legitimate--in some cases even vital--for public discourse indicates how intertwined the realms of private and public have become in our era. Reverse examples exist as well. Around the world, public authorities look the other way while individual rights are abused--calling it a private matter--or officials appeal to sectarian morés to justify discrimination in public policies.
The authors of The Private, the Public, and the Published feel that scholarship needs to explore and understand this phenomenon, and needs to address it in the college classroom. There are consequences of conflating public and private, they argue--consequences that have implications especially for what is known as the public good. The changing distinctions between "private" and "public," and the various practices of private and public expression, are explored in these essays with an eye toward what they teach us about those consequences and implications.
"Everyman" as actor on life's stage has been a recurrent theme in popular literature--epecially persuasive in these times of powerful electronic media, celebrity hype, and professional image-makers--but the great Victorians exuded sincerity. Nina Auerbach reminds us that all lives can be subversive performances. Charting the notable impact of the theater and theatricality on the Victorian imagination, she provocatively reexamines the concept of sincerity and authenticity as literary ideal.
In novels, popular fiction, and biographies, Auerbach unveils the theatrical element in lives imagined and represented. Focusing on three major points in the life cycle--childhood, passage to maturity, and death--she demonstrates how the process of living was for Victorians the acting of a role; only dying generated a creature with an "own self." Her discussion draws not only on theater history, but on demonology-the ghosts and monsters so much a part of the nineteenth-century imagination.
Nina Auerbach has written a closely reasoned and stimulating book for everyone interested in the Victorian age, and everyone interested in theatricality---whether private or on the stage.
Preference falsification, according to the economist Timur Kuran, is the act of misrepresenting one's wants under perceived social pressures. It happens frequently in everyday life, such as when we tell the host of a dinner party that we are enjoying the food when we actually find it bland. In Private Truths, Public Lies Kuran argues convincingly that the phenomenon not only is ubiquitous but has huge social and political consequences. Drawing on diverse intellectual traditions, including those rooted in economics, psychology, sociology, and political science, Kuran provides a unified theory of how preference falsification shapes collective decisions, orients structural change, sustains social stability, distorts human knowledge, and conceals political possibilities.
A common effect of preference falsification is the preservation of widely disliked structures. Another is the conferment of an aura of stability on structures vulnerable to sudden collapse. When the support of a policy, tradition, or regime is largely contrived, a minor event may activate a bandwagon that generates massive yet unanticipated change.
In distorting public opinion, preference falsification also corrupts public discourse and, hence, human knowledge. So structures held in place by preference falsification may, if the condition lasts long enough, achieve increasingly genuine acceptance. The book demonstrates how human knowledge and social structures co-evolve in complex and imperfectly predictable ways, without any guarantee of social efficiency.
Private Truths, Public Lies uses its theoretical argument to illuminate an array of puzzling social phenomena. They include the unexpected fall of communism, the paucity, until recently, of open opposition to affirmative action in the United States, and the durability of the beliefs that have sustained India's caste system.
In this vivid memoir, Laxalt recalls his service during WWII as a code officer in the Belgian Congo. In this remote jungle outpost, a secret war was being fought for control of the world’s future. Deep in the Congo lay a mine that produced a little-known substance called uranium, and for reasons no one then understood, the Allies and the Germans were struggling ferociously to control this mine and its ore. The cloth edition is a limited numbered, signed edition.
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