A SCHOLARLY BOOK REPOSITORY
In this pathbreaking work, Joshua Lund offers a thoughtful critique of hybridity by reading contemporary theories of cultural mixing against their historical precursors. The Impure Imagination is the first book to systematically analyze today’s dominant theories in relation to earlier, narrative manifestations of hybridity in Latin American writing, with a particular focus on Mexico and Brazil.
Generally understood as the impurification of standard or canonized forms, hybridity has historically been embraced as a basic marker of Latin American regional identity and as a strategy of resistance to cultural imperialism. Lund contends that Latin American theories and narratives of hybridity have been, and continue to be, underwritten by a structure of colonial power. Here he provides an informed critique and cogent investigation of this connection, its cultural effects, and its political implications. Using the emergence of hybridity as an analytical frame for thinking about culture in the Americas, Lund examines the contributions of influential thinkers, including Néstor García Canclini, Homi Bhabha, Jacques Derrida, Giorgio Agamben, Jorge Luis Borges, Antonio Candido, and many others.
Distinguished by its philosophical grounding and underpinned with case studies, The Impure Imagination employs postcolonial theory and theories of race as it explores Latin American history and culture. The result is an original and interrogative study of hybridity that exposes surprising—and unsettling—similarities with nationalistic discourses.
Joshua Lund is assistant professor of Spanish at the University of Pittsburgh. His essays have appeared in A Contracorriente, Race & Class, Cultural Critique, and the Journal of Latin American Cultural Studies.
Lakatos escaped Hungary following the failed 1956 Revolution. Before then, he had been an influential Communist intellectual and was imprisoned for years by the Stalinist regime. He also wrote a lost doctoral thesis in the philosophy of science and participated in what was criminal behavior in all but a legal sense. Kadvany argues that this intellectual and political past animates Lakatos’s English-language philosophy, and that, whether intended or not, Lakatos integrated a penetrating vision of Hegelian ideas with rigorous analysis of mathematical proofs and controversial histories of science.
Including new applications of Lakatos’s ideas to the histories of mathematical logic and economics and providing lucid exegesis of many of Hegel’s basic ideas, Imre Lakatos and the Guises of Reason is an exciting reconstruction of ideas and episodes from the history of philosophy, science, mathematics, and modern political history.
Steve Tomasula is a novelist like no other; his experiments in narrative and design have won him a loyal following. Exemplifying Tomasula’s style, IN & OZ is a heady, avant-garde book, rooted in convincing characters even as it simultaneously subverts the genre of novel and moves it forward.
IN & OZ is a novel of art, love, and auto mechanics. The story follows five different characters—an auto designer, photographer, musical composer, poet/sculptor, and mechanic—who live in two very different places: IN, a back-alley here and now; and OZ, which reflects the desire for somewhere better. The men and women who populate Tomasula’s landscape desperately hope to fill a void in their lives through a variety of media: music, language, dirt, light, and automobiles. As the plot moves forward, the story of the residents of INand that of their counterparts in OZconverge. A fanciful allegory that tackles class relations, art, commerce, and language, IN & OZ is a tale of the human condition that is as visually compelling as it is moving.
A novel not only for fiction lovers, but also for artists of all stripes, IN & OZ creates a fantasy that illumines our own world as it lucidly builds its own.
Travel back to the year 1926 and into the rush of experiences that made people feel they were living on the edge of time. Touch a world where speed seemed the very essence of life. It is a year for which we have no expectations. It was not 1066 or 1588 or 1945, yet it was the year A. A. Milne published Winnie-the-Pooh and Alfred Hitchcock released his first successful film, The Lodger. A set of modern masters was at work--Jorge Luis Borges, Babe Ruth, Leni Riefenstahl, Ernest Hemingway, Josephine Baker, Greta Garbo, Franz Kafka, Gertrude Stein, Martin Heidegger--while factory workers, secretaries, engineers, architects, and Argentine cattle-ranchers were performing their daily tasks.
Hans Ulrich Gumbrecht opens up the space-time continuum by exploring the realities of the day such as bars, boxing, movie palaces, elevators, automobiles, airplanes, hair gel, bullfighting, film stardom, dance crazes, and the surprise reappearance of King Tut after a three-thousand-year absence. From the vantage points of Berlin, Buenos Aires, and New York, Gumbrecht ranges widely through the worlds of Spain, Italy, France, and Latin America. The reader is allowed multiple itineraries, following various routes from one topic to another and ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.
We learn what it is to be an "ugly American" in Paris by experiencing the first mass influx of American tourists into Europe. We visit assembly lines which turned men into machines. We relive a celebrated boxing match and see how Jack Dempsey was beaten yet walked away with the hearts of the fans. We hear the voice of Adolf Hitler condemning tight pants on young men. Gumbrecht conveys these fragments of history as a living network of new sensibilities, evoking in us the excitement of another era.
When the COVID-19 pandemic hit, Michael Krüger was suffering from severe shingles and just beginning treatment for leukemia. Because his immune system was so compromised that even a cough would have knocked him flat, he had to stay away from people. He retired to a wooden house near Lake Starnberg in Germany, and from there he dispatched his poetic messages. Krüger’s meditations from quarantine were printed for many months in the magazine of the Süddeutsche Zeitung and met with an enthusiastic response. In a Cabin, in the Woods collects fifty tableaux of nature, images of the immediate surroundings of a restricted life that also look beyond the horizon. At the same time, these poems look inward to explore transience, illness, and death. Humorous and melancholy, these are studies of the world made with the tiniest compass—meditations on nature and the nature of self that touch us all.
Keisha Lindsay explains the complex politics of ABMSs by situating these schools within broader efforts at neoliberal education reform and within specific conversations about both "endangered” black males and a “boy crisis” in education. Lindsay also demonstrates that intersectionality, long considered feminist, is in fact a politically fluid framework. As such, it represents a potent tool for advancing many political agendas, including those of ABMSs supporters who champion antiracist education for black boys while obscuring black girls’ own race and gender-based oppression in school. Finally, Lindsay theorizes a particular means by which black men and other groups can form antiracist and feminist coalitions even when they make claims about their experiences that threaten bridge building. The way forward, Lindsay shows, allows disadvantaged groups to navigate the racial and gendered politics that divide them in pursuit of productive—and progressive—solutions.
Far-thinking and boldly argued, In a Classroom of Their Own explores the dilemmas faced by professionals and parents in search of equitable schooling for all students—black boys and otherwise.
In a Closet Hidden traces Freeman's evolution as a writer, showing how her own inner conflicts repeatedly found expression in her art. As Glasser demonstrates, Freeman's work examined the competing claims of creativity and convention, self-fulfillment and self-sacrifice, spinsterhood and marriage, lesbianism and heterosexuality.
In a Dark Time is an anthology for the nuclear age, created by two professional psychologists who have ordered their material so that the successive selections reflect and comment on one another, compelling the reader to think about the insanity of war. This book draws on thoughts and writings from more than two millennia: poets from Sappho to Robert Lowell, dreamers from Saint John the Divine to Martin Luther King, Jr., statesmen from Seneca to Winston Churchill, soldiers, churchmen, writers, leaders. Along with them are mingled the voices of people who have faced appalling danger in their own lifetimes--an American schoolchild, a Hiroshima grocer, a plague survivor, a Turkish dissident. Human beings appear at their best and at their worst: as savage warriors, as helpless victims, as dupes of "Nukespeak" and warlike propaganda, and finally as individuals with the courage to say no.
In a Dark Time will shock, warn, and ultimately inspire those many people who share the perception that humankind now stands on the brink of self-annihilation but who believe, with Theodore Roethke, that "in a dark time, the eye begins to see."
As Alcock studies the plants in his yard, he shares thoughts on planting, weeding, and pruning that any gardener will appreciate. And when commenting on the mating rituals of spiders and beetles or marveling at the camouflage of grasshoppers and caterpillars, he uses humor and insight to detail the lives of the insects that live in his patch of desert. Celebrating the virtues of even aphids and mosquitoes, Alcock draws the reader into the intricacies of desert life to reveal the complex interactions found in this unique ecosystem. In a Desert Garden combines meticulous science with contemplations of nature and reminds us that a world of wonder lies just outside our own doors.
This is the little book that started a revolution, making women’s voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.
Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology’s misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.
This is the little book that started a revolution, making women’s voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.
Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology’s misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.
Showcasing poems by more than ninety contemporary American poets, In a Fine Frenzyreveals what Shakespeare’s poetic children have made of their inheritance. Particularly interested in Viola, Miranda, Prospero, Desdemona, Iago, Lear, Cordelia, Hamlet, Horatio, and Ophelia, the poets respond to the sonnets, the comedies, the tragedies, the romances, and, to a lesser degree, Shakespeare the man. In so doing they reveal the aspects of his work most currently captivating to modern writers.
Those who cherish Shakespeare’s mercurial wit will delight in the rapid shifts, from grief to hilarity, so characteristic of the bard himself. Comic poems about tragedies follow decidedly somber poems about comedies. Single poems contain multiple emotional twists and turns. Some pay homage; most interact directly with the original Shakespearean text. Collectively, they corroborate Ben Jonson's assertion that Shakespeare is “not of an age, but for all time.”
The Basques of Europe are legendary for the curtain of privacy they have always drawn around their world, shielding it from visitors from the outside. As a result, accounts of the inner workings of Basque village life are almost nonexistent. In this unique book, author Robert Laxalt has managed to penetrate the deep reserve of Basque village folk. Shepherds, troubadours, merchants, and smugglers, caught up in the panorama of daily life, parade before the reader. They are portrayed against a backdrop of green rugged mountains and stone buildings, typical of the Basque provinces in France and Spain. Laxalt, an American born of Basque parents, unveils the Basque character with warmth, wry humor, and above all, honesty.
A pioneering scholar of gay history, John D’Emilio reflects in this wide-ranging collection of essays upon the social, cultural, and political changes provoked by LGBT activism. He offers provocative questions and historical analyses: What can we learn from a life-long activist like Bayard Rustin, who questioned the wisdom of “identity politics”? Was Richard Nixon a “gay liberationist”? How can knowing local stories—like those of Chicago in the 1950s, 1960s, and 1970s—help build stronger communities and enrich traditions of activism? Might the focus on achieving actually be evidence of growing conservatism in LGBT communities?
In a New Century provides a dynamic, thoughtful, and important resource for identifying changes that have occurred in the United States since 1960, taking stock of the work that still needs to be done, and issuing an urgent call to action for getting there.
Best Books for General Audiences, selected by the American Association of School Librarians
Best Special Interest Books, selected by the Public Library Reviewers
Why would a grown man chase hornets with a thermometer, paint whirligig beetles bright red, or track elephants through the night to fill trash bags with their prodigious droppings? Some might say—to advance science. Bernd Heinrich says—because it’s fun.
Heinrich, author of the much acclaimed Bumblebee Economics, has been playing in the wilds of one continent or another all his life. In the process, he has become one of the world’s foremost physiological ecologists. With In a Patch of Fireweed, he will undoubtedly become one of our foremost writers of popular science.
Part autobiography, part case study in the ways of field biology, In a Patch of Fireweed is an endlessly fascinating account of a scientist’s life and work. For the author, it is an opportunity to report not just his results but the curiosity, humor, error, passion, and competitiveness that feed into the process of discovery. For the reader, it is simply a delight, a rare chance to share the perceptions of an unusual mind fully in tune with the inner workings of nature. Before his years of research in the woodlands and deserts of North America, the New Guinea highlands, and the plains of East Africa, Heinrich had a sense of the wild that few people in this century can know. He tells the whole story, from his refugee childhood hidden in a German forest, eating mice fried in boar fat, to his ongoing research in the woods surrounding his cabin in Maine.
Recent decades have been marked by the decline or collapse of one fishery after another around the world, from swordfish in the North Atlantic to orange roughy in the South Pacific. While the effects of a collapse on local economies and fishing-dependent communities have generated much discussion, little attention has been paid to its impacts on the overall health of the ocean's ecosystems.
In a Perfect Ocean: The State of Fisheries and Ecosystems in the North Atlantic Ocean presents the first empirical assessment of the status of ecosystems in the North Atlantic ocean. Drawing on a wide range of studies including original research conducted for this volume, the authors analyze 14 large marine ecosystems to provide an indisputable picture of an ocean whose ecology has been dramatically altered, resulting in a phenomenon described by the authors as "fishing down the food web." The book:
- provides a snapshot of the past health of the North Atlantic and compares it to its present status
- presents a rigorous scientific assessment based on the key criteria of fisheries catches, biomass, and trophic level
- considers the factors that have led to the current situation
- describes the policy options available for halting the decline
- offers recommendations for restoring the North Atlantic
This is the first in a series of assessments by the world's leading marine scientists, entitled "The State of the World's Oceans." In a Perfect Ocean: The State of Fisheries and Ecosystems in the North Atlantic Ocean is a landmark study, the first of its kind to make a comprehensive, ecosystem-based assessment of the North Atlantic Ocean, and will be essential reading for policymakers at the state, national, and international level concerned with fisheries management, as well for scientists, researchers, and activists concerned with marine issues or fishing and the fisheries industry.
The extreme anti-Western actions and attitudes of Iranians in the 1980s astonished and dismayed the West, which has characterized the Iranian positions as irrational and inexplicable. In this groundbreaking study of images of the West in Iranian literature, however, M. R. Ghanoonparvar reveals that these attitudes did not develop suddenly or inexplicably but rather evolved over more than two centuries of Persian-Western contact.
Notable among the authors whose works Ghanoonparvar discusses are Sadeq Hedayat, M. A. Jamalzadeh, Hushang Golshiri, Gholamhoseyn Sa'edi, Simin Daneshvar, Moniru Ravanipur, Sadeq Chubak, and Jalal Al-e Ahmad. This survey significantly illuminates the sources of Iranian attitudes toward the West and offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be.
Educator Michael Sadowski deftly brings the voices of LGBTQ youth out into the open in his poignant and important book, In a Queer Voice. Drawing on two waves of interviews conducted six years apart, Sadowski chronicles how queer youth, who were often “silenced” in school and elsewhere, now can approach adulthood with a strong, queer voice.
In a Queer Voice continues the critical conversation about LGBTQ youth issues—from bullying and suicide to other risks involving drug and alcohol abuse—by focusing on the factors that help young people develop positive, self-affirming identities. Using the participants’ heartfelt, impassioned voices, we hear what schools, families, and communities can do to help LGBTQ youth become resilient, confident adults.
In a Rugged Land examines the history and content of the two photographers’ forgotten collaboration Three Mormon Towns. Looking at Adams’s and Lange’s photographs, extant letters, and personal memories, the book provides a window into an important moment in their careers and seeks to understand why a project that once held such promise ended in disillusionment and is now little more than a footnote in their illustrative biographies. Swensen’s in-depth research and interpretation help make sense of what they did and place them alongside others who were also exploring the particular qualities of the Mormon village at that time.
Winner of the Joan Paterson Kerr Book Award for best illustrated book on the history of the American West from the Western History Association.
Winner of the Best Book Award from the Utah State Historical Society.
Winner of the 15 Bytes Book Award for Art Book.
Honorable mention for Best Book from the Mormon History Association.
Interview with Tom Williams at Access Utah
The Japanese invasion of Shanghai in 1937 led some thirty million Chinese to flee their homes in terror, and live—in the words of artist and writer Feng Zikai—“in a sea of bitterness” as refugees. Keith Schoppa paints a comprehensive picture of the refugee experience in one province—Zhejiang, on the central Chinese coast—where the Japanese launched major early offensives as well as notorious later campaigns. He recounts stories of both heroes and villains, of choices poorly made amid war’s bewildering violence, of risks bravely taken despite an almost palpable quaking fear.
As they traveled south into China’s interior, refugees stepped backward in time, sometimes as far as the nineteenth century, their journeys revealing the superficiality of China’s modernization. Memoirs and oral histories allow Schoppa to follow the footsteps of the young and old, elite and non-elite, as they fled through unfamiliar terrain and coped with unimaginable physical and psychological difficulties. Within the context of Chinese culture, being forced to leave home was profoundly threatening to one’s sense of identity. Not just people but whole institutions also fled from Japanese occupation, and Schoppa considers schools, governments, and businesses as refugees with narratives of their own.
Local governments responded variously to Japanese attacks, from enacting scorched-earth policies to offering rewards for the capture of plague-infected rats in the aftermath of germ warfare. While at times these official procedures improved the situation for refugees, more often—as Schoppa describes in moving detail—they only deepened the tragedy.
“Eddie Glaude is poised to become the leading intellectual voice of our generation, raising questions that make us reexamine the assumptions we hold by expanding our inventory of ideas.”—Tavis Smiley
What do most career women do after a successful run on Madison Avenue? Catherine Finerty watched her friends settle into the country-club life. She opted instead for Mexico.
When the 60-year-old widow loaded up her car and headed south, what she found at the end of the road was far from what she expected. Finerty settled into a comfortable house just outside of Guadalajara and, although not a Catholic, she soon immersed herself in Franciscan volunteer work. It wasn't long before she found herself visiting small settlements hidden in the tropical mountains of western Mexico, and it was in Jesús María—so isolated that one could only get there by mule or small plane—that she found her new calling: the village nurse.
With its bugs and heat, no phones or running water, the tiny town was hardly a place to enjoy one's retirement years, but Finerty was quickly charmed by the community of Cora Indians and mestizos. Armed with modest supplies, a couple of textbooks, and common sense, she found herself delivering first aid, advising on public health, and administering injections. And in a place where people still believed in the power of shamans, providing health care sometimes required giving in to the magical belief that a hypodermic needle could cure anything.
Finerty's account of her eight years in Jesús María is both a compelling story of nursing under adverse conditions and a loving portrait of a people and their ways. She shares the joys and sorrows of this isolated world: religious festivals and rites of passage; the tragedy of illness and death in a place where people still rely on one another as much as medicine; a flash flood that causes such havoc that even less-than-pious village men attend Mass daily. And she introduces a cast of characters not unlike those in a novel: Padre Domingo and his airborne medical practice; the local bishop, who frowns on Finerty's slacks; Chela, a mestiza from whom she rents her modest two-room house (complete with scorpions); and the young Cora Indian woman Chuy, from whom she gains insight into her new neighbors.
Blending memoir and travel writing, In a Village Far from Home takes readers deep into the Sierra Madre to reveal its true treasure: the soul of a people.
Focusing on the human element of marine conservation and the extractive industry in Tanzania, this volume illuminates what happens when impoverished people living in underdeveloped regions of Africa are suddenly subjected to state-directed conservation and natural resource extraction projects, implemented in their landscapes of subsistence. In a Wounded Land draws on ethnographically rich case studies and vignettes collected over a ten-year period in several coastal villages on Tanzania’s southeastern border with Mozambique. In seven chapters, the book demonstrates how state power, processes of displacement and dispossession, forms of local resistance and acquiescence, environmental and social justice, and human well-being become interconnected.
Written in lucid, accessible language, this is the first book that reveals the social implications of the co-presence of a marine park and a gas project at a time when internationally funded conservation initiatives and extraction projects among rural African populations are engendering rapid social transformation.
Stone served in Africa with his wife and successfully learned the Yoruba language. He was an intelligent, self-reflective, and reliable observer, making his works important sources of information on Yoruba society before the intervention of European colonialism. In Africa's Forest and Jungle is a rare account of West African culture, made all the more complete by the additional journal entries, letters, and photographs collected in this edition.
In American Waters is the catalog of an exhibition co-organized by Crystal Bridges Museum of American Art in Bentonville, Arkansas, and Peabody Essex Museum in Salem, Massachusetts.
The exhibition and this associated catalog invite visitors to discover the sea as an expansive way to reflect on American culture and environment, learn how coastal and maritime symbols moved inland across the United States, and question what it means to be “in American waters.” Work by Georgia O’Keeffe, Amy Sherald, Kay WalkingStick, Norman Rockwell, Hale Woodruff, Paul Cadmus, Thomas Hart Benton, Jacob Lawrence, Valerie Hegarty, Stuart Davis, and many others is included, along with essays from scholars, critics, and the curators.
Drawing on archival research, individual case studies, testimonies of rape victims, and interviews with battered women, Bumiller raises fundamental concerns about the construction of sexual violence as a social problem. She describes how placing the issue of sexual violence on the public agenda has polarized gender- and race-based interests. She contends that as the social welfare state has intensified regulation and control, the availability of services for battered women and rape victims has become increasingly linked to their status as victims and their ability to recognize their problems in medical and psychological terms. Bumiller suggests that to counteract these tendencies, sexual violence should primarily be addressed in the context of communities and in terms of its links to social disadvantage. In an Abusive State is an impassioned call for feminists to reflect on how the co-optation of their movement by the neoliberal state creates the potential to inadvertently harm impoverished women and support punitive and racially based crime control efforts.
A white woman navigates her fear and uncertainty to learn the ways of the people she called savages, until she begins to dream “in Dakota, syllables sliding / on my tongue like tender pieces of meat.” An African man, on display as a cannibal at the World’s Columbian Exposition in 1893, sees into the future: “humiliations heaped up / as on overfilled plates . . . / . . . a country that casually / consumes its own.” A woman holds the gray-blue barrel of a gun in her mouth, “the taste familiar / as her own blood.”
With an unexcelled command of narrative verse, Lisa Chávez tells the stories of American lives across more than a century. Whether retelling nineteenth-century captivity narratives or depicting contemporary American women confronting addiction and despair, Chávez investigates issues of identity and self-definition in the face of an often harsh and unremitting history.
Her story-poems explore the ways in which people have been made captive—whether to racism or national policy, to bad marriages or alcoholism, to poverty or emotion—from the Inuit woman birthing a son among strangers to the wife now deranged by desire for another man: “He’s the smoky slow-burn of chipotle on the tongue. My golden idol. My gospel revival. He’s hashish sweet and languorous—my body’s one desire.”
In the end, Chávez shows us a New World of promise in which an alchemist’s assistant summons stories from stones by calling their names with “clicks of her tongue, / syllables of silver, turquoise, and jade,” and a Native woman discovers her true power in an Alaskan bar. Passionate and political, In an Angry Season is a work of startling depth and breadth—an American history in poetry—that asks us what it means to be civilized.
Originally published as a pamphlet in 1979 and again by Pluto in 1980, In and Against the State brought together questions of working-class struggle and state power, exploring how revolutionary socialists might reconcile working in the public sector with their radical politics. Informed by autonomist political ideas and practices that were central to the protests of 1968, the book’s authors spoke to a generation of activists wrestling with the question of where to place their energies.
Forty years have passed, yet the questions it posed are still to be answered. As the eclipse of Corbynism and the onslaught of the global pandemic have demonstrated with brutal clarity, a renewed socialist strategy is needed more urgently than ever.
This edition includes a new introduction by Seth Wheeler and an interview with John McDonnell that reflect on the continuing relevance of In and Against the State and the questions it raises.
In and Out of Phase is the first sustained look at the creative interactions between artists and musicians of this era, looking at four pairs of creators who used process-oriented ideas and techniques in their music and art: Dan Flavin and La Monte Young; Sol LeWitt and Milton Babbitt; Richard Serra and Steve Reich; and Bruce Nauman and Meredith Monk. Maizels uncovers not just the social and intellectual connections between these two groups of creators, but illuminates how the focus on repetitive actions, pattern and process, and an emphasis on “surface” created mutual influence—and stylistic change—between music and art during this period. The book’s concluding chapter briefly addresses the enduring influence of the innovations of the 1960s on more recent works.
An illustrated collection of historical articles originally published in the Salt Lake Tribune from 1993 to 1996, In
Another Time provides both an entertaining introduction to Utah and a distinguished and popular historian's summary views of the state's peculiar history.
Another Time will entertain and inform newcomers seeking an introductory understanding of what has made Utah different, old hands wanting to know more about the rich complexity of the state's past, and anyone who enjoys well-told historical tales.
Something is not right in the world of Tom Sawyer and Huckleberry Finn. The unease is less evident to Tom, the manipulator, than to the socially marginal Huck. The trouble is most dramatically revealed when Huck, whose “sivilized” Christian conscience is developing, faces the choice between betraying his black friend Jim—which he believes is his moral duty—and letting him escape, as his heart tells him to do.
“Bad faith” is Forrest Robinson's name for the dissonance between what we profess to believe, how we act, and how we interpret our own behavior. There is bad faith in the small hypocrisies of daily living, but Robinson has a much graver issue in mind—namely slavery, which persisted for nearly a century in a Christian republic founded on ideals of freedom, equality, and justice. Huck, living on the fringes of small-town society, recognizes Jim's humanity and understands the desperateness of his plight. Yet Huck is white, a member of the dominant class; he is at once influenced and bewildered by the contradictions of bad faith in the minds of his fully acculturated contemporaries.
Robinson stresses that “bad faith” is more than a theme with Mark Twain; his bleak view of man's social nature (however humorously expressed), his nostalgia, his ambivalence about the South, his complex relationship to his audience, can all be traced back to an awareness of the deceits at the core of his culture—and he is not himself immune. This deeply perceptive book will be of interest to students of American literature and history and to anyone concerned with moral issues.
The statesman at the height of his powers.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
The distinguished contributors to this volume discuss the ways HIV/AIDS has changed collective and individual identities, as well as lives, of gay men and lesbians, and how these alterations have changed our perceptions of the epidemic. They cover such topics as the impact of the epidemic on small towns, cultural barriers to AIDS prevention, gay youth and intergenerational relations, and the roles of lesbians in AIDS organizations. This collection provides compelling insights into the new communities among gay men and lesbians and the new kinds of identities and relationships that are emerging from the social and cultural ferment engendered by HIV/AIDS.
Contributors include Barry D. Adam, Lourdes Arguelles, Rafael Miguel Diaz, John H. Gagnon, Gilbert Herdt, Gregory M. Herek, Nan D. Hunter, Peter M. Nardi, John L. Peterson, Anne Rivero, Gayle S. Rubin, Beth E. Schneider, and Nancy E. Stoller.
In Close Association is the first English-language study of the local networks of women and men who built modern Japan in the Meiji period (1868–1912). Marnie Anderson uncovers in vivid detail how a colorful group of Okayama-based activists founded institutions, engaged in the Freedom and People’s Rights Movement, promoted social reform, and advocated “civilization and enlightenment” while forging pathbreaking conceptions of self and society. Alongside them were Western Protestant missionaries, making this story at once a local history and a transnational one.
Placing gender analysis at its core, the book offers fresh perspectives on what women did beyond domestic boundaries, while showing men’s lives, too, were embedded in home and kin. Writing “history on the diagonal,” Anderson documents the gradual differentiation of public activity by gender in the late nineteenth and early twentieth centuries. Meiji-era associations became increasingly sex-specific, though networks remained heterosocial until the twentieth century.
Anderson attends to how the archival record shapes what historians can know about individual lives. She argues for the interdependence of women and men and the importance of highlighting connections between people to explain historical change. Above all, the study sheds new light on how local personalities together transformed Japan.
No other attempt to explain French civil and military leadership during the 1930s has been so gracefully written, so firmly based on archival material, or so sensitive to French conditions and purposes as In Command of France. It combines a detailed survey of French foreign policy during the Nazi period with a careful examination of France's corresponding military planning and preparation. France was under control, the author argues, and credits the civilian and military command with more vision, more determination, more competence than hitherto recognized.
Young introduces the reader to some of the leading personalities of the day--Laval, Bonnet, Weygand, Pétain, Gamelin, Delbos, Cot, Daladier--soldiers and statesmen whose names have come close to fading from our view. He outlines the problems and alternatives that confronted them in the Nazi years--strikes, lockouts, unemployment, inflating prices, devalued currency--and finds that they failed not because of an absence of policy or incompetence but because the problems they faced were insuperable.
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows.
Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
So began a decade of hardship for Ed and Jean Yellin and their three young children as the repressive weight of the U.S. government, caught up in the throes of McCarthyism, crashed down upon their careers, their daily household budget, and their relationships to colleagues, neighbors, and their country. In Contempt is a faithful, factual testament to the enduring quality of patriotic dissent in our evolving democracy—and a loving reconstruction of what it meant to be labeled “unAmerican” for defending the Constitution.
In Contempt: Nineteenth-Century Women, Law, and Literature, by Kristin Kalsem, explores the legal advocacy performed by nineteenth-century women writers in publications of nonfiction and fiction, as well as in real-life courtrooms and in the legal forum provided by the novel form.
These essays, by leading anthropologists of South American shamanism, consider assault sorcery as it is practiced in parts of Brazil, Guyana, Venezuela, and Peru. They analyze the social and political dynamics of witchcraft and sorcery and their relation to cosmology, mythology, ritual, and other forms of symbolic violence and aggression in each society studied. They also discuss the relations of witchcraft and sorcery to interethnic contact and the ways that shamanic power may be co-opted by the state. In Darkness and Secrecy includes reflections on the ethical and practical implications of ethnographic investigation of violent cultural practices.
Contributors. Dominique Buchillet, Carlos Fausto, Michael Heckenberger, Elsje Lagrou, E. Jean Langdon, George Mentore, Donald Pollock, Fernando Santos-Granero, Pamela J. Stewart, Andrew Strathern, Márnio Teixeira-Pinto, Silvia Vidal, Neil L. Whitehead, Johannes Wilbert, Robin Wright
Helen Gardner is a vigorous and eloquent champion of traditional literary values. These values have been subverted, she feels, by some of the ablest of modern academics and by prevalent tendencies in criticism and teaching today. She discusses the new schools of criticism which exalt the sometimes unintelligible theorist above the creator of the work of art, the imaginative interpreter of life, or which replace the authority of the author with that of the reader. She regrets the tendency of teachers to emphasize contemporary literature to the neglect of the great writings of the past and to teach past literature only if it can somehow be made “relevant.” She reproves theater directors who distort Shakespeare's plays and who convert serious drama into happenings. And she finds that biographers of writers are so preoccupied with the inner lives of their subjects that the writings become psychological documents rather than works of the imagination.
In a closing chapter, partly autobiographical, she affirms the values she has found in a life devoted to the study of literature. Even the most polemical sections of the book are courteous and good-humored. Her own lucidity, range of reference, and passionate concern for literature are in themselves powerful affirmations of her argument.
This updated comprehensive history of the American Civil Liberties Union recounts the ACLU's stormy history since its founding in 1920 to fight for free speech and explores its involvement in some of the most famous causes in American history, including the Scopes "monkey trial," the internment of Japanese Americans during World War II, the Cold War anti-Communist witch hunts, and the civil rights movement. The new introduction covers the history of the organization and developments in civil liberties in the 1990s, including the U.S. Supreme Court's declaration of the Communications Decency Act as unconstitutional in ACLU v. Reno.
One of the leading humanists of Quattrocento Italy, Lorenzo Valla (ca. 1406–1457) has been praised as a brilliant debunker of medieval scholastic philosophy. In this book Lodi Nauta seeks a more balanced assessment, presenting us with the first comprehensive analysis of the humanist’s attempt at radical reform of Aristotelian scholasticism.
This study examines Valla’s attack on major tenets of Aristotelian metaphysics, showing how Valla employed common sense and linguistic usage as his guides. It then explicates Valla’s critique of Aristotelian psychology and natural philosophy and discusses his moral and religious views, including Valla’s notorious identification of Christian beatitude with Epicurean pleasure and his daring views on the Trinity. Finally, it takes up Valla’s humanist dialectic, which seeks to transform logic into a practical tool measured by persuasiveness and effectiveness.
Nauta firmly places Valla’s arguments and ideas within the contexts of ancient and medieval philosophical traditions as well as renewed interest in ancient rhetoric in the Renaissance. He also demonstrates the relevance of Valla’s conviction that the philosophical problems of the scholastics are rooted in a misunderstanding of language. Combining philosophical exegesis and historical scholarship, this book offers a new approach to a major Renaissance thinker.
Drawing on diverse sources of data, Jacobs offers a new theory of liberal arts disciplines such as biology, economics, and history that identifies the organizational sources of their dynamism and breadth. Illustrating his thesis with a wide range of case studies including the diffusion of ideas between fields, the creation of interdisciplinary scholarly journals, and the rise of new fields that spin off from existing ones, Jacobs turns many of the criticisms of disciplines on their heads to mount a powerful defense of the enduring value of liberal arts disciplines. This will become one of the anchors of the case against interdisciplinarity for years to come.
In this book, Amy Lai examines the current free speech crisis in Western universities. She studies the origin, history, and importance of freedom of speech in the university setting, and addresses the relevance and pitfalls of political correctness and microaggressions on campuses, where laws on harassment, discrimination, and hate speech are already in place, along with other concepts that have gained currency in the free speech debate, including deplatforming, trigger warning, and safe space. Looking at numerous free speech disputes in the United Kingdom, the United States, and Canada, the book argues for the equal application of the free speech principle to all expressions to facilitate respectful debates. All in all, it affirms that the right to free expression is a natural right essential to the pursuit of truth, democratic governance, and self-development, and this right is nowhere more important than in the university.
While some Brazilian elites used the issue of sexual purity to boast of their country’s moral superiority, others claimed that the veneration of such concepts as virginity actually frustrated efforts at modernization. Moreover, although individuals of all social classes invoked values they considered “traditional,” such as the confinement of women’s sexuality within marriage, these values were at odds with social practices—such as premarital sex, cohabitation, divorce, and female-headed households—that had been common throughout Brazil’s history. The persistence of these practices, together with post-World War I changes in both official and popular moral ideals, presented formidable obstacles to the Estado Novo’s renewed drive to define and enforce public morality and private family values in the late 1930s.
With sophisticated theoretical underpinnings, In Defense of Honor is written in a clear and lively manner, making it accessible to students and scholars in a variety of disciplines, including Brazilian and Latin American studies, gender studies, and legal history.
Los Angeles’s consulate was confronted with the country’s largest concentration of Mexican Americans, for whom the consuls often assumed a position of community leadership. Whether helping the unemployed secure repatriation and relief or intervening in labor disputes, consuls uniquely adapted their roles in international diplomacy to the demands of local affairs.
In Defense of Monopoly offers an unconventional but empirically grounded argument in favor of market monopolies. Authors McKenzie and Lee claim that conventional, static models exaggerate the harm done by real-world monopolies, and they show why some degree of monopoly presence is necessary to maximize the improvement of human welfare over time.
Inspired by Joseph Schumpeter's suggestion that market imperfections can drive an economy's long-term progress, In Defense of Monopoly defies conventional assumptions to show readers why an economic system's failure to efficiently allocate its resources is actually a necessary precondition for maximizing the system's long-term performance: the perfectly fluid, competitive economy idealized by most economists is decidedly inferior to one characterized by market entry and exit restrictions or costs.
An economy is not a board game in which players compete for a limited number of properties, nor is it much like the kind of blackboard games that economists use to develop their monopoly models. As McKenzie and Lee demonstrate, the creation of goods and services in the real world requires not only competition but the prospect of gains beyond a normal competitive rate of return.
Wendell Berry has called John Hay a “carrier of light and wisdom.” In Defense of Nature reveals why this is true. In it Hay has written an extended meditation on the environment and our place in it. Its lessons never more important, In Defense of Nature eerily presages the tenuous state of our environment and our place in it. As our technical abilities have moved forward, our judgment has not kept pace. “What we call natural resources cannot be limited to gas, oil, pulpwood, or uranium,we are starving the natural resources in ourselves. The soul needs to stretch; being needs to exercise.”
In Defense of Negativity, Geer’s study of negative advertising in presidential campaigns from 1960 to 2004, asserts that the proliferating attack ads are far more likely than positive ads to focus on salient political issues, rather than politicians’ personal characteristics. Accordingly, the ads enrich the democratic process, providing voters with relevant and substantial information before they head to the polls.
An important and timely contribution to American political discourse, In Defense of Negativity concludes that if we want campaigns to grapple with relevant issues and address real problems, negative ads just might be the solution.
its compromises and power struggles, remains the only tested alternative to government by
coercion, making both freedom and order possible in heterogeneous societies. For Crick,
politics is messy and complex, and his book defends it against those who would identify it with (and reduce it to) ideology, democracy, nationalism, or technology.
This Fourth edition has been updated to include an assessment of the revolutions in 1989 in
Eastern Europe. It also examines current situations in Northern Ireland, Israel and Palestine,
and South Africa.
“A short book written with verve and brilliance. . . . He has written an exceedingly clever and
disturbing book on important issues, all that he writes is alive and much of what he says, even when it seems perversely provocative, turns out to be penetrating and serious.”
—Isaiah Berlin, 20th Century
“One of the most thoughtful products of the political dialogues of the London School of
Economics since the great days of Tawney, Dalton, Wallas and Hobhouse. Its sobriety,
liberal spirit and toughness of mind are rare qualities in any political work.”
—Edward Shils, Guardian
Scholars of public administration have historically too often been disdainful towards politics in the field, viewing political activities and interests as opportunities for corruption, mismanagement, and skewed priorities. Supporters of this anti-political stance have become even more strident in recent years, many of them advancing scientific models for the study and practice of public administration and governance.
By turns a scientific, feminist, and economic critique, this book gleefully attacks received wisdom about the dangers of processed food. Anastacia Marx de Salcedo argues that, in fact, most processed foods are relatively healthy and that their consumption is an undisputed boon to women’s equality—since the burdens of cooking disproportionately fall on women. In de Salcedo’s account, processed foods take too much blame for the negative effects of modern sedentary life, and alternative food systems are doomed to economic dysfunction. Ultimately, de Salcedo embraces the preserved foods in her pantry and encourages the reader to do the same.
Debates continue to rage over the merits or flaws of public land and whether or not it should be privatized—or at least, radically reconfigured in some way. In Defense of Public Lands offers a comprehensive refutation of the market-oriented arguments. Steven Davis passionately advocates that public land ought to remain firmly in the public’s hands. He reviews empirical data and theoretical arguments from biological, economic, and political perspectives in order to build a case for why our public lands are an invaluable and irreplaceable asset for the American people.
In Defense of Public Lands briefly lays out the history and characteristics of public lands at the local, state, and federal levels while examining the numerous policy prescriptions for their privatization or, in the case of federal lands, transfer. He considers the dimensions of environmental health; markets and valuation of public land, the tensions between collective values and individual preferences, the nature and performance of bureaucratic management, and the legitimacy of interest groups and community decision-making. Offering a fair, good faith overview of the privatizers’ best arguments before refuting them, this timely book contemplates both the immediate and long-term future of our public lands.
Yvor Winters has here collected, with an introduction, the major critical works—Primitivism and Decadence, Maule’s Curse, and The Anatomy of Nonsense—of the period in which he worked out his famous and influential critical position. The works together show an integrated position which illuminates the force and importance of the individual essays. With The Function of Criticism, a subsequent collection, In Defense of Reason provides an incomparable body of critical writing.
The noted critic bases his analysis upon a belief in the existence of absolute truths and values, in the ethical judgment of literature, and in an insistence that it is the duty of the writer—as it is of very man—to approximate these truths insofar as human fallibility permits. His argument is by theory, but also by definite example—the technique of the “whole critic” who effectively combines close study of specific literary works and a penetrating investigation of aesthetic philosophies.
As in so many conflicts between Indigenous nations and local municipalities, the media narrative about the Oneida Nation’s battle for sovereignty has been dominated by the local government’s standpoint. In Defense of Sovereignty offers another perspective, that of a nation citizen directly involved in the litigation, augmented by contributions from historians, attorneys, and a retired nation employee. It makes an important contribution to public debates about the inherent right of Indigenous nations to continue to exist and exercise self-governance within their territories without being challenged at every turn.
Pompeo Colonna’s In Defense of Women (1530), presented in this volume in Latin and English translation, is one of several important defenses of women composed in the fifteenth and sixteenth centuries by male advocates of women’s moral and intellectual worth. Known as a cardinal and a warrior, but also as an active participant in sixteenth-century Italian literary circles, Colonna addresses the work to his cousin Vittoria Colonna, the most renowned Italian woman poet of the era, who, he writes, had urged him to undertake it. His Defense not only refutes arguments of women’s inferiority and incapacity but, remarkably, asserts their ability to hold political office and govern. It contains original Latin text and a critical introduction by Franco Minonzio. It also features a foreword by Margaret L. King, as well as a postscript by King, tracing the separate male-authored and female-authored Renaissance defenses of women.
—Elissa Weaver
Professor of Italian, Emerita, University of Chicago
In February 2006, the Six Nations occupation of a 132-acre construction site in Caledonia, Ontario, reignited a 200-year-long struggle to reclaim land and rights in the Grand River region. Framed by this ongoing reclamation, In Divided Unity explores community-based initiatives that promote Haudenosaunee traditionalism and languages at Six Nations of the Grand River as crucial enactments of sovereignty both historically and in the present.
Drawing from Haudenosaunee oral traditions, languages, and community-based theorists, In Divided Unity engages the intersecting themes of knowledge production and resistance against the backdrop of the complicated dynamics of the Six Nations community, which has the largest population of all First Nations in Canada. Comprising the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora nations, citizens of the Six Nations Confederacy collectively refer to themselves as Haudenosaunee, which means “we build the house.”
Theresa McCarthy critiques settler colonial narratives of Haudenosaunee decline used to rationalize land theft and political subjugation. In particular, McCarthy illustrates that current efforts to discredit the reclamation continue to draw on the flawed characterizations of Haudenosaunee tradition, factionalism, and “failed” self-government popularized by conventional scholarship about the Iroquois. Countering these narratives of decline and failure, McCarthy argues that the 2006 reclamation ushered in an era of profound intellectual and political resurgence at Six Nations, propelled by the contributions of Haudenosaunee women.
Centering Haudenosaunee intellectual traditions, In Divided Unity provides an important new model for community-based activism and scholarship. Through the active practice and adaptation of ancient teachings and philosophies, McCarthy shows that the Grand River Haudenosaunee are continuing to successfully meet the challenges of reclaiming their land, political autonomy, and control of their future.
The criminal justice process is unavoidably human. Police detectives, witnesses, suspects, and victims shape the course of investigations, while prosecutors, defense attorneys, jurors, and judges affect the outcome of adjudication. In this sweeping review of psychological research, Dan Simon shows how flawed investigations can produce erroneous evidence and why well-meaning juries send innocent people to prison and set the guilty free.
The investigator’s task is genuinely difficult and prone to bias. This often leads investigators to draw faulty conclusions, assess suspects’ truthfulness incorrectly, and conduct coercive interrogations that can lead to false confessions. Eyewitnesses’ identification of perpetrators and detailed recollections of criminal events rely on cognitive processes that are often mistaken and can easily be skewed by the investigative procedures used. In the courtroom, jurors and judges are ill-equipped to assess the accuracy of testimony, especially in the face of the heavy-handed rhetoric and strong emotions that crimes arouse.
Simon offers an array of feasible ways to improve the accuracy of criminal investigations and trials. While the limitations of human cognition will always be an obstacle, these reforms can enhance the criminal justice system’s ability to decide correctly whom to release and whom to punish.
Gaines’s personal journey toward creating such communities of passionate knowledge encompasses his own coming of age and marriages, fatherhood, and teaching. As a devoted fan who is also a professor of American literature, questions about teaching and learning are central to his experience. When asked, “Why Dylan?” he says, “He’s the writer I care about the most. He’s been the way into the best and longest running conversations I have ever had.” Talking with students, exchanging Dylan trivia with fellow fans, or cheering on fan-musicians doing Dylan covers during the Dylan Days festival, Gaines shows that, for many people, being a fan of popular culture couples serious critical and creative engagement with heartfelt commitment. Here, largely unheralded, the ideal of liberal education is realized every day.
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Whether the subject is the plants that grow there, the animals that live there, the rivers that run there, or the people he has known there, Paul Lindholdt’s In Earshot of Water illuminates the Pacific Northwest in vivid detail. Lindholdt writes with the precision of a naturalist, the critical eye of an ecologist, the affection of an apologist, and the self-revelation and self-awareness of a personal essayist in the manner of Annie Dillard, Loren Eiseley, Derrick Jensen, John McPhee, Robert Michael Pyle, and Kathleen Dean Moore.
Exploring both the literal and literary sense of place, with particular emphasis on environmental issues and politics in the far Northwest, Lindholdt weds passages from the journals of Lewis and Clark, the log of Captain James Cook, the novelized memoir of Theodore Winthrop, and Bureau of Reclamation records growing from the paintings that the agency commissioned to publicize its dams in the 1960s and 1970s, to tell ecological and personal histories of the region he knows and loves.
In Lindholdt’s beautiful prose, America’s environmental legacies—those inherited from his blood relatives as well as those from the influences of mass culture—and illuminations of the hazards of neglecting nature’s warning signs blur and merge and reemerge in new forms. Themes of fathers and sons layer the book, as well—the narrator as father and as son—interwoven with a call to responsible social activism with appeals to reason and emotion. Like water itself, In Earshot of Water cascades across boundaries and blends genres, at once learned and literary.
The Patrons of Husbandry—or the Grange—is the longest-lived US agricultural society and, since its founding shortly after the Civil War, has had immeasurable influence on social change as enacted by ordinary Americans. The Grange sought to relieve the struggles of small farmers by encouraging collaboration. Pathbreaking for its inclusion of women, the Grange is also well known for its association with Gilded Age laws aimed at curbing the monopoly power of railroads.
In Essentials, Unity takes as its focus Grange founder Oliver Kelley and his home organization in Minnesota. Jenny Bourne draws upon numerous historical records to present a lively picture of a fraternal organization devoted to improving the lot of farmers but whose legacies extend far beyond agriculture. From struggles over minimum wage, birth control, and environmental regulation to the conflicts surrounding the Affordable Care Act, and from lunch-counter sit-ins to Occupy Wall Street, the Grange has shaped the very notion of collective action and how it is deployed even today. As this compact book so effectively illustrates, the history of the Patrons of Husbandry exposes the classic tension between the desires for achieving overall economic success and determining how the spoils are split.
During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico!
Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.
In the symbolic world of Christianity, which millions have inhabited for centuries, is there room for modern and postmodern life—for today’s real world of cultural relativism and religious pluralism, of scientific knowledge and historical understanding? In Face of Mystery draws these two worlds together in a full-scale reconception of Christian theology.
Theology, Gordon Kaufman suggests, is an imaginative construction, the creation of a symbolic world for ordering life. As it has been constructed, so it can be reconstructed, and Kaufman does so in a way that clarifies both the historic roots and the present-day applications of Christian symbolism. He works with a “biohistorical” interpretation of human life, one that portrays humanity as a product of biological evolution and historical development. While taking account of cultural and religious pluralism, and while providing criteria for making comparative assessments and judgments, this interpretation of human historical existence also situates human beings—with their capacities for freedom and creativity—within the ecological wed that sustains all life. Human beings, Kaufman argues, have created religious symbolism as a necessary part of their attempt to orient themselves in the world. He shows how Christianity, as a system of symbols, has figured in this effort, and he carefully examines the separate elements of the Christian perspective—foremost among them, God. How does the concept of God, as an ultimate point of reference, enhance our understanding of today’s world; and how does the symbol “Christ” qualify this concept? The answers Kaufman proposes clarify the changing relevance of the symbolic world of Christianity.
Firmly embedded in physical and social science and in the tradition of American pragmatism, this thorough reconception of a Christian worldview offers insight into the most basic questions confronting humanity today—questions of value, meaning, and self-identity.
Ellen Basso's new study of these stories considers their relationship to other kinds of Kalapalo activities involving deception and features a unique collection of South American Indian narratives translated directly from performances by master storytellers in their original Carib language. Combining an ethnopoetic, performance-focused approach to storytelling with an action-oriented psychology, Basso arrives at an ethnographic understanding of Kalapalo trickster myths and Kalapalo ideas about deception.
The commentary on the translations considers matters of theme, discourse, narrative progression, and performance context. The dialogical, interactive nature of Kalapalo storytelling, the development of characters through their conversations with one another, and the many ways storytelling and ordinary life enrich one another are examined to reveal the complex psychology of trickster myths and the special tricksterish quality of day-to-day Kalapalo behavior.
Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it.
Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer.
Driven by grit and determination during the Depression, John Ruan parlayed a one-truck business into Ruan Transportation Management Systems, one of the nation’s leading trucking, leasing, and logistics companies. The trucking business made John Ruan one of the wealthiest and most influential people in Iowa and was the foundation for his vast fortune which included interests in insurance, banking, financial services, international trade, and real estate.
In the 1970s and 80s, Ruan led Des Moines’s renaissance with the construction of the 36-story original Ruan Center, the Marriott Hotel tower, and the Two Ruan Center office complex. But his contributions reached far beyond the confines of Iowa. As a philanthropist, Ruan was a long-time sponsor of the World Food Prize, which recognizes the importance of a nutritious and sustainable food supply for all people.
Based on extensive interviews with Ruan, family members, business associates, friends, and colleagues, as well as privately held papers and archives, In for the Long Haul presents a discerning portrait of this hard-charging yet compassionate businessman.
The collection's contributors examine international and everyday contests over political power and cultural representation, focusing on communities and groups above and underground, on state houses and diplomatic board rooms manned by Latin American and international governing elites, on the relations among states regionally, and, less frequently, on the dynamics between the two great superpowers themselves. In addition to charting new directions for research on the Latin American Cold War, In From the Cold seeks to contribute more generally to an understanding of the conflict in the global south.
Contributors. Ariel C. Armony, Steven J. Bachelor, Thomas S. Blanton, Seth Fein, Piero Gleijeses, Gilbert M. Joseph, Victoria Langland, Carlota McAllister, Stephen Pitti, Daniela Spenser, Eric Zolov
Flandrau, a model of style and worldly sophistication and destined, almost everyone agreed, for greatness, was among the most talented young writers of his generation. His short stories about Harvard in the 1890s were called “the first realistic description of undergraduate life in American colleges” and sold out of the first printing in a few weeks. From 1899 to 1902 Flandrau was among the most popular contributors to the Saturday Evening Post. Alexander Woollcott rated him the best essayist in America. And Viva Mexico!, Flandrau’s account of life on a Mexican coffee plantation, is a classic, perhaps the best travel book ever written by an American. Yet Flandrau turned his back on it all. Financially independent, he chose a solitary, epicurean life in St. Paul, Mexico, Majorca, Paris, and Normandy. In later years, he confined his writing to local newspaper pieces and letters to his small circle of family and friends.
Using excerpts from these newspaper columns and unpublished letters, Larry Haeg has painstakingly recreated the story of this urbane, talented, witty, lazy, enigmatic, supremely private man who never reached the peak of literary success to which his talent might have taken him.
This very readable biography provides a detailed and honest portrayal of Flandrau and his times. It will fascinate readers interested in writers’ life stories and scholars of American literature as well as general readers interested in midwestern literary history.
Djelimady Tounkara is only one of the memorable people you will meet in this dramatic narrative of life among the griot musicians of Mali. Born into families where music and the tradition of griot story-telling is a heritage and a privilege, Djelimady and his fellow griots -- both men and women -- live their lives at the intersection of ancient traditions and the modern entertainment industry. During the seven months he spent living and studying with Djelimady, Banning Eyre immersed himself in a world that will fascinate you as it did him.
Eyre creates a range of unforgettable portraits. Some of the people who stride through his pages are internationally known, musicians like Salif Keita, Oumou Sangare, and Grammy winner Ali Farka Toure. But the lesser-known characters are equally fascinating: Adama Kouyate, Djelimady's dynamic wife; Moussa Kouyate, the Tounkara family's own griot; Yayi Kanoute, the flamboyant jelimuso (female griot) who failed to take America by storm; Foutanga Babani Sissoko, the mysterious millionaire who rebuilt an entire town and whose patronage is much sought after by the griots of Bamako.
But the picture Eyre draws is not just a series of portraits. Out of their interactions comes a perceptive panorama of life in Mali in the late twentieth century. The narrative gives us a street-level view of the transformation of musical taste and social customs, the impact of technology and the pressures of poverty, at a crucial time in Mali's history. In individual after individual, family after family, we see the subtle conflicts of heritage and change. Even the complications of democracy -- with democracy, mango vendors think they can charge anything they want, Djelimady points out -- are woven into an unforgettable saga of one man, his family, his profession, and the world of Malian music.
This book contains the oral testimony of victims of pornography, spoken on the record for the first time in history.
Speaking at hearings on a groundbreaking antipornography civil rights law, women offer eloquent witness to the devastation pornography has caused in their lives. Supported by social science experts and authorities on rape, battery, and prostitution, discounted and opposed by free speech advocates and absolutists, their riveting testimony articulates the centrality of pornography to sexual abuse and inequity today.
At issue in these hearings is a law conceived and drafted by Andrea Dworkin and Catharine A. MacKinnon that defines harm done through pornography as a legal injury of sex discrimination warranting civil redress. From the first set of hearings in Minneapolis in 1983 through those before the Massachusetts state legislature in 1992, the witnesses heard here expose the commonplace reality of denigration and sexual subordination due to pornography and refute the widespread notion that pornography is harmless expression that must be protected by the state.
Introduced with powerful essays by MacKinnon and Dworkin, these hearings--unabridged and with each word scrupulously verified--constitute a unique record of a conflict over the meaning of democracy itself--a major civil rights struggle for our time and a fundamental crisis in United States constitutional law: Can we sacrifice the lives of women and children to a pornographer's right to free "speech"? Can we allow the First Amendment to shield sexual exploitation and predatory sexual violence? These pages contain all the arguments for protecting pornography--and dramatically document its human cost.
In Her Father's Eyes is a moving tale about Jewish life and a father's profound love for his only child. By bridging prewar and wartime periods, the diary also provides a rich context for understanding the history from which the Holocaust emerged.
In Her Own Words: The Life and Poetry of Aelia Eudocia is the first full-length study to examine Eudocia’s writings as a unified whole and to situate them within their wider fifth-century literary, social, and religious contexts. Responsible for over 3,000 lines of extant poetry, Eudocia is one of the best-preserved ancient female poets. Because she wrote in a literary mode frequently suppressed by proto-orthodox (male) leaders, much of her poetry does not survive, and what does survive remains understudied and underappreciated. This book represents a detailed investigation into Eudocia’s works: her epigraphic poem in honor of the therapeutic bath at Hammat Gader, her Homeric cento—a poetic paraphrase of the Bible using lines from Homer—and her epic on the fictional magician-turned-Christian, Cyprian of Antioch.
Reading her poetry as a whole and in context, Eudocia emerges as an exceptional author representing three unique late-antique communities: poets interested in preserving and transforming classical literature; Christians whose religious views positioned them outside and against traditional power structures; and women who challenged social, religious, and literary boundaries.
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
Unni Wikan narrates Fadime’s heartbreaking story through her own eloquent words, along with the testimonies of her father, mother, and two sisters. What unfolds is a tale of courage and betrayal, loyalty and love, power and humiliation, and a nearly unfathomable clash of cultures. Despite enduring years of threats over her emancipated life, Fadime advocated compassion for her killer to the end, believing him to be trapped by an unyielding code of honor. Wikan puts this shocking event in context by analyzing similar honor killings throughout Europe, Canada, and the United States. She also examines the concept of honor in historical and cross-cultural depth, concluding that Islam itself is not to blame—indeed, honor killings occur across religious and ethnic traditions—but rather the way that many cultures have resolutely linked honor with violence.
In Honor of Fadime holds profound and timely insights into conservative Kurdish culture, but ultimately the heart of this powerful book is Fadime’s courageous and tragic story—and Wikan’s telling of it is riveting.
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