The Battle of Antietam has long been known as the bloodiest day in American military history with more than twenty thousand soldiers either dead, wounded, or missing. The Confederacy, emboldened after a conclusive victory at the Battle of Second Manassas, launched the Maryland Campaign and considered a decisive battle on northern soil as a lynchpin to their objectives. As Gen. Robert E. Lee pushed his veteran Army of Northern Virginia deeper into Maryland, Gen. George B. McClellan hastily assembled a refurbished Army of the Potomac. After engagements at South Mountain and Harpers Ferry, Lee concentrated his forces near the small village of Sharpsburg. On September 17, 1862, McClellan attacked at dawn, igniting a battle that raged until sunset. By the end of the following day, Lee’s battered army began its withdrawal. The eventual Confederate retreat provided the Lincoln Administration a much sought after victory. President Lincoln announced the Emancipation Proclamation just four days later, dramatically altering the very nature of the war.
Decisions at Antietam introduces readers to critical decisions made by Confederate and Union commanders throughout the battle. Michael S. Lang examines the decisions that prefigured the action and shaped the contest as it unfolded. Rather than a linear history of the battle, Lang’s discussion of the critical decisions presents readers with a vivid blueprint of the battle’s developments. Exploring the critical decisions in this way allows the reader to progress from a sense of what happened in these battles to why they happened as they did
Complete with maps and a guided tour, Decisions at Antietam is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the battle and a deeper understanding of the Civil War itself.
Decisions at Antietam is the ninth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
In the fall of 1862, after a leadership shake-up initiated by Lincoln, Gen. Ambrose Burnside assumed command of the Army of the Potomac and developed an aggressive plan to attack the Confederate capital of Richmond. However, in order to reach Richmond, Burnside had to march through Fredericksburg, where Gen. Robert E. Lee’s Army of Northern Virginia was well entrenched. After crossing the Rappahannock River under enemy fire, Burnside and his troops engaged Lee’s army within the city, then launched a futile frontal assault against a heavily fortified ridge west of Fredericksburg. The end result was a decisive victory for the Confederacy, as the Union army suffered more than double the number of casualties as its foes. Burnside would resign a month later but would resurface as war in the Western Theater grew heated.
Decisions at Fredericksburg explores the critical decisions made by Confederate and Union commanders during the battle and how these decisions shaped its outcome. Rather than offering a history of the battle, Chris Mackowski hones in on a sequence of critical decisions made by commanders on both sides of the contest to provide a blueprint of the Battle of Fredericksburg at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battle to progress from knowledge of what happened to a mature grasp of why events happened.
Complete with maps and a driving tour, Decisions at Fredericksburg is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.
Decisions at Fredericksburg is the eleventh in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
The Campaign and Battle of Gettysburg have inspired scrutiny from virtually every angle. Standing out amid the voluminous scholarship, this book is not merely one more narrative history of the events that transpired before, during, and after those three momentous July days in southern Pennsylvania. Rather, it focuses on and analyzes nineteen critical decisions by Union and Confederate commanders that determined the particular ways in which those events unfolded.
Matt Spruill, a retired U.S. Army colonel who studied and taught at the U. S. Army War College in Carlisle, Pennsylvania, contends that, among the many decisions made during any military campaign, a limited number—strategic, operational, tactical, organizational—make the difference, with subsequent decisions and circumstances proceeding from those defining moments. At Gettysburg, he contends, had any of the nineteen decisions he identifies not been made and/or another decision made in its stead, all sorts of events from those decision points on would have been different and the campaign and battle as we know it today would appear differently. The battle might have lasted two days or four days instead of three. The orientation of opposing forces might have been different. The battle could well have occurred away from Gettysburg rather than around the town. Whether Lee would have emerged the victor and Meade the vanquished remains an open question, but whatever the outcome, it was the particular decision-making delineated here that shaped the campaign that went into the history books.
Along with his insightful analysis of the nineteen decisions, Spruill includes a valuable appendix that takes the battlefield visitor to the actual locations where the decisions were made or executed. This guide features excerpts from primary documents that further illuminate the ways in which the commanders saw situations on the ground and made their decisions accordingly.
The largest battle fought in Kentucky during the American Civil War occurred at a small, crossroads town named Perryville. As Gen. Braxton Bragg’s Confederate Heartland Offensive sputtered through Kentucky, Maj. Gen. Don Carlos Buell’s reformed Army of the Ohio pursued the Army of the Mississippi and clashed with its rearguard just outside Perryville. Believing that he faced only a part of Buell’s army, Bragg ordered an assault on the Union left flank which resulted in Confederate victory. However, that evening Bragg determined the Army of the Ohio outnumbered him three to one and quickly decided to retreat. Outmanned, outmaneuvered, and lacking supplies and reinforcements, Bragg retreated through the Cumberland Gap into East Tennessee, and Kentucky remained in Union control for the rest of the Civil War.
Decisions at Perryville explores the critical decisions made by Confederate and Union commanders during the battle and how these decisions shaped its outcome. Rather than offering a history of the battle, Larry Peterson hones in on a sequence of critical decisions made by commanders on both sides of the contest to provide a blueprint of the Battle of Perryville at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battle to progress from a knowledge of what happened to a mature grasp of why events happened.
Complete with maps and a driving tour, Decisions at Perryville is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.
Decisions at Perryville is the eleventh in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
The Battle of Shiloh took place April 6–7, 1862, between the Union Army of the Tennessee under General Ulysses S. Grant and the Confederate Army of Mississippi under General Albert Sidney Johnston. Johnston launched a surprise attack on Grant but was mortally wounded during the battle. General P. G. T. Beauregard, taking over command, chose not to press the attack through the night, and Grant, reinforced with troops from the Army of the Ohio, counterattacked the morning of April 7th and turned the tide of the battle.
Decisions at Shiloh introduces readers to critical decisions made by Confederate and Union commanders throughout the battle. Dave Powell examines the decisions that prefigured the action and shaped the contest as it unfolded. Rather than a linear history of the battle, Powell’s discussion of the critical decisions presents readers with a vivid blueprint of the battle’s developments. Exploring the critical decisions in this way allows the reader to progress from a sense of what happened in these battles to why they happened as they did
Complete with maps and a guided tour, Decisions at Shiloh is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the battle and a deeper understanding of the Civil War itself.
Decisions at Shiloh is Powell’s second contribution and the fourteenth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
From December 31, 1862, to January 2, 1863, the Army of the Cumberland and Army of Tennessee fought a bloody battle along Stones River. Led by Major General William S. Rosecrans, Union forces would eventually emerge victorious. Coming at the end of a series of Union defeats, this victory would give Lincoln and the Northern population a bright ray of hope during a fall and winter of reversals.
Decisions at Stones River introduces readers to critical decisions made by Confederate and Union commanders. Matt Spruill and Lee Spruill examine the decisions that shaped the way the campaign and battle unfolded. Rather than offering a history of the Battle of Stones River, the Spruills focus on the critical decisions, those decisions that had a major impact on both Federal and Confederate forces in shaping the progression of the battle as we know it today. This account is designed to present the reader with a coherent and manageable blueprint of the battle’s development. Exploring and studying the critical decisions allows the reader to progress from an understanding of “what happened” to “why events happened” as they did.
Complete with maps and a guided tour, Decisions at Stones River is an indispensable primer, and readers looking for a digestible introduction to the Battle of Stones River can tour this sacred ground—or read about it at their leisure—with key insights into why events unfolded as they did and a deeper understanding of the Civil War itself.
Decisions at Stones River is the first in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War
The successive battles of The Wilderness and Spotsylvania Court House opened Lt. Gen. Ulysses S. Grant’s 1864 Overland Campaign. As the first confrontation between Union and Confederate leaders Grant and Gen. Robert E. Lee, these two bloody battles signaled the new reality of war. The fighting at the Battle of The Wilderness, immediately followed by the Battle of Spotsylvania Court House, was costly for both sides, and while the Union army could replace its losses, Lee’s Army of Northern Virginia could not. It would be exactly one year from Grant’s orders to Gen. George G. Meade stating that Lee’s army would be his objective until the surrender at Appomattox.
Decisions at The Wilderness and Spotsylvania Court House introduces readers to critical decisions made by Confederate and Union commanders throughout the two costly meetings. Dave Townsend examines the decisions that prefigured the action and shaped the course of each battle as it unfolded. Rather than a linear history of the battles, Townsend’s discussion of the critical decisions presents readers with a vivid blueprint of the battles’ developments. Exploring the critical decisions in this way allows the reader to progress from a sense of what happened in these battles to why they happened as they did.
Complete with maps and a guided tour, Decisions at The Wilderness and Spotsylvania Court House is an indispensable primer, and readers looking for concise introductions to the battles can tour this sacred ground—or read about it at their leisure—with key insights into the battles and a deeper understanding of the Civil War itself.
Decisions at The Wilderness and Spotsylvania Court House is the seventh in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
From June 25 to July 1, 1862, Gen. Robert E. Lee’s Army of Northern Virginia engaged Maj. Gen. George B. McClellan’s Army of the Potomac in a series of battles at the end of the Peninsula Campaign that would collectively become known as the Seven Days Battles. Beginning with the fighting at the Battle of Beaver Dam Creek, Lee consistently maneuvered against and attacked McClellan’s Army of the Potomac as it retreated south across the Virginia Peninsula to the James River. At the conclusion of the Battle of Malvern Hill, Lee’s second most costly battle, where McClellan’s strong defensive position of infantry and artillery repelled multiple frontal assaults by Lee’s troops, the Federal army slipped from Lee’s grasp and brought the Seven Days to an end. The Seven Days was a clear Confederate victory that drove the Union army away from the capital at Richmond, began the ascendancy of Robert E. Lee, and commenced a change in the war in the Eastern Theater. It set the stage for the Second Manassas Campaign followed by the Maryland Campaign of 1862.
Decisions of the Seven Days explores the critical decisions made by Confederate and Union commanders during the Seven Days Battles and how these decisions shaped the outcome. Rather than offering a history of the battles, Matt Spruill hones in on a sequence of critical decisions made by commanders on both sides of the contests to provide a blueprint of the Seven Days at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battles to progress from knowledge of what happened to a mature grasp of why events happened.
Complete with maps and a driving tour, Decisions of the Seven Days is an indispensable primer, and readers looking for a concise introduction to the battles can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.
Decisions of the Seven Days is the tenth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
The Tullahoma Campaign took place in Middle Tennessee, setting Union General William S. Rosecrans’s Army of the Cumberland against Confederate General Braxton Bragg’s Army of Tennessee. Rosecrans’s objective was to force the Confederate Army to vacate Middle Tennessee and put pressure on Chattanooga. Through a series of maneuvers, rather than battles, he achieved his goal; however, Union victories at Vicksburg and Gettysburg would overshadow his success.
Decisions of the Tullahoma Campaign introduces readers to critical decisions made by Confederate and Union commanders throughout that eventful summer of 1863. Rather than offering a history of the Tullahoma Campaign, Michael R. Bradley hones in on a sequence of critical decisions confronting commanders on both sides of the clash to provide a blueprint of the campaign at its tactical core. Identifying and exploring the critical decisions in this way allows students of the campaign to progress from a rudimentary sense of the what of warfare, to a mature grasp of why.
Complete with maps and a driving tour, Decisions of the Tullahoma Campaign is an indispensable primer, and readers looking for a concise introduction to the Tullahoma Campaign can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.
Decisions of the Tullahoma Campaign is the eighth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
The deeply personal story of a historic time in Chicago, Robert B. McKersie’s A Decisive Decade follows the unfolding action of the Civil Rights Movement as it played out in the Windy City. McKersie’s participation as a white activist for black rights offers a unique, firsthand viewpoint on the debates, boycotts, marches, and negotiations that would forever change the face of race relations in Chicago and the United States at large.
Described within are McKersie’s intimate observations on events as they developed during his participation in such historic occasions as the impassioned marches for open housing in Chicago; the campaign to end school segregation under Chicago Schools Superintendent Benjamin Willis; Operation Breadbasket’s push to develop economic opportunities for black citizens; and dialogs with corporations to provide more jobs for blacks in Chicago. In addition, McKersie provides up close and personal descriptions of the iconic Civil Rights leaders who spearheaded some of the most formative battles of Chicago’s Civil Rights movement, including Dr. Martin Luther King, Jr., Reverend Jesse Jackson, Timuel Black Jr. and W. Alvin Pitcher. The author illumines the tensions experienced by two major institutions in responding to the demands of the civil rights movement: the university and the church. Packed with historical detail and personal anecdotes of these history-making years, A Decisive Decade offers a never-before-seen perspective on one of our nation’s most tumultuous eras.
Long before popular television shows such as Dirty Jobs and The Deadliest Catch, everyday men and women---the unsung heroes of the job world---toiled in important but mostly anonymous jobs. One of those jobs was deckhand on the ore boats.
With numerous photographs and engaging stories, Deckhand offers an insider's view of both the mundane and the intriguing duties performed by deckhands on these gritty cargo vessels. Boisterous port saloons, monster ice jams, near drownings, and the daily drudgery of soogeying---cleaning dirt and grime off the ships---are just a few of the experiences Mickey Haydamacker had as a young deckhand working on freighters of the Great Lakes in the early 1960s. Haydamacker sailed five Interlake Steamship Company boats, from the modern Elton Hoyt 2nd to the ancient coal-powered Colonel James Pickands with its backbreaking tarp-covered hatches.
Deckhand will appeal to shipping buffs and to anyone interested in Great Lakes shipping and maritime history as it chronicles the adventures of living on the lakes from the seldom-seen view of a deckhand.
Mickey Haydamacker spent his youth as a deckhand sailing on the freighters of the Great Lakes. During the 1962 and '63 seasons Nelson sailed five different Interlake Steamship Company ore boats. He later went on to become an arson expert with the Michigan State Police, retiring with the rank of Detective Sergeant.
Alan D. Millar, to whom Haydamacker related his tale of deckhanding, spent his career as a gift store owner and often wrote copy for local newspaper, TV, and radio.
Mock trial—Roman style.
Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: controversiae on law-court themes, suasoriae on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BC–?AD 40) he collected together ten books devoted to controversiae (some only preserved in excerpt) and at least one (surviving) of suasoriae. These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that colored the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca’s own contribution, the lively prefaces, engaging anecdotes about speakers, writers, and politicians, and brisk criticism of declamatory excess.
Mock trial—Roman style.
Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: controversiae on law-court themes, suasoriae on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BC–?AD 40) he collected together ten books devoted to controversiae (some only preserved in excerpt) and at least one (surviving) of suasoriae. These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that colored the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca’s own contribution, the lively prefaces, engaging anecdotes about speakers, writers, and politicians, and brisk criticism of declamatory excess.
In a stunningly original look at the American Declaration of Independence, David Armitage reveals the document in a new light: through the eyes of the rest of the world. Not only did the Declaration announce the entry of the United States onto the world stage, it became the model for other countries to follow.
Armitage examines the Declaration as a political, legal, and intellectual document, and is the first to treat it entirely within a broad international framework. He shows how the Declaration arose within a global moment in the late eighteenth century similar to our own. He uses over one hundred declarations of independence written since 1776 to show the influence and role the U.S. Declaration has played in creating a world of states out of a world of empires. He discusses why the framers’ language of natural rights did not resonate in Britain, how the document was interpreted in the rest of the world, whether the Declaration established a new nation or a collection of states, and where and how the Declaration has had an overt influence on independence movements—from Haiti to Vietnam, and from Venezuela to Rhodesia.
Included is the text of the U.S. Declaration of Independence and sample declarations from around the world. An eye-opening list of declarations of independence since 1776 is compiled here for the first time. This unique global perspective demonstrates the singular role of the United States document as a founding statement of our modern world.
Never in history have 1,322 words held out such extraordinary determination to be free as those found in the Declaration of Independence. In 1787, "We the people" were the three words that not only engendered a new and cohesive nation; they went on to change the face of the world as well. In 1791, the first ten Amendments to the Constitution of the United States of America, known to us as the Bill of Rights introduced the world to the concept of those singular rights that ought to belong to every free individual.
In one compact volume, the full texts of both the Declaration of Independence and the Constitution of the United States of America with all ratified twenty-seven Amendments to the Constitution are side by side—along with another of America's seminal documents, Thomas Jefferson's Virginia Statute for Religious Freedom, an additional world-changing statement that codified for the first time that one cannot be required by law to support or prefer any belief or be punished for those one does profess—and the basis for what we have come to know as the "wall of separation" between church and state.
Who we are and what we are free to be as citizens of the United States of America is contained between these covers. Cass R. Sunstein prefaces the volume with a succinct history and interpretation of the place and meaning of both the Declaration and the Constitution in American life. Enhanced by an index and suggestions for further reading, this volume, small in size but overwhelming in the impact of its contents, belongs in the home of every citizen of the United States.
Arriving at the port of New York in 1882, a 27-year-old Oscar Wilde quipped he had “nothing to declare but my genius.” But as Roy Morris, Jr., reveals in this sparkling narrative, Wilde was, for the first time in his life, underselling himself. A chronicle of the sensation that was Wilde’s eleven-month speaking tour of America, Declaring His Genius offers an indelible portrait of both Oscar Wilde and the Gilded Age.
Wilde covered 15,000 miles, delivered 140 lectures, and met everyone who was anyone. Dressed in satin knee britches and black silk stockings, the long-haired apostle of the British Aesthetic Movement alternately shocked, entertained, and enlightened a spellbound nation. Harvard students attending one of his lectures sported Wildean costume, clutching sunflowers and affecting world-weary poses. Denver prostitutes enticed customers by crying: “We know what makes a cat wild, but what makes Oscar Wilde?” Whitman hoisted a glass to his health, while Ambrose Bierce denounced him as a fraud.
Wilde helped alter the way post–Civil War Americans—still reeling from the most destructive conflict in their history—understood themselves. In an era that saw rapid technological changes, social upheaval, and an ever-widening gap between rich and poor, he delivered a powerful anti-materialistic message about art and the need for beauty. Yet Wilde too was changed by his tour. Having conquered America, a savvier, more mature writer was ready to take on the rest of the world. Neither Wilde nor America would ever be the same.
Bruce Ackerman shows how the institutional dynamics of the last half-century have transformed the American presidency into a potential platform for political extremism and lawlessness. Watergate, Iran-Contra, and the War on Terror are only symptoms of deeper pathologies. Ackerman points to a series of developments that have previously been treated independently of one another—from the rise of presidential primaries, to the role of pollsters and media gurus, to the centralization of power in White House czars, to the politicization of the military, to the manipulation of constitutional doctrine to justify presidential power-grabs. He shows how these different transformations can interact to generate profound constitutional crises in the twenty-first century—and then proposes a series of reforms that will minimize, if not eliminate, the risks going forward.
The book aims to begin a new constitutional debate. Americans should not suppose that Barack Obama’s centrism and constitutionalism will typify the presidencies of the twenty-first century. We should seize the present opportunity to confront deeper institutional pathologies before it is too late.
The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revolution to which the Cold War indirectly contributed. In the eighties, civil war and military rule, together with the rapid development of mass culture and communication empires, changed the political and cultural map.
A long-awaited work by an eminent Latin Americanist widely read throughout the world, this book will prove indispensable to anyone hoping to understand Latin American literature and society. Jean Franco guides the reader across minefields of cultural debate and histories of highly polarized struggle. Focusing on literary texts by García Marquez, Vargas Llosa, Roa Bastos, and Juan Carlos Onetti, conducting us through this contested history with the authority of an eyewitness, Franco gives us an engaging overview as involving as it is moving.
"The major theme of Chapter 12, new to this edition, is the missed opportunities for the parties in the 1996 elections. The year started with a highly visible confrontation over the budget that could have revitalized the party coalitions if the issues had been carried over to the election. However, the candidate-centered campaign of 1996 ultimately did little to resolve these issues or to reinvigorate partisanship in the electorate. In spite of the opportunities for getting new voters to the polls created by the Motor Voter Act, voter turnout in 1996 was the lowest since 1924. Turning out the vote is one of the most crucial functions of political parties, and their inability to mobalize more than half of the eligible electorate strongly indicates their future decline in importance to voters. Until citizens support the parties more by showing up to cast votes for their candidates, the decline of American political parties must be considered to be an ongoing phenomenon."
--From the preface
Latin America’s economic performance is mediocre at best, despite abundant natural resources and flourishing neighbors to the north. The perplexing question of how some of the wealthiest nations in the world in the nineteenth century are now the most crisis-prone has long puzzled economists and historians. The Decline of Latin American Economies examines the reality behind the struggling economies of Argentina, Chile, and Mexico.
A distinguished panel of experts argues here that slow growth, rampant protectionism, and rising inflation plagued Latin America for years, where corrupt institutions and political unrest undermined the financial outlook of already besieged economies. Tracing Latin America’s growth and decline through two centuries, this volume illustrates how a once-prosperous continent now lags behind. Of interest to scholars and policymakers alike, it offers new insight into the relationship between political systems and economic development.
This scholarly work explains the historical and contemporary causes that have given rise to the current explosion of nationalist movements in western Europe. The text also discusses the course these movements may take in the future. The current world political order, maintained by the separation of and frequent antagonism between sovereign nation-states, is increasingly inadequate given the profound social, economic, and technological transformations which have occurred in recent years. The nation-state is no longer the axis of political systems. Existing nation-states are currently undergoing a process similar to the one that caused the disappearance of traditional social forms and territorial entities which were subsumed into broader political structures. The goal of contemporary nationalist movements to create their own nation-states may therefore constitute an anachronistic aspiration and historical error. This crisis of the nation-state, as a form of universal juridico-political organization, and its replacement by supranational structures, is fraught with its own dangers. The latter purports to construct a supranational Europe. However, this new Europe cannot be established in opposition to the nations and regions; rather, it must form a kind of consensual melting pot resulting from the mixture of the complex social and cultural traditions of the different communities constituting European society. Decline of the Nation-State was translated into English by William A. Douglass. It was published originally as Contra el estado-nación: En orno al hecho y la cuestion naciónal in 1986.
The novel has lost its purpose, Joseph Bottum argues in this fascinating new look at the history of fiction. We have not transcended our need for what novels provide, but we have grown to distrust the culture that allowed novels to flourish. “For almost three hundred years,” Bottum writes, “the novel was a major art form, perhaps the major art form, of the modern world—the device by which, more than any other, we tried to explain ourselves to ourselves.” But now we no longer “read novels the way we used to.”
In a historical tour de force—the kind of sweeping analysis almost lost to contemporary literary criticism—Bottum traces the emergence of the novel from the modern religious crisis of the individual soul and the atomized self. In chapters on such figures as Sir Walter Scott, Charles Dickens, and Thomas Mann, he examines the enormous ambitions once possessed by novels and finds in these older works a rebuke of our current failure of nerve.
“We walk with our heads down,” Bottum writes. “Without a sense of the old goals and reasons––a sense of the good achieved, understood as progress––all that remains are the crimes the culture committed in the past to get where it is now. uncompensated by achievement, unexplained by purpose, these unameliorated sins must now seem overwhelming: the very definition of a failed culture.” In readings of everything from genre fiction to children’s books, Bottum finds a lack of faith in the ability of art to respond to the deep problems of existence. “the decline of the novel’s prestige reflects and confirms a genuine cultural crisis,” he writes.
Linking the novel to its religious origins, Bottum describes the urgent search for meaning in the new conditions of the modern age: “If the natural world is imagined by modernity as empty of purpose, then the hunt for nature’s importance is supernatural, by definition.” the novel became a fundamental device by which culture pursued the supernatural—facilitated by modernity’s confidence in science and cultural progress. Losing that confidence, Bottum says, we lost the purpose of the art: “the novel didn’t fail us. We failed the novel.”
Told in fast-paced, wide-ranging prose, Bottum’s The Decline of the Novel is a succinct critique of classical and contemporary fiction, providing guidelines for navigating the vast genre. this book is a must-read for those who hunger for grand accounts of literature, students of literary form, critics of contemporary art, and general readers who wish to learn, finally, what we all used to know: the deep moral purpose of reading novels.
When first published in 1980, The Declining Significance of Race immediately sparked controversy with its contentious thesis that race was becoming less of a deciding factor in the life chances of black Americans than class. This new edition of the seminal book includes a new afterword in which William Julius Wilson not only reflects on the debate surrounding the book, but also presents a provocative discussion of race, class, and social policy.
“The intellectual strength of this book lies in his capacity to integrate disparate findings from historical studies, social theory and research on contemporary trends into a complex and original synthesis that challenges widespread assumptions about the cause of black disadvantage and the way to remove it.”—Paul Starr, New York Times Book Review
“This publication is easily one of the most erudite and sober diagnoses of the American black situation. Students of race relations and anybody in a policy-making position cannot afford to bypass this study.”—Ernest Manheim, Sociology
Decoding Andean Mythology is a comprehensive analysis of Native Andean oral tradition spanning five centuries. Based on twenty years of research and a wide range of scholarship, this book departs from the Cuzco-centered focus of many published Andean narratives and includes myths, stories, and folktales from diverse regions and ethnic groups. Among them are full translations of thirty-two ancient and modern Native Andean stories. Colorful illustrations and a comprehensive glossary of Quechua, Aymara, and Spanish loan words supplement the text.
In an accessible and engaging discussion suitable for students, the author explores a number of recurring themes and characters in Andean stories. These include shape-shifting animals, the inversion of time-space (pachacuti), anthropomorphic and supernatural beings, and conflicting attitudes toward sexuality. The text also presents a fresh perspective on traditional, non-Western concepts such as huacas (sacred objects and places), suggesting some act as portals or mediating spaces between the natural and supernatural worlds. Of particular significance for current events is a lengthy chapter on social protest, explaining the rise of indigenous movements in the Andes and highlighting the contemporary use of Native Andean folktales as an avenue for social and political dissent.
Winner of the 2018 Wayland D. Hand Prize by the American Folklore Society.
This is a sharply observed assessment of the history of the last half century by a distinguished group of historians of Kenya. At the same time the book is a courageous reflection in the dilemmas of African nationhood.
Professor B. A. Ogot says:
“The main purpose of the book is to show that decolonization does not only mean the transfer of alien power to sovereign nationhood; it must also entail the liberation of the worlds of spirit and culture, as well as economics and politics.
“The book also raises a more fundamental question, that is: How much independence is available to any state, national economy or culture in today’s world? It asks how far are Africa’s miseries linked to the colonial past and to the process of decolonization?
“In particular the book raises the basic question of how far Kenya is avoidably neo-colonial? And what does neo-colonial dependence mean? The book answers these questions by discussing the dynamic between the politics of decolonization, the social history of class formation and the economics of dependence. The book ends with a provocative epilogue discussing the transformation of the post-colonial state from a single-party to a multi-party system.”
Brian Urquhart's remarkable career in the United Nations began when the UN was founded in 1945 and ended in 1986 after a twelve-year tenure as Under Secretary-General for Special Political Affairs—the equivalent of commander of UN peacekeeping operations. Among the many revolutions he observed during that period was the process of decolonization, which completely changed the geopolitical map of the world and the conditions under which governments seek to assure world peace. In Decolonization and World Peace, he charts the rapid progress of decolonization in Africa, the Middle East, and other areas of the Third World and describes some of its repercussions.
One of the most serious repercussions has been the chain of regional conflicts arising from the creation of postcolonial power vacuums in various parts of the world. Attributing the difficulty in resolving many of these conflicts—including the Palestine conflict and the Iran-Iraq War—to the climate of Cold War that paralyzed UN authority from the 1960s through the early 1980s, Urquhart is encouraged by what he calls a "new summer of international relations" brought on by the warming of relations between the US and the USSR.
The four chapters of Decolonization and World Peace are based on the Tom Slick World Peace lectures that Urquhart delivered at the Lyndon B. Johnson School of Public Affairs of the University of Texas at Austin in 1988. The appendices offer further insights into the peacekeeping potential of the UN. Included are his remarks at the Nobel Prize Banquet in Norway, on the occasion of the award of the 1988 Nobel Peace Prize to UN peacekeeping forces.
From the late 1980s to the present, artists of Filipino descent in the United States have produced a challenging and creative movement. In The Decolonized Eye, Sarita Echavez See shows how these artists have engaged with the complex aftermath of U.S. colonialism in the Philippines.
Focusing on artists working in New York and California, See examines the overlapping artistic and aesthetic practices and concerns of filmmaker Angel Shaw, painter Manuel Ocampo, installation artist Paul Pfeiffer, comedian Rex Navarrete, performance artist Nicky Paraiso, and sculptor Reanne Estrada to explain the reasons for their strangely shadowy presence in American culture and scholarship. Offering an interpretation of their creations that accounts for their queer, decolonizing strategies of camp, mimesis, and humor, See reveals the conditions of possibility that constitute this contemporary archive.
By analyzing art, performance, and visual culture, The Decolonized Eye illuminates the unexpected consequences of America's amnesia over its imperial history.
Despite a pronounced shift away from Eurocentrism in Spanish and Hispanic studies departments in US universities, many implicit and explicit vestiges of coloniality remain firmly in place. While certain national and linguistic expressions are privileged, others are silenced with predictable racial and gendered results. Decolonizing American Spanish challenges not only the hegemony of Spain and its colonial pedagogies, but also the characterization of Spanish as a foreign language in the United States. By foregrounding Latin American cultures and local varieties of Spanish and reconceptualizing the foreign as domestic, Jeffrey Herlihy-Mera works to create new conceptual maps, revise inherited ones, and institutionalize marginalized and silenced voices and their stories. Considering the University of Puerto Rico as a point of context, this book brings attention to how translingual solidarity and education, a commitment to social transformation, and the engagement of student voices in their own languages can reinvent colonized education.
Winner, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies
Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, Ibeyi, Daniel José Older, and María Magdalena Campos-Pons. Figueroa-Vásquez’s study reveals the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another.
Decolonizing Diasporas examines how themes of intimacy, witnessing, dispossession, reparations, and futurities are remapped in these works by tracing interlocking structures of oppression, including public and intimate forms of domination, sexual and structural violence, sociopolitical and racial exclusion, and the haunting remnants of colonial intervention. Figueroa-Vásquez contends that these diasporic literatures reveal violence but also forms of resistance and the radical potential of Afro-futurities.
This study centers the cultural productions of peoples of African descent as Afro-diasporic imaginaries that subvert coloniality and offer new ways to approach questions of home, location, belonging, and justice.
Decolonizing German and European History at the Museum examines efforts by European museums to investigate colonialism as part of an unprocessed past, confront its presence, and urge repair. A flurry of exhibitions and the overhaul of numerous large museums in the last decade signal that an emergent colonial memory culture is now reaching broader publics. Exhibitions pose the question of what Europeans owe to those they colonized.
Decolonizing German and European History at the Museum shows how museums can help visitors mourn historic violence and identify the contemporary agents, beneficiaries, victims, survivors, and resisters of colonial presence. At the same time, the book treats the museum as part of the racialized power relations that activists, academics, and artists have long protested against. This book asks whether museums have made the dream of activists, academics, and artists to build equitable futures more acceptable and more durable—or whether in packaging that dream for general audiences they curtail it. Confronting colonial violence, this book argues, pushes Europeans to face the histories of racism and urges them to envision antiracism at the global scale.
These wide-ranging case studies consider how language, the law, and the archive have historically served as instruments of colonialism and how they can be creatively transformed in constructing autonomy. The collection highlights points of commonality and solidarity across geographical, cultural, and linguistic boundaries and also reflects deep distinctions between North and South. Decolonizing Native Histories looks at Native histories and narratives in an internationally comparative context, with the hope that international collaboration and understanding of local histories will foster new possibilities for indigenous mobilization and an increasingly decolonized future.
Early Andean historiography reveals a subaltern history of indigenous gender and sexuality that saw masculinity and femininity not as essential absolutes. Third-gender ritualists, Ipas, mediated between the masculine and feminine spheres of culture in important ceremonies and were recorded in fragments of myths and transcribed oral accounts. Ritual performance by cross-dressed men symbolically created a third space of mediation that invoked the mythic androgyne of the pre-Hispanic Andes. The missionaries and civil authorities colonizing the Andes deemed these performances transgressive and sodomitical.
In this book, Michael J. Horswell examines alternative gender and sexuality in the colonial Andean world, and uses the concept of the third gender to reconsider some fundamental paradigms of Andean culture. By deconstructing what literary tropes of sexuality reveal about Andean pre-Hispanic and colonial indigenous culture, he provides an alternative history and interpretation of the much-maligned aboriginal subjects the Spanish often referred to as "sodomites." Horswell traces the origin of the dominant tropes of masculinist sexuality from canonical medieval texts to early modern Spanish secular and moralist literature produced in the context of material persecution of effeminates and sodomites in Spain. These values traveled to the Andes and were used as powerful rhetorical weapons in the struggle to justify the conquest of the Incas.
A philosophical critique of modern communication theories.
Situated at the intersection of current debates regarding meaning and representation, Deconstructing Communication casts doubt on the seeming innocence of the activity of communication. Using poststructuralist literary theory and philosophy, Briankle G. Chang argues that modern communication theories fail to provide an adequate explanation for how communication is possible.
Through a detailed examination of the basis of the idea of communication-with its semantic core of “commonality” or the transcendence of difference-Chang argues against the tendency of theorists to value understanding over misunderstanding, clarity over ambiguity, order over disorder. To this end the author revisits the thought of Derrida and considers deconstruction in general. Specifically, he uses the critique of the phenomenological tradition emerging from poststructuralism to clarify the commitments and assumptions inherent in models of communication. Chang then discusses the contributions of Husserl, particularly regarding the interconnections between concepts, metaphors, and rhetoric. He develops the strategy of deconstruction through a comparative analysis of Heidegger and Derrida, ultimately linking communication theory to the general question of philosophical reason. Chang concludes with a set of key questions about theory formation in the field, questions that elucidate the future direction for critical reflection in the philosophy of communication. A seminal work in communication theory, Deconstructing Communication will serve as the guiding framework for a constructive debate about the future direction of the field.The study of Islam has historically been approached in two different ways: apologetical and polemical. The former focuses on the preservation and propagation of religious teachings, and the latter on the attempt to undermine the tradition. The dialectic between these two approaches continued into the Enlightenment, and the tension between them still exists today. What is new in the modern period, however, is the introduction of a third approach, the academic one, which ostensibly examines the tradition in diverse historical, religious, legal, intellectual, and philosophical contexts. Classical Islamic subjects (e.g., Qur’ān, ḥadīth, fiqh, tafsīr) are now studied using a combination of the apologetical, the polemical, and the academic approaches. Depending upon the historical period and the institutional context, these classical topics have been accepted (apologetical), have had their truth claims undermined (polemical), or have simply been taken for granted (academic).
This volume, comprising chapters by leading experts, deconstructs the ways in which classical Muslim scholarship has structured (and, indeed, continues to structure) the modern study of Islam. It explores how classical subjects have been approached traditionally, theologically, and secularly, in addition to examining some of the tensions inherent in these approaches.
From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices.
In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America—first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.
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