Americans rank crime among the most urgent of social concerns. Overflowing prisons and public outcry have led many to propose that the criminal justice system could control crime more effectively by focusing on dangerous offenders.
Recent social studies have suggested that serious criminality is highly concentrated and that high-rate offenders can be distinguished from others on the basis of prior criminal conduct, drug abuse, and employment record. Such studies urge judges to shift from rehabilitative sentencing to selective incapacitation, with longer prison sentences for convicted criminals who are deemed unusually dangerous. In response to these recommendations, some prosecutors' offices have established career criminal units designed to assure that repeat offenders will be prosecuted to the full measure of the law. Some police departments are experimenting with "perpetrator-oriented patrols" targeted on suspected high-rate offenders.
The authors of this major book in criminal jurisprudence describe and analyze the intellectual and social challenge posed to public officials by this new thrust in criminal justice policy. They develop a framework for evaluating policies that focus on dangerous offenders. They first examine the general issues that arise as society considers the benefits and risks of concentrating on a particular category of criminals. They then outline how that approach might work at each stage of the criminal justice system--sentencing, pretrial detention, prosecution, and investigation.
This cogently argued book provides much needed guidance on the crucial questions of whether sharpened attention to dangerous offenders is just, whether such a policy can be effective in managing the problem of crime, which applications seem particularly valuable, what the long-term risks to social institutions are, and what uncertainties must be monitored and resolved as the policy evolves.
What horrors will the twenty-first century bring? For many people, a clash of civilizations and a perilous return to great power rivalries are the dominant visions of things to come. Fueled by daily headlines, overwhelming majorities of people from all walks of life consider the world to be a far more chaotic, frightening, and ultimately more dangerous place than ever before. Christopher J. Fettweis argues that these impressions, however widespread, are wrong.
Dangerous Times? is an examination of international politics that reveals both theoretical logic and empirical data that support the vision of a future where wars between great powers are unlikely and transnational threats can be contained. Despite popular perception, today a far greater percentage of the world’s population lives in peace than at any time in history, and the number and intensity of all types of warfare have dropped steadily since the early 1990s. Terrorism, though reprehensible, can be combated and can actually increase international cooperation among states fighting a common threat. World wars like those of the twentieth century—the true clash of civilizations—are unlikely to be repeated in the close-knit world of the twenty-first century.
In this sharp and insightful book, Fettweis discusses this revolution in human history and its ramifications for international relations theory. He suggests a new vision for a more restrained U.S. grand strategy and foreign policy and reveals how, despite pessimistic perceptions to the contrary, the world is more likely entering a golden age of peace and security.
From anthrax to asbestos to pesticides, industrial toxins and pollutants have troubled the world for the past century and longer. Environmental hazards from industry remain one of the world's foremost killers.Dangerous Trade establishes historical groundwork for a better understanding of how and why these hazards continue to threaten our shrinking world.
In this timely collection, an international group of scholars casts a rigorous eye towards efforts to combat these ailments. Dangerous Trade contains a wide range of case studies that illuminate transnational movements of risk—from the colonial plantations of Indonesia to compensation laws in late 19th century Britain, and from the occupational medicine clinics of 1960s New York City to the burning of electronic waste in early twenty-first century Uruguay.
The essays in Dangerous Trade provide an unprecedented broad perspective of the dangers stirred up by industrial activity across the globe, as well as the voices rasied to remedy them.
In 1880 a young medical student named Arthur Conan Doyle embarked upon the “first real outstanding adventure” of his life, taking a berth as ship’s surgeon on an Arctic whaler, the Hope. The voyage took him to unknown regions, showered him with dramatic and unexpected experiences, and plunged him into dangerous work on the ice floes of the Arctic seas. He tested himself, overcame the hardships, and, as he wrote later, “came of age at 80 degrees north latitude.”
A special limited, numbered edition of the clothbound book is also available. In addition, a text-only e-book edition is published as Dangerous Work: Diary of an Arctic Adventure, Text-only Edition.
This e-book features the complete text found in the print edition of Dangerous Work, without the illustrations or the facsimile reproductions of Conan Doyle's notebook pages.
This is the first authoritative biography of Daniel DeLeon, an enigmatic and compelling figure in the history of American Marxism. He was the leader of the Socialist Labor Party (for years the only active socialist party in America) and he was active in the Knights of Labor and the Industrial Workers of the World. He fought the “pure and simple” trade unionism of Samuel Gompers and founded the Socialist Trade and Labor Alliance as an alternative. He was, L. Glenn Seretan writes, “probably the most gifted and original Marxist intellectual to focus his attention on the problems attending revolution in the advanced capitalist civilization of the United States.”
Seretan sees Deleon's career centered in several contradictions. He was an avid foe of the Catholic Church, but he pretended to be a Venezuelan Catholic aristocrat descended from Ponce de Leon. He found a theme for his life, Seretan argues, in the legend of the Wandering Jew, and resolved the problem of his social identity by throwing himself into the work of socialism.
Daniel Smith Donelson was the grandson of two of early Middle Tennessee’s most famous founders—John Donelson and Daniel Smith—and nephew of Tennessee’s perhaps most famous soldier statesman, Andrew Jackson. And while Civil War historians are familiar with Donelson because he led a Confederate brigade, his namesake fort in Middle Tennessee, and his importance to the war effort as he transitioned into Confederate war administration, Donelson the significant son of Tennessee has eluded a full study, and no book-length biography has been published, until now.
Unfortunately, Daniel Smith Donelson left no body of papers, which leaves any biographers, as Richard Douglas Spence contends, to approach their subject through a “historical back door” via Donelson’s legendary uncle and his brother, Andrew Jackson Donelson, who enjoyed a significant political career in his own right. Spence’s biography begins with Donelson’s upbringing at the Hermitage after Donelson’s father died when he was three. From there Spence follows Donelson’s career as a planter, militiaman, state congressman, Civil War general, and finally an administrator overseeing the Confederate Department of East Tennessee. Fort Donelson was named in his honor, and his brigades fought at Cheat Mountain, Perryville, and Murfreesboro (Stones River). He was posthumously promoted to major general after dying of disease on April 17, 1863, at the age of sixty-one.
Spence’s approach reveals aspects of Donelson’s life and career that in many ways rival his Civil War record for importance, providing fresh perspectives on Jackson’s tumultuous presidency and the contentious nature of antebellum politics in Tennessee.
The Danish-Mormon migration to Utah in the nineteenth century was, relative to population size, one of the largest European religious out-migrations in history. Hundreds of thousands of Americans can trace their ancestry to Danish Mormons, but few know about the social and cultural ramifications of their ancestors’ conversion to Mormonism. This book tells that exciting and complex story for the first time.
In 1849, after nearly a thousand years of state- controlled religion, Denmark’s first democratic constitution granted religious freedom. One year later, the arrival of three Mormon missionaries in Denmark and their rapid success at winning converts to their faith caused a crisis in Danish society over the existential question: "How could someone be Danish but not Lutheran?" Over the next half-century nearly thirty thousand Danes joined the LDS Church, more than eighteen thousand of whom emigrated to join their fellow Mormons in Utah. This volume explores the range of Danish public reactions to Mormonism over a seventy-year period—from theological concerns articulated by Søren and Peter Christian Kierkegaard in the 1850s to fear-mongering about polygamy and white slavery in silent films of the 1910s and 1920s—and looks at the personal histories of converts.
Honorable Mention for Best International Book from the Mormon History Association.
John Freccero enables us to see the Divine Comedy for the bold, poetic experiment that it is. Too many critics have domesticated Dante by separating his theology from his poetics. Freccero argues that to fail to see the convergence of the letter and the spirit, the pilgrim and the poet, is to fail to understand Dante’s poetics of conversion. For Dante, body and soul go together and there is no salvation that’s purely intellectual, no poetry that is simply literary.
The essays that form this book were originally published between 1959 and 1984. They are arranged to follow the order of the Comedy, and they form the perfect companion for a reader of the poem. With these essays assembled for the first time, we can now see Freccero’s stature: he is the best contemporary critic of Dante. Freccero is that rare article, a critic of eclectic and not dogmatic persuasion. Throughout Freccero operates on the fundamental premise that there is always an intricate and crucial dialectic at work between Dante the poet and Dante the pilgrim, and that it is this dialectic that makes the work so profoundly dramatic, one of the great novels of the self.
Thanks to Freccero we readers have the Comedy whole again. Freccero calls upon medieval philosophy, cosmology, science, theology, and poetics to enable us to traverse Dante’s moral landscape without losing our way in the confusions of minute exegeses. In a secular age Freccero enables us to see this poem as what it is, something wholly other than what we might believe or write. In doing so he shows us the most that language can achieve in any age, secular or not.
A Times Literary Supplement Book of the Year
A Marginal Revolution Best Non-Fiction Book of the Year
A Seminary Co-op Notable Book of the Year
A Times Higher Education Book of the Week
A Choice Outstanding Academic Title of the Year
Marco Santagata’s Dante: The Story of His Life illuminates one of the world’s supreme poets from many angles—writer, philosopher, father, courtier, political partisan. Santagata brings together a vast body of Italian scholarship on Dante’s medieval world, untangles a complex web of family and political relationships for English readers, and shows how the composition of the Commedia was influenced by local and regional politics.
“Reading Marco Santagata’s fascinating new biography, the reader is soon forced to acknowledge that one of the cornerstones of Western literature [The Divine Comedy], a poem considered sublime and universal, is the product of vicious factionalism and packed with local scandal.”
—Tim Parks, London Review of Books
“This is a wonderful book. Even if you have not read Dante you will be gripped by its account of one of the most extraordinary figures in the history of literature, and one of the most dramatic periods of European history. If you are a Dantean, it will be your invaluable companion forever.”
—A. N. Wilson, The Spectator
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship.
Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished.
In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Dante's Craft was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a series of nine essays, Professor Cambon discusses Dante's language and style and the influence of his poetry on later writers. The first section, a group of six essays, is devoted to the critical studies of Dante's own work. A second section consists of chapters devoted to Dante's influence on the eighteenth-century Italian philosopher Giambattista Vico, on certain American writers, chiefly Herman Melville, Nathaniel Hawthorne, Ezra Pound, and T.S. Eliot, and on the contemporary Italian poet Eugenio Montale.
The pertinence of Dante today is emphasized by Professor Cambon in his introduction to the volume. He writes: "Dante's viability for modern literature springs from the depth and latitude of his own probing into the tangled darkness and light of human existence; and, as some of the essays here collected attempt to show, I have come to believe that Dante can give invaluable clues to the reader of contemporary poetry, whether in its expression of derangement in a new Dark Wood or in its rare glimpses of felicity and wholeness."
One of the greatest works of world literature, Dante Alighieri’s The Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until now, students of the Inferno have lacked a suitable resource to guide their reading.
Welcome to Danteworlds, the first substantial guide to the Inferno in English. Guy P. Raffa takes readers on a geographic journey through Dante’s underworld circle by circle—from the Dark Wood down to the ninth circle of Hell—in much the same way Dante and Virgil proceed in their infernal descent. Each chapter—or “region”—of the book begins with a summary of the action, followed by detailed entries, significant verses, and useful study questions. The entries, based on a close examination of the poet’s biblical, classical, and medieval sources, help locate the characters and creatures Dante encounters and assist in decoding the poem’s vast array of references to religion, philosophy, history, politics, and other works of literature.
Written by an established Dante scholar and tested in the fire of extensive classroom experience, Danteworlds will be heralded by readers at all levels of expertise, from students and general readers to teachers and scholars.
Older people negotiating dance routines, intimacy, and racialized differences provide a focal point for an ethnography of danzón in Veracruz, the Mexican city closely associated with the music-dance genre. Hettie Malcomson draws upon on-site research with semi-professional musicians and amateur dancers to reveal how danzón connects, and does not connect, to blackness, joyousness, nostalgia, ageing, and romance. Challenging pervasive utopian views of danzón, Malcomson uses the idea of ambivalence to explore the frictions and opportunities created by seemingly contrary sentiments, ideas, sensations, and impulses. Interspersed with experimental ethnographic vignettes, her account takes readers into black and mestizo elements of local identity in Veracruz, nostalgic and newer styles of music and dance, and the friendships, romances, and rivalries at the heart of regular danzón performance and its complex social world.
Fine-grained and evocative, Danzón Days journeys to one of the genre’s essential cities to provide new perspectives on aging and romance and new explorations of nostalgia and ambivalence.
This book documents an Islamic–Confucian school of scholarship that flourished, mostly in the Yangzi Delta, in the seventeenth and eighteenth centuries. Drawing on previously unstudied materials, it reconstructs the network of Muslim scholars responsible for the creation and circulation of a large corpus of Chinese Islamic written material—the so-called Han Kitab. Against the backdrop of the rise of the Manchu Qing dynasty, The Dao of Muhammad shows how the creation of this corpus, and of the scholarly network that supported it, arose in a context of intense dialogue between Muslim scholars, their Confucian social context, and China’s imperial rulers.
Overturning the idea that participation in Confucian culture necessitated the obliteration of all other identities, this book offers insight into the world of a group of scholars who felt that their study of the Islamic classics constituted a rightful “school” within the Confucian intellectual landscape. These men were not the first Muslims to master the Chinese Classics. But they were the first to express themselves specifically as Chinese Muslims and to generate foundation myths that made sense of their place both within Islam and within Chinese culture.
This book explores the Daoist encounter with modernity through the activities of Chen Yingning (1880–1969), a famous lay Daoist master, and his group in early twentieth-century Shanghai. In contrast to the usual narrative of Daoist decay, with its focus on monastic decline, clerical corruption, and popular superstitions, this study tells a story of Daoist resilience, reinvigoration, and revival.
Between the 1920s and 1940s, Chen led a group of urban lay followers in pursuing Daoist self-cultivation techniques as a way of ensuring health, promoting spirituality, forging cultural self-identity, building community, and strengthening the nation. In their efforts to renew and reform Daoism, Chen and his followers became deeply engaged with nationalism, science, the religious reform movements, the new urban print culture, and other forces of modernity.
Since Chen and his fellow practitioners conceived of the Daoist self-cultivation tradition as a public resource, they also transformed it from an “esoteric” pursuit into a public practice, offering a modernizing society a means of managing the body and the mind and of forging a new cultural, spiritual, and religious identity.
Two racy Greek romances.
In Longus’ ravishing Daphnis and Chloe (second or early third century AD), one of the great works of world literature, an innocent boy and girl gradually discover their sexuality in an idealized pastoral environment. In Xenophon’s Anthia and Habrocomes (first century AD), perhaps the earliest extant novel and a new addition to the Loeb Classical Library, a newlywed couple, separated by mischance, survive hair-raising adventures and desperate escapes as they traverse the Mediterranean and the Near East en route to a joyful reunion. The pairing of these two novels well illustrates both the basic conventions of the genre and its creative range.
This new edition offers fresh translations and texts by Jeffrey Henderson, based on the recent critical editions of Longus by M. D. Reeve and Xenophon by J. N. O’Sullivan.
Longus seems to have been a pagan sophist who lived about 200 CE; he is known to us only by his novel Daphnis and Chloe. This is the bucolic story of two foundlings, brought up by goatkeepers and shepherds on the island of Lesbos, who gradually fall in love. Notable among ancient romances for its perceptive characterizations, Daphnis and Chloe traces the development of the protagonists' love for each other from childlike innocence to full sexual maturity, the successive stages marked by adventures. The novel's picture of nature and rural life offers its own enchantments.
Parthenius of Nicaea in Bithynia, a Greek poet, was brought to Rome in 73 BCE as a prisoner of war. After his release he settled in Italy and worked as poet and teacher. Virgil was one of his students. Parthenius's poetry, mainly elegiac, is lost, and his only extant work is Erotica Pathemata, an anthology of prose summaries of love stories from Greek literature, collected apparently for the use of Roman poets.
George S. Counts was amajor figure in American education for almost fifty years. Republication of this early (1932) work draws special attention to Counts’s role as a social and political activist. Three particular themes make the book noteworthy because of their importance in Counts’s plan for change as well as for their continuing contemporary importance: (1)Counts’s criticism of child-centered progressives; (2) the role Counts assigns to teachers in achieving educational and social reform; and (3) Counts’s idea for the reform of the American economy.
Dari is the most used language in Afghanistan; all official documents are written in it. This textbook, designed to cover one year of instruction, offers beginning learners a communicative approach to the Dari language that develops the four language skills—speaking, listening, reading, and writing—through culturally relevant activities. The book is accompanied by extensive authentic materials, including audio and videos recorded in Afghanistan (available on the Press website), to help learners perform tasks and functions in both colloquial and standard forms. Grammar and vocabulary in each thematic lesson are chosen carefully to help learners perform these tasks and functions at an elementary level and beyond.
Dari: An Elementary Textbook prepares learners to perform at level 1+ or 2 on the ILR scale and at the novice high/intermediate low level on the ACTFL scale. Special notes are included for people with experience in Persian to help them learn Dari more efficiently. It is the fifth elementary level textbook published in partnership with the Center for Languages of the Central Asian Region (CeLCAR), following Pashto, Tajiki, Uzbek, and Uyghur.
Dari: An Intermediate Textbook, designed to cover one year of instruction, offers beginning learners a communicative approach to learning Dari in a cultural context
Suitable for students and professionals alike, Dari: An Intermediate Textbook offers a thematically-organized approach to learning the Dari language with task-oriented, communicative activities that develop the four primary language skills—speaking, listening, reading, and writing. Incorporating the latest innovations in foreign language teaching and pedagogy, this textbook enhances learners’ ability to communicate successfully with Dari speakers and more fully engage with a rich and vibrant culture. Dari: An Intermediate Textbook prepares learners to perform at level 2 or 2+ on the ILR scale and at the Intermediate High to Advanced Low levels on the ACTFL scale.
Features include:-Videos filmed in the different regions of Afghanistan and audio by native speakers (available to stream for free on the Press website)-Abundant cultural notes on Afghan society, customs, and nonverbal aspects of communication, such as body language and gestures-A functional approach to grammar with explanations presented in both written and spoken contexts to facilitate practice in both modalities-Additional notes for people with experience in Persian to help them learn Dari more efficiently-Chapter themes that facilitate understanding of Afghan daily life and culture
In the 1800s, American women were largely restricted to the private sphere. Most had no choice but to spend their lives in the home, marrying in their teens and living only as wives, mothers, and pillars of domesticity. Even as the women’s movement came along midcentury, it focused more on gaining legal and political rights for women than on expanding their career opportunities. So in that time period, in which the options and expectations for women’s professional lives were so limited, it is remarkable that three sisters born in the 1850s, the Owen daughters of Missouri, all achieved success and appreciation in their careers.
Daring to Look presents never-before-published photos and captions from Dorothea Lange’s fieldwork in California, the Pacific Northwest, and North Carolina during 1939. Lange’s images of squatter camps, benighted farmers, and stark landscapes are stunning, and her captions—which range from simple explanations of settings to historical notes and biographical sketches—add unexpected depth, bringing her subjects and their struggles unforgettably to life, often in their own words.
When Lange was dismissed from the Farm Security Administration at the end of 1939, these photos and field notes were consigned to archives, where they languished, rarely seen. With Daring to Look, Anne Whiston Spirn not only returns them to the public eye, but sets them in the context of Lange’s pioneering life, work, and struggle for critical recognition—firmly placing Lange in her rightful position at the forefront of American photography.
“[A] thoughtful and meticulously researched account of Lange’s career. . . . Spirn, a photographer herself, traces Lange’s path, visiting her locations and subjects in a fascinating series of ‘then and now’ shots.”—Publishers Weekly
“Dorothea Lange has long been regarded as one of the most brilliant photographic witnesses we have ever had to the peoples and landscapes of America, but until now no one has fully appreciated the richness with which she wove images together with words to convey her insights about this nation. We are lucky indeed that Anne Whiston Spirn, herself a gifted photographer and writer, has now recovered Lange’s field notes and woven them into a rich tapestry of texts and images to help us reflect anew on Lange’s extraordinary body of work.”—William Cronon, author of Nature’s Metropolis
A fur trader in the Michigan Territory and confidant of both the U.S. government and local Indian tribes, Jacob Smith could have stepped out of a James Fenimore Cooper novel. Controversial, mysterious, and bold during his lifetime, in death Smith has not, until now, received the attention he deserves as a pivotal figure in Michigan’s American period and the War of 1812. This is the exciting and unlikely story of a man at the frontier’s edge, whose missions during both war and peace laid the groundwork for Michigan to accommodate settlers and farmers moving west. The book investigates Smith’s many pursuits, including his role as an advisor to the Indians, from whom the federal government would gradually gain millions of acres of land, due in large part to Smith’s work as an agent of influence. Crawford paints a colorful portrait of a complicated man during a dynamic period of change in Michigan’s history.
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher movies. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970's suspense thriller The Bird with the Crystal Plumage to 2009's Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess.
While considerations of Argento's films often describe them as irrational nightmares, L. Andrew Cooper uses controversies and theories about the films' reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento's oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock. Analyzing individual images and sequences as well as larger narrative structures, he reveals how the director's stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema's visual, narrative, and political norms.
Joseph Farrell and Antonio Scuderi present an international collection of essays reevaluating the multifaceted performance art of Nobel laureate Dario Fo.
The contributors, all of whom either have previously published on Fo or have worked with him, are the major Dario Fo scholars of three continents. Going beyond the Marxist criticism of the 1970s and 1980s, the editors and contributors try to establish an appropriate language in which to debate Fo’s theater. They seek to identify the core of Fo’s work, the material that will be of lasting value. This involves locating Fo in history, examining the nature of his development through successive phases, incorporating his politics into a wider framework of radical dissent, and setting his theatrical achievements in a context and a tradition.
The essays cover every aspect of Dario Fo: as actor, playwright, performer, and songwriter. They also provide the historical background of Fo’s theater, as well as an in-depth analyses of specific works and the contribution of Franca Rame.
The last of Cyrus the Great’s dynastic inheritors and the legendary enemy of Alexander the Great, Darius III ruled over a Persian Empire that stretched from the Mediterranean to the Indus River. Yet, despite being the most powerful king of his time, Darius remains an obscure figure.
As Pierre Briant explains in the first book ever devoted to the historical memory of Darius III, the little that is known of him comes primarily from Greek and Roman sources, which often present him in an unflattering light, as a decadent Oriental who lacked the masculine virtues of his Western adversaries. Influenced by the Alexander Romance as they are, even the medieval Persian sources are not free of harsh prejudices against the king Dārā, whom they deemed deficient in the traditional kingly virtues. Ancient Classical accounts construct a man who is in every respect Alexander’s opposite—feeble-minded, militarily inept, addicted to pleasure, and vain. When Darius’s wife and children are captured by Alexander’s forces at the Battle of Issos, Darius is ready to ransom his entire kingdom to save them—a devoted husband and father, perhaps, but a weak king.
While Darius seems doomed to be a footnote in the chronicle of Alexander’s conquests, in one respect it is Darius who has the last laugh. For after Darius’s defeat in 331 BCE, Alexander is described by historians as becoming ever more like his vanquished opponent: a Darius-like sybarite prone to unmanly excess.
Khanna traces the colonial backgrounds of psychoanalysis from its beginnings in the late nineteenth century up to the present. Illuminating Freud’s debt to the languages of archaeology and anthropology throughout his career, Khanna describes how Freud altered his theories of the ego as his own political status shifted from Habsburg loyalist to Nazi victim. Dark Continents explores how psychoanalytic theory was taken up in Europe and its colonies in the period of decolonization following World War II, focusing on its use by a range of writers including Jean-Paul Sartre, Simone de Beauvoir, Octave Mannoni, Aimé and Suzanne Césaire, René Ménil, Frantz Fanon, Albert Memmi, Wulf Sachs, and Ellen Hellman. Given the multiple gendered and colonial contexts of many of these writings, Khanna argues for the necessity of a postcolonial, feminist critique of
decolonization and postcoloniality.
Dark Days in the Newsroom traces how journalists became radicalized during the Depression era, only to become targets of Senator Joseph McCarthy and like-minded anti-Communist crusaders during the 1950s. Edward Alwood, a former news correspondent describes this remarkable story of conflict, principle, and personal sacrifice with noticeable élan. He shows how McCarthy's minions pried inside newsrooms thought to be sacrosanct under the First Amendment, and details how journalists mounted a heroic defense of freedom of the press while others secretly enlisted in the government's anti-communist crusade.
Relying on previously undisclosed documents from FBI files, along with personal interviews, Alwood provides a richly informed commentary on one of the most significant moments in the history of American journalism. Arguing that the experiences of the McCarthy years profoundly influenced the practice of journalism, he shows how many of the issues faced by journalists in the 1950s prefigure today's conflicts over the right of journalists to protect their sources.
One of the Most Important Histories of the Greatest Battle on the Western Front in World War II
“Dark December occupies a distinguished place among war books. Every paragraph is based upon evidence, not flimsy wartime rumors. Technical enough for the professional, accurate enough for the historian (in fact, it is history of the best), it is lucid and understandable for the general reader.”—New York Herald Tribune
“If other veterans of the Army’s historical division can maintain Mr. Merriam’s high standard of stimulating, critical and painstaking work, we will be fortunate. Dark December can be heartily recommended to anyone faintly interested in the war.”—New York Times
“The book explodes a number of myths which have been winning their improper way into general belief.” —Arthur Schlesinger, Jr., Booklist
The massive German counteroffensive through Belgium’s Ardennes forest in December 1944 took the American and British armies by surprise and changed the outcome of the war. With whole divisions destroyed and decimated, the American army scrambled to contain the German threat, while also trying to determine how such an attack had gone undetected. The Americans succeeded in winning the month-long battle, commonly known as the Battle of the Bulge, through the tenacity of several pockets of troops, notably those in the Belgian town of Bastogne, and the remarkable rapid movement of Patton’s Third Army to seal the breech in the American lines. The battle stalled the British and American advances and lengthened the war with the result that the Soviet Union was able to make greater gains in Europe than previously anticipated. Dark December is a thorough and engrossing examination of the Battle of the Bulge by a historian who had the opportunity to prepare notes as the battle was occurring and consult classified American as well as German records. Notably, the book contains unique and critical information, including details gleaned from interviews conducted by the author with commanding officers on both sides, some of which are the only reports gathered from these sources. Originally published in 1947, this the first paperback edition with the complete original text and maps.
French philosopher Gilles Deleuze is known as a thinker of creation, joyous affirmation, and rhizomatic assemblages. In this short book, Andrew Culp polemically argues that this once-radical canon of joy has lost its resistance to the present. Concepts created to defeat capitalism have been recycled into business mantras that joyously affirm “Power is vertical; potential is horizontal!”
Culp recovers the Deleuze’s forgotten negativity. He unsettles the prevailing interpretation through an underground network of references to conspiracy, cruelty, the terror of the outside, and the shame of being human. Ultimately, he rekindles opposition to what is intolerable about this world.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Beginning with a new introduction in which Wallace reflects on her life and career, this volume includes other autobiographical essays; articles focused on popular culture, the arts, and literary theory; and explorations of issues in black visual culture. Wallace discusses growing up in Harlem; how she dealt with the media attention and criticism she received for Black Macho and the Myth of the Superwoman, which was published when she was just twenty-seven years old; and her relationship with her family, especially her mother, the well-known artist Faith Ringgold. The many articles devoted to black visual culture range from the historical tragedy of the Hottentot Venus, an African woman displayed as a curiosity in nineteenth-century Europe, to films that sexualize the black body—such as Watermelon Woman, Gone with the Wind, and Paris Is Burning. Whether writing about the Anita Hill–Clarence Thomas hearings, rap music, the Million Man March, Toshi Reagon, multiculturalism, Marlon Riggs, or a nativity play in Bedford Stuyvesant, Wallace is a bold, incisive critic. Dark Designs and Visual Culture brings the scope of her career and thought into sharp focus.
A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers’ psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films’ directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.
Phillips begins by analyzing the works of George Romero, focusing on how the body is used cinematically to reflect the duality between society and chaos, concluding that the unconstrained bodies of the Living Dead films act as a critical intervention into social norms. Phillips then explores the shadowy worlds of director Wes Craven. In his study of the films The Serpent and the Rainbow, Deadly Friend, Swamp Thing, Red Eye, and Shocker, Phillips reveals Craven’s vision of technology as inherently dangerous in its ability to cross the gossamer thresholds of the gothic. Finally, the volume traverses the desolate frontiers of iconic director John Carpenter. Through an exploration of such works as Halloween, The Fog, and In the Mouth of Madness, Phillips delves into the director’s representations of boundaries—and the haunting consequences for those who cross them.
The first volume ever to address these three artists together, Dark Directions is a spine-tingling and thought-provoking study of the horror genre. In analyzing the individual works of Romero, Craven, and Carpenter, Phillips illuminates some of the darkest minds in horror cinema.
Damon foregrounds a number of modern American poets work and lives in order to argue that the American avant-garde is located in the experimental literary works of social "outsiders." Discussed is the work of Black/Jewish surrealist street poet Bob Kaufman, Boston-Brahmin Robert Lowell and three teenaged women writing from a South Boston housing project, pre-Stonewall gay poets Jack Spicer and Robert Duncan, and Jewish lesbian-in-exile Gertrude Stein.
"An engaging and important book. Damon's sophisticated, theoretical approaches to American verse, coupled with her fresh, writerly style in The Dark End of The Street, put her on the forefront of American poetry's next generation of literary criticism." -American Literature"A work of art as well as a work of criticism. Addresses important questions about art and social life, about the margins and the center, and about oppression and suppression." -George LipsitzWinner of the Spitz Prize, Conference for the Study of Political Thought
Winner of the North American Society for Social Philosophy Book Award
Why do American ghettos persist? Scholars and commentators often identify some factor—such as single motherhood, joblessness, or violent street crime—as the key to solving the problem and recommend policies accordingly. But, Tommie Shelby argues, these attempts to “fix” ghettos or “help” their poor inhabitants ignore fundamental questions of justice and fail to see the urban poor as moral agents responding to injustice.
“Provocative…[Shelby] doesn’t lay out a jobs program or a housing initiative. Indeed, as he freely admits, he offers ‘no new political strategies or policy proposals.’ What he aims to do instead is both more abstract and more radical: to challenge the assumption, common to liberals and conservatives alike, that ghettos are ‘problems’ best addressed with narrowly targeted government programs or civic interventions. For Shelby, ghettos are something more troubling and less tractable: symptoms of the ‘systemic injustice’ of the United States. They represent not aberrant dysfunction but the natural workings of a deeply unfair scheme. The only real solution, in this way of thinking, is the ‘fundamental reform of the basic structure of our society.’”
—James Ryerson, New York Times Book Review
For decades, we’ve been shocked by images of violent clashes between Israelis and Palestinians in the West Bank and Gaza. But for all their power, those images leave us at a loss: from our vantage at home, it’s hard for us to imagine the struggles of those living in the midst of the fighting. Now, American-born Israeli David Shulman takes us right into the heart of the conflict with Dark Hope, an eye-opening chronicle of his work as a member of the peace group Ta‘ayush, which takes its name from the Arabic for “living together.”
Though Shulman never denies the complexity of the issues fueling the conflict—nor the culpability of people on both sides—he forcefully clarifies the injustices perpetrated by Israel by showing us the human dimension of the occupation. Here we meet Palestinians whose houses have been blown up by the Israeli army, shepherds whose sheep have been poisoned by settlers, farmers stripped of their land by Israel’s dividing wall. We watch as whip-swinging police on horseback attack crowds of nonviolent demonstrators, as Israeli settlers shoot innocent Palestinians harvesting olives, and as families and communities become utterly destroyed by the unrelenting violence of the occupation.
Opposing such injustices, Shulman and his companions—Israeli and Palestinian both—doggedly work through checkpoints to bring aid, rebuild houses, and physically block the progress of the dividing wall. As they face off against police, soldiers, and hostile Israeli settlers, anger mixes with compassion, moments of kinship alternate with confrontation, and, throughout, Shulman wrestles with his duty to fight the cruelty enabled by “that dependable and devastating human failure to feel.”
With Dark Hope, Shulman has written a book of deep moral searching, an attempt to discover how his beloved Israel went wrong—and how, through acts of compassionate disobedience, it might still be brought back.
Dark Mattermaps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors.
In a newly enlarged edition of this eye-opening book, David T. Courtwright offers an original interpretation of a puzzling chapter in American social and medical history: the dramatic change in the pattern of opiate addiction--from respectable upper-class matrons to lower-class urban males, often with a criminal record. Challenging the prevailing view that the shift resulted from harsh new laws, Courtwright shows that the crucial role was played by the medical rather than the legal profession.
Dark Paradise tells the story not only from the standpoint of legal and medical sources, but also from the perspective of addicts themselves. With the addition of a new introduction and two new chapters on heroin addiction and treatment since 1940, Courtwright has updated this compelling work of social history for the present crisis of the Drug War.
In A Dark Pathway: Precontact Native American Mud Glyphs from 1st Unnamed Cave, Tennessee, Jan Simek and his colleagues present two decades of research at a precontact dark zone cave art site in East Tennessee. Discovered in 1994, 1st Unnamed Cave ushered in an extensive and systematic effort to research precontact cave art sites in the Eastern Woodlands, where the tradition of cave art production was widespread among ancient peoples. Indeed, when a preliminary report about 1st Unnamed Cave was first published in 1997, there were only seven known cave art sites across the Southeast; today, that number exceeds ninety.
From the tale of the cave’s discovery in chapter 1 to descriptions of its art in later chapters, A Dark Pathway boasts nearly one hundred maps, high-resolution photographs, and illustrations that bring the story of one of North America’s premier cave art sites to life. Importantly, Simek and his colleagues also orient 1st Unnamed Cave within the broader context of cave art sites across the Southeast, elevating them as a whole to the notable prominence they deserve. Yet his analysis does more than present and situate the discovery of 1st Unnamed Cave within the greater realm of regional cave art site studies; it also calls for the protection and preservation of these fragile sites and for the acknowledgment of the still-vibrant indigenous cultures that produced them.
With a foreword by Russell Townsend, tribal historic preservation officer for the Eastern Band of Cherokee Indians, A Dark Pathway is a long-awaited volume more than twenty years in the making. Even as he delivers a comprehensive archaeological analysis, Simek’s clear presentation makes for accessible and thrilling reading not only for students of archaeology, anthropology, and Native American studies, but for interested readers as well.
The US is keen to build a substantial military presence in Africa, citing the need to combat the growth of Al-Qaeda in Somalia, Algeria and other countries on the continent. This book reveals the secret US agenda behind the 'war on terror' in Africa and the shocking methods used to perpetuate the myth that the region is a hot-bed of Islamic terrorism.
Africa expert Jeremy Keenan points to overwhelming evidence suggesting that, from 2003, the Bush administration and Algerian government were responsible for hostage takings blamed on Islamic militants. This created a permissive public attitude, allowing the US to establish military bases in the region and pursue multiple imperial objectives in the name of security.
The shocking revelations in this book seriously undermine the mainstream view of Africa as a legitimate 'second front' in the 'war on terror'.
An urgent volume of essays engages the Gothic to advance important perspectives on our geological era
What can the Gothic teach us about our current geological era? More than just spooky, moonlit castles and morbid graveyards, the Gothic represents a vibrant, emergent perspective on the Anthropocene. In this volume, more than a dozen scholars move beyond longstanding perspectives on the Anthropocene—such as science fiction and apocalyptic narratives—to show that the Gothic offers a unique (and dark) interpretation of events like climate change, diminished ecosystems, and mass extinction.
Embracing pop cultural phenomena like True Detective, Jaws, and Twin Peaks, as well as topics from the New Weird and prehistoric shark fiction to ruin porn and the “monstroscene,” Dark Scenes from Damaged Earth demonstrates the continuing vitality of the Gothic while opening important new paths of inquiry. These essays map a genealogy of the Gothic while providing fresh perspectives on the ongoing climate chaos, the North/South divide, issues of racialization, dark ecology, questions surrounding environmental justice, and much more.
Contributors: Fred Botting, Kingston U; Timothy Clark, U of Durham; Rebecca Duncan, Linnaeus U; Michael Fuchs, U of Oldenburg, Germany; Esthie Hugo, U of Warwick; Dawn Keetley, Lehigh U; Laura R. Kremmel, South Dakota School of Mines and Technology; Timothy Morton, Rice U; Barry Murnane, U of Oxford; Jennifer Schell, U of Alaska Fairbanks; Lisa M. Vetere, Monmouth U; Sara Wasson, Lancaster U; Jeffrey Andrew Weinstock, Central Michigan U.
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