“With great verve and urgency, Sholette explores the economics of contemporary art production in an era of neoliberalism, and outlines the promises and pitfalls of various tactics of resistance. Dark Matter is a salient call-to-arms to all cultural laborers."
— Julia Bryan-Wilson, author of Art Workers: Radical Practice in the Vietnam War Era
“Dark Matter is the ultimate companion to contemporary activist art. In his exquisite and theoretically informed style, Sholette investigates the problematic functions of art practices in the processes of neoliberal appropriation, but above all the wild, explosive and deterritorializing lines that are drawn in the dark matter between art and politics.”
— Gerald Raunig, philosopher and art theorist and author of Art and Revolution
“Masterfully illuminates the configurations, ideas, and behaviors of collectives dedicated to cultural resistance. Dark Matter is essential reading for anyone concerned with the fate of the avant-garde and the emergence of new possibilities in cultural production that suggest and create alternatives to global capitalism."
— Critical Art Ensemble
“As both active participant and witness, Sholette sheds a welcome and overdue light on the dark matter of the so-called art world.”
— Hans Haacke
“Focusing primarily on the anti-institutional, collective, and politically critical artists that often willingly reject the light of the mainstream galleries and academies, Sholette both highlights a vast array of important contributors to art of the last decade and also challenges the ahistorical assumptions that ground the capitalist art market.”
— Paul B. Jaskot, DePaul University
“An important and necessary intervention. Dark Matter is well-placed to shift the debate on art's utility back within the domain of labor and value, where it has long been missing.”
— John Roberts, University of Wolverhampton