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Animals in Four Worlds
Sculptures from India
Stella Snead
University of Chicago Press, 1989
Animals play a special role in Indian culture. In opposition to deities, they help to frame the human community. Indian philosophy assumes the basic unity of animals and humans and in everyday life animals symbolize various ideas and sentiments. In the realm of Indian art, animals appear everywhere.

In this splendid and unique collection of photographs, Stella Snead captures the extraordinary vitality, intelligence, and variety of animals in Indian sculpture found at sites from prehistory through the eighteenth century. Here are cats, peacocks, mongooses, anteaters, cows, hyenas, and tigers, as well as such fantastic creatures as double-bodied lions and elephants with fish tails. Collected from all areas of India, these photographs include images from famous Indian monuments, and museum collections, as well as images from remote sites, some of which have never before been published.

Wendy Doniger's essay explores and explains the four worlds or dimensions that animals occupy in Indian thought: nature, the human world, the divine world, and the world of fantasy. George Michell places Indian sculptures of animals in their architectural and art historical context. His chronological survey identifies the location and the subject of the animals photographed and describes the artistic activity of the regions and period from which the photographs are drawn.

This beautifully illustrated book will appeal to a wide audience: to those interested in Asian studies, art, architecture, and animals, and to those drawn to Snead's powerful photographs, which capture both the idiosyncratic genius of tiny details and the grand sweep of cosmic symbols.
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Animals in Religion
Devotion, Symbol and Ritual
Barbara Allen
Reaktion Books, 2016
Animals in Religion explores the role of animals within a wide range of religious traditions. Exploring countless stories and myths passed down orally and in many religious texts, Barbara Allen—herself a practicing minister—offers a fascinating history of the ways animals have figured in our spiritual lives, whether they have been Christian, Jewish, Muslim, or any number of lesser-known religions.
           
Some of the figures here will be familiar, such as St. Francis of Assisi, famous for his accord with animals, or that beloved remover of obstacles, Ganesha, the popular elephant god in the Hindu pantheon. Delving deeper, Allen highlights the numerous ways that our religious practices have honored and relied upon our animal brethren. She examines the principle of ahimsa, or nonviolence, which has Jains sweeping the pathways before them so as not to kill any insects, as well as the similar principle in Judaism of ts’ar ba’alei chayim and the notion in some sects of Islam that all living creatures are Muslim. From ancient Egypt to the Druids to the indigenous cultures of North America and Australia, Allen tells story after story that emphasizes the same message: all species are spiritually connected. 
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Animals, Mind, and Matter
The Inside Story
Josephine Donovan
Michigan State University Press, 2022
It’s no secret that animals are considered objects in the fields of law, commerce, and science, characterized as property and commodities. Animals, Mind, and Matter: The Inside Story challenges this ascription and establishes that animals are living subjects, who have minds and opinions of their own and care about what happens to them. Donovan contends that animals’ voices or standpoints should be part of any human decisions concerning their ethical treatment. Elaborating on feminist care theory and critical animal standpoint theory, the author provides compelling evidence for animal subjectivity, exploring in the process the nature of subjectivity and consciousness while drawing from recent developments in quantum and emergence theories that point away from the dominant ontology of Cartesian objectivism. Through these explorations, Donovan proposes that a new narrative is emerging in the arts and sciences—an inside story that re-subjectifies natural life and leaves behind the deadening Midas touch of Cartesian objectivism.
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Animals on the Agenda
Questions about Animals for Theology and Ethics
Edited by Andrew Linzey and Dorothy Yamamoto
University of Illinois Press, 1998
      This encyclopedic volume is the most comprehensive collection of original
        studies on animals and theology ever published. Contributors from both
        sides of the Atlantic tackle fundamental questions about theology and
        how it is put into practice.
      Do animals have immortal souls? Does Christ's reconciling work include
        animals? Contributors address these issues and more in the context of
        scriptural perspectives, the Christian tradition, historical disputes,
        and obligations to animals.
      As Andrew Linzey points out in his introduction, it cannot be right for
        theological practitioners to carry on their business as though the world
        of animals were invisible. Mainstream Christianity still propagates a
        range of ideas about animals that are hugely detrimental to their status
        and welfare. This important volume argues that it is time for a change.
 
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Animals Property & The Law
Gary Francione
Temple University Press, 1995

"Pain is pain, irrespective of the race, sex, or species of the victim," states William Kunstler in his foreword. This moral concern for the suffering of animals and their legal status is the basis for Gary L. Francione's profound book, which asks, Why has the law failed to protect animals from exploitation?

Francione argues that the current legal standard of animal welfare does not and cannot establish fights for animals. As long as they are viewed as property, animals will be subject to suffering for the social and economic benefit of human beings.

Exploring every facet of this heated issue, Francione discusses the history of the treatment of animals, anticruelty statutes, vivisection, the Federal Animal Welfare Act, and specific cases such as the controversial injury of anaesthetized baboons at the University of Pennsylvania. He thoroughly documents the paradoxical gap between our professed concern with humane treatment of animals and the overriding practice of abuse permitted by U.S. law.

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Animals under the Swastika
J. W. Mohnhaupt, translated by John R. J. Eyck
University of Wisconsin Press, 2022
Never before or since have animals played as significant a role in German history as they did during the Third Reich. Potato beetles and silkworms were used as weapons of war, pigs were used in propaganda, and dog breeding served the Nazis as a model for their racial theories. Paradoxically, some animals were put under special protection while some humans were simultaneously declared unworthy of living. Ultimately, the ways in which Nazis conceptualized and used animals—both literally and symbolically—reveals much about their racist and bigoted attitudes toward other humans.
 
Drawing from diaries, journals, school textbooks, and printed propaganda, J.W. Mohnhaupt tells these animals’ stories vividly and with an eye for everyday detail, focusing each chapter on a different facet of Nazism by way of a specific animal species: red deer, horses, cats, and more. Animals under the Swastika illustrates the complicated, thought-provoking relationship between Nazis and animals.
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Animals Without Backbones
An Introduction to the Invertebrates
Ralph Buchsbaum, Mildred Buchsbaum, John Pearse, and Vicki Pearse
University of Chicago Press, 1987
Animals Without Backbones has been considered a classic among biology textbooks since it was first published to great acclaim in 1938. It was the first biology textbook ever reviewed by Time and was also featured with illustrations in Life. Harvard, Stanford, the University of Chicago, and more than eighty other colleges and universities adopted it for use in courses. Since then, its clear explanations and ample illustrations have continued to introduce hundreds of thousands of students and general readers around the world to jellyfishes, corals, flatworms, squids, starfishes, spiders, grasshoppers, and the other invertebrates that make up ninety-seven percent of the animal kingdom.

This new edition has been completely rewritten and redesigned, but it retains the same clarity and careful scholarship that have earned this book its continuing readership for half a century. It is even more lavishly illustrated than earlier editions, incorporating many new drawings and photographs. Informative, concise legends that form an integral part of the text accompany the illustrations. The text has been updated to include findings from recent research. Eschewing pure morphology, the authors use each group of animals to introduce one or more biological principles.

In recent decades, courses and texts on invertebrate zoology at many universities have been available only for advanced biology majors specializing in this area. The Third Edition of Animals Without Backbones remains an ideal introduction to invertebrates for lower-level biology majors, nonmajors, students in paleontology and other related fields, junior college and advanced high school students, and the general reader who pursues the rewarding study of the natural world.
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Animate Literacies
Literature, Affect, and the Politics of Humanism
Nathan Snaza
Duke University Press, 2019
In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.
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Animate Planet
Making Visceral Sense of Living in a High-Tech Ecologically Damaged World
Kath Weston
Duke University Press, 2017
In Animate Planet Kath Weston shows how new intimacies between humans, animals, and their surroundings are emerging as people attempt to understand how the high-tech ecologically damaged world they have made is remaking them, one synthetic chemical, radioactive isotope, and megastorm at a time. Visceral sensations, she finds, are vital to this process, which yields a new animism in which humans and "the environment" become thoroughly entangled. In case studies on food, water, energy, and climate from the United States, India, and Japan, Weston approaches the new animism as both a symptom of our times and an analytic with the potential to open paths to new and forgotten ways of living.
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The Animated Bestiary
Animals, Cartoons, and Culture
Wells, Paul
Rutgers University Press, 2008
Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto.

The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves.

Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

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Animated by Uncertainty
Rugby and the Performance of History in South Africa
Joshua D. Rubin
University of Michigan Press, 2021

In Animated by Uncertainty, Joshua D. Rubin analyzes South African rugby through the lens of aesthetic politics. Building on 17 months of ethnographic research with rugby coaches, players, and administrators, the author argues that rugby is a form of performance and further that the qualities that define rugby shape the political ends to which the sport can be put. In this respect, Animated by Uncertainty demonstrates that theories of sporting politics cannot afford to overlook the qualities of the sports themselves, and it provides a theoretical approach to illustrate how these qualities can be studied. The book also analyzes the ways that apartheid and colonialism inhere in South African institutions and practices.Drawing inspiration from the observation that South Africans could always abandon rugby if they chose to do so, Rubin highlights how the continuing significance of rugby as a form of performance brings traces of South Africa's apartheid and colonial past into the country's contemporary political moment.

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Animated Personalities
Cartoon Characters and Stardom in American Theatrical Shorts
By David McGowan
University of Texas Press, 2019

A CHOICE Outstanding Academic Title, 2019

Mickey Mouse, Betty Boop, Donald Duck, Bugs Bunny, Felix the Cat, and other beloved cartoon characters have entertained media audiences for almost a century, outliving the human stars who were once their contemporaries in studio-era Hollywood. In Animated Personalities, David McGowan asserts that iconic American theatrical short cartoon characters should be legitimately regarded as stars, equal to their live-action counterparts, not only because they have enjoyed long careers, but also because their star personas have been created and marketed in ways also used for cinematic celebrities.

Drawing on detailed archival research, McGowan analyzes how Hollywood studios constructed and manipulated the star personas of the animated characters they owned. He shows how cartoon actors frequently kept pace with their human counterparts, granting “interviews,” allowing “candid” photographs, endorsing products, and generally behaving as actual actors did—for example, Donald Duck served his country during World War II, and Mickey Mouse was even embroiled in scandal. Challenging the notion that studios needed actors with physical bodies and real off-screen lives to create stars, McGowan demonstrates that media texts have successfully articulated an off-screen existence for animated characters. Following cartoon stars from silent movies to contemporary film and television, this groundbreaking book broadens the scope of star studies to include animation, concluding with provocative questions about the nature of stardom in an age of digitally enhanced filmmaking technologies.

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Animating Culture
Hollywood Cartoons from the Sound Era
Smoodin, Eric
Rutgers University Press, 1993

Long considered "children's entertainment" by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture  is the first and only book to thoroughly analyze the animated short film. 

Usually running about seven or eight minutes, cartoons were made by major Hollywood studios––such as MGM, Warner Bros., and Disney––and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare?  What were the social functions of cartoon stars like Donald Duck and Minnie Mouse?

Smoodin argues that cartoons appealed to a wide audience––not just children––and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film––issues such as social control in the U.S. army's "Private Snafu" cartoons, and sexuality and race in the "sites" of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences.

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Animating Film Theory
Karen Beckman, ed.
Duke University Press, 2014
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.

Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
 
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Animation
Curtis, Scott
Rutgers University Press, 2019
From the earliest motion pictures and cartoons of the 1900s, to the latest 3D animated feature and CGI blockbuster, animation has always been a part of the cinematic experience. While the boundaries between animation and live-action have often been carefully tended, the ubiquity of contemporary computer imaging certainly blurs those lines, thereby confirming the importance of animation for the history of American cinema. The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation: the artisanal, solitary labors of early animators such as Winsor McCay, or of independent animators such as Mary Ellen Bute; the industrial assembly lines of Hollywood studio-unit animation; the parsimonious production houses of the post-studio, post-war era; the collaborative approach of boutique animation and special-effect houses. Drawing on archival sources, this volume provides not only an overview of American animation history, but also, by focusing on the relationship between production and style, a unique approach to understanding animation in general. 
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Animation and America
Wells, Paul
Rutgers University Press, 2002
The "cartoon"in the output of the all conquering Disney studio, the anarchic antics of Bugs Bunny and Daffy Duck in Looney Tunes, and the satiric vision of the Simpsons on television is synonymous with the United States, but the genre rarely is taken seriously. Nevertheless, cartoons are important artistic and cultural achievements, and are an essential ingredient in how America is viewed, both by itself and by others.

In Animation and America, Paul Wells looks afresh at this unique art, discussing the distinctiveness of the cartoon form, as well as myriad other types of animation production. Insisting upon the "modernity" of the genre, Wells examines its importance as a barometer of the social conditions in which it is made and which it reflects. This book is not a standard history of animation in America, but rather uses animation as a way of discussing social and political change. Wells concentrates on the ways in which the form continues to grow, experiment, and remain subversiveand, increasingly, gaining acclaim and recognition. Now in the vanguard of visual culture, animation occupies an important position in representing both the outcomes and impacts of new technologies, and it also has laid the foundations for a new understanding of social and artistic practice.
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The Anime Boom in the United States
Lessons for Global Creative Industries
Michal Daliot-Bul and Nissim Otmazgin
Harvard University Press, 2017

The Anime Boom in the United States is a comprehensive and empirically grounded study of the expansion of anime marketing and sales into the United States. Using the example of Japanese animation, it examines the supporting organizational and cultural processes that constitute a transnational system for globalizing and localizing cultural commodities.

Drawing on field research, survey data, and in-depth interviews with Japanese and American professionals in the animation industry, the authors investigate anime’s arrival in the United States beginning in the 1960s, and explores the transnational networks of anime production and marketing as well as the cultural and artistic processes the genre has inspired.

This detailed study of the anime boom in the United States is the starting point for a wider investigation of the globalization of contemporary culture and the way in which global creative industries operate in an age of media digitalization and convergence. It is an indispensable guide for all those interested in understanding the dynamics of power structures in cultural and media globalization.

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Anime's Identity
Performativity and Form beyond Japan
Stevie Suan
University of Minnesota Press, 2021

A formal approach to anime rethinks globalization and transnationality under neoliberalism

Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question—what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? In Anime’s Identity, Stevie Suan examines how anime’s recognizable media-form—no matter where it is produced—reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality.

Far from valorizing the individualistic “originality” so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime’s character acting, and analyses of various anime works that present differing modes of transnationality. 

Anime’s Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.

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Anime's Knowledge Cultures
Geek, Otaku, Zhai
Jinying Li
University of Minnesota Press, 2024

Unlocking the technosocial implications of global geek cultures

Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia. 

 

Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom.

 

By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.

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Anime’s Media Mix
Franchising Toys and Characters in Japan
Marc Steinberg
University of Minnesota Press, 2012

In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called “media mix” in Japan and “convergence” in the West.

According to Steinberg, both anime and the media mix were ignited on January 1, 1963, when Astro Boy hit Japanese TV screens for the first time. Sponsored by a chocolate manufacturer with savvy marketing skills, Astro Boy quickly became a cultural icon in Japan. He was the poster boy (or, in his case, “sticker boy”) both for Meiji Seika’s chocolates and for what could happen when a goggle-eyed cartoon child fell into the eager clutches of creative marketers. It was only a short step, Steinberg makes clear, from Astro Boy to Pokémon and beyond.

Steinberg traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains, for the first time, how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.

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Animism, Materiality, and Museums
How Do Byzantine Things Feel?
Glenn Peers
Arc Humanities Press, 2021
Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines—modern art, environmental theory, anthropology—to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays—some new and some previously published—and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
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Anishinaabe Songs for a New Millennium
Marcie R. Rendon
University of Minnesota Press, 2024

Poem-songs summon the voices of Anishinaabe ancestors and sing to future generations

The ancestors that walk with us, sing us our song. When we get quiet enough, we can hear them sing and make them audible to people today. In Anishinaabe Songs for a New Millennium, Marcie R. Rendon, a member of the White Earth Nation, summons those ancestors’ songs, and so begins the dream singing for generations yet to come. “The Anishinaabe heard stories in their dream songs,” Ojibwe author Gerald Vizenor wrote, and like those stories once inscribed in pictographs on birch-bark scrolls, Rendon’s poem-songs evoke the world still unfolding around us, reflecting our place in time for future generations.

Through dream-songs and poem-songs responding to works of theater, choral music, and opera, Rendon brings memory to life, the senses to attention—to see the moonbeams blossoming on the windowsill, to feel the hold of the earth, to hear the echo of grandmother’s breath, to lie on the bones of ancestors and feel the rhythms of silence running deep. Her singing, breaking the boundaries that time would impose, carries the Anishinaabe way of life and way of seeing forward in the world.

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Anishinaubae Thesaurus
Basil H. Johnston
Michigan State University Press, 2007

The Anishinaubae (Chippewa/Ojibwe) language has a beauty in the spoken word, a deliberate rhythm, simplicity, and mysterious second meanings. When Basil Johnston began teaching the Anishinaubae language, in the late 1960s, there were no related manuals or dictionaries that were suitable for beginners. To fill this void, Johnston wrote a language course and a lexicon to fill for the course materials. Now he has broadened this labor by compiling Anishinaubae Thesaurus, which goes even further to fill a deep cultural and linguistic void. This thesaurus contains a useful sampling of the 400,000 words that comprise the Anishinaubae language, and it is intended to be a practical reference tool for teachers, translators, interpreters, and orthographers.

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Anita Brenner
A Mind of Her Own
By Susannah Joel Glusker
University of Texas Press, 1998

Journalist, historian, anthropologist, art critic, and creative writer, Anita Brenner was one of Mexico's most discerning interpreters. Born to a Jewish immigrant family in Mexico a few years before the Revolution of 1910, she matured into an independent liberal who defended Mexico, workers, and all those who were treated unfairly, whatever their origin or nationality.

In this book, her daughter, Susannah Glusker, traces Brenner's intellectual growth and achievements from the 1920s through the 1940s. Drawing on Brenner's unpublished journals and autobiographical novel, as well as on her published writing, Glusker describes the origin and impact of Brenner's three major books, Idols Behind Altars,Your Mexican Holiday, and The Wind That Swept Mexico.

Along the way, Glusker traces Brenner's support of many liberal causes, including her championship of Mexico as a haven for Jewish immigrants in the early 1920s. This intellectual biography brings to light a complex, fascinating woman who bridged many worlds—the United States and Mexico, art and politics, professional work and family life.

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Anjin - The Life and Times of Samurai William Adams, 1564-1620
A Japanese Perspective
Hiromi Rogers
Amsterdam University Press, 2016
The year is 1600. It is April and Japan’s iconic cherry trees are in full flower. A battered ship drifts on the tide into Usuki Bay in southern Japan. On board, barely able to stand, are twenty-three Dutchmen and one Englishman, the remnants of a fleet of five ships and 500 men that had set out from Rotterdam in 1598. The Englishman was William Adams, later to be known as Anjin Miura by the Japanese, whose subsequent transformation from wretched prisoner to one of the Shogun’s closest advisers is the centrepiece of this book. As a native of Japan, and a scholar of seventeenth-century Japanese history, the author delves deep into the cultural context facing Adams in what is one of the great examples of assimilation into the highest reaches of a foreign culture. Her access to Japanese sources, including contemporary accounts – some not previously seen by Western scholars researching the subject – offers us a fuller understanding of the life lived by William Adams as a high-ranking samurai and his grandstand view of the collision of cultures that led to Japan’s self-imposed isolation, lasting over two centuries. This is a highly readable account of Adams’ voyage to and twenty years in Japan and that is supported by detailed observations of Japanese culture and society at this time. New light is shed on Adams’ relations with the Dutch and his countrymen, including the disastrous relationship with Captain John Saris, the key role likely to have been played by the munitions, including cannon, removed from Adams’ ship De Liefde in the great battle of Sekigahara (September 1600), the shipbuilding skills that enabled Japan to advance its international maritime ambitions, as well as the scientific and technical support Adams was able to provide in the refining process of Japan’s gold and silver.
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Ann Arbor Observed
Selections from Then and Now
Grace Shackman
University of Michigan Press, 2010
Twenty-five years ago Grace Shackman began to document the history of Ann Arbor’s buildings, events, and people in the Ann Arbor Observer. Soon Shackman’s articles, which depicted every aspect of life in Ann Arbor during the city’s earlier eras, became much-anticipated regular stories. Readers turned to her illuminating minihistories when they wanted to know about a particular landmark, structure, personality, organization, or business from Ann Arbor’s past.
 
Packed with photographs from Ann Arbor of yesteryear and the present day, Ann Arbor Observed compiles the best of Shackman’s articles in one book divided into eight sections: public buildings and institutions, the University of Michigan, transportation, industry, downtown Ann Arbor, recreation and culture, social fabric and communities, and architecture.
 
For long-time residents, Ann Arbor expatriates, University of Michigan alumni, and visitors alike, Ann Arbor Observed provides a rare glimpse of the bygone days of a town with a rich and varied history.
 
Grace Shackman is a history columnist for the Ann Arbor Observer, the Community Observer, and the Old West Side News, as well as a writer for University of Michigan publications. She is the author of two previous books: Ann Arbor in the 19th Century and Ann Arbor in the 20th Century.
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Anna Akhmatova and Her Circle
Konstantin Polivanov
University of Arkansas Press, 2016
This powerful collection of fifteen memoirs by and about one of the greatest poets of our time weaves an unforgettable drama of friendship, grace, and courage, through long years of heartbreak and hunger.
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Anna Howard Shaw
The Work of Woman Suffrage
Trisha Franzen
University of Illinois Press, 2014

With this first scholarly biography of Anna Howard Shaw (1847-1919), Trisha Franzen sheds new light on an important woman suffrage leader who has too often been overlooked and misunderstood.

An immigrant from a poor family, Shaw grew up in an economic reality that encouraged the adoption of non-traditional gender roles. Challenging traditional gender boundaries throughout her life, she put herself through college, worked as an ordained minister and a doctor, and built a tightly-knit family with her secretary and longtime companion Lucy E. Anthony.

Drawing on unprecedented research, Franzen shows how these circumstances and choices both impacted Shaw's role in the woman suffrage movement and set her apart from her native-born, middle- and upper-class colleagues. Franzen also rehabilitates Shaw's years as president of the National American Woman Suffrage Association, arguing that Shaw's much-belittled tenure actually marked a renaissance of both NAWSA and the suffrage movement as a whole.

Anna Howard Shaw: The Work of Woman Suffrage presents a clear and compelling portrait of a woman whose significance has too long been misinterpreted and misunderstood. 


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Anna Karenina and Others
Liza Knapp
University of Wisconsin Press, 2018
With its complex structure, Anna Karenina places special demands on readers who must follow multiple plotlines and discern their hidden linkages. In her well-conceived and jargon-free analysis, Liza Knapp offers a fresh approach to understanding how the novel is constructed, how it creates patterns of meaning, and why it is much more than Tolstoy’s version of an adultery story.
            Knapp provides a series of readings of Anna Karenina that draw on other works that were critical to Tolstoy’s understanding of the interconnectedness of human lives. Among the texts she considers are The Scarlet Letter, a novel of adultery with a divided plot; Middlemarch, a multiplot novel with neighborly love as its ideal; and Blaise Pascal’s Pensées, which fascinated Tolstoy during his own religious crisis. She concludes with a tour-de-force reading of Mrs. Dalloway that shows Virginia Woolf constructing this novel in response to Tolstoy’s treatment of Anna Karenina and others.
[more]

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Anna Livia Plurabelle
The Making of a Chapter
Fred Higginson
University of Minnesota Press, 1960
Anna Livia Plurabelle: The Making of a Chapter was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.This volume traces the development of “Anna Livia Plurabelle,” the most famous chapter in James Joyce’s book Finnegans Wake. Mr. Higginson has collated all the extant drafts of the chapter, both published and unpublished, notably those in the manuscript collection of the British Museum. He has condensed this extensive material into six texts and has used a system of brackets which will enable scholars to reconstruct all of the known drafts from the texts given here. Readers who are interested principally in the major steps of the revisions or in gaining some insight into the larger developments of the work may do so by simply reading the six texts.This book provides the first substantial publication of material from the British Museum collection. While he was working on Finnegans Wake, Joyce sent his manuscript drafts to Miss Harriet Weaver, whom he regarded as the book’s patron. Miss weaver gave the drafts to the British Museum in 1951.In addition to the texts themselves, Mr. Higginson provides an introduction and editorial, bibliographical, and textual notes. In his introduction, he presents a theory of the techniques Joyce used in revising Finnegans Wake. He stresses the obsessive care with which Joyce revised and argues that the revisions produce a concentration, rather than a diffusion, of implication. He believes that both the tedious and the inspired revisions strengthen the structure of the book.Students of Joyce will find this book indispensable. It is of interest also to students of the creative process in general -- writers, critics, and aestheticians -- and to all readers who admire Joyce’s lyrical invocation of Dublin’s queen of rivers.
[more]

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Anna May Wong
Performing the Modern
Shirley Jennifer Lim
Temple University Press, 2019

Finalist for the 2020 Organization of American Historians Mary Nickliss Prize

Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. 

In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation.  

Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

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Anna Trapnel’s Report and Plea; or, A Narrative of Her Journey from London into Cornwall
Anna Trapnel
Iter Press, 2016

In 1654, Anna Trapnel — a Baptist, Fifth Monarchist, millenarian, and visionary from London — fell into a trance during which she prophesied passionately and at length against Oliver Cromwell and his government. The prophecies attracted widespread public attention, and resulted in an invitation to travel to Cornwall. Her Report and Plea, republished here for the first time, is a lively and engaging firsthand account of the visit, which concluded in her arrest, a court hearing, and imprisonment. Part memoir, part travelogue, and part impassioned defense of her beliefs and actions, the Report and Plea offers vivid and fascinating insight into the life and times of an early modern woman claiming her place at the center of the tumultuous political events of mid-seventeenth-century England.

[more]

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Annali d'Italianistica
The New Italy and the Jews from Massimo d'Azeglio to Primo Levi
druker
Arizona Center for Medieval and Renaissance Studies, 2018
Founded in 1983, Annali d’italianistica has become synonymous with timely and fundamental scholarship on Italy’s literary culture, employing broad historical, cultural, and literary perspectives that are of interest to a wide variety of scholars. Published annually and monographic in nature, the journal uses as its point of departure the study of Italian literature and the Humanities more generally to foster scholarly excellence at all levels. Annali d’italianistica is receptive to a variety of topics, critical approaches, and theoretical perspectives that cross disciplinary boundaries and span several centuries, from the beginning of Italy’s cultural history to the present.
[more]

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Annali d'italianistica
Urban Space and the Body
Edited by Silvia Ross and Giulio Giovannoni
Arizona Center for Medieval and Renaissance Studies, 2019
Founded in 1983, Annali d’Italianistica has become synonymous with timely and fundamental scholarship on Italy’s literary culture, employing broad historical, cultural, and literary perspectives that are of interest to a wide variety of scholars. Published annually and monographic in nature, the journal uses as its point of departure the study of Italian literature and the Humanities more generally to foster scholarly excellence at all levels. Annali d’Italianistica is receptive to a variety of topics, critical approaches, and theoretical perspectives that cross disciplinary boundaries and span several centuries, from the beginning of Italy’s cultural history to the present.
[more]

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Annali d’Italianistica
Violence Resistance Tolerance Sacrifice in Italy's Literary & Cultural History
Chiara Ferrari
Arizona Center for Medieval and Renaissance Studies, 2017

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Annals
Books 13–16
Tacitus
Harvard University Press

The paramount historian of the early Roman empire.

Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.

Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).

Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.

The Loeb Classical Library edition of Tacitus is in five volumes.

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Annals
Books 4–6, 11–12
Tacitus
Harvard University Press

The paramount historian of the early Roman empire.

Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.

Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).

Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.

The Loeb Classical Library edition of Tacitus is in five volumes.

[more]

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The Annals of King T’aejo
Founder of Korea’s Chosŏn Dynasty
Choi Byonghyon
Harvard University Press, 2014

Never before translated into English, this official history of the reign of King T’aejo—founder of Korea’s long, illustrious Chosŏn dynasty (1392–1910 CE)—is a unique resource for reconstructing life in late-fourteenth-century Korea. Its narrative of a ruler’s rise to power includes a wealth of detail not just about politics and war but also about religion, astronomy, and the arts.

The military general Yi Sŏnggye, posthumously named T’aejo, assumed the throne in 1392. During his seven-year reign, T’aejo instituted reforms and established traditions that would carry down through the centuries. These included service to Korea’s overlord, China, and other practices reflecting China’s influence over the peninsula: creation of a bureaucracy based on civil service examinations, a shift from Buddhism to Confucianism, and official records of the deeds of kings, which in the Confucian tradition were an important means of educating succeeding generations. A remarkable compilation process for the sillok, or “veritable records,” was instituted to ensure the authority of the annals. Historiographers were present for every royal audience and wrote down each word that was uttered. They were strictly forbidden to divulge the contents of their daily drafts, however—even the king himself could not view the records with impunity.

Choi Byonghyon’s translation of the first of Korea’s dynastic histories, The Annals of King T’aejo, includes an introduction and annotations.

[more]

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Anna's Shtetl
Lawrence A. Coben
University of Alabama Press, 2007
A rare view of a childhood in a European ghetto
 
Anna Spector was born in 1905 in Korsun, a Ukrainian town on the Ros River, eighty miles south of Kiev. Held by Poland until 1768 and annexed by the Tsar in 1793 Korsun and its fluid ethnic population were characteristic of the Pale of Settlement in Eastern Europe: comprised of Ukrainians, Cossacks, Jews and other groups living uneasily together in relationships punctuated by violence. Anna’s father left Korsun in 1912 to immigrate to America, and Anna left in 1919, having lived through the Great War, the Bolshevik Revolution, and part of the ensuing civil war, as well as several episodes of more or less organized pogroms—deadly anti-Jewish riots begun by various invading military detachments during the Russian Civil War and joined by some of Korsun’s peasants.
 
In the early 1990s Anna met Lawrence A. Coben, a medical doctor seeking information about the shtetls to recapture a sense of his own heritage. Anna had near-perfect recall of her daily life as a girl and young woman in the last days in one of those historic but doomed communities. Her rare account, the product of some 300 interviews, is valuable because most personal memoirs of ghetto life are written by men. Also, very often, Christian neighbors appear in ghetto accounts as a stolid peasant mass assembled on market days, as destructive mobs, or as an arrogant and distant collection of government officials and nobility. Anna’s story is exceptionally rich in a sense of the Korsun Christians as friends, neighbors, and individuals.
 
Although the Jewish communities in Eastern Europe are now virtually gone, less than 100 years ago they counted a population of millions. The firsthand records we have from that lost world are therefore important, and this view from the underrecorded lives of women and the young is particularly welcome.  
 

 

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Anne & Alpheus, 1842–1882
Joe Survant
University of Arkansas Press, 1996

Chosen by Rachel Hadas as the winner of the  Arkansas Poetry Award, Anne & Alpheus: 1842–1882 is a compelling duet of monologues between a frontier man and woman surviving the hardships and recording the small triumphs of life in rural nineteenth-century Kentucky.

Ambitious in breadth and scope, these poems chart the loves and losses of early marriage, the terrors of civilian life during the Civil War, and the universal sorrows of aging, loneliness, and death. Through the distinct voices of Anne and Alpheus Waters, Joe Survant has fashioned a collection with all the sweep of a novel, all the dramatic intensity, poem by poem, of short fiction, and all the earthy, human lyricism of the dramatic monologue. These poems take us into the tobacco sheds, put us behind the plow, let us smell the soil, and
carry us under the stars where Anne and Alpheus walked.

[more]

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Anne Carson
Ecstatic Lyre
Joshua Marie Wilkinson, editor
University of Michigan Press, 2015
Anne Carson’s works re-think genre in some of the most unusual and nuanced ways that few writers ever attempt, from her lyric essays, enigmatic poems, and novels in verse to further forays into video and comics and collaborative performance. Carson’s pathbreaking translations of Ancient Greek poetry and drama, as well as her scholarship on everything from Sappho to Celan, only continue to demonstrate the unique vision she has for what’s possible for a work of literature to become.

Anne Carson: Ecstatic Lyre is the first book of essays dedicated to the breadth of Anne Carson’s works, individually, spanning from Eros the Bittersweet through Red Doc. With contributions from Kazim Ali, Dan Beachy-Quick, Julie Carr, Harmony Holiday, Cole Swensen, Eleni Sikelianos, and many others (including translators, poets, essayists, scholars, novelists, critics, and collaborators themselves), we learn from Carson’s greatest admirers and closest readers about the books that moved and inspired them.
[more]

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Anne Frank and Etty Hillesum
Inscribing Spirituality and Sexuality
de Costa, Denise
Rutgers University Press, 1998

Studies of Nazi persecution and destruction of Jews have to date largely been based on the accounts of men. And yet gender difference in Western society is so profound that women and men seem to have divergent experiences, speak different languages, and see and hear in dissimilar ways. Denise de Costa's book explores the significance of sex and gender differences in the construction of history and society-specifically, the Nazi genocide of Jews in World War II-by focusing on the writing of two Jewish women, Anne Frank and Etty Hillesum.

De Costa argues that although both of these writers have received much attention, little has been done to understand how the significant difference occasioned by both gender and Jewishness helps to define cultural or personal identity in relation to the Holocaust. De Costa uses a variety of psychoanalytic and feminist theories to approach the writing of Frank and Hillesum. Critiquing as well as employing the concepts of Julia Kristeva, Hélène Cixous, Luce Irigaray, and Simone de Beauvoir among others, she presents a detailed and rich discussion of each writer.

De Costa approaches Anne Frank largely from a psychoanalytical perspective that emphasizes the function of writing itself in the development of self-identity. For Etty Hillesum, she is more concerned with how writing establishes a philosophy, and a faith, that can entertain and is indeed based in doubleness and paradox. Her assessment of these two writers makes a significant contribution to our understanding of the Holocaust as a cultural and historical phenomenon, of the role of writing in the production and expression of gendered identity, and of the complex relation between women, writing, and culture.

[more]

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ANNE OF AUSTRIA
QUEEN OF FRANCE
RUTH KLEINMAN
The Ohio State University Press, 1987

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Anne Sexton
Telling the Tale
Steven E. Colburn, Editor
University of Michigan Press, 1988
Anne Sexton: Telling the Tale contains some of the best and most representative writing on the life and work of this poet. The volume spans the course of her career from the 1960 publication of To Bedlam and Park Way Back to the works that were published after her death in 1974. Of special interest to the scholar and critic are the studies focusing on the materials, themes, and techniques of Sexton's poetry, especially in relation to those of her predecessors and contemporaries.
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Anne Tyler as Novelist
Dale Salwak
University of Iowa Press, 1994
Over the past thirty years, Anne Tyler has earned a National Book Critics Circle Award, a Pulitzer Prize, and the admiration of an ever-expanding number of devoted readers. The seventeen essays that compose Anne Tyler as Novelist concentrate upon the distinctive features of Tyler's writing: her steady concern with the American family, the quietly comic touch that underlies her unobtrusive but perfectly controlled style, her prodigious gift for bringing to life a variety of eccentric characters, their fears and concerns, their longing for meaning and understanding. Consistently, Anne Tyler's work focuses on ordinary families with extraordinary troubles—therein part of the secret of her broad appeal.
Written from a variety of critical approaches and representing some of the best among today's critics, the essays in this book discuss Tyler's early years and influences, her development and beliefs, attainments, and literary reputation, stretching from her first published novel, If Morning Ever Comes, to her twelfth, Saint Maybe. From Elizabeth Evans' interviews with Tyler's mother and former teachers to John Updike's lucid assessments, Anne Tyler as Novelist is a major contribution to the growing dialogue on this most important writer. All but two essays were written especially for this volume.
This book will obviously hold great appeal for the many people who have already encountered the pleasures of Tyler's novels. Less obviously, it is also for the people who have heard of her but have not read her works; those people should be inspired to turn with particular insight to the novels of Anne Tyler. In a 1983 review of Barbara Pym's novel No Fond Return of Love, Anne Tyler said of Pym that she was “the rarest of treasures.” Certainly we may say the same of Tyler herself—and for reasons given in this fine collection of essays that pays tribute to one of America's most accomplished writers.
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Anne’s Bohemia
Czech Literature And Society, 1310-1420
Alfred Thomas
University of Minnesota Press, 1998

The first book in English on medieval Czech literature.

Anne’s Bohemia is the first general book in English to introduce the little-known riches of medieval Bohemian culture. Alfred Thomas considers the development of Czech literature and society from the election of Count John of Luxembourg as king of Bohemia in 1310 to the year 1420, when the papacy declared a Catholic crusade against the Hussite reformers. This period is of particular relevance to the study of medieval England because of the marriage of Richard II to Anne of Bohemia, the figure around whom this book is focused.

Anne’s Bohemia provides a social context for the most important works of literature written in the Czech language, from the earliest spiritual songs and prayers to the principal Hussite and anti-Hussite tracts of the fifteenth century. The picture that emerges from Thomas’s close readings of these texts is one of a society undergoing momentous political and religious upheavals in which kings, queens, clergy, and heretics all played crucial roles. During the reign of Charles IV (1346-78), the Bohemian Lands became the administrative and cultural center of the Holy Roman Empire and Prague its splendid capital. Comparing and contrasting the situation in Bohemia with the England of Richard II, Anne’s Bohemia charts the growth and decline of the international court culture and the gradual ascendancy of the Hussite reformers in the fifteenth century. Expert but accessibly written, the book offers an engaging overview of medieval Bohemian culture for specialist and nonspecialist alike.ISBN 0-8166-3053-4 Cloth $49.95xxISBN 0-8166-3054-2 Paper $19.95x232 pages 6 black-and-white photos 5 7/8 x 9 AprilMedieval Cultures Series, volume 13Translation inquiries: University of Minnesota Press
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Annie Adams Fields
Woman of Letters
Rita Gollin
University of Massachusetts Press
A comprehensive biography of an exemplary woman, this book tells the story of Annie Adams Fields (1834–1915), one of the leading figures in nineteenth-century Boston's cultural circles. Although often defined in terms of her famous husband, publisher James T. Fields of Ticknor & Fields, she was, as this book demonstrates, a person of significant intellectual and social accomplishments in her own right. After Fields entered her remarkable companionate marriage at age twenty, she was welcomed into friendship by such eminent writers as Emerson, Longfellow, Hawthorne, and Dickens. But it was not simply as a dutiful wife that she invited Emerson to lecture to a group of friends in the library of her home, or did literary research for Harriet Beecher Stowe, or advised her husband on submissions to the Atlantic Monthly. As Rita K. Gollin shows, Fields also pursued her own imperatives of self-fulfillment and service to others. A published poet, essayist, and novelist, she also wrote dozens of biographies of famous writers she had known. She founded innovative charities for Boston's poor and campaigned for women's issues, including the right to vote and to be admitted to medical schools. These pursuits continued after she was widowed in 1881 and began a loving partnership with Sarah Orne Jewett—a "Boston marriage" that ended only with Jewett's death in 1909. A shrewd nurturer of many women writers—Rebecca Harding Davis, Lucy Larcom, and Willa Cather among them—and the trusted friend of many illustrious men, Fields learned to move vigorously within the public sphere without violating traditional proprieties-as a woman, as an effective social reformer, and as a writer with wares to promote in the burgeoning literary marketplace. Fields emerges from this thoroughly researched and highly readable work as a woman who both absorbed and challenged the sometimes conflicting values of her time, gender, and class.
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The Annihilation of Inertia
Dostoevsky and Metaphysics
Liza Knapp
Northwestern University Press, 1996
Winner of 1996 AATSEEL Outstanding Translation Award
 
This study is an exploration of the dichotomy of faith and science as presented in the writings of the 19th-century Russian novelist Fyodor Mikhailovich Dostoevsky.
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Anniversaries and Holidays
Bernard Trawicky
American Library Association, 2000

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An Annotated Bibliography of Chinese Painting Catalogues and Related Texts
Hin-cheung Lovell
University of Michigan Press, 1973
The student of Chinese painting must from time to time consult John C. Ferguson’s Li-tai chu-lu hua mu, an index to Chinese paintings recorded in Chinese catalogues. The catalogues in which the paintings are compiled are of equal interest: their compilers, the date of their compilation, their scope, their derivation, their merits and shortcomings, and so on.
An Annotated Bibliography of Chinese Painting Catalogues and Related Texts provides a way for English-language students with limited knowledge of Chinese to find basic information on the catalogues in an easily available form.
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Annotated Bibliography of Oregon Bird Literature Published Before 1935, An
George A. Jobanek
Oregon State University Press, 1997

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An Annotated Bibliography of Selected Chinese Reference Works, Third Edition
Ssu-yu Têng
Harvard University Press, 1971
This widely used bibliography is now available in a third revised and enlarged edition. An essential tool for serious students of Chinese civilization, it supplies bibliographical data and descriptive notes for a very large selection of bibliographies, encyclopedias, dictionaries, geographical and biographical works, tables, yearbooks, and Sinological indexes. Besides books written in Chinese, a limited number of works in Japanese that can readily be used by persons who read Chinese have been included. Of particular value is the listing of many new editions of old books that have been published during the past two decades. There is a combined index and glossary.
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Annotated Bibliography of Southern American English
James B. McMillan
University of Alabama Press, 1989
A collection of the total range of scholarly and popular writing on English as spoken from Maryland to Texas and from Kentucky to Florida

The only book-length bibliography on the speech of the American South, this volume focuses on the pronunciation, vocabulary, grammar, naming practices, word play, and other aspects of language that have interested researchers and writers for two centuries. Compiled here are the works of linguists, historians, anthropologists, sociologists, and educators, as well as popular commentators.

With over 3,800 entries, this invaluable resource is a testament to the significance of Southern speech, long recognized as a distinguishing feature of the South, and the abiding interest of Southerners in their speech as a mark of their identity. The entries encompass Southern dialects in all their distinctive varieties—from Appalachian to African American, and sea islander to urbanite.
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Annotated Book Lists Teen Reader
The Best from the Experts at YALSA-BK
American Library Association
American Library Association, 2011

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Annotated Checklist of the Birds of Arizona
Gale Monson and Allan R. Phillips
University of Arizona Press, 1981

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The Annotated Constitution of Japan
A Handbook
Colin Jones
Amsterdam University Press, 2023
The Annotated Constitution of Japan: A Handbook for the first time makes the entirety of Japan’s constitution accessible in English. The book consists of a historical and contextual overview of how the constitution came into being, followed by descriptions of each of its 103 articles; the meaning of the text, interpretive disputes, academic theories and leading cases arising under them. The book also points out the many subtle distinctions between the English version and the Japanese, some of which arose from the charter’s unique provenance. With contributors representing a broad range of expertise in various areas of Japanese law, the book is written to appeal to academics, students and general readers alike. It is intended to be the first port of call for anyone needing to understand the fundamentals of Japanese constitutional law, whether from the perspective of Japanese studies, comparative law, or political science, but unable to access the text and related literature available in Japanese. Key reference documents in English and Japanese are included as appendices for ease of reference.
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The Annotated Emerson
Ralph Waldo Emerson
Harvard University Press, 2012

A brilliant essayist and a master of the aphorism (“Our moods do not believe in each other”; “Money often costs too much”), Emerson has inspired countless writers. He challenged Americans to shut their ears against Europe’s “courtly muses” and to forge a new, distinctly American cultural identity. But he remains one of America’s least understood writers. And, by his own admission, he spawned neither school nor follower (he valued independent thought too much). Now, in this annotated selection of Emerson’s writings, David Mikics instructs the reader in a larger appreciation of Emerson’s essential works and the remarkable thinker who produced them.

Full of color illustrations and rich in archival photographs, this volume offers much for the specialist and general reader. In his running commentaries on Emerson’s essays, addresses, and poems, Mikics illuminates contexts, allusions, and language likely to cause difficulty to modern readers. He quotes extensively from Emerson’s Journal to shed light on particular passages or lines and examines Emerson the essayist, poet, itinerant lecturer, and political activist. Finally, in his Foreword, Phillip Lopate makes the case for Emerson as a spectacular truth teller—a model of intellectual labor and anti-dogmatic sanity.

Anyone who values Emerson will want to own this edition. Those wishing to discover, or to reacquaint themselves with, Emerson’s writings but who have not known where or how to begin will not find a better starting place or more reliable guide than The Annotated Emerson.

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The Annotated Frankenstein
Mary Wollstonecraft Shelley
Harvard University Press, 2012

An annotated and illustrated edition of Mary Shelley's classic work, celebrating its 200th anniversary in 2018.

First published in 1818, Frankenstein has spellbound, disturbed, and fascinated readers for generations. One of the most haunting and enduring works ever written in English, it has inspired numerous retellings and sequels in virtually every medium, making the Frankenstein myth familiar even to those who have never read a word of Mary Shelley’s remarkable novel. Now, this freshly annotated, illustrated edition illuminates the novel and its electrifying afterlife with unmatched detail and vitality.

From the first decade after publication, “Frankenstein” became a byword for any new, disturbing developments in science, technology, and human imagination. The editors’ Introduction explores the fable’s continuing presence in popular culture and intellectual life as well as the novel’s genesis and composition. Mary Shelley’s awareness of European politics and history, her interest in the poets and philosophical debates of the day, and especially her genius in distilling her personal traumas come alive in this engaging essay.

The editors’ commentary, placed conveniently alongside the text, provides stimulating company. Their often surprising observations are drawn from a lifetime of reading and teaching the novel. A wealth of illustrations, many in color, immerses the reader in Shelley’s literary and social world, in the range of artwork inspired by her novel, as well as in Frankenstein’s provocative cinematic career. The fresh light that The Annotated Frankenstein casts on a story everyone thinks is familiar will delight readers while deepening their understanding of Mary Shelley’s novel and the Romantic era in which it was created.

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The Annotated Importance of Being Earnest
Oscar Wilde
Harvard University Press, 2015

“The truth is rarely pure and never simple,” declares Algernon early in Act One of The Importance of Being Earnest, and were it either, modern literature would be “a complete impossibility.” It is a moment of sly, winking self-regard on the part of the playwright, for The Importance is itself the sort of complex modern literary work in which the truth is neither pure nor simple. Wilde’s greatest play is full of subtexts, disguises, concealments, and double entendres. Continuing the important cultural work he began in his award-winning uncensored edition of The Picture of Dorian Gray, Nicholas Frankel shows that The Importance needs to be understood in relation to its author’s homosexuality and the climate of sexual repression that led to his imprisonment just months after it opened at London’s St. James’s Theatre on Valentine’s Day 1895.

In a facing-page edition designed with students, teachers, actors, and dramaturges in mind, The Annotated Importance of Being Earnest provides running commentary on the play to enhance understanding and enjoyment. The introductory essay and notes illuminate literary, biographical, and historical allusions, tying the play closely to its author’s personal life and sexual identity. Frankel reveals that many of the play’s wittiest lines were incorporated nearly four years after its first production, when the author, living in Paris as an exiled and impoverished criminal, oversaw publication of the first book edition. This newly edited text is accompanied by numerous illustrations.

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The Annotated Origin
A Facsimile of the First Edition of On the Origin of Species
Charles DarwinAnnotated by James T. Costa
Harvard University Press, 2009
Charles Darwin’s On the Origin of Species is the most important and yet least read scientific work in the history of science. Now James T. Costa—experienced field biologist, theorist on the evolution of insect sociality, and passionate advocate for teaching Darwin in a society in which a significant proportion of adults believe that life on earth has been created in its present form within the last 10,000 years—has given a new voice to this epochal work. By leading readers line by line through the Origin, Costa brings evolution’s foundational text to life for a new generation.The Annotated Origin is the edition of Darwin’s masterwork used in Costa’s course at Western Carolina University and in Harvard’s Darwin Summer Course at Oxford. A facsimile of the first edition of 1859 is accompanied by Costa’s extensive marginal annotations, drawing on his extensive experience with Darwin’s ideas in the field, lab, and classroom. This edition makes available an accessible, useful, and practical resource for anyone reading the Origin for the first time or for those who want to reread it with the insights and perspective that a working biologist can provide.
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The Annotated Letters of Christopher Smart
Edited by Betty Rizzo and Robert Mahony
Southern Illinois University Press, 1991

The only collection of all known letters of Christopher Smart provides the best psychological explanation to date of that complex and elusive eighteenth-century poet.

The significant characteristics that distinguish Smart’s prose letters from his poetry, Betty Rizzo and Robert Mahony note, are that his letters were requests for assistance while his verses were bequests, gifts in which he set great store. Indeed, it was Smart’s lifelong conviction that he was a poet of major importance.

As Smart biographer Karina Williamson notes, "The splendidly informative and vivaciously written accounts of the circumstances surrounding each letter, or group of letters, add up to what is in effect a miniature biography."

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The Annotated Lincoln
Abraham Lincoln
Harvard University Press, 2016

No American president before or since has faced the problems that confronted Abraham Lincoln when he took office in 1861. Nor has any president expressed himself with such eloquence on issues of great moment. Lincoln’s writings reveal the depth of his thought and feeling and the sincerity of his convictions as he weighed the cost of freedom and preserving the Union. Now for the first time an annotated edition of Lincoln’s essential writings examines the extraordinary man who produced them and explains the context in which they were composed.

The Annotated Lincoln spans three decades of Lincoln’s career, from his initial political campaign for state assemblyman in 1832 to his final public address on Reconstruction, delivered three days before his assassination on April 15, 1865. Included here are selections from his personal and political letters, poetry, speeches, and presidential messages and proclamations. In their generous annotations, Harold Holzer and Thomas Horrocks explore Lincoln’s thoughts on slavery, emancipation, racial equality, the legality of secession, civil liberties in wartime, and the meaning of the terrible suffering caused by the Civil War. And they bring Lincoln’s writings into the ambit of Lincoln scholarship, to offer a broader appreciation of his thoughts, words, and career.

Numerous illustrations throughout animate historical events and actors. Teachers, students, and especially Lincoln enthusiasts will treasure this elegant volume and keep it close at hand for reference and enjoyment.

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The Annotated Poe
Edgar Allan Poe
Harvard University Press, 2015

Edgar Allan Poe is perhaps America’s most famous writer. Adapted many times to the stage and screen and an inspiration to countless illustrators, graphic novelists, and musicians, his tales and poems remain a singular presence in popular culture. (His most famous poem inspired the name of the NFL’s Baltimore Ravens.) And then there is the matter of Poe’s literary influence. “How many things come out of Poe?” Jorge Luis Borges once asked. And yet Poe remains misunderstood, his works easily confused with the legend of a troubled genius. Now, in this annotated edition of selected tales and poems, Kevin J. Hayes debunks the Poe myth, enables a larger appreciation of Poe’s career and varied achievements, and investigates his weird afterlives.

With color illustrations and photographs throughout, The Annotated Poe contains in-depth notes placed conveniently alongside the tales and poems to elucidate Poe’s sources, obscure words and passages, and literary, biographical, and historical allusions. Like Poe’s own marginalia, Hayes’s marginal notes accommodate “multitudinous opinion”: he explains his own views and interpretations as well as those of other writers and critics, including Poe himself. In his Foreword, William Giraldi provides a spirited introduction to the writer who produced such indelible masterpieces as “The Fall of the House of Usher,” “The Murders in the Rue Morgue,” and “The Black Cat.”

The Annotated Poe offers much for both the professional and the general reader—but it will be especially prized by those who think of themselves as Poe aficionados.

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The Annotated Prison Writings of Oscar Wilde
Oscar Wilde
Harvard University Press, 2018

“And I? May I say nothing, my lord?” With these words, Oscar Wilde’s courtroom trials came to a close. The lord in question, High Court justice Sir Alfred Wills, sent Wilde to the cells, sentenced to two years in prison with hard labor for the crime of “gross indecency” with other men. As cries of “shame” emanated from the gallery, the convicted aesthete was roundly silenced.

But he did not remain so. Behind bars and in the period immediately after his release, Wilde wrote two of his most powerful works—the long autobiographical letter De Profundis and an expansive best-selling poem, The Ballad of Reading Gaol. In The Annotated Prison Writings of Oscar Wilde, Nicholas Frankel collects these and other prison writings, accompanied by historical illustrations and his rich facing-page annotations. As Frankel shows, Wilde experienced prison conditions designed to break even the toughest spirit, and yet his writings from this period display an imaginative and verbal brilliance left largely intact. Wilde also remained politically steadfast, determined that his writings should inspire improvements to Victorian England’s grotesque regimes of punishment. But while his reformist impulse spoke to his moment, Wilde also wrote for eternity.

At once a savage indictment of the society that jailed him and a moving testimony to private sufferings, Wilde’s prison writings—illuminated by Frankel’s extensive notes—reveal a very different man from the famous dandy and aesthete who shocked and amused the English-speaking world.

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The Annotated U.S. Constitution and Declaration of Independence
Jack N. Rakove
Harvard University Press, 2012

Here in a newly annotated edition are the two founding documents of the United States of America: the Declaration of Independence (1776), our great revolutionary manifesto, and the Constitution (1787–88), in which “We the People” forged a new nation and built the framework for our federal republic. Together with the Bill of Rights and the Civil War amendments, these documents constitute what James Madison called our “political scriptures” and have come to define us as a people. Now a Pulitzer Prize–winning historian serves as a guide to these texts, providing historical contexts and offering interpretive commentary.

In an introductory essay written for the general reader, Jack N. Rakove provides a narrative political account of how these documents came to be written. In his commentary on the Declaration of Independence, Rakove sets the historical context for a fuller appreciation of the important preamble and the list of charges leveled against the Crown. When he glosses the Constitution, the Bill of Rights, and the subsequent amendments, Rakove once again provides helpful historical background, targets language that has proven particularly difficult or controversial, and cites leading Supreme Court cases. A chronology of events provides a framework for understanding the road to Philadelphia. The general reader will not find a better, more helpful guide to our founding documents than Jack N. Rakove.

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Annotated World List of Selected Current Geographical Serials
Chauncey D. Harris
University of Chicago Press, 1980

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The Annotated Wuthering Heights
Emily Brontë
Harvard University Press, 2014

Emily Brontë’s Wuthering Heights has been called the most beautiful, most profoundly violent love story of all time. At its center are Catherine and Heathcliff, and the self-contained world of Wuthering Heights, Thrushcross Grange, and the wild Yorkshire moors that the characters inhabit. “I am Heathcliff,” Catherine declares. In her introduction Janet Gezari examines Catherine’s assertion and in her notes maps it to questions that flicker like stars in the novel’s dark dreamscape. How do we determine who and what we are? What do the people closest to us contribute to our sense of identity?

The Annotated Wuthering Heights provides those encountering the novel for the first time—as well as those returning to it—with a wide array of contexts in which to read Brontë’s romantic masterpiece. Gezari explores the philosophical, historical, economic, political, and religious contexts of the novel and its connections with Brontë’s other writing, particularly her poems. The annotations unpack Brontë’s allusions to the Bible, Shakespeare, and her other reading; elucidate her references to topics including folklore, educational theory, and slavery; translate the thick Yorkshire dialect of Joseph, the surly, bigoted manservant at the Heights; and help with other difficult or unfamiliar words and phrases.

Handsomely illustrated with many color images that vividly recreate both Brontë’s world and the earlier Yorkshire setting of her novel, this newly edited and annotated text will delight and instruct the scholar and general reader alike.

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Annotations
On the Early Thought of W. E. B. Du Bois
Nahum Dimitri Chandler
Duke University Press, 2022
In Annotations Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races.” Chandler approaches Du Bois as a generative and original philosophical thinker-writer on the status and historical implication of matters of human difference, both the fact of and the very idea thereof. Chandler proposes both a close reading of Du Bois’s engagement of the concept of so-called race and a deep meditation on Du Bois’s conceptualization of historicity in general. He elaborates on the way Du Bois’s thought in this address can give an account of the organization of the historicity that yields the emergence of something like the African American, at once with its own internal dimensions and yet also as an originary articulation of forces and possibilities that have world historical implications. Chandler refigures Du Bois’s thought as a vital theoretical resource for rethinking our concepts of differences among humans and, so too, our understanding of modern historicity itself.
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Annual of the Society of Christian Ethics 1976
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

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Annual of the Society of Christian Ethics 1985
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

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Annual of the Society of Christian Ethics 1986
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

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Annual of the Society of Christian Ethics 1988
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

[more]

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Annual of the Society of Christian Ethics 1989
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

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Annual of the Society of Christian Ethics 1990
with Cumulative Index
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

[more]

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Annual of the Society of Christian Ethics 1991
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

[more]

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Annual of the Society of Christian Ethics 1992
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

[more]

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Annual of the Society of Christian Ethics 1993
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

[more]

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Annual of the Society of Christian Ethics 1994
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, publishes some of the most recent work by Christian ethicists in North America and offers a convenient way to keep abreast of the best scholarship in the discipline. It is indexed in Religion Index II, Religious and Theological Abstracts, Arts & Humanities Citation Index, Current Content/Arts & Humanities, and Research Alert.

The 1994 issue includes a presidential address by Margaret Farley on love in the postmodern world and essays on health care reform, the Protestant idea of vocation, women and aging, military ethics in the Gulf War, family theory in the Chicago School of economics, and religious freedom. There is a professional resources section on feminist and womanist ethics guest edited by Barbara Anderson.

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Annual of the Society of Christian Ethics 1995
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

The 1995 issue presents the presidential address by Jon P. Gunnemann on "Alchemic Temptations." It includes articles by Larry Rasmussen on the integrity of creation, Sumner B. Twiss and Bruce Grelle on comparative religious ethics and human rights, Simeon O. Ilesanmi on inculturation and liberation theology in Africa, Keith Grabe Miller on Mennonite lobbyists, Christine D. Pohl on hospitality, and James A. Nash on renewing the virtue of frugality. The professional resources section on families and the social order is edited by Christine Firer Hinze and Todd David Whitmore.

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Annual of the Society of Christian Ethics 1996
Harlan Beckley, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, is an essential source for student and faculty to keep abreast of new developments in Christian and religious ethics and to locate sources for research. It is indexed in The Philosopher's Index, Religion Index II, Religious and Theological Abstracts, Arts & Humanities Citation Index, Current Content/Arts & Humanities, and Research Alert.

The 1996 issue includes articles by Maria Antonaccio on Iris Murdoch's 'Godless' theology, William P. George on the ethics of international regimes, J. Brian Hehir on the changing realities of national sovereignty and the ethics of international relations, Roy May, Jr., on reconciliation in Latin America, Rebekah Miles on Reinhold Niebuhr and feminist ethics, Richard B. Miller on love and death in pediatric intensive care, Robert Tuttle on the common law in Paul Ramsey's ethics, William Werpehowski on anger in the Christian moral life, and David Hollenbach, in his presidential address, on social ethics under the sign of the cross. The professional resources section on covenant and ethics is edited by Douglas F. Ottati and Douglas J. Schurman.

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Annual of the Society of Christian Ethics 1997
Sumner B. Twiss, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, offers access to a wide variety of the most recent work in Christian and religious ethics. It is an essential source for student and faculty to keep abreast of new developments in the discipline and to locate sources for research.

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Annual of the Society of Christian Ethics 1998
Sumner B. Twiss, Editor
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, is an essential source for students and faculty to keep abreast of new developments in Christian and religious ethics and to locate sources for research. The Annual publishes nine to ten refereed scholarly articles a year as well as a professional resources section on teaching and scholarship in ethics. Subjects include the nature and tasks of religious ethics, comparative ethics involving a variety of Western and Eastern traditions, religious social ethics and social theory, and problems in professional and applied ethics.

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Annual of the Society of Christian Ethics 1999
John Kelsay and Sumner B. Twiss, Editors
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, is an essential source for students and faculty to keep abreast of new developments in Christian and religious ethics and to locate sources for research. The Annual publishes nine to ten refereed scholarly articles a year as well as a professional resources section on teaching and scholarship in ethics. Subjects include the nature and tasks of religious ethics, comparative ethics involving a variety of Western and Eastern traditions, religious social ethics and social theory, and problems in professional and applied ethics.

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Annual of the Society of Christian Ethics 2001
John Kelsay and Sumner B. Twiss, Editors
Georgetown University Press

The Annual, the journal of the Society of Christian Ethics, is an essential source for students and faculty to keep abreast of new developments in Christian and religious ethics and to locate sources for research. The Annual publishes nine to ten refereed scholarly articles a year as well as a professional resources section on teaching and scholarship in ethics. Subjects include the nature and tasks of religious ethics, comparative ethics involving a variety of Western and Eastern traditions, religious social ethics and social theory, and problems in professional and applied ethics.

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Annulments
Zach Savich
University Press of Colorado, 2010
Winner of the 2010 Colorado Prize for Poetry
Published by the Center for Literary Publishing at Colorado State University
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The Anointed
Evangelical Truth in a Secular Age
Randall J. Stephens and Karl W. Giberson
Harvard University Press, 2011

American evangelicalism often appears as a politically monolithic, textbook red-state fundamentalism that elected George W. Bush, opposes gay marriage, abortion, and evolution, and promotes apathy about global warming. Prominent public figures hold forth on these topics, speaking with great authority for millions of followers. Authors Stephens and Giberson, with roots in the evangelical tradition, argue that this popular impression understates the diversity within evangelicalism—an often insular world where serious disagreements are invisible to secular and religiously liberal media consumers. Yet, in the face of this diversity, why do so many people follow leaders with dubious credentials when they have other options? Why do tens of millions of Americans prefer to get their science from Ken Ham, founder of the creationist Answers in Genesis, who has no scientific expertise, rather than from his fellow evangelical Francis Collins, current Director of the National Institutes of Health?

Exploring intellectual authority within evangelicalism, the authors reveal how America’s populist ideals, anti-intellectualism, and religious free market, along with the concept of anointing—being chosen by God to speak for him like the biblical prophets—established a conservative evangelical leadership isolated from the world of secular arts and sciences.

Today, charismatic and media-savvy creationists, historians, psychologists, and biblical exegetes continue to receive more funding and airtime than their more qualified counterparts. Though a growing minority of evangelicals engage with contemporary scholarship, the community’s authority structure still encourages the “anointed” to assume positions of leadership.

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The Anoles of Honduras
Systematics, Distribution, and Conservation
James R. McCranie and Gunther Köhler
Harvard University Press, 2015

The lizard genus Anolis contains more species than any other genus of reptile, bird, or mammal. Caribbean members of this group have been intensively studied and have become a model system for the study of ecology, evolution, and biogeography, but knowledge of the anoles of Central and South America has lagged behind. In this landmark volume, veteran herpetologists James R. McCranie and Gunther Köhler take a step toward rectifying this shortcoming by providing a detailed account of the rich anole fauna of Honduras.

Generously illustrated with 157 photos and drawings, The Anoles of Honduras includes information on the evolutionary relationships, natural history, distribution, and conservation of all 39 Honduran anole species. The work is the result of decades of study both in the field and in museums and is the first synthetic discussion of the complete anole fauna of any Central or South American country. Each species is described in great detail with locality maps. Bilingual (English and Spanish), extensively illustrated identification keys are also included.

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Anomalous States
Irish Writing and the Post-Colonial Moment
David Lloyd
Duke University Press, 1993
Anomalous States is an archeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions of identity were first formed. In five linked essays, he explores modern Irish literature and its political contexts through the work of four Irish writers—Heaney, Beckett, Yeats, and Joyce.
Beginning with Heaney and Beckett, Lloyd shows how in these authors the question of identity connects with the dominance of conservative cultural nationalism and argues for the need to understand Irish culture in relation to the wider experience of colonized societies. A central essay reads Yeats's later works as a profound questioning of the founding of the state. Final essays examine the gradual formation of the state and nation as one element in a cultural process that involves conflict between popular cultural forms and emerging political economies of nationalism and the colonial state. Modern Ireland is thus seen as the product of a continuing process in which, Lloyd argues, the passage to national independence that defines Ireland's post-colonial status is no more than a moment in its continuing history.
Anomalous States makes an important contribution to the growing body of work that connects cultural theory with post-colonial historiography, literary analysis, and issues in contemporary politics. It will interest a wide readership in literary studies, cultural studies, anthropology, and history.
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The Anomie of the Earth
Philosophy, Politics, and Autonomy in Europe and the Americas
Federico Luisetti, John Pickles, and Wilson Kaiser, eds.
Duke University Press, 2015
The contributors to The Anomie of the Earth explore the convergences and resonances between Autonomist Marxism and decolonial thinking. In discussing and rejecting Carl Schmitt's formulation of the nomos—a conceptualization of world order based on the Western tenets of law and property—the authors question the assumption of universal political subjects and look towards politics of the commons divorced from European notions of sovereignty. They contrast European Autonomism with North and South American decolonial and indigenous conceptions of autonomy, discuss the legacies of each, and examine social movements in the Americas and Europe. Beyond orthodox Marxism, their transatlantic exchanges point to the emerging categories disclosed by the collapse of the colonial and capitalist frameworks of Western modernity.

Contributors. Joost de Bloois, Jodi A. Byrd, Gustavo Esteva, Silvia Federici, Wilson Kaiser, Mara Kaufman, Frans-Willem Korsten, Federico Luisetti, Sandro Mezzadra, Walter D. Mignolo, Benjamin Noys, John Pickles, Alvaro Reyes, Catherine Walsh, Gareth Williams, Zac Zimmer
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Anon
Steven Seidenberg
Omnidawn, 2022
Lyrical, aphoristic poems that move between forms and consider tropes of narrative. 
 
The narrator of Anon opens the sluice gates of embittered confession and philosophical reproach to release a flood of extravagant lyricism. These poems at first submerge readers in the ecstatic rhythms of its music, then they turn to address the tropes of narrative, inviting readers to join in pursuit of major themes of the human condition. 
 
Steven Seidenberg employs a characteristically aphoristic style to manage multiple lines of inquiry at once. The resultant fragments navigate between testament and treatise, storyline and system, and in a manner that echoes the speculative vehemence of Samuel Beckett, Clarice Lispector, and Maurice Blanchot
 
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Anonimo Mexicano
Richley Crapo and Bonnie Glass-Coffin
Utah State University Press, 2005
Anonimo Mexicano is the first publication of the full Nahuatl text and English translation of a rare and important Native history of preconquest Mexico. Written circa 1600 by an anonymous Tlaxcaltecan author, it is an epic account of the settling of central Mexico by Nahua peoples from the northern frontier. They developed a sophisticated culture with powerful city states and an agricultural economy, fought great wars, established dynasties, and recorded their history and legends in painted books. The Mexica became the most powerful of these nations until their conquest by the Spanish with the help of the Tlaxcalteca, who were rivals of the Mexica and whose national origin tale was recorded in Anonimo Mexicano.
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Anonymity
Alison Macrina
American Library Association, 2019

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Anonymous Connections
The Body and Narratives of the Social in Victorian Britain
Tina Young Choi
University of Michigan Press, 2016
Anonymous Connections asks how the Victorians understood the ethical, epistemological, and biological implications of social belonging and participation. Specifically, Tina Choi considers the ways nineteenth-century journalists, novelists, medical writers, and social reformers took advantage of spatial frames-of-reference in a social landscape transforming due to intense urbanization and expansion. New modes of transportation, shifting urban demographics, and the threat of epidemics emerged during this period as anonymous and involuntary forms of contact between unseen multitudes. While previous work on the early Victorian social body have tended to describe the nineteenth-century social sphere in static political and class terms, Choi’s work charts new critical terrain, redirecting attention to the productive—and unpredictable—spaces between individual bodies as well as to the new narrative forms that emerged to represent them. Anonymous Connections makes a significant contribution to scholarship on nineteenth-century literature and British cultural and medical history while offering a timely examination of the historical forebears to modern concerns about the cultural and political impact of globalization.

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The Anonymous Marie de France
R. Howard Bloch
University of Chicago Press, 2003
This book by one of our most admired and influential medievalists offers a fundamental reconception of the person generally assumed to be the first woman writer in French, the author known as Marie de France. The Anonymous Marie de France is the first work to consider all of the writing ascribed to Marie, including her famous Lais, her 103 animal fables, and the earliest vernacular Saint Patrick's Purgatory.

Evidence about Marie de France's life is so meager that we know next to nothing about her-not where she was born and to what rank, who her parents were, whether she was married or single, where she lived and might have traveled, whether she dwelled in cloister or at court, nor whether in England or France. In the face of this great writer's near anonymity, scholars have assumed her to be a simple, naive, and modest Christian figure. Bloch's claim, in contrast, is that Marie is among the most self-conscious, sophisticated, complicated, and disturbing figures of her time-the Joyce of the twelfth century. At a moment of great historical turning, the so-called Renaissance of the twelfth century, Marie was both a disrupter of prevailing cultural values and a founder of new ones. Her works, Bloch argues, reveal an author obsessed by writing, by memory, and by translation, and acutely aware not only of her role in the preservation of cultural memory, but of the transforming psychological, social, and political effects of writing within an oral tradition.

Marie's intervention lies in her obsession with the performative capacities of literature and in her acute awareness of the role of the subject in interpreting his or her own world. According to Bloch, Marie develops a theology of language in the Lais, which emphasize the impossibility of living in the flesh along with a social vision of feudalism in decline. She elaborates an ethics of language in the Fables, which, within the context of the court of Henry II, frame and form the urban values and legal institutions of the Anglo-Norman world. And in her Espurgatoire, she produces a startling examination of the afterlife which Bloch links to the English conquest and occupation of medieval Ireland.

With a penetrating glimpse into works such as these, The Anonymous Marie de France recovers the central achievements of one of the most pivotal figures in French literature. It is a study that will be of enormous value to medievalists, literary scholars, historians of France, and anyone interested in the advent of female authorship.
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Anonymous Old English Lives of Saints
Johanna Kramer
Harvard University Press, 2020

From the first centuries of Christianity, believers turned to the perfection modeled by saints for inspiration, and a tradition of recounting saints’ Lives flourished. The Latin narratives followed specific forms, dramatizing a virgin’s heroic resolve or a martyr’s unwavering faith under torture.

In early medieval England, saints’ Lives were eagerly received and translated into the vernacular. The stories collected here by unknown authors are preserved in manuscripts dating from the eleventh and twelfth centuries. They include locally venerated saints like the abbess Seaxburh, as well as universally familiar ones like Nicholas and Michael the Archangel, and are set everywhere from Antioch to Rome, from India to Ephesus. These Lives also explore such topics as the obligations of rulers, marriage and gender roles, private and public devotion, the environment, education, and the sweep of human history. This volume presents new Old English editions and modern English translations of twenty-two unattributed saints’ Lives.

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The Anonymous Renaissance
Cultures of Discretion in Tudor-Stuart England
Marcy L. North
University of Chicago Press, 2003
"The Anonymous Renaissance offers a paradigm-shifting look at print culture in early modern England. North demonstrates through sound historical discussions and readings that anonymity was one of the defining practices of Renaissance authorship. It is difficult to overstate the originality and importance of this new study."-Jennifer Summit, Stanford University

The Renaissance was in many ways the beginning of modern and self-conscious authorship, a time when individual genius was celebrated and an author's name could become a book trade commodity. Why, then, did anonymous authorship flourish during the Renaissance rather than disappear? In addressing this puzzle, Marcy L. North reveals the rich history and popularity of anonymity during this period.

The book trade, she argues, created many intriguing and paradoxical uses for anonymity, even as the authorial name became more marketable. Among ecclesiastical debaters, for instance, anonymity worked to conceal identity, but it could also be used to identify the moral character of the author being concealed. In court and coterie circles, meanwhile, authors turned name suppression into a tool for the preservation of social boundaries. Finally, in both print and manuscript, anonymity promised to liberate an authentic female voice, and yet made it impossible to authenticate the gender of an author. In sum, the writers and book producers who helped to create England's literary culture viewed anonymity as a meaningful and useful practice.

Written with clarity and grace, The Anonymous Renaissance will fill a prominent gap in the study of authorship and English literary history.
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Anonymous
The Performance of Hidden Identities
Thomas DeGloma
University of Chicago Press, 2023
A rich sociological analysis of how and why we use anonymity.
 
In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In Anonymous, Thomas DeGloma draws on a fascinating set of contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity. He asks a number of pressing questions about the social conditions and effects of anonymity. What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them?
 
To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action, including ones he dubs protective, subversive, institutional, and ascribed. Ultimately, he argues that anonymity and pseudonymity are best understood as performances in which people obscure personal identities as they make meaning for various audiences. As they bring anonymity and pseudonymity to life, DeGloma shows, people work to define the world around them to achieve different goals and objectives.
 
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Anorexia and Mimetic Desire
René Girard
Michigan State University Press, 2008
René Girard shows that all desires are contagious—and the desire to be thin is no exception. In this compelling new book, Girard ties the anorexia epidemic to what he calls mimetic desire: a desire imitated from a model. Girard has long argued that, far from being spontaneous, our most intimate desires are copied from what we see around us. In a culture obsessed with thinness, the rise of eating disorders should be no surprise. When everyone is trying to slim down, Girard asks, how can we convince anorexic patients to have a healthy outlook on eating? Mixing theoretical sophistication with irreverent common sense, Girard denounces a “culture of anorexia” and takes apart the competitive impulse that fuels the game of conspicuous non-consumption. He shows that showing off a slim physique is not enough—the real aim is to be skinnier than one’s rivals. In the race to lose the most weight, the winners are bound to be thinner and thinner. Taken to extremes, this tendency to escalation can only lead to tragic results. Featuring a foreword by neuropsychiatrist Jean-Michel Oughourlian and an introductory essay by anthropologist Mark R. Anspach, the volume concludes with an illuminating conversation between René Girard, Mark R. Anspach, and Laurence Tacou.
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Another Aesthetics Is Possible
Arts of Rebellion in the Fourth World War
Jennifer Ponce de León
Duke University Press, 2021
In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
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Another Appalachia
Coming Up Queer and Indian in a Mountain Place
Neema Avashia
West Virginia University Press, 2022

2023 Lambda Literary Award Finalist, Lesbian Memoir/Biography
Named the BEST LGBTQ+ MEMOIR of 2022 by Book Riot
Named a New York Public Library Best Book of 2022

Weatherford Award finalist, nonfiction

“Commands your attention from the first page to the last word.” —Morgan Jerkins

“I’m glad this memoir exists . . . and I’m especially glad it’s so good.” —Vauhini Vara, New York Magazine

When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.

Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.

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