Cover
Title page
Copyright page
Table of Contents
Chapter 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood
Preface and Acknowledgments
Introduction
I. WORLD WAR II
Film and Television
Chapter 1 Invisible Deaths: Polish Cinema’s Representation of Women in World War II
Chapter 2 She Defends His Motherland: The Myth of Mother Russia in Soviet Maternal Melodrama of the 1940s
Chapter 3 Flight without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit’ko’s Wings (1966)
Chapter 4 Gender(ed) Games: Romance, Slapstick, and Ideology in the Polish Television Series Four Tank Men and a Dog
Literature, Graphics, Song
Chapter 5 Rage in the City of Hunger: Body, Talk, and the Politics of Womanliness in Lidia Ginzburg’s Notes from the Siege of Leningrad
Chapter 6 Graphic Womanhood under Fire
Chapter 7 Songs of Women Warriors and Women Who Waited
II. Recent Wars
Chapter 8 “Black Widows”: Women as Political Combatants in the Chechen Conflict
Chapter 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood
Chapter 10 Dubravka Ugrešić’s War Museum: Approaching the “Point of Pain”
List of Contributors
Index
Illustrations
Back cover