translated by Judith G. Miller, Amelia Parenteau, Ninon Vessier and Subha Xavier
edited by Judith G. Miller
with Sylvie Chalaye
Bucknell University Press, 2024
eISBN: 978-1-68448-514-7 | Paper: 978-1-68448-511-6 | Cloth: 978-1-68448-512-3
Library of Congress Classification PQ3987.5.E5C66 2024
Dewey Decimal Classification 842.008

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Bringing together in English translation eleven Francophone African plays dating from 1970 to 2021, this essential collection includes satirical portraits of colonizers and their collaborators (Bernard Dadié’s Béatrice du Congo; Sony Labou Tansi’s I, Undersigned, Cardiac Case; Sénouvo Agbota Zinsou’s We’re Just Playing) alongside contemporary works questioning diasporic identity and cultural connections (Koffi Kwahulé’s SAMO: A Tribute to Basquiat and Penda Diouf’s Tracks, Trails, and Traces…). The anthology memorializes the Rwandan genocide (Yolande Mukagasana’s testimony from Rwanda 94), questions the status of women in entrenched patriarchy (Werewere Liking’s Singuè Mura: Given That a Woman…), and follows the life of Elizabeth Nietzsche, who perverted her brother’s thought to colonize Paraguay (José Pliya’s The Sister of Zarathustra). Gustave Akakpo’s The True Story of Little Red Riding Hood and Kossi Efoui’s The Conference of the Dogs offer parables about what makes life livable, while Kangni Alem’s The Landing shows the dangers of believing in a better life, through migration, outside of Africa.

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