Contents
Editorial: The river around us, the stream within us: The traces of the sun and Inka kinetics - Tom Cummins and Bruce Mannheim
Inka water management and the symbolic dimensions of display fountains - Carolyn Dean
Idols, mountains, and metaphysics in Guaman Poma’s pictures of huacas - Lisa Trever
Peruvian nature up close, seen from afar - Daniela Bleichmar
About time: Problems of narrative in the Battle Mural at Cacaxtla - Claudia Brittenham
The Codex Teotenantzin and the Pre-Hispanic images of the Sierra de Guadalupe, México - Leonardo Lopez Lujan and Xavier Noguez
Under the sign of the cross in the kingdom of Kongo: Religious conversion and visual correlation in early modern Central Africa - Cecile Fromont
Hunters, Sufis, soldiers, and minstrels: The diaspora aesthetics of the Moroccan Gnawa - Cynthia Becker
The birth of an image: The painting of a statue of Herakles and theories of representation in ancient Greek culture - Clemente Marconi
Model, type, and the Great Church - Joseph Rykwert
The multiplication of the species: Eucharistic morphology in the Middle Ages - Aden Kumler
Jesus wept! On the history of anthropology in Christianity: A new reading of a miniature from the Gospel book of Otto III as Kippfigur - Beate Fricke
The votive scenario - Christopher S. Wood
Twenty-five notes on pseudo script in Italian art - Alexander Nagel
Dürer’s folds - Christopher Heuer
To conceive of in pictures: An episode from the history of knowledge - Anselm Haverkamp
Primitivism, humanism, and ambivalence: Cobra and Post-Cobra - Karen Kurczynski and Nicola Pezolet
Photography and redemption: Allegory, theology, and artistic practice in Thomas Struth’s early cityscapes - Paula Carabell
Enactive Criticism: Research as embodiment - Tanja Klemm, Esther Schomacher and Jan Soffner
The puppet’s paradox: An organic prosthesis - Chiara Cappelletto
Time-based art - Boris Groys
Globe double: Mimetic capital, technology - David Gersten
L’autre supplément, II - Remo Guidieri
A conversation on music and art: February 16, 1986 - Morton Feldman and Francesco Pellizzi