Contents
Acknowledgments
Introduction
1. Music as Sonorous Envelope and Acoustic Mirror
2. Scatting, the Acoustic Mirror, and the Real in the Beatles' "I Want You (She's So Heavy)"
3. Why Notes Always Reach Their Destination (at Least Once) in Schubert's Winterreise
4. Music and the Gaze: Schubert's "Der Doppelgänger" and "Ihr Bild"
5. Peter Gabriel's "Intruder," a Cover, and the Gaze
6. Oi: Music, Politics, and Violence
7. Lamentation, Abjection, and the Music of Diamanda Galás
Notes
Bibliography
Index