by Timothy W. Luke
University of Minnesota Press, 2002
Cloth: 978-0-8166-1988-7 | Paper: 978-0-8166-1989-4
Library of Congress Classification AM151.L85 2002
Dewey Decimal Classification 069.5

ABOUT THIS BOOK
ABOUT THIS BOOK
The first sustained critique of the ways museum exhibits shape cultural assumptions and political values.

Each year the more than seven thousand museums in the United States attract more attendees than either movies or sports. Yet until recently, museums have escaped serious political analysis. The past decade, however, has witnessed a series of unusually acrimonious debates about the social, political, and moral implications of museum exhibitions as varied as the Enola Gay display at the Smithsonian's Air and Space Museum and the Sensation exhibit at the Brooklyn Museum of Art.

In this important volume, Timothy W. Luke explores museums' power to shape collective values and social understandings, and argues persuasively that museum exhibitions have a profound effect on the body politic. Through discussions of topics ranging from how the National Holocaust Museum and the Museum of Tolerance in Los Angeles have interpreted the Holocaust to the ways in which the American Museum of Natural History, the Missouri Botanical Gardens, and Tucson's Arizona-Sonora Desert Museum have depicted the natural world, Luke exposes the processes through which museums challenge but more often affirm key cultural and social realities.

Timothy W. Luke is University Distinguished Professor in the Department of Political Science at Virginia Polytechnic Institute and State University.

See other books on: Culture conflict | Culture diffusion | Exhibition | Museum exhibits | Museums
See other titles from University of Minnesota Press