In Black Dragon: Afro Asian Performance and the Martial Arts Imagination, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar’s appearance in Bruce Lee’s film Game of Death, Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist emancipation for the twenty-first century.

Zachary F. Price is Assistant Professor of Drama and African American Studies at the University of California, Irvine.

List of Illustrations

Preface            Performing Gender in a Broken City

Acknowledgments

Introduction    The Crisis of Black Masculinity

Chapter 1        Enter the Black Dragons

Chapter 2        Black Panther Martial Art

Chapter 3        How Do You Like My Wu-Tang Style?

Chapter 4        The Sound of a Dragon: Fred Ho’s Afro Asian Jazz Martial Arts

Chapter 5        Here Be Dragons: The Odyssey Toward Liberation

Post     A Virtual Kinesthesia

Bibliography

Index