“Mud in Our Mouths elegiacally renders a queer experience of small-town America with care for her subjects, attention to the socioeconomic and sociocultural factors at work, and a precision of language and lineation. The poems consider the ephemeral: places and people once known, the people one used to be.” —Emilia Phillips, author of Nonbinary Bird of Paradise
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“I love it when a poem’s shape and content collide—when I’m asked to open to more than what, at first, I perceive. Luiza Flynn-Goodlett’s Mud in our Mouths is a queer ecology in the language of wind. These exquisitely controlled lines simultaneously hold it all—threat, violence, loss, love, joy, and even provisional/grace—while spilling, like seeds, to become bodies born of light." —TC Tolbert, author of The Quiet Practices
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“Mud in Our Mouths elegiacally renders a queer experience of small-town America with care for her subjects, attention to the socioeconomic and sociocultural factors at work, and a precision of language and lineation. The poems consider the ephemeral: places and people once known, the people one used to be.” —Emilia Phillips, author of Nonbinary Bird of Paradise
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“I love it when a poem’s shape and content collide—when I’m asked to open to more than what, at first, I perceive. Luiza Flynn-Goodlett’s Mud in our Mouths is a queer ecology in the language of wind. These exquisitely controlled lines simultaneously hold it all—threat, violence, loss, love, joy, and even provisional/grace—while spilling, like seeds, to become bodies born of light." —TC Tolbert, author of The Quiet Practices
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“Mud in Our Mouths elegiacally renders a queer experience of small-town America with care for her subjects, attention to the socioeconomic and sociocultural factors at work, and a precision of language and lineation. The poems consider the ephemeral: places and people once known, the people one used to be.” —Emilia Phillips, author of Nonbinary Bird of Paradise
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“I love it when a poem’s shape and content collide—when I’m asked to open to more than what, at first, I perceive. Luiza Flynn-Goodlett’s Mud in our Mouths is a queer ecology in the language of wind. These exquisitely controlled lines simultaneously hold it all—threat, violence, loss, love, joy, and even provisional/grace—while spilling, like seeds, to become bodies born of light." —TC Tolbert, author of The Quiet Practices
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“Mud in Our Mouths elegiacally renders a queer experience of small-town America with care for her subjects, attention to the socioeconomic and sociocultural factors at work, and a precision of language and lineation. The poems consider the ephemeral: places and people once known, the people one used to be.” —Emilia Phillips, author of Nonbinary Bird of Paradise
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“I love it when a poem’s shape and content collide—when I’m asked to open to more than what, at first, I perceive. Luiza Flynn-Goodlett’s Mud in our Mouths is a queer ecology in the language of wind. These exquisitely controlled lines simultaneously hold it all—threat, violence, loss, love, joy, and even provisional/grace—while spilling, like seeds, to become bodies born of light." —TC Tolbert, author of The Quiet Practices
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